Digital Pack includes:

1. First Suite In E Flat, Themes From - Full Score
2. First Suite In E Flat, Themes From - Flute
3. First Suite In E Flat, Themes From - Oboe
4. First Suite In E Flat, Themes From - Bassoon
5. First Suite In E Flat, Themes From - Bb Clarinet 1
6. First Suite In E Flat, Themes From - Bb Clarinet 2
7. First Suite In E Flat, Themes From - Bb Clarinet 3
8. First Suite In E Flat, Themes From - Eb Alto Clarinet
9. First Suite In E Flat, Themes From - Bb Bass Clarinet
10. First Suite In E Flat, Themes From - Eb Alto Saxophone 1
11. First Suite In E Flat, Themes From - Eb Alto Saxophone 2
12. First Suite In E Flat, Themes From - Bb Tenor Saxophone
13. First Suite In E Flat, Themes From - Eb Baritone Saxophone
14. First Suite In E Flat, Themes From - Bb Trumpet 1
15. First Suite In E Flat, Themes From - Bb Trumpet 2
16. First Suite In E Flat, Themes From - F Horn
17. First Suite In E Flat, Themes From - Trombone
18. First Suite In E Flat, Themes From - Baritone B.C.
19. First Suite In E Flat, Themes From - Baritone T.C.
20. First Suite In E Flat, Themes From - Tuba
21. First Suite In E Flat, Themes From - Convertible Bass Line
22. First Suite In E Flat, Themes From - Percussion 1
23. First Suite In E Flat, Themes From - Percussion 2
24. First Suite In E Flat, Themes From - Timpani

ISBN 9781619118515.

Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.

Digital Pack includes:

1. La Donna e Mobile (from Rigoletto) - Full Score
2. La Donna e Mobile (from Rigoletto) - Violin 1
3. La Donna e Mobile (from Rigoletto) - Violin 2
4. La Donna e Mobile (from Rigoletto) - Violin 3 (Viola Treble Clef)
5. La Donna e Mobile (from Rigoletto) - Viola
6. La Donna e Mobile (from Rigoletto) - Cello
7. La Donna e Mobile (from Rigoletto) - Bass
8. La Donna e Mobile (from Rigoletto) - Piano

Classical and Flamenco Guitar Solos and Etudes provides an introduction to classical and flamenco guitar techniques through 22 pieces. These short, melodic studies will increase your understanding of chord/harmonic shapes, and encompass a variety of styles: vals, classical etudes, malaguena, solea, rumba, farruca, and bulerias. The five main techniques in classical and flamenco guitar are: pulgar (thumb rest stroke), arpeggio, picado (index and middle alternating strokes), rasgueo (strumming), and tremolo (flamenco) a which are applied throughout this book. Includes access to online audio and video.

ISBN 9781619119314.

Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.

Claude Antoine Jean Georges Napoleon Coste was a virtuoso guitarist (27 June 1805 ? 17 February 1883) and Fernando Sor's student. He wrote many works for Classical guitar.
Melancholy is an early intermediate work in E minor, E major and C# minor keys, for Classical Guitar solo (or fingerstyle with nylon strings guitar).
With standard notation and Tablature, with downloadable simple mp3 for audio help.
Two pages, Early Intermediate, 3:10' min.

ISBN 9781619118218.

The aim of this book is to gather in one place a compendium of techniques specific to the classical guitar. Each technique has a written explanation, preliminary exercises and two original compositions, providing the opportunity to use the techniques in a musical context. --Steve Marsh

Mel Bay Publications was founded on Mel's simple pretext of finding a need, and filling it. Mel Bay author, Steve Marsh, continues in that tradition with the publication of The Anthology of Classical Guitar Techniques, a highly original concept that fills a distinct need in the guitar study repertoire. Graded from lower intermediate to higher intermediate in difficulty, this anthology avoids fundamental skills known to most beginners and goes straight to intermediate-level techniques such as: arpeggio, barre, campanella, glissando, harmonics, pizzicato, rapid scales, rasgueado, tambour, tremolo, vibrato, and more. Each of the 32 techniques is illuminated with preliminary studies and two original compositions, all written in standard notation only. If you are ready to take the next step with the classical guitar, this book will improve your technique and musicianship in general, increase your ability to listen to yourself critically, and so lead to more productive practice sessions.

Blues in E-flat for solo classical or fingerstyle guitar. Explore the blues in a not-so-common key. Four-page score with tablature. Includes written solo section or optional improvisation.

A solo fingerstyle arrangement of Frederic Chopin's "Nocturne in E-flat major, Op. 9, No. 2" for classical guitar.

Want to learn some classical masterpieces on the violin fast? Try violin tab. An easy way for you to get playing your violin quickly. Each of the 30 classical masterpieces is in 1st Position with violin tablature, notes, bowings and articulations. Scales, exercises and arpeggios are also included with tablature to improve your violin technique. First, learn how to read the violin tablature (tab) in a few minutes, pick a piece you want to learn then listen and mimic the online audio and video. Excellent for beginner players. Arranged by composer Brent Robitaille and recorded by master violinist Jonathon Garabedian.List of pieces and composers: Albinoni, T. (1671 ? 1751) - Adagio Bach, J.S. (1685 ? 1750) - Air Bach, J.S. (1685 ? 1750) ? Jesu, Joy of Man?s Desirings Bach, J.S. (1685 ? 1750) - Sheep May Safely Graze Beethoven, Lv. (1770 ? 1827) ? Fur Elise Bizet, G.(1838 ? 1875) - Habanera Boccherini, L. (1743 ? 1805) - Minuet Brahms, J. (1833 ? 1897) ? Hungarian Dance No. 5 Debussy, C. (1861 ? 1918) ? Clair de Lune Dvor�k, A. (1841 ? 1904) ? Slavonic Dance No. 2 Dvor�k, A. (1841 ? 1904) ? Slavonic Dance No. 6 Franck, C. (1822 ? 1890) ? Panis Angelicus Gounod, C. (1818 ? 1893) ? Ave Maria Grieg, E. (1843 ? 1907) ? In the Hall of the Mountain King Handel, G.F. (1685 ? 1759) - Largo Haydn, J.F. (1732 ? 1809) - Serenade Mozart, W.A. (1756 ? 1791) ? Eine Kleine Nachtmusik ? 1ST Mvt. Mozart, W.A. (1756 ? 1791) ? Eine Kleine Nachtmusik ? 4th Mvt. Mozart, W.A. (1756 ? 1791) ? Rondo Alla Turca Pachelbel, J. (1653 ? 1706) ? Canon in D Petzold, C. (1677 ? 1733) - Minuet in G Petzold, C. (1677 ? 1733) - Minuet in G Minor Puccini, G. (1858 ? 1924) ? Nessun Dorma Saint Sa�ns, C. ? (1835 ? 1921) ? The Swan Satie, E. (1866 ? 1925) ? Gymnopedia No. 1 Schumann, R. (1810 ? 1856) ? Tr�umerei Strauss II, J. (1825 ? 1899) ? The Blue Danube Tchaikovsky, P.I. (1840 ? 1893) ? Dance of the Sugar Plum Fairy Tchaikovsky, P.I. (1840 ? 1893) ? Waltz of the Flowers Vivaldi, A. (1678 ? 1741) ? La Primavera (Spring).