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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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CORNET
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Drifting - Score Only
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6 partitions trouvées
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Drifting Further Away
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Piano, Voix et Guitare
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Rock
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Powderfinger
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Drifting Further Away
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Powderfinger. Rock. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.365079). - Piano/Vocal/Guitar (chords only)...
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By Powderfinger. Rock. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.365079). - Piano/Vocal/Guitar (chords only) - Rock - Hal Leonard - Digital Sheet Music
$4.99
Drifting
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Piano, Voix et Guitare
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Pop musique
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Enya
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Drifting
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Enya. For Piano/Vocal/Guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Enya. For Piano/Vocal/Guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Sunset: St. Louis
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Chorale 3 parties
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FACILE
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Dennis Tobenski
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Sunset: St. Louis
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Dennis Tobenski
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by D...
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Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$1.99
Fire Dreams (for SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carl Sandburg and Nathaniel Ho
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Fire Dreams
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TigerSong LLC
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503844 Composed by Carl Sandburg and Nathaniel Hontz. 20th Century,Contemporary,Holiday,Patriotic,S...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503844 Composed by Carl Sandburg and Nathaniel Hontz. 20th Century,Contemporary,Holiday,Patriotic,Sacred. 7 pages. TigerSong LLC #1079298. Published by TigerSong LLC (A0.1503844). Carl Sandburg's Thanksgiving poem Fire Dreams, set for SATB choir. The music follows the rhythms of the poem, as it meditates on pilgrims and gratitude, and their place in our modern consciousness. The poem was written to be read aloud on Thanksgiving Day. Piano accompaniment intended for rehearsal only (although it can accompany performance).I remember here by the fire,In the flickering reds and saffrons,They came in a ramshackle tub,Pilgrims in tall hats,Pilgrims of iron jaws,Drifting by weeks on beaten seas,And the random chapters sayThey were glad and sang to God.And soSince the iron-jawed men sat downAnd said, Thanks, O God,For life and soup and a little lessThan a handout to-day,Since gray winds blew gray patterns of sleet on Plymouth Rock,Since the iron-jawed [wo]men sang Thanks, O God,You and I, O Child of the West,Remember more than everNovember and the hunter's moon,November and the yellow-spotted hills.And soIn the name of the iron-jawed menI will stand up and say yes till the finish is come and gone.God of all broken hearts, empty hands, sleeping soldiers,God of all star-flung beaches of night sky,I and my love-child stand up together to-day and sing: Thanks, O God..
$2.99
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Drifting
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Piano, Voix et Guitare
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Rock
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Sarah McLachlan
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Rock
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Drifting
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Sarah McLachlan. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Sarah McLachlan. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
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Drifting - Score Only