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Six Open String Solos
Contrebasse, Piano (duo)
Double bass and piano - Grade 1 - Digital Download For Double Bass and Piano. Composed b…
(+)
Double bass and piano - Grade 1 - Digital Download For Double Bass and Piano. Composed by Michael Montgomery. Original works. Score and solo part. 10 pages. LudwigMasters Digital #52740002. Published by LudwigMasters Digital
ISBN 9781682966037. 9 x 12 inches. For the very beginning of study, when learning the open string of the double bass and basic rhythms. Intended to be played pizzicato, and then arco, to build endurance. Bryton's G-String Groove; Three String Hop; The Lowdown on E; Early Morning Dance; Drifting; Hittin' All Four.ISBN 9781682966037. 9 x 12 inches.
For the very beginning of study, when learning the open string of the double bass and basic rhythms. Intended to be played pizzicato, and then arco, to build endurance. Bryton's G-String Groove; Three String Hop; The Lowdown on E; Early Morning Dance; Drifting; Hittin' All Four.
$6.95
6.33 €
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Contrebasse, Piano (duo)
#
Michael Montgomery
#
Six Open String Solos
#
LudwigMasters Digital
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.84 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The William Bay Collection - Flatpicking Guitar Solo Anthology #2
Guitare notes et tablatures
Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM77MEB). ISBN 9781513477916. 8.75X11.75 inches.A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
Song List: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crúite na mBó (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz
Song List
: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crúite na mBó (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz
$29.99
27.31 €
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Guitare notes et tablatures
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The William Bay Collection - Flatpicking Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Best of Double Bass Classics
Contrebasse, Piano (duo)
16 Famous Concert Pieces for Double Bass and Piano. Double- bass - Classical music - …
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16 Famous Concert Pieces for Double Bass and Piano. Double- bass - Classical music - Collection - Anthology. Best of Classics. Downloadable. Schott Music - Digital #Q558854. Published by Schott Music - Digital
English * German.<br> <br> This comprehensive volume contains well-known original works and transcriptions from the Baroque, Classical and Romantic periods by Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger and others. The repertoire is suitable for lessons, auditions, examinations and competitions. All pieces are printed in standard orchestral tuning; in addition, piano accompaniments for playing in solo tuning are available for download. Thus, the volume can be used flexibly in lessons at the upper classes of music schools as well as in studies.<br> <br> Dieser umfangreiche Band enthalt bekannte Originalwerke und Transkriptionen aus Barock, Klassik und Romantik von Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger und anderen. Alle Stucke werden in der normalen Orchesterstimmung abgedruckt, zusatzlich sind Klavierbegleitungen fur das Spiel in Solostimmung zum Download erhaltlich.English * German.<br> <br> This comprehensive volume contains well-known original works and transcriptions from the Baroque, Classical and Romantic periods by Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger and others. The repertoire is suitable for lessons, auditions, examinations and competitions. All pieces are printed in standard orchestral tuning; in addition, piano accompaniments for playing in solo tuning are available for download. Thus, the volume can be used flexibly in lessons at the upper classes of music schools as well as in studies.<br> <br> Dieser umfangreiche Band enthalt bekannte Originalwerke und Transkriptionen aus Barock, Klassik und Romantik von Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger und anderen. Alle Stucke werden in der normalen Orchesterstimmung abgedruckt, zusatzlich sind Klavierbegleitungen fur das Spiel in Solostimmung zum Download erhaltlich.
$19.99
18.2 €
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Contrebasse, Piano (duo)
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Best of Double Bass Classics
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Schott Music - Digital
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SheetMusicPlus
O Come All Ye Faithful (for double bass and piano accompaniment)
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1336320 Composed…
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1336320 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Score and part. 3 pages. Rodrigo Faleiros #922042. Published by Rodrigo Faleiros (A0.1336320). Celebrate the joy of the season with our heartwarming double bass and piano arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for students making their way into the magical world of music.Key Features: Beginner-Friendly double bass Part: Dive into the beauty of O Come All Ye Faithful with a double bass arrangement designed specifically for those beginning their musical journey. Piano Accompaniment: The piano part provides a delightful backdrop for the soloist to play along with ease and joy. Instant Digital Download: Access your double bass and piano sheet music effortlessly with our convenient PDF download. Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible double bass melodies and harmonically rich piano accompaniment.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$2.99
2.72 €
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Contrebasse, Piano (duo)
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
O Come All Ye Faithful (for double bass solo)
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1336864 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1336864 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #922563. Published by Rodrigo Faleiros (A0.1336864). Celebrate the joy of the season with our heartwarming double bass solo arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for students making their way into the magical world of music.Key Features:Beginner-Friendly double bass Part: Dive into the beauty of O Come All Ye Faithful with a double bass arrangement designed specifically for those beginning their musical journey. Instant Digital Download: Access your double bass sheet music effortlessly with our convenient PDF download. Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible double bass melodies.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$1.99
1.81 €
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Contre Basse
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
O Come All Ye Faithful (for double bass solo)
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1336755 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1336755 Composed by Anonymous. Arranged by Rodrigo Faleiros. Children,Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #922534. Published by Rodrigo Faleiros (A0.1336755). Celebrate the joy of the season with our heartwarming double bass solo arrangement of the timeless Christmas carol, O Come All Ye Faithful. This enchanting rendition is expertly crafted for beginners, making it perfect for students making their way into the magical world of music.Key Features: Beginner-Friendly double bass Part: Dive into the beauty of O Come All Ye Faithful with a double bass arrangement designed specifically for those beginning their musical journey. Chord Symbols: The part contains chord symbols, offering the opportunity to another musician to explore harmonies and play along with ease. Instant Digital Download: Access your double bass sheet music effortlessly with our convenient PDF download. Ideal for holiday performances, family gatherings, or personal enjoyment, this arrangement captures the spirit of Christmas with its accessible double bass melodies.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$1.99
1.81 €
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Contre Basse
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Anonymous
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Rodrigo Faleiros
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O Come All Ye Faithful
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Rodrigo Faleiros
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SheetMusicPlus
Dance Sequences for Double Bass Quartet
4 Contrebasses
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed b…
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Published by Graham Boag (A0.780067). Dance Sequences was composed during the first lockdown of last year. It is in four movements each with its own character.Prelude - ‘Pagan Dance’ is highly rhythmic with angular melodic lines throughout with some release in the middle of all the raw emotion. As a result of this there is no clear tonal center in this movement. Perhaps a reflection on what was going on in the World at that point.Lament – ‘Slow Dance’ is more reflective almost Hymn like in its approach and has a clear tonal center around C minor with lyrical lines being passed from Bass 1 to Bass 2.The Wonky Waltz is more lighthearted in style as the title suggests it doesn’t quite know what to be with changing time signatures, perhaps a hint of the Tango thrown in before we finally feel a ‘Waltz’ pulse in the final few bars.Final Dance is another energetic movement that combines simple and compound time signatures to give a feeling of constant change and rhythmic contrast. The rhythmic pulse is highlighted with the use of Col Legno in two sections giving a more of a percussive effect. As the movement builds to the final Bartok pizz snap by all four players the ensemble are in homophonic harmony.I hope you enjoy listening to ‘Dance Sequences’.This audio was produced using NotePerformer 3 in Sibelius Ultimate, just follow this YouTube link:https://youtube.com/playlist?list=PLUIBlHeZRjGSMoBRLoqwwGVGzdsBNeWOaI am delighted to finally be able to announce that the sheet music is now available for purchase and I would love to hear from any ensembles that perform this.Many thanks.
$34.99
31.86 €
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4 Contrebasses
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Graham Boag
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Dance Sequences for Double Bass Quartet
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Graham Boag
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SheetMusicPlus
America The Beautiful - Double Bass (+ CHORDS)
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1390602 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1390602 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. Individual part. 1 pages. Valdir Maia #974162. Published by Valdir Maia (A0.1390602). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$1.99
1.81 €
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Contre Basse
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Katherine Lee Bates and Samuel A Ward
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Valdir Maia
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America The Beautiful - Double Bass
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Valdir Maia
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SheetMusicPlus
America The Beautiful - Double Bass
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1390604 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1390604 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. Individual part. 1 pages. Valdir Maia #974164. Published by Valdir Maia (A0.1390604). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$1.99
1.81 €
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Contre Basse
#
Katherine Lee Bates and Samuel A Ward
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Valdir Maia
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America The Beautiful - Double Bass
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Valdir Maia
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SheetMusicPlus
America The Beautiful - Double Bass (with piano accompaniment)
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1390601 Composed…
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1390601 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. Score and part. 2 pages. Valdir Maia #974161. Published by Valdir Maia (A0.1390601). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$4.99
4.54 €
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Contrebasse, Piano (duo)
#
Katherine Lee Bates and Samuel A Ward
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Valdir Maia
#
America The Beautiful - Double Bass
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Valdir Maia
#
SheetMusicPlus
America The Beautiful - Double Bass (with piano accompaniment + CHORDS)
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1390600 Composed…
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1390600 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. Score and part. 2 pages. Valdir Maia #974160. Published by Valdir Maia (A0.1390600). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$4.99
4.54 €
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Contrebasse, Piano (duo)
#
Katherine Lee Bates and Samuel A Ward
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Valdir Maia
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America The Beautiful - Double Bass
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Valdir Maia
#
SheetMusicPlus
Compilation of Left Hand Suites for Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Joanne Griffiths. Method, Re…
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Piano Solo - Intermediate - Digital Download Composed by Joanne Griffiths. Method, Repertoire, General Instructional, Technique Training, Activities and Games. Sheet Music Single. 15 pages. Published by Jo Griffiths
3 suites in 1 compilation. The Easy Fun & Games- Intermediate, A Gauche and more advanced, 1 Hand 4 Cakes. 11 pieces of left hand only music, including Hopscotch, Tag, Leapfrog, Basically Bass, Double Chocolate, Distant Prayer, Lazy Waltz, Lemon Drizzle, Bakewell Tart, Rocky Road and Coffee & Walnut. A complete Bass clef bonanaza!3 suites in 1 compilation. The Easy Fun & Games- Intermediate, A Gauche and more advanced, 1 Hand 4 Cakes. 11 pieces of left hand only music, including Hopscotch, Tag, Leapfrog, Basically Bass, Double Chocolate, Distant Prayer, Lazy Waltz, Lemon Drizzle, Bakewell Tart, Rocky Road and Coffee & Walnut. A complete Bass clef bonanaza!
$9.99
9.1 €
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Piano seul
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Joanne Griffiths
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Compilation of Left Hand Suites for Piano
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Jo Griffiths
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SheetMusicPlus
The Sea-Shells Waltz for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Piano Reduction, Solo Part. 21 pages. Published by Cherry Classics Music
The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.
$17.50
15.94 €
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Trombone et Piano
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Frederick N
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Chris Buckholz
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The Sea-Shells Waltz for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
"Spring" (La Primavera) by Vivaldi - Easy version for DOUBLE BASS SOLO
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1375794 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1375794 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #960342. Published by Iury Cardoso (A0.1375794). Easy DOUBLE BASS arrangement of the piece: Spring (La Primavera) by Antonio Vivaldi.This arrangement of the first movement of Vivaldi's Spring presents a different adaptation solution to transform the original music into an easier version for DOUBLE BASS SOLO, considering the characteristics of this instrument and allowing beginner students to have a fun musical experience.Get the sheet music for Vivaldi’s “Spring†now and enjoy playing this masterpiece!On this website there is a version of this same arrangement WITH the chords and WITH the PIANO.There are also easy versions for TRIOS and STRING QUARTET/QUINTET (with and without piano)See more arrangements by Iury Cardoso, thank you so much!spring vivaldi easy double bass spring vivaldi double bass solo sheet musiceasy beginner double bass springspring vivaldi easy string bass sheet musicspring vivaldi double bass for begginereasy beginner double bass musicdouble bass for beginnerseasy double bass solo classical sheet musicvivaldi easy double bass solovivaldi sheet music string bassspring vivaldi easy arrangement for double bass solospring easy double bass sheet musiceasy vivaldi string bassmusic scoreclassic sheet music for string bass solobaroque sheet music for double bass solofour seasons easy double bass.
$2.99
2.72 €
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Contre Basse
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Antonio Vivaldi
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Iury Cardoso
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"Spring"
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Iury Cardoso
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SheetMusicPlus
"Spring" (La Primavera) by Vivaldi - Easy version for DOUBLE BASS SOLO
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1375793 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1375793 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #960341. Published by Iury Cardoso (A0.1375793). Easy DOUBLE BASS arrangement of the piece: Spring (La Primavera) by Antonio Vivaldi.This arrangement of the first movement of Vivaldi's Spring presents a different adaptation solution to transform the original music into an easier version for DOUBLE BASS SOLO, considering the characteristics of this instrument and allowing beginner students to have a fun musical experience.Get the sheet music for Vivaldi’s “Spring†now and enjoy playing this masterpiece!On this website there is a version of this same arrangement WITHOUT the chords and WITH the PIANO.There are also easy versions for TRIOS and STRING QUARTET/QUINTET (with and without piano)See more arrangements by Iury Cardoso, thank you so much!spring vivaldi easy double bass spring vivaldi double bass solo sheet musiceasy beginner double bass springspring vivaldi easy string bass sheet musicspring vivaldi double bass for begginereasy beginner double bass musicdouble bass for beginnerseasy double bass solo classical sheet musicvivaldi easy double bass solovivaldi sheet music string bassspring vivaldi easy arrangement for double bass solospring easy double bass sheet musiceasy vivaldi string bassmusic scoreclassic sheet music for string bass solobaroque sheet music for double bass solofour seasons easy double bass.
$2.99
2.72 €
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Contre Basse
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Antonio Vivaldi
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Iury Cardoso
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"Spring"
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385463 Composed…
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385463 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 6 pages. Iury Cardoso #969444. Published by Iury Cardoso (A0.1385463). Easy DOUBLE BASS SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and DOUBLE BASS part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon easy string  bass and piano dueteasy double bass chamber musiccanon but on the double basseasy double bass with piano baroque sheet musiceasy double basseasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for easy string bass solo with pianocanon pachelbel for solo double bassclassic sheet music for double bass and piano.
$3.99
3.63 €
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Contrebasse, Piano (duo)
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385464 Composed…
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385464 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 6 pages. Iury Cardoso #969445. Published by Iury Cardoso (A0.1385464). Easy DOUBLE BASS SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and DOUBLE BASS part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon easy string  bass and piano dueteasy double bass chamber musiccanon but on the double basseasy double bass with piano baroque sheet musiceasy double basseasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for easy string bass solo with pianocanon pachelbel for solo double bassclassic sheet music for double bass and piano.
$3.99
3.63 €
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Contrebasse, Piano (duo)
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
Don't Let Me Down
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1105690 By The Be…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1105690 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rene Alves. Broadway,Multicultural,Musical/Show,New Age,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #708908. Published by Rene Alves (A0.1105690). Score and melody for double bass, for beginner musician. The sheet music is in great size for reading on tablets.
$6.00
5.46 €
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Contre Basse
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The Beatles
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Rene Alves
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Don't Let Me Down
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Rene Alves
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385677 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385677 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #969614. Published by Iury Cardoso (A0.1385677). Easy DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass solocanon pachelbel easy sheet musiccanon in D pachelbel for easy string bass solocanon pachelbel easy double bass sheet musiccanon easy string bass solocanon but on the double bass easy double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for string bass solocanon pachelbel for solo double bass easy classic sheet music for double bass.
$2.99
2.72 €
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Contre Basse
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Antonio Vivaldi
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385684 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385684 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #969621. Published by Iury Cardoso (A0.1385684). Easy DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass solocanon pachelbel easy sheet musiccanon in D pachelbel for easy string bass solocanon pachelbel easy double bass sheet musiccanon easy string bass solocanon but on the double bass easy double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for string bass solocanon pachelbel for solo double bass easy classic sheet music for double bass.
$2.99
2.72 €
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Contre Basse
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
Ave Maria - F. Schubert (Double Bass)
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1407834 By Franz …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1407834 By Franz Schubert. By Franz Schubert. Arranged by Guilherme Assunção. 19th Century,Classical,Religious,Romantic Period. Individual part. 1 pages. Guilherme A. #990458. Published by Guilherme A. (A0.1407834). Embark on a journey of musical enchantment with Schubert's timeless masterpiece, 'Ave Maria,' presented in this captivating double bass solo sheet music. Delight in the purity and elegance of the melody as you explore its intricate nuances, unfettered by chord notations. Whether you're a seasoned bassist or a budding enthusiast, this sheet music invites you to immerse yourself fully in the celestial beauty of 'Ave Maria.' Perfect for solo performances, practice sessions, or simply indulging in the joy of music-making, this sheet music is a treasure trove of inspiration. Don't miss this opportunity to experience the sublime beauty of 'Ave Maria' in its purest form. Purchase now and let your double bass sing with the grace and serenity of Schubert's masterpiece!
$2.99
2.72 €
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Contre Basse
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Franz Schubert
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Guilherme Assunção
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Ave Maria - F. Schubert
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Guilherme A.
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SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385432 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385432 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 3 pages. Iury Cardoso #969412. Published by Iury Cardoso (A0.1385432). DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass solocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass sheet musiccanon double bass solocanon but on the string bass double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for double bass solocanon pachelbel for solo double bassclassic sheet music for string bass.
$4.99
4.54 €
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Contre Basse
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Johann Pachelbel
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Iury Cardoso
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"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385428 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385428 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 3 pages. Iury Cardoso #969410. Published by Iury Cardoso (A0.1385428). DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass solocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass sheet musiccanon double bass solocanon but on the string bass double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for double bass solocanon pachelbel for solo double bassclassic sheet music for string bass.
$4.99
4.54 €
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Contre Basse
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Johann Pachelbel
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Iury Cardoso
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"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385232 Composed…
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385232 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 9 pages. Iury Cardoso #969243. Published by Iury Cardoso (A0.1385232). DOUBLE BASS SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and DOUBLE BASS part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass and pianocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon string bass and piano duetdouble bass chamber musiccanon but on the double bass canon but on the string bass string bass with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for string bass solo with pianocanon pachelbel for solo string bassclassic sheet music for double bass and piano.
$5.99
5.45 €
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Contrebasse, Piano (duo)
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Johann Pachelbel
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Iury Cardoso
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"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
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