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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Vous avez sélectionné:
Drummer Week
Partitions à imprimer
9 partitions trouvées
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1
The Little Drummer Boy
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.798143 By Wilson Phillips. By Harry Simeone, Henry Onorati, Katherine K. Davis, and Michael Peace. Arranged by Grecia Lopez. Christmas. Score and parts. 21 pages. Gre Lopez #3399435. Published by Gre Lopez (A0.798143). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941. In 2013 Pentatonix released a video on YouTube in which they covered the song; released as a digital single, this version both debuted and peaked at No. 13 on the Billboard Hot 100 chart for the week ending 21 December. Music for Christmas.
$15.99
14.77 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Wilson Phillips
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Grecia Lopez
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The Little Drummer Boy
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Gre Lopez
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SheetMusicPlus
Drummer Week
Batterie
Drums - Level 3 - Digital Download SKU: A0.1028716 Composed by Patrik Wirth. Contem…
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Drums - Level 3 - Digital Download SKU: A0.1028716 Composed by Patrik Wirth. Contemporary. Score. 15 pages. Musica Piccola - Musikverlag #6441317. Published by Musica Piccola - Musikverlag (A0.1028716). In dieser Ausgabe sind sieben Titel im mittleren Schwierigkeitsgrad für den täglichen Übungsbedarf enthalten. Jedes Musikstück ist anders strukturiert. Mal im 4/4 Takt, mal im 6/8, aber auch Taktwechsel im Stück selbst. In der aktuellen Corona-Situation eine enorme Bereicherung für das Üben der Schlagwerker Zuhause. Durch einen QR-Code auf der Nebenseite kann man sich die Titel auch im langsamen, sowie schnelleren Tempo anhören. Schwierigkeit: Medium
$15.99
14.77 €
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Batterie
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Patrik Wirth
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Drummer Week
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Musica Piccola - Musikverlag
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SheetMusicPlus
It's So Clear To Me
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1028372 Composed by David W.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1028372 Composed by David W. Hansen. Jazz,Latin. Score. 2 pages. Hansen Music Collections (Trade-name of Hansen Music Productions, LLC) #3489959. Published by Hansen Music Collections (Trade-name of Hansen Music Productions, LLC) (A0.1028372). An original composition with lyrics by David W. Hansen (drummer, bandleader, composer, lyricist). This is the lead sheet (melody, harmony and lyrics) that David's Garden District Band uses each night on their steady performance. David Hansen's Garden District Trio has performed seven nights a week since 2006 (over twelve years) at Houston's Restaurant in New Orleans. This song is a Bossa Nova and is a love song. The lyrics can be applied to a hopeful lover, someone in a relationship or as sung to Jesus or God.
$5.50
5.08 €
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Piano, Voix
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David W
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It's So Clear To Me
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Hansen Music Collections
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SheetMusicPlus
You Are The One
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1028373 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1028373 Composed by David W. Hansen. Blues,Holiday,Jazz,Wedding. Score and parts. 2 pages. Hansen Music Collections (Trade-name of Hansen Music Productions, LLC) #3489987. Published by Hansen Music Collections (Trade-name of Hansen Music Productions, LLC) (A0.1028373). An original composition with lyrics by David W. Hansen (drummer, bandleader, composer, lyricist). This is the lead sheet (melody, harmony and lyrics) that David's Garden District Band uses each night on their steady performance. David Hansen's Garden District Trio has performed seven nights a week since 2006 (over twelve years) at Houston's Restaurant in New Orleans.
$5.50
5.08 €
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Ensemble Jazz
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David W
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You Are The One
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Hansen Music Collections
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SheetMusicPlus
Accelerated Rock'n'Rollin' Drumset Method Book
Batterie
Drum Set,Drums - Level 1 - Digital Download SKU: A0.1254109 Composed by Zachary Sec…
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Drum Set,Drums - Level 1 - Digital Download SKU: A0.1254109 Composed by Zachary Seckman. Children,Instructional,Pop,Rock,Traditional. Score. 100 pages. ZS Music Publishing #847706. Published by ZS Music Publishing (A0.1254109). Introducing our NEW Accelertated Rock'n'Rollin'! Accelerated Rock'n'Rollin' is designed for the beginning drummer in ages 13 and up, and even adults! The book is a combination of levels 1 and 2 which dives straight into reading music on the simplified staff with the abbreviations on circles (notes and moves students through reading drum music on the staff, learning note values, time signatures, and dynamics. In this book, patterns are called solos. There are also a hand full of composing activities throughout the book. Remember that students should not be rushed through the book, and it is completely okay to keep students working on a certain section or pattern for a few weeks at a time until they’re comfortable. To make sure they’re playing with accuracy, start off each pattern around 60bpm. You can adjust the tempo from there as they learn the patterns.The book flows in the following order:Introduce the Instruments on a simplified 3-line staff.Moves to a traditional 5-line staff.Introduce notes as quarter notes on the staff, and changes cymbals to cross notes.Introduce Half Notes and Rests, Whole Notes and Rests, and Dotted half notes.Introduce Rudiments and Stickings.From Book 2, “ROCK’N’RUDIMENTS†readies students to learn and play simple stickings in 4/4 and 3/4 times using Quarters, Whole, Halfs, and Eighth notes. These rudiments can be used for fills, and can be revisited later on.  Introduces beamed 8th notes (2 sounds in 1 beat.)Introduces Forte and Piano dynamics.Catalog: DPM-ARRB-DG© 2022 ZS Music Publishing. All Rights Reserved.
$15.99
14.77 €
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Batterie
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Zachary Seckman
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Accelerated Rock'n'Rollin' Drumset Method Book
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ZS Music Publishing
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Blinding Lights
Batterie
By The Weeknd. Arranged by DrummersLoveSheets. Individual Part, Sheet Music Single. 4 p…
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By The Weeknd. Arranged by DrummersLoveSheets. Individual Part, Sheet Music Single. 4 pages. Published by DrummersLoveSheets
$4.99
4.61 €
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Batterie
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The Weeknd
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DrummersLoveSheets
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Blinding Lights
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DrummersLoveSheets
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.85 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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