The New Antiquity collection includes 15 compositions for a violin and viola duo. Ten compositions from the collection, composed by anonymous authors from the Middle Ages and two Renaissance authors, Tielman Susato and Thoinot Arbeau, have been arranged by Sonja Kalajic. The other five pieces are original romantic compositions by Sonja Kalajic inspired by the spirit of the Middle Ages and the Renaissance. Beautiful hits of early music, or so-called music of antiquity, have been adapted to the modern and standard violin and viola duo in keeping with the newer instrumental and concertante possibilities of the said instruments. There is no evidence that anyone has adapted that kind of music for such a musical ensemble before, so this edition of musical scores represents a noteworthy contribution to the greater affirmation of early music, to the literature of the string duet in question, and to music in general. From the technical point of view, the collection consists of compositions for almost all levels of performance ? from easier pieces by anonymous authors to some virtuoso ones, like ?Heraldry? by Sonja Kalajic. We hope that the compositions from the New Antiquity collection will enrich and refresh certain concert programs, that they will encourage some performers to attempt new interpretations of old melodies and dances, and that the musicians and the audiences will jointly feel and enjoy the indestructible and astonishing relevance of those musical compositions.

C O N T E N T S
Thoinot Arbeau ? Two pieces
Anonimus ? Three pieces
Tielman Susato ? Five pieces
Sonja Kalajic ? Five knightly pieces

ISBN 9781513455006.

Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.