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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
ORCHESTRE
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PERCUSSION
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SAXOPHONE
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CLASSIQUE - BAROQUE …
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50
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Piano seul
52
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28
1 Piano, 4 mains
6
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3
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Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
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1 Piano, 6 mains
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Guitare notes et tablatures
1
VOIX
Chorale 2 parties
5
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5
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4
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3
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1
VENTS
2 Saxophones (duo)
4
Clarinette
4
Flûte traversière et Piano
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3
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3
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3
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3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Clarinette (duo)
2
Saxophone Alto et Piano
2
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2
2 Flûtes traversières (duo)
2
Flûte traversière
2
2 Clarinettes (duo)
2
Hautbois, Basson (duo)
1
Cor Anglais
1
Quatuor de Clarinettes: 4 clarinettes
1
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1
Ensemble de saxophones
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1
Flûte et Guitare
1
Clarinette et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
3 Clarinettes (trio)
1
Saxophone Alto
1
Ensemble de Clarinettes
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone et Piano
3
2 Cors (duo)
2
Trompette, Piano
2
Trombone
2
Trompette
2
Cor et Piano
1
Cor Anglais
1
Cor
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette (partie séparée)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
3 Euphoniums
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon (partie séparée)
6
Violon
5
Harpe
4
Violon et Piano
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
2
3 Harpes
2
Contrebasse (partie séparée)
2
2 Violons (duo)
2
5 Harpes
2
Alto, Piano
2
Violoncelle, Piano
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Alto seul
1
Violoncelle (partie séparée)
1
Violon, Alto (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
51
Orchestre d'harmonie
28
Cloches
8
Ensemble de cuivres
6
Orchestre
2
Batterie
2
Orchestre de chambre
1
Ensemble de Percussions
1
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AUTRES
Vous avez sélectionné:
Dotted rhythms.
Partitions à imprimer
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376
Clapping Rhythms
Instrumental Solo - Level 1 - Digital Download SKU: A0.1045189 Composed by Ellen Cr…
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Instrumental Solo - Level 1 - Digital Download SKU: A0.1045189 Composed by Ellen Creighton. Instructional. Individual part. 31 pages. Teaching With Ease #649766. Published by Teaching With Ease (A0.1045189). Improve your students’ sense of rhythm with this bumper pack of Clapping Rhythms. This set contains 120 clapping rhythm solos and 50 clapping rhythm duets with equal parts. It features 12 levels, each with 10 four-bar solos and 5 four-bar duets. Every level introduces a new musical element: 1. Crotchets/quarter notes & rests. 4/4 time 2. 3/4 time 3. Minim/half notes & rests. 2/4 time 4. Semibreve/whole notes, dotted minims/ dotted half notes, paired quavers/eighth notes and rests 5. Single quavers/eighth notes and rests 6. Dotted crotchets/dotted quarter notes 7. Semiquavers/sixteenth notes 8. 6/8, 9/8, 12/8 time (compound time) 9. Compound time with offbeat notes 10. Triplets 11. Ties 12. Recap: Selection of all rhythms.
$10.00
9.18 €
#
Ellen Creighton
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Clapping Rhythms
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Teaching With Ease
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SheetMusicPlus
Dotted Note Rhythms
Batterie
Drum Set,Drums - Digital Download SKU: A0.492592 Composed by Alex Mott. Instruction…
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Drum Set,Drums - Digital Download SKU: A0.492592 Composed by Alex Mott. Instructional,Multicultural,Pop,Rock,World. Score. 1 pages. Published by Alex Mott (A0.492592). Dotted note rhythms in 4/4 for drum set.
$1.99
1.83 €
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Batterie
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Alex Mott
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Dotted Note Rhythms
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Alex Mott
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SheetMusicPlus
TRIO No.4, Op.8 - Marcia religiosa
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1110442 By NA. By Louis-…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1110442 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 8 pages. B. L. Dugan #712759. Published by B. L. Dugan (A0.1110442). Advancing players will enjoy this interesting Religious March. The slow tempo and dotted rhythms are similar to a funeral march. Performers should take care with these dotted 8th-16th note rhythms, as well as the dynamics. Keeping the tone thrugh the dotted rhythms will ensure pleasing phrases. Intermediate level players could perform this work in festivals, recitals, concerts, church services or other special occasions. Performers may wish to combine it with another of the Opus 8 trios for a longer work.
$12.00
11.02 €
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NA
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Becky Dugan
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TRIO No.4, Op.8 - Marcia religiosa
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B. L. Dugan
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SheetMusicPlus
Divertimento for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
13.76 €
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Quatuor de Saxophones: 4 saxophones
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Sy Brandon
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Divertimento for Saxophone Quartet
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Sy Brandon
#
SheetMusicPlus
Divertimento for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
13.76 €
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Flûte, Hautbois, Clarinette, Basson
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Sy Brandon
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Divertimento for Woodwind Quartet
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Sy Brandon
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SheetMusicPlus
Divertimento
Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. …
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Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00
29.38 €
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Sy Brandon
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Divertimento
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Imagine Music - Digital
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SheetMusicPlus
Happy Birthday (standard notation, easy/beginner)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.879332 Composed by Dennis Frayne. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.879332 Composed by Dennis Frayne. Arranged by Dennis Frayne. Children,Concert,Folk,Holiday,Standards. Score. 1 pages. Presto! It's Music Magic Publishing #6218581. Published by Presto! It's Music Magic Publishing (A0.879332). Happy Birthday is a song that is traditionally sung to celebrate the anniversary of a person's birth – their birthday! Some people believe Happy Birthday is the most recognized song in the English language. This edition contains two versions of the song: one that plays the eighth notes as straight rhythms, and one that plays the eighth notes as dotted rhythms (dotted eighth note plus sixteenth note).
$2.99
2.75 €
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Piano Facile
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Dennis Frayne
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Dennis Frayne
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Happy Birthday
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Irish Roses
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1022455 Composed by Tradition…
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String Orchestra - Level 2 - Digital Download SKU: A0.1022455 Composed by Traditional. Arranged by Rebecca Danner Remley. Folk,Holiday. Score and parts. 1 pages. Rebecca Danner Remley #5996963. Published by Rebecca Danner Remley (A0.1022455). Irish Roses (Red is the Rose and The Last Rose of Summer) is a combination of two traditional Irish tunes featuring soloists in the first and second violin sections. It is an excellent vehicle for the teaching of dotted rhythms, both dotted quarter - eighth and dotted eighth - sixteenth, within endearing folk melodies.
$35.00
32.14 €
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Orchestre à Cordes
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Traditional
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Rebecca Danner Remley
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Irish Roses
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Rebecca Danner Remley
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SheetMusicPlus
Dungaree Doll
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996564 By Eddie Fischer. B…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996564 By Eddie Fischer. By Sherman Edwards. Arranged by Rebecca J. Wood. Contemporary. Octavo. 7 pages. Rebecca J. Wood #5325995. Published by Rebecca J. Wood (A0.996564). Hear the 30 secs clip beginning at measure 1. One minute 30 sec performing time. For Women's Barbershop Quartets or YWIH Quartets, Shows, Competition, Fun, rhythmic patterns change at places, Make smooth-to-dotted contrasts, minimizing dotted rhythms, Feedback would be appreciated.
$12.99
11.93 €
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Chorale SSAA
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Eddie Fischer
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Rebecca J
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Dungaree Doll
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Rebecca J. Wood
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SheetMusicPlus
That's What Moms Are For
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1244099 By Elizabeth C. Axford. By …
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Piano Solo - Level 1 - Digital Download SKU: A0.1244099 By Elizabeth C. Axford. By Elizabeth C. Axford, Marilyn Harris, and Sandy Sherman. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional. Score. 4 pages. Piano Press #839076. Published by Piano Press (A0.1244099). Elementary-level piano solo in C Major, Middle C hand position; 4/4 meter, Allegro; quarter notes, half notes, dotted half notes, whole notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Mother's Day celebrated each year on the second Sunday in May in the U.S.A.
$3.99
3.66 €
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Piano seul
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Elizabeth C
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Elizabeth C
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4/4 meter, Allegro
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That's What Moms Are For
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Piano Press
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SheetMusicPlus
Hold Me Closer
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1244094 By Elizabeth C. Axford. By …
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Piano Solo - Level 1 - Digital Download SKU: A0.1244094 By Elizabeth C. Axford. By Dolly Rappaport, Elizabeth C. Axford, and Mitch Rappaport. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional. Score. 4 pages. Piano Press #839071. Published by Piano Press (A0.1244094). Elementary-level piano solo in F minor with accidentals (no key signature), Middle C hand position; 4/4 meter, Moderato; quarter notes, half notes, dotted half notes, whole notes, beamed eighth notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Mother's Day celebrated each year on the second Sunday in May in the U.S.A. and for Father's Day celebrated each year on the third Sunday in June in the U.S.A.
$3.99
3.66 €
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Piano seul
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Elizabeth C
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Elizabeth C
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4/4 meter, Moderato
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Hold Me Closer
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Piano Press
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SheetMusicPlus
Suit Suite for Three Euphoniums and Three Tubas
3 Euphoniums
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.754940 Composed …
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #3224881. Published by Sy Brandon (A0.754940). This composition, composed for the Kansas State University Tuba-Euphonium Ensemble, is inspired by the suits of a deck of cards and their associated representations. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money's sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A flutter-tongued chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between the euphoniums and the tubas. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again.
$14.99
13.76 €
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3 Euphoniums
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Sy Brandon
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Suit Suite for Three Euphoniums and Three Tubas
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Sy Brandon
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SheetMusicPlus
Wings of an Angel
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1244109 By Elizabeth C. Axford. By …
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Piano Solo - Level 1 - Digital Download SKU: A0.1244109 By Elizabeth C. Axford. By Elizabeth C. Axford and Joe Harold Koger. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional,Spiritual. Score. 4 pages. Piano Press #839086. Published by Piano Press (A0.1244109). Elementary-level piano solo in C Major, LH Middle C hand position, RH D hand position; 3/4 meter, Andante; quarter notes, half notes, dotted half notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Mother's Day celebrated each year on the second Sunday in May in the U.S.A.
$3.99
3.66 €
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Piano seul
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Elizabeth C
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Elizabeth C
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3/4 meter, Andante
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Wings of an Angel
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Piano Press
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SheetMusicPlus
I Know Who My Father Is
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1244158 By Elizabeth C. Axford. By …
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Piano Solo - Level 1 - Digital Download SKU: A0.1244158 By Elizabeth C. Axford. By Elizabeth C. Axford and Tom Bohn. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional. Score. 4 pages. Piano Press #839135. Published by Piano Press (A0.1244158). Elementary-level piano solo in C Major, Middle C hand position; 4/4 meter, Moderato; quarter notes, half notes, dotted half notes, whole notes, beamed and single eighth notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Father's Day celebrated each year on the third Sunday in June in the U.S.A.
$3.99
3.66 €
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Piano seul
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Elizabeth C
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Elizabeth C
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4/4 meter, Moderato
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I Know Who My Father Is
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Piano Press
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SheetMusicPlus
Symbology for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
36.72 €
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Orchestre d'harmonie
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Emoticons III for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.755253 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
13.76 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Emoticons III for Reed Quintet
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digita…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
13.76 €
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Sy Brandon
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Emoticons III for Reed Quintet
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Sy Brandon
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SheetMusicPlus
Caprice
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1379053 Composed by Daniel Burwasser. 21st Century,Contest,Festival. 52 pages. Head and Stem #963765. Published by Head and Stem (A0.1379053). Caprice†for woodwind quintet was completed in February 2024, and as the title implies encapsulates the spirit of persistent transformation in both mood and tempo. The composition highlights the blending of several short thematic motives through the use of eighth note/quarter note rhythms as well as through dotted rhythms in various guises. These same patterns also appear in the slower sections where there is far less volatility. The softer moments of the work drastically reshape the piece for much needed repose. --Daniel Burwasser, NYC, 2024 https://www.danielburwasser.com/Send an email to the composer: danielburwasser9@gmail.com.
$20.00
18.37 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Daniel Burwasser
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Caprice
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Head and Stem
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SheetMusicPlus
A Lulu of a Lullaby-trombone solo
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.845213 Composed by Phil Beaman. …
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Trombone Solo - Level 2 - Digital Download SKU: A0.845213 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371825. Published by Phil Beaman (A0.845213). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
3.66 €
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Trombone
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Phil Beaman
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A Lulu of a Lullaby-trombone solo
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Phil Beaman
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.14 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Star Trek(R) - The Inner Light
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. …
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Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. Arranged by Rachael Acheson. 20th Century,Celtic,Film/TV,Irish,Pop,Video Game. Score. 3 pages. TheHarpLibrarian #954803. Published by TheHarpLibrarian (A0.1370432). This arrangement of Captain Picard's Air from the Star Trek: The Next Generation episode The Inner Light is fitted specifically to the range of a 26-string lever harp, like Harpsicle Harps or Dusty String Ravenna. While there are some complex rhythms and silences to count through, the notation itself is relatively simple -- intended to reflect the sparse, lonely/hopeful nature of the original song, which was played on a solo pennywhistle.It is written in the key of G Major (one sharp), which means it can be played on Harpsicle models that are not fully levered (e.g. Sharpsicles, as well as Fullsicles), and there are no lever changes or accidentals. If the harmonics are omitted, and the dotted rhythms counted carefully, this piece could be accessible to a late-beginner, at least from a technique standpoint. Beginner harpists who have little or no prior background in reading sheet music might struggle with the leger lines, though.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
5.5 €
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Harpe
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Jay Chattaway
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Rachael Acheson
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Star Trek(R) - The Inner Light
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TheHarpLibrarian
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SheetMusicPlus
A Lulu of a Lullaby-euphonium/baritone horn solo
Baritone Horn TC Solo - Level 2 - Digital Download SKU: A0.845214 Composed by Phil …
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Baritone Horn TC Solo - Level 2 - Digital Download SKU: A0.845214 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 2 pages. Phil Beaman #6371899. Published by Phil Beaman (A0.845214). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
3.66 €
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Phil Beaman
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A Lulu of a Lullaby-euphonium/baritone horn solo
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Phil Beaman
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SheetMusicPlus
A Lulu of a Lullaby-alto flute solo
Alto Flute,Instrumental Solo - Level 2 - Digital Download SKU: A0.845206 Composed b…
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Alto Flute,Instrumental Solo - Level 2 - Digital Download SKU: A0.845206 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371725. Published by Phil Beaman (A0.845206). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
3.66 €
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Phil Beaman
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A Lulu of a Lullaby-alto flute solo
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Phil Beaman
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SheetMusicPlus
A Lulu of a Lullaby-trumpet solo
Trompette
Trumpet Solo - Level 2 - Digital Download SKU: A0.845215 Composed by Phil Beaman. C…
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Trumpet Solo - Level 2 - Digital Download SKU: A0.845215 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371863. Published by Phil Beaman (A0.845215). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
3.66 €
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Trompette
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Phil Beaman
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A Lulu of a Lullaby-trumpet solo
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Phil Beaman
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SheetMusicPlus
A Lulu of a Lullaby-french horn solo
Cor
French Horn Solo - Level 2 - Digital Download SKU: A0.845216 Composed by Phil Beama…
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French Horn Solo - Level 2 - Digital Download SKU: A0.845216 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371847. Published by Phil Beaman (A0.845216). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
3.66 €
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Cor
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Phil Beaman
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A Lulu of a Lullaby-french horn solo
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Phil Beaman
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SheetMusicPlus
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