Doris Hall - Partitions musicales à imprimer - Mondial de la partition numérique

Doris Hall

Rhapsody for Clarinet and Orchestra
Orchestre de chambre

Chamber Orchestra - Digital Download SKU: A0.966214 Composed by John Carbon. 20th C…(+)

Chamber Orchestra - Digital Download SKU: A0.966214 Composed by John Carbon. 20th Century,Contemporary. Score and parts. 44 pages. John Carbon #3133987. Published by John Carbon (A0.966214). Rhapsody for Clarinet and Piano (Reduction for Clarinet and Piano). John Carbon's Rhapsody was premiered in 1997 by clarinetist Doris Hall-Gulati with Gerard Schwarz conducting the New York Chamber Symphony in Avery Fisher Hall at Lincoln Center. A re-release of the recording (originally on MMC recordings) will be available soon on Zimbel Recordings. Favorably reviewed in the New York Times, the work has subsequently been performed by the American Youth Philharmonic.
$10.99 10.07 € #Orchestre de chambre #John Carbon #Rhapsody for Clarinet and Orchestra #John Carbon #SheetMusicPlus

Rise Up, O Church of God
Chorale TTBB

Arranged by Doris Hall. Exaltation Series. Sacred Anthem. Octavo. 4 pages. Published by Lo…(+)

Arranged by Doris Hall. Exaltation Series. Sacred Anthem. Octavo. 4 pages. Published by Lorenz Publishing Company (LX.10-1693L). - octavo - Sacred Anthem - Lorenz Publishing Company
$2.30 2.11 € #Chorale TTBB #Doris Hall #Rise Up, O Church of God #Lorenz Publishing Company #SheetMusicPlus

#Doris Hall

Between Times for clarinet, viola and piano

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Downloa…(+)

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Î¤Î± Î¼ÎÏÎ·:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
$30.00 27.49 € #Panagiotis Theodossiou #Dmitri Shostakovitch
IV #Between Times for clarinet, viola and piano #Panagiotis Theodossiou #SheetMusicPlus

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. Iâ€™d love to hear that version, if you have a recording of it.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.

Crossing Jordan: Three Spirituals for violin, piano and cello
Piano Quatuor: piano, 2 violons, violoncelle

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …(+)

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00 27.49 € #Piano Quatuor: piano, 2 violons, violoncelle #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spirituals for violin, piano and cello #Maria Thompson Corley #SheetMusicPlus

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. Iâ€™d love to hear that version, if you have a recording of it.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). â€œCrossing Jordanâ€ grew out of my daughter Kianaâ€™s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of â€œDeep River,â€ her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. â€œHis Name So Sweetâ€ is a more meditative version of the song than Iâ€™ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. â€œDeep Riverâ€ also includes â€œMichael Row The Boat Ashoreâ€ and â€œThe Water Is Wide.â€ The latter isnâ€™t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâ€™s help, Jordan can be crossed. â€œWade in the Waterâ€ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnâ€™t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of â€œDeep Riverâ€ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).