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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dušan Šestić
Non classifié
21
Piano & claviers
Piano, Voix et Guitare
2
Piano seul
2
2 Pianos, 4 mains
1
Orgue
1
Instruments en Do
1
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Guitare
2
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1
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2
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1
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1
Voix haute
1
Chorale SSAATTBB
1
Vents
Clarinette et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
Saxophone Tenor
1
Cor anglais, Piano
1
+ 2 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
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1
Cor anglais, Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
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1
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1
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1
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6
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Dušan Šestić
Partitions à imprimer
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Bosnia & Herzegovina National Anthem: Intermeco
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Orchestre d'harmonie
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FACILE
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Patriotique
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Dušan Šestiã
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Colin Kirkpatrick
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Bosnia & Herzegovina Natio
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522132 Composed by Dušan Šestiã (b. 1946). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 ...
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Large Ensemble - Level 2 - SKU: A0.522132 Composed by Dušan Šestiã (b. 1946). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3452899. Published by Colin Kirkpatrick Publications (A0.522132). BOSNIA & HERZEGOVINA: Intermeco This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
Bosnia & Herzegovina National Anthem: Intermeco Organ Cover
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Orgue
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FACILE
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Dušan Šestić
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Jonathan Selimovic (a
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Bosnia & Herzegovina Natio
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Jonny Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1473230 Composed by Dušan Šestić. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Multicultural,Patriotic,World. Score...
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Organ - Level 2 - SKU: A0.1473230 Composed by Dušan Šestić. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Multicultural,Patriotic,World. Score. 3 pages. Jonny Music #1051035. Published by Jonny Music (A0.1473230). Here's Intermeco (Intermezzo), the Bosnia & Herzegovina National Anthem as arranged for the King of Instruments (Organ).Duration: 1:34This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwX (formerly Twitter): https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$6.99
Državna himna Bosne i Hercegovine
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Dušan Šestić
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Sem Bejtman
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Državna himna Bosne i Herce
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Sam Bateman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.948185 Composed by Dušan ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.948185 Composed by DuÅ¡an Å estić. Arranged by Sem Bejtman. 20th Century,Contemporary,Patriotic,World. 6 pages. Sam Bateman #3543727. Published by Sam Bateman (A0.948185). Državna himna Bosne i Hercegovine, prepisana za kvartet saksofona.ЋирилÑка верзија: https://www.sheetmusicplus.com/title/--digital-sheet-music/20755706English version: https://www.sheetmusicplus.com/title/the-national-anthem-of-bosnia-and-herzegovina-digital-sheet-mus.......Ako biste željeli Äuti neke od mojih drugih aranžmana, slobodno pogledajte moj Youtube kanal Sam Bateman's Music. Ako me želite kontaktirati zbog nekih pitanja ili prijedloga, slobodno mi se javite e-mailom na adresu sambateman.music@gmail.com, i ja ću vam pokuÅ¡ati odgovoriti u Å¡to kraćem roku.
$6.00
The National Anthem of Bosnia and Herzegovina
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Patriotique
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Dušan Šestić
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Sam Bateman
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The National Anthem of Bosnia
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Sam Bateman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.948184 Composed by Dušan ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.948184 Composed by Dušan Šestić. Arranged by Sam Bateman. 20th Century,Contemporary,Patriotic,World. 6 pages. Sam Bateman #3543509. Published by Sam Bateman (A0.948184). The national anthem of Bosnia and Herzegovina, transcribed for saxophone quartet.
$6.00
Bosnian and Herzegovinian National Anthem (Državna himna Bosne i Hercegovine) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Dušan Šestić
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Keith Terrett
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Bosnian and Herzegovinian Nati
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Keith Terrett
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SheetMusicPlus
Composed by Dušan Šestić. Arranged by Keith Terrett. 20th Century, Contemporary, Patriotic, World. Score and parts. 12 pages. Keith Terrett ...
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Composed by Dušan Šestić. Arranged by Keith Terrett. 20th Century, Contemporary, Patriotic, World. Score and parts. 12 pages. Keith Terrett #1954883. Published by Keith Terrett
$8.99
Bosnian & Herzegovinan National Anthem for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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Dušan Šestić
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Keith Terrett
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Bosnian & Herzegovinan Nationa
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Music for all Occasions
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SheetMusicPlus
Composed by Dušan Šestić. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. 12 pages. Published by Music for all Occasio...
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Composed by Dušan Šestić. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. 12 pages. Published by Music for all Occasions
$8.99
Offertorio & Si un jour from La Forza del Destino - G Verdi (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Giuseppe Verdi
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Peet du Toit
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Offertorio & Si un jour fr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802550 Composed by Giuseppe Verdi. Arranged by Peet du Toit. Contemporary. Score and parts...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802550 Composed by Giuseppe Verdi. Arranged by Peet du Toit. Contemporary. Score and parts. 10 pages. Peet du Toit #5777459. Published by Peet du Toit (A0.802550). The Power of Fate, often translated The Force of Destiny, is an Italian opera by Giuseppe Verdi. La forza del destino is frequently performed. The overture is part of the standard repertoire for orchestras, often played as the opening piece at concerts. In this arrangement, the overture opens with the fanfare motive, followed by a tragic, but beautiful melody (associated with the French movie Jean de Florette) and ending with the opening fanfare, but much subdued.
$13.00
Harmonie du Soir for alto and classical guitar (mp3)
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Contemporain
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András Csáki
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Harmonie du Soir for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 259. David Warin Solomons #971321. Published by David Warin Solomons (A0.1387467). Poem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909).
$6.00
Harmonie du Soir for alto and classical guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Harmonie du Soir for alto and
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373988 Composed by David Warin Solomons. 21st Century,Contemporary. Score. 8 pages. David Warin Solomons #...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373988 Composed by David Warin Solomons. 21st Century,Contemporary. Score. 8 pages. David Warin Solomons #958555. Published by David Warin Solomons (A0.1373988). The pdf contains score and separate guitar partPoem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909)
$15.00
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
La Météorologie annonce du beau temps.
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Jean Francaix
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La Météorologie
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Schott Music - Digital
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SheetMusicPlus
3 Hr. · 1 Trp. in D · 2 Trp. in C · 1 Pos. · 1 Tb. 8 brass instruments (3 horns, 3 trumpets, 1 trombone, 1 tuba) - intermediate - SKU: S9.Q22800...
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3 Hr. · 1 Trp. in D · 2 Trp. in C · 1 Pos. · 1 Tb. 8 brass instruments (3 horns, 3 trumpets, 1 trombone, 1 tuba) - intermediate - SKU: S9.Q22800 For 8 brass instruments. Composed by Jean Francaix. This edition: score and parts. Downloadable, Score and parts. Duration 0' 20. Schott Music - Digital #Q22800. Published by Schott Music - Digital (S9.Q22800). The composition with the strange title 'La Météorologie annonce du beau temps' (The weather forecast predicts fine weather) for eight brass instruments is an entertaining piece testifying to Jean Françaix' sense of originality and humorous moments. Even if the sun does not appear automatically during the performance, it is nevertheless a charming 'fairweather piece' and perfect as an effective encore piece.
$15.99
O du Fröhliche - Full Score
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Orchestre de chambre
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FACILE
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N
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O du Fröhliche - Full Sco
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola ...
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Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
O du fröhliche - Orchestral parts set
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Orchestre de chambre
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FACILE
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N
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O du fröhliche - Orchestr
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola...
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Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by Víkingur Ólafsson
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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J.S. Bach: Das Orgelbüchl
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1121730 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1121730 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #722917. Published by Flavio Regis Cunha (A0.1121730). Do you want to learn the fascinating Prelude in E major of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619' composed by the legendary Johann Sebastian Bach?  Well, now you can! With the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', you can learn how to play this magnificent piece as performed by VÃkingur Ólafsson.  This is the first time this version of the prelude has been available. Get your hands on it now and unlock the mysterious beauty of Bach's prelude! You don't want to miss out on this chance! Get the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', as played by VÃkingur Ólafsson, today!J.S. Bach: Das Orgelbüchlein, BWV 599-644 - Christe, du Lamm Gottes, BWV 619 As played by VÃkingur Ólafsson in his new album From afar Intermediate level Format: Concert 9 x 12 inches 3 pagesProgram notesThe Orgelbüchlein, BWV 599-644 is a collection of chorale preludes composed for organ by Johann Sebastian Bach. Central to the collection is the chorale prelude Christe, du Lamm Gottes, BWV 619 composed by Bach in 1714.  Christe, du Lamm Gottes, BWV 619 is a unique and melodious composition that combines complex rhythmic elements with a beautiful harmonic progressions. The structure of the composition is highly advanced and Bach uses counterpoint masterfully.  Bach uses the chorale melody to provide a vocal line over rich harmonic progressions. The vocal line is layered over a series of organ chords, which serve as an accompaniment. The combination of both melodic and harmonic elements gives the piece great depth and complexity.  By providing a powerful vocal component to the composition Bach also creates an emotional connection with the listener. The beauty of Bach's composition lies in its ability to transport the listener to a spiritual realm that is only achieved through contemplation and devotion.  Bach also incorporates more traditional elements of musical composition such as tempo and dynamic contrast. This adds a great amount of variety and creates a variety that holds the listener's interest throughout the piece.  There is no doubt that Christe, du Lamm Gottes, BWV 619 is one of Bach's greatest masterpieces and it is a timeless musical tribute to God.
$5.99
O du eselhafter Martin for Trombone or Low Brass Quartet
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Classique
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Eric Burger Music
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O du eselhafter Martin for Tro
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - SKU: A0.508330 Arranged by Eric Burger Music. Classical. Score and parts. 12 pages. Eric Burger Music...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - SKU: A0.508330 Arranged by Eric Burger Music. Classical. Score and parts. 12 pages. Eric Burger Music #3680749. Published by Eric Burger Music (A0.508330). View the score with playback at: https://youtu.be/mqokce5rZ_M Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$8.00
Bist du bei mir (Low Voice and Keyboard with Optional Instruments)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.1076240 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Conte...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.1076240 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680391. Published by Jubal's Lyre Music Publishers (A0.1076240). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Low Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb Major), Medium-High Voice (D major), Medium Voice (C major), and Medium-Low Voice (Bb major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (Medium-Low Voice and Keyboard with Optional Instruments)
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 3 - SKU: A0.1076248 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classica...
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Medium-Low Voice,Vocal Solo - Level 3 - SKU: A0.1076248 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680399. Published by Jubal's Lyre Music Publishers (A0.1076248). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Medium-Low Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb major), Medium-High Voice (D major), Medium Voice (C major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (Medium-High Voice and Keyboard with Optional Instruments)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.1076365 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classic...
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Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.1076365 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680519. Published by Jubal's Lyre Music Publishers (A0.1076365). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Medium-High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (High Voice and Keyboard with Optional Instruments)
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Voix haute
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Cont...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (Medium Voice with Keyboard and Optional Instruments)
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.1076252 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Co...
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Medium Voice,Vocal Solo - Level 3 - SKU: A0.1076252 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680405. Published by Jubal's Lyre Music Publishers (A0.1076252). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Medium Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb major), Medium-High Voice (D major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
String Quartet No. 3 "l'Ode du Vermont"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Timothy Lee Miller
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String Quartet No. 3 "l'O
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TLM Music Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1013831 Composed by Timothy Lee Miller. Contemporary,Contest,Festival. Score and parts. 85 pages. TLM ...
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String Quartet String Quartet - Level 4 - SKU: A0.1013831 Composed by Timothy Lee Miller. Contemporary,Contest,Festival. Score and parts. 85 pages. TLM Music Publishing #619413. Published by TLM Music Publishing (A0.1013831). A contemporary string quartet written as an ode to the State of Vermont.
$49.99
SOS Perdu
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Francois Du Bois
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SOS Perdu
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D-Project Co., Ltd.
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Percussion - Level 4 - SKU: A0.1343594 By Francois Du Bois. By Francois Du Bois. 21st Century,Contemporary,Contest,Fest...
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Percussion Ensemble Bass Marimba,Percussion - Level 4 - SKU: A0.1343594 By Francois Du Bois. By Francois Du Bois. 21st Century,Contemporary,Contest,Festival,Multicultural,Spiritual,World. 35 pages. D-Project Co., Ltd. #929123. Published by D-Project Co., Ltd. (A0.1343594). SOS Perdu is an ensemble piece featuring marimba and percussion, telling the tale of a starship receiving a distress signal from an unknown location in space, sparking a wave of panic. The music carries a sense of intrigue and questioning. Notably, percussionists are encouraged to lend their voices to the piece, adding a unique vocal dimension to the narrative.
$22.00
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Robert Schumann: Du Ring an Meinem Finger - voice & other instruments (fake book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Classique
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Robert Schumann
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Virtualsheetmusic
Instantly printable sheet music by Robert Schumann for voice & other instruments (fake book) of MEDIUM skill level. / classical,wedding,festival,love...
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Instantly printable sheet music by Robert Schumann for voice & other instruments (fake book) of MEDIUM skill level. / classical,wedding,festival,love
$3.97
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Dušan Šestić
