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Vous avez sélectionné:
Dots to Order
Partitions à imprimer
15 partitions trouvées
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1
Dancing
Small Ensemble Keyboard - Level 1 - Digital Download SKU: A0.1001338 Composed by Ky…
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Small Ensemble Keyboard - Level 1 - Digital Download SKU: A0.1001338 Composed by Kylie Minogue, Nathan Chapman, and Steve McEwan. Arranged by Dots to Order. Contemporary. Score and parts. 2 pages. Dots to Order #6230443. Published by Dots to Order (A0.1001338). This is an easy keyboard arrangement of Kylie Minogue's disco tribute smash hit 'Dancing'.It is presented in just one stave (treble clef) with chord symbols above. Full lyrics are also provided. The key has been changed from the original G flat (five flats) to an easier-to-read G major.
$7.95
7.3 €
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Kylie Minogue, Nathan Chapman, and Steve McEwan
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Dots to Order
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Dancing
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Dots to Order
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SheetMusicPlus
Telstar
Small Ensemble Keyboard - Level 1 - Digital Download SKU: A0.1001336 By The Tornado…
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Small Ensemble Keyboard - Level 1 - Digital Download SKU: A0.1001336 By The Tornados. By Joe Meek. Arranged by Dots to Order. Contemporary. Score and parts. 2 pages. Dots to Order #6230439. Published by Dots to Order (A0.1001336). This is an arrangement of the classic instrumental, Telstar. It was composed by Joe Meek and made famous by The Tornadoes in 1962.This arrangement is designed for players of the keyboard. It is in a 'top line and chords' format. A simple-to-read version of the melody is given alongside clear and simple chord symbols. The arrangement uses just one stave (treble clef). The original key has been replaced for two: G major (one sharp) and C major (no flats or sharps).
$7.95
7.3 €
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The Tornados
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Dots to Order
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Telstar
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Dots to Order
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 1.1A (This Old Man, Old MacDonald, and Camptown Races)
Piano seul
Piano Solo - Digital Download SKU: A0.892669 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892669 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5306583. Published by Music Lee Inclined Guy, Inc. (A0.892669). Easy Versions of This Old Man, Old MacDonald, and Camptown Races. These Songs Have No Black Dots (flats/sharps), Chords, or Rests. For Students Practicing with Occupational Octaves Pianoâ„¢ Book 1 To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 1.1A
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 1.1D (Here Comes the Bride, Musette, and Are You Sleeping)
Piano seul
Piano Solo - Digital Download SKU: A0.892674 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892674 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5313817. Published by Music Lee Inclined Guy, Inc. (A0.892674). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 1 Easy Versions of Here Comes the Bride, Musette, and Are You Sleeping. These Songs Have No Black Dots (flats/sharps) or Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 1.1D
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 2.3 (Greensleeves and Deck the Halls)
Piano seul
Piano Solo - Digital Download SKU: A0.892678 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892678 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5314981. Published by Music Lee Inclined Guy, Inc. (A0.892678). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 2 Easy Versions of Greensleeves and Deck the Halls. These Songs Have Both Black Dots (flats/sharps) or Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 2.3
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 2.1 (Book 2 Level Versions of Yankee Doodle, Silent Night a
Piano seul
Piano Solo - Digital Download SKU: A0.892675 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892675 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5314965. Published by Music Lee Inclined Guy, Inc. (A0.892675). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 2 Easy Versions of Yankee Doodle, Silent Night and Short Journey Blues. These Songs Have No Black Dots (flats/sharps) or Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 2.1
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 1.3 (Alouette, Au Claire de la Lune, and Jingle Bells)
Piano seul
Piano Solo - Digital Download SKU: A0.892673 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892673 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5313787. Published by Music Lee Inclined Guy, Inc. (A0.892673). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 1 Easy Versions of Alouette, Au Claire de la Lune, and Jingle Bells. These Songs Have Black Dots (flats/sharps) But No Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 1.3
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 2.2 (Au Claire de la Lune, Amazing Grace, New York Blues No
Piano seul
Piano Solo - Digital Download SKU: A0.892676 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892676 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5314969. Published by Music Lee Inclined Guy, Inc. (A0.892676). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 2 Easy Versions of Au Claire de la Lune, Amazing Grace, New York Blues Notes, and 90's Waltz. These Songs Have Chords But No Black Dots (flats/sharps). To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 2.2
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 1.2 (Alouette, Au Claire de la Lune, and Jingle Bells)
Piano seul
Piano Solo - Digital Download SKU: A0.892677 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892677 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5314971. Published by Music Lee Inclined Guy, Inc. (A0.892677). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 2 Easy Versions of Alouette, Au Claire de la Lune, and Jingle Bells. These Songs Have Black Dots (flats/sharps) But No Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 1.2
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Occupational Octaves Piano™ Supplement 1.4 (Three Blind Mice, Workin' on the Railroad, and 90's Ro
Piano seul
Piano Solo - Digital Download SKU: A0.892672 Composed by Various. Arranged by Lee D…
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Piano Solo - Digital Download SKU: A0.892672 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5313809. Published by Music Lee Inclined Guy, Inc. (A0.892672). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 1 Easy Versions of Three Blind Mice, Workin' on the Railroad, and 90's Rock. These Songs Have No Black Dots (flats/sharps) or Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.
$3.99
3.66 €
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Piano seul
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Various
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Lee D
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Occupational Octaves Piano™ Supplement 1.4
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Music Lee Inclined Guy, Inc.
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Bagatelle Fur Elise for Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.862659 Composed by Beethoven, L. va…
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Piano Solo - Level 3 - Digital Download SKU: A0.862659 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #3603571. Published by Michael Butkus-Bomier (A0.862659). Fur Elise has gotten a bit of a new lease on life in concert, as Valentina Lisitsa has played it as an encore on some high-profile concerts. The standard rendition of this piece is in 3/8 time, and uses a fair amount of R-L hand substitution on the melody. Our version is in 3/4, a more modern setting for a time signature, with fewer dots and flags, and uses NO hand-substitutions in that famous repeated half-step. Why bother, say the Technical Elves, behind the scenes. I agree, and thus, this setting is a straight-across figure for the RH only, with the upper final note as the sole LH kicker. Also, in much of Beethoven's music, there is a technical disconnect between some sections, openings being easy and later contrasting sections being an order of technical magnitude more difficult. So, the tempo reminder at the beginning of each section is meant to insure that the easy part does not go fast, and the hard part does not go slower. As your technical level rises, so can the pace of the whole piece, but not until then. Enjoy! MBB .
$1.99
1.83 €
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Piano seul
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Beethoven, L
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Michael Bomier
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Bagatelle Fur Elise for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.09 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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