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Don't Slack
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Vous avez sélectionné:
Don't Slack
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Don't Slack
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brandon Paak Anderson, Justin
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Manuel Guinand
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Don't Slack
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Aumaitre Guinand
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.922439 Composed by Brandon Paak Anderson, Justin R. Timberlake, Justin Timberlake, Ludwig Emil Tomas Goransson, and Lud...
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Concert Band - Level 3 - SKU: A0.922439 Composed by Brandon Paak Anderson, Justin R. Timberlake, Justin Timberlake, Ludwig Emil Tomas Goransson, and Ludwig Goransson. Arranged by Manuel Guinand. Contemporary. Score and parts. 85 pages. Aumaitre Guinand #6682561. Published by Aumaitre Guinand (A0.922439). Arrangement for two vocals, choir, two trumpets, alto saxophone, trombone, two electric guitars, acoustic guitar, electric bass, drums, roto toms, claps, shaker, and tambourine of Justin Timberlake and Anderson .Paak's song Don't Slack.
$50.00
Don't Slack
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Rock
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Tunescribers
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Don't Slack
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ArrangeMe
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SheetMusicPlus
Bass Voice,Drums,Guitar,Piano,Saxophone,Trumpet - SKU: A0.1338255 Arranged by Tunescribers. Rock. ArrangeMe #23241. Published by ArrangeMe (A0.1338255)....
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Bass Voice,Drums,Guitar,Piano,Saxophone,Trumpet - SKU: A0.1338255 Arranged by Tunescribers. Rock. ArrangeMe #23241. Published by ArrangeMe (A0.1338255).
$15.95
Ex Marks The Spot
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Zane Kuchera
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Zane Kuchera
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Ex Marks The Spot
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Zane Kuchera Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1119665 By Zane Kuchera. By Music by Zane Kuchera and Words by Jeff Kelly. Arranged by Zane Kuchera. Broadw...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1119665 By Zane Kuchera. By Music by Zane Kuchera and Words by Jeff Kelly. Arranged by Zane Kuchera. Broadway,Film/TV,Folk,Jazz,Musical/Show,Pop. Score. 11 pages. Zane Kuchera Music #721032. Published by Zane Kuchera Music (A0.1119665). 10/2/22 Zane Kuchera Music released “Ex Marks The Spot†(Pop/AC/Folk swing) “Now I'm on my own splitting checks into two, I thought you were a treasure 'till you did me like you do, Ex marks the spot where my money goes, she don't cut me no slack, she just wants that cash flow, ohâ€. Words: Jeff Kelly (TX), music & performance: Zane Kuchera (zanekuchera.com) https://album.link/2pxtjtj4x0zdh.
$4.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
#
Chris North
#
Five French Masters
#
Danetre Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
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Don't Slack
