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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Mini Concerto For Alex (Cello and Piano Arrangement)
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Den…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00
8.29 €
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Violoncelle, Piano
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
O PERFECT LOVE - SOLO INSTRUMENT with Piano Accompaniment (any Brass, Woodwind, String or Mallet Per
Accompagnement Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Englis…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Guitar,Marimba,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.807214 Composed by Joseph Barnby. Arranged by Glen Poehlmann. Sacred,Wedding. Score and parts. 24 pages. Arrangements by GPoehlmann #6599245. Published by arrangements by GPoehlmann (A0.807214). O PERFECT LOVE - Solo Instrument with Piano AccompanimentPerfect for weddings, anniversaries, special music or any celebration of love. You can use almost any orchestral instrument as a soloist in this arrangement! You can also use multiple instruments if desired for added confidence for younger/less experienced players. Â You could also have different instruments or combinations of instruments play different parts of the music. Transpositions provided for C Treble, C High Treble, Bb Treble, Eb Treble, F Treble, Alto Clef, Bass Clef, & Tuba Solo.66 measures. Â Performance Time approx 3:15. Â Medium in Difficulty (Grade 3)Key: G. Â Meter: 4/4 - 2/4. Â PDF parts provided: C Treble, C High Treble, Bb Treble, Eb Treble, F Treble, Alto Clef, Bass Clef, Tuba, Piano Accompaniment.
$5.00
4.6 €
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Accompagnement Piano
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Joseph Barnby
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Glen Poehlmann
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O PERFECT LOVE - SOLO INSTRUMENT with Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.09 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
O COME O COME EMMANUEL - SOLO INSTRUMENT (or Group) with Piano Accompaniment
Accompagnement Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Englis…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Guitar,Marimba,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 2 - Digital Download SKU: A0.807187 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 12 pages. Arrangements by GPoehlmann #6501819. Published by arrangements by GPoehlmann (A0.807187). O COME, O COME EMMANUEL - SOLO INSTRUMENT with Piano AccompanimentA flexible arrangement of the popular Advent hymn that can be played by any Solo instrument! Transpositions are provided for C Treble, C High Treble, Eb Treble, F Treble, Bb Treble, Alto Clef, Bass Clef & Tuba. You could also use more than 1 instrument for support or break up the part for variety. 68 measures. Performance Time approx 3:15. Medium Easy (Grade 2+)Key: G (e minor) - Concert. Meter: 3/4 - 4/4.PDF parts provided: C Treble, C High Treble, Eb Treble, F Treble, Bb Treble, Alto Clef, Bass Clef & Tuba.
$4.95
4.56 €
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Accompagnement Piano
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Glen Poehlmann
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Tuba
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O COME O COME EMMANUEL - SOLO INSTRUMENT
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arrangements by GPoehlmann
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SheetMusicPlus
Hold On To The Moment - PIANO/VOCAL SCORE
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Po…
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Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Music (A0.789892). PIANO/VOCAL SCORE Only. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar  1 & 2, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$7.00
6.45 €
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Piano, Voix
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W
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Hold On To The Moment - PIANO/VOCAL SCORE
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Diamond S Music
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SheetMusicPlus
As With Gladness Men of Old--bassoon solo
Basson, Piano (duo)
Bassoon,Piano - Level 4 - Digital Download SKU: A0.786801 Composed by Conrad Kocher…
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.786801 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593561. Published by Beka Wilson (A0.786801). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Basson, Piano (duo)
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--bassoon solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--bassoon solo
Basson, Piano (duo)
Bassoon,Piano - Level 4 - Digital Download SKU: A0.786820 Composed by Conrad Kocher…
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.786820 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593967. Published by Beka Wilson (A0.786820). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Basson, Piano (duo)
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--bassoon solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--trumpet solo
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786809 Composed by Conrad Kocher…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786809 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593595. Published by Beka Wilson (A0.786809). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trompette, Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--trumpet solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--trumpet solo
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786829 Composed by Conrad Kocher…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786829 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593999. Published by Beka Wilson (A0.786829). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trompette, Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--trumpet solo
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Beka Wilson
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SheetMusicPlus
So What by Miles Davis - Double Bass, Piano or Trumpet Solo
Trompette
Performed by: Miles Davis: So What Digital Sheetmusic - instantly downloadable sheet music…
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Performed by: Miles Davis: So What Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Transcribed Score;Instrumental Solo, instruments: Trumpet;Saxophones;Piano;Double Bass; 6 pages -- Jazz~~Hard Bop~~Post-Bop
$5.25
4.83 €
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Trompette
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Miles Davis
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Double Bass, Piano or Trumpet Solo
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Musicnotes
River Lullaby
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1087660 Composed…
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1087660 Composed by Stephen Schwartz. Arranged by Lawrence H Underwood. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and part. 10 pages. Lawrence H Underwood #691870. Published by Lawrence H Underwood (A0.1087660). This beautiful arrangement of “River Lullaby†from THE PRINCE OF EGYPT is perfect for recital, church, or festival performances. Great for intermediate or advanced performers, this piece is sure to be an audience – and soloist – favorite. This eminently playable arrangement from veteran performer and music educator Lawrence Underwood and is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment).
$5.99
5.52 €
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Contrebasse, Piano (duo)
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Stephen Schwartz
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Lawrence H Underwood
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River Lullaby
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Lawrence H Underwood
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SheetMusicPlus
As With Gladness Men of Old--clarinet solo
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.786803 Composed by Conrad Koche…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.786803 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593567. Published by Beka Wilson (A0.786803). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Clarinette et Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--clarinet solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--trombone solo
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.786808 Composed by Conrad Koche…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.786808 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593591. Published by Beka Wilson (A0.786808). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trombone et Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--trombone solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--flute solo
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.786826 Composed by Conrad Kocher. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.786826 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593973. Published by Beka Wilson (A0.786826). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Flûte traversière et Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--flute solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--clarinet solo
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.786823 Composed by Conrad Koche…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.786823 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593971. Published by Beka Wilson (A0.786823). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Clarinette et Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--clarinet solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--flute solo
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.786806 Composed by Conrad Kocher. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.786806 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593571. Published by Beka Wilson (A0.786806). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Flûte traversière et Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--flute solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--horn solo
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.786825 Composed by Conrad Ko…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.786825 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593977. Published by Beka Wilson (A0.786825). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Cor et Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--horn solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--horn solo
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.786805 Composed by Conrad Ko…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.786805 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593577. Published by Beka Wilson (A0.786805). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Cor et Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--horn solo
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Beka Wilson
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SheetMusicPlus
For the Beauty of the Earth--trombone solo
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.786828 Composed by Conrad Koche…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.786828 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593993. Published by Beka Wilson (A0.786828). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trombone et Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--trombone solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--cello solo
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.786802 Composed by Conrad Kocher. …
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Cello,Piano - Level 4 - Digital Download SKU: A0.786802 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593563. Published by Beka Wilson (A0.786802). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Violoncelle, Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--cello solo
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Beka Wilson
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SheetMusicPlus
As With Gladness Men of Old--tenor sax solo
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786807 Composed by Conra…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786807 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593587. Published by Beka Wilson (A0.786807). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Saxophone Tenor et Piano
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--tenor sax solo
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Beka Wilson
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SheetMusicPlus
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