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Vous avez sélectionné:
Down to the Nightclub: Drums
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Down to the Nightclub: Drums
Batterie (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016588_D Drums. Composed by …
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016588_D Drums. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016588_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016588_D). UPC: 038081481074.From the group Tower of Power, this funky chart hits the mark. At 180 BPM, the chart includes solos for tenor, trombone, or guitar, with a lead trumpet range to written high C. Lots of ensemble, too! (2:47).
$3.00
2.72 €
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Batterie (partie séparée)
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David Garibaldi, Emilio Castillo, and Stephen Kupka
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Victor López
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Down to the Nightclub: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Down To The Nightclub - Drums
Batterie
By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Pau…
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By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Paul Murtha. Funk; Pop. Jazz Band. 3 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.43 €
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Batterie
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Tower Of Power
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Paul Murtha
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Pop
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Down To The Nightclub - Drums
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.57 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
LISTEN TO YOUR HEART
Small Ensemble Drums,High Voice,Piano Accompaniment,Violin - Level 3 - Digital Download
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Small Ensemble Drums,High Voice,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.991685 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. Broadway,Musical/Show. Score and parts. 3 pages. Creative Horizons Music Publishers (ASCAP) #3056729. Published by Creative Horizons Music Publishers (ASCAP) (A0.991685). FROM THE BROADWAY BOUND MUSICAL COMEDY THE GHOST WHO SAVED BROADWAY IS A MOST BEAUTIFUL UPLIFTING BALLAD AND SONG OF INSPIRATION THAT URGES ALL OF US (IN THE VERY DIFFICULT DAYS OF OUR LIVES TO NEVER GIVE UP AND TO ALWAYS LISTEN TO THAT LITTLE SOFT VOICE IN OUR HEARTS. SUNG HERE BY NIGHTCLUB SINGER, JOE SENTELLI.
$3.98
3.6 €
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MICHAEL L
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TIMOTHY C
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LISTEN TO YOUR HEART
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Creative Horizons Music Publishers
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SheetMusicPlus
Down to the Nightclub / What Is Hip?: Drums
Batterie (partie séparée)
(Drums). By Tower Of Power. By Emilio Castillo, Stephen Kupka, and David Garibaldi. Arrang…
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(Drums). By Tower Of Power. By Emilio Castillo, Stephen Kupka, and David Garibaldi. Arranged by Victor López. For Marching Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.72 €
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Batterie (partie séparée)
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Tower Of Power
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Down to the Nightclub / What Is Hip?: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Happy Place
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.8 €
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Chorale 2 parties
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Birdland
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.56…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.563220 By Manhattan Transfer. By Joe Zawinul. Arranged by Austin Ralphson. Jazz. Score and parts. 43 pages. Austin Ralphson #3483865. Published by Austin Ralphson (A0.563220). This song was written by Joe Zawinul of the band Weather Report as a tribute to the Birdland nightclub in New York City. This was the club where Zawinul heard Count Basie, and where Zawinul met his wife, Louis Armstrong, Duke Ellington, and Miles Davis. It is presented here for brass ensemble, with drum kit as well. You will need a particularly funky tuba player!
$13.99
12.67 €
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Manhattan Transfer
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Austin Ralphson
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Birdland
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Austin Ralphson
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SheetMusicPlus
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