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E-I-E-I Oops!
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--INSTRUMENTS--
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Vous avez sélectionné:
E-I-E-I Oops!
Partitions à imprimer
15 partitions trouvées
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E-I-E-I Oops! (A Musical for Young Voices)
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John Higgins and John Jacobson
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E-I-E-I Oops!
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.1215050 Composed by John Higgins and John Jacobson. Children,Comedy,Country,Musical/Show,Novelty. Octavo. Duration 1161. Hal Leonard - ...
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Choral - SKU: HX.1215050 Composed by John Higgins and John Jacobson. Children,Comedy,Country,Musical/Show,Novelty. Octavo. Duration 1161. Hal Leonard - Digital #18911. Published by Hal Leonard - Digital (HX.1215050).
$14.99
E-I-E-I Oops! (A Musical for Young Voices)
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John Higgins and John Jacobson
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E-I-E-I Oops!
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choral - SKU: HX.1215051 Composed by John Higgins and John Jacobson. Children,Comedy,Country,Musical/Show,Novelty. Accompaniment Only. Duration 1...
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Choral Choral - SKU: HX.1215051 Composed by John Higgins and John Jacobson. Children,Comedy,Country,Musical/Show,Novelty. Accompaniment Only. Duration 1161. Hal Leonard - Digital #18911. Published by Hal Leonard - Digital (HX.1215051).
$54.99
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99
(Re)Groove
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Lori Archer Sutherland
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(Re)Groove
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Lori Archer Sutherland
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SheetMusicPlus
Trombone Quartet Bass Trombone - Level 4 - SKU: A0.1418868 Composed by Lori Archer Sutherland. Chamber,Contemporary,Jazz. 25 pages. Lori Archer Sutherla...
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Trombone Quartet Bass Trombone - Level 4 - SKU: A0.1418868 Composed by Lori Archer Sutherland. Chamber,Contemporary,Jazz. 25 pages. Lori Archer Sutherland #1000353. Published by Lori Archer Sutherland (A0.1418868). â??(Re)Grooveâ? began as a compositional exercise exploring the use of an ostinato. I had fun with my original piano version and have since wanted to expand the piece into something more. I wasnâ??t sure how or when that would happen.When the opportunity arose to write a piece for the Chimera Consort, a trombone quartet, I knew this would be the place to expand my ostinato project.And so â??(Re)Grooveâ? was born. While the original ostinato forms the basis for the piece, I added more thematic material and structure. The title reflects the recycled nature of the piece. Fittingly, â??Reâ? also happens to be the symbol for Rhenium, which is â??... a silvery-gray, heavy, third-row transition metal in group 7 of the periodic tableâ? (Wikipiedia).While I have indicated some effects (i.e. scoops, falls), the performers may view those as improvisational and adapt them as desired.
$20.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
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Piano seul
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INTERMÉDIAIRE
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 page...
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Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99
Groove in A
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Rock
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Alexis Galfre
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Alexis Galfre
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Groove in A
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Alexis Galfre
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SheetMusicPlus
Electric Bass Guitar,Electric Guitar,Synthesizer - Level 2 - SKU: A0.1380930 By Alexis Galfre. By Alexis Galfre. Arranged by Alexis Galfre. Rock. Full P...
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Electric Bass Guitar,Electric Guitar,Synthesizer - Level 2 - SKU: A0.1380930 By Alexis Galfre. By Alexis Galfre. Arranged by Alexis Galfre. Rock. Full Performance. Duration 248. Alexis Galfre #965711. Published by Alexis Galfre (A0.1380930). A song made with samplers, loops, recordings (guitars and bass), Ableton, Reason, virtual synthesizers... After many years I found it again and remixed it. Una canción hecha con samplers, loops, grabaciones (guitarras y bajo), Ableton, Reason, sintetizadores virtuales... Después de muchos años la reencontré y la remezclé.Una canzone fatta con samplers, loop, registrazioni (chitarre e basso), Ableton, Reason, sintetizzatori virtuali... Dopo tanti anni l'ho ritrovata e l'ho remixata.
$5.00
Fire Dance for Violin and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Classique
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Richard E Brown
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Fire Dance for Violin and Orch
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Mu...
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Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Music (A0.1485976). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.Fire Dance is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, bells, timpani, 2 percussion, piano, and strings. Duration 5:00.
$65.00
Fire Dance for Concert Band
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Classique
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Richard E Brown
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Fire Dance for Concert Band
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Dacker Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1486844 Composed by Richard E Brown. Classical,Contemporary. 180 pages. Dacker Music #1063912. Published by Dacker Musi...
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Concert Band - Level 5 - SKU: A0.1486844 Composed by Richard E Brown. Classical,Contemporary. 180 pages. Dacker Music #1063912. Published by Dacker Music (A0.1486844). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.This is a concert band transcription of my original composition for violin and orchestra.
$65.00
The Old Old Home. Song & Chorus
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Piano, Voix
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J
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The Old Old Home. Song & C
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.14461 Composed by J.H. Pixley. City & town life, Country life, Dwellings, Couples, Children, Domestic life, Families, Human li...
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Piano and voice - SKU: LV.14461 Composed by J.H. Pixley. City & town life, Country life, Dwellings, Couples, Children, Domestic life, Families, Human life cycle. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14461). The Old Old Home. Song & Chorus. Words by Rev. E.C. Jone. Music by J.H. Pixley of the Amphion's. Published 1856 by J. Sage & Sons, 209 Main St. in Buffalo. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include City & town life, Country life, Dwellings, Couples, Children, Domestic life, Families, Human life cycle. First line reads When I long for sainted mem'ries, Like angel troops they come.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Futility
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Giesbrecht
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Futility
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Benjamin Giesbrecht
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #436558...
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Trombone Solo - Level 4 - SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
Futility [Horn Transcription]
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Cor
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Benjamin Giesbrecht
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Futility [Horn Transcription]
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Benjamin Giesbrecht
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SheetMusicPlus
French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Publ...
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French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
Listen to the Mocking Bird
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Music by Richard Milburn
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F
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
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