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--INSTRUMENTS--
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ETUDE ON 4,
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--INSTRUMENTS--
ACCORDEON
ALTO
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Vous avez sélectionné:
ETUDE ON 4,
Partitions à imprimer
309 partitions trouvées
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301
Etude-capris #4 for free bass accordion
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Accordéon
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AVANCÉ
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Contemporain
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Zhikrivetskiy
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Etude-capris #4 for free bass
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SheetMusicPlus
Composed by Zhikrivetskiy. 21st Century, Etudes and Exercises. 12 pages. Published by Yuriy Zhikrivetskiy ...
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Composed by Zhikrivetskiy. 21st Century, Etudes and Exercises. 12 pages. Published by Yuriy Zhikrivetskiy
$2.99
Arrangements for 4 guitars
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4 Guitares (Quatuor)
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Fernando Sor
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Eddie Healy
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Arrangements for 4 guitars
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar quartet - SKU: ZZ.DZ-4322 Composed by Fernando Sor. Arranged by Eddie Healy. Score and parts. 49 pages. Les Productions d'OZ - Digital #DZ 4322. ...
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Guitar quartet - SKU: ZZ.DZ-4322 Composed by Fernando Sor. Arranged by Eddie Healy. Score and parts. 49 pages. Les Productions d'OZ - Digital #DZ 4322. Published by Les Productions d'OZ - Digital (ZZ.DZ-4322). When I undertook my arranging project, Fernando Sor: Beneath the Surface, I had not yet conceived of another. Yet, Sor’s works are so charming and rich that I felt compelled to delve deeper. Again, I have taken a number of his works for solo guitar and expanded them here. This has enabled me to furnish each voice, those composed by Sor and those I’ve added, with a degree of independence that enables them to simultaneously behave independently of the others and to interact with and react to them more freely.I hope that this will inspire guitar students and more seasoned players alike to examine the structural underpinnings of his works when crafting their interpretations much as I have in producing these arrangements.Lorsque j’ai entrepris mon projet d’arrangement, Fernando Sor : Beneath the Surface, je n’avais pas encore imaginé d’autre projet. Pourtant, les œuvres de Sor sont si charmantes et riches que je me suis senti obligé d’aller plus en profondeur. Là encore, j’ai repris un certain nombre de ses œuvres pour guitare seule et les ai développées ici. Cela m’a permis de doter chaque voix, celles composées par Sor et celles que j’ai ajoutées, d’un degré d’indépendance qui leur permet de se comporter simultanément indépendamment des autres et d’interagir et de réagir plus librement avec elles.J’espère que cela inspirera les étudiants en guitare et les guitaristes plus expérimentés à examiner les fondements structurels de ses œuvres lors de l’élaboration de leurs interprétations, tout comme je l’ai fait pour produire ces arrangements.1. Minuet, Op. 11, No. 52. Etude, Op. 35, No. 23. Etude, Op. 44, No. 164. Etude, Op. 35, No. 145. Leçon III, Op. 31.
$14.95
ETUDE ON 4, (BASS GUITAR)
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrew L
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ETUDE ON 4,
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Serpent Crush
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.992996 Composed by Andrew L. Baffi. Contemporary. Score. 16 pages. Serpent Crush #3876513. Published by Serpent Crush (A...
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Bass Guitar - Level 4 - SKU: A0.992996 Composed by Andrew L. Baffi. Contemporary. Score. 16 pages. Serpent Crush #3876513. Published by Serpent Crush (A0.992996). Sheet music for bass guitar. 8 pages including tablature.Level: Intermediate/AdvancedFeatures: Arpeggio Studies for Right Hand development, strength and coordination.
$5.99
ETUDE ON 4
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrew L
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ETUDE ON 4
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Serpent Crush
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.992993 Composed by Andrew L. Baffi. Contemporary. Guitar Tab. 14 pages. Serpent Crush #3860245. Published by Serpent Crush (A...
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Guitar - Level 4 - SKU: A0.992993 Composed by Andrew L. Baffi. Contemporary. Guitar Tab. 14 pages. Serpent Crush #3860245. Published by Serpent Crush (A0.992993). Sheet music for classical guitar. 8 pages including tablature.Level: Intermediate/AdvancedFeatures: Arpeggio Studies for Right Hand development, strength and coordination
$5.99
Chopin: Etude Op.10, No.3 "Tristesse" arr. for Violin Quartet
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Abolin
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Chopin: Etude Op.10, No.3 &quo
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Abolin
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SheetMusicPlus
String Ensemble Violin - Level 3 - SKU: A0.1124669 Composed by Frederic Chopin. Arranged by Abolin. 19th Century,Chamber,Classical,Romantic Period. 8 pa...
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String Ensemble Violin - Level 3 - SKU: A0.1124669 Composed by Frederic Chopin. Arranged by Abolin. 19th Century,Chamber,Classical,Romantic Period. 8 pages. Abolin #725425. Published by Abolin (A0.1124669). Score and Parts. Arranged for 4 Violins. This arrangement is for a string ensemble (4-part violin choir) with different skill levels of violinists playing together. Some bowings and fingerings are provided. For more chamber music transcriptions for strings, please visit TakeshiAbo.com. Besides a list of music available, you will also find articles on violin playing and other useful information for string players at the website.Japanese title: ショパン　別れã®æ›².
$6.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hau...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Etudes for Two - Concert Duets for Intermediate Pianists
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Nancy Bachmann
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Etudes for Two - Concert Duets
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Nancy Bachmann
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann #689948. Published by Nancy Bachmann (A0.1085779). This volume contains five engaging four-hand Concert Duets, each with a different musical character to expand the players' interpretive experience and please audiences. In addition, every piece focuses on a specific technique or skill that the intermediate pianist needs to master. I composed these pieces to address some of the problems common to intermediate-level piano players. There are special advantages to playing duets at this stage of advancement, beyond encouraging technical and musical progress. Working on duets with another player will inject fresh enthusiasm into music study at a time when some intermediate students may experience a plateau in progress. We are, undeniably, social creatures, and making music together has a special joy. However, unlike choral singers and band or orchestral players, the pianist is often left out of the ensemble experience until relatively advanced. Intermediate pianists will truly benefit from the energizing effects of studying a piece of music with one another. Indeed, striving toward the shared goal of an expressive duet performance requires each player to develop the entire spectrum of skills: aural, technical, personal and interpretive that combine to make a complete musician. || These Concert Duets for Intermediate Pianists are fascinating and attractive pieces, and they will be a valuable contribution to the duet repertory. The highly instructive directions to the players will prepare them to enter the world of duet playing and explore its treasures. —William Corbett-Jones, Concert Pianist, International Award-Winning Recording Artist, SFSU Professor Emeritus || These are great duets; imaginative and expressive. What a wonderful way tor my intermediate students to learn essential skills! —Joan Cifarelli, Jazz/Classical Pianist, Pedagogue.
$10.00
Three Revolutionary Etudes
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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P
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Three Revolutionary Etudes
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Philip Brittain
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.971867 Composed by P. Daniel Brittain. Contempo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - SKU: A0.971867 Composed by P. Daniel Brittain. Contemporary. 21 pages. Philip Brittain #3118877. Published by Philip Brittain (A0.971867). A saxophone quartet in three movements. Based on Revolutionary War era tunes: The World Turned Upside Down, The American Star (a variant of the jig tune Humours of Glen); and Yankee Doodle. Challenging and fun to perform. This quartet is on the Arkansas Solo and Ensemble Required Music list.
$10.00
Flute Twist Etude Number 4: F sharp, B flat, & A sharp
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Flûte traversière
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DÉBUTANT
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Methodes
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Edna J
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Flute Twist Etude Number 4: F
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Bloom Musicnotes
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.836233 Composed by Edna J. Bloom. Instructional. Individual part. 2 pages. Bloom Musicnotes #5312119. Published by Bloom ...
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Flute Solo - Level 1 - SKU: A0.836233 Composed by Edna J. Bloom. Instructional. Individual part. 2 pages. Bloom Musicnotes #5312119. Published by Bloom Musicnotes (A0.836233). Flute Twist Etudes target specific skills in short studies with a twist of interest. This etude focuses on the 1st & 2nd register notes of F sharp, B flat, and A sharp.
$1.99
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cod...
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Double Bass - SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
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Contre Basse
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Methodes
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Methodes Etudes
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Andrew Cody Williams and Jeff
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Popular Orchestral Excerpt Etu
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Andrew Cody Williams
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SheetMusicPlus
Double Bass - SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody...
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Double Bass - SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody Williams #903655. Published by Andrew Cody Williams (A0.1314897). â??Popular Orchestral Excerpt Etudes For Double Bassâ? is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 â??Greatâ?, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$20.00
Polyrhythmic etude #4 for accordion: 3 in the left hand - 4 in the right.
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Accordéon
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INTERMÉDIAIRE
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Methodes
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Y
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Polyrhythmic etude #4 for acco
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Yuriy Zhikrivetskiy
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SheetMusicPlus
Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy...
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Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy
$1.99
Polyrhythmic etude #3 for accordion: 4 in the left hand - 3 in the right.
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Accordéon
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INTERMÉDIAIRE
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Methodes
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Polyrhythmic etude #3 for acco
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Yuriy Zhikrivetskiy
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SheetMusicPlus
Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy
Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy
$1.99
Polyrhythmic etude #5 for accordion:4 in the left hand - 5 in the right.
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Accordéon
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INTERMÉDIAIRE
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Methodes
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Y
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Polyrhythmic etude #5 for acco
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Yuriy Zhikrivetskiy
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SheetMusicPlus
Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy...
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Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy
$1.99
Polyrhythmic etude #6 for accordion: 5 in the left hand - 4 in the right.
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Accordéon
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INTERMÉDIAIRE
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Contemporain
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Y
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Polyrhythmic etude #6 for acco
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Yuriy Zhikrivetskiy
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SheetMusicPlus
Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy...
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Composed by Y. Zhikrivetskiy. Etudes and Exercises. 2 pages. Published by Yuriy Zhikrivetskiy
$1.99
Corona Etude
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Tom Swafford
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Corona Etude
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swaftunes
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SheetMusicPlus
Violin - Advanced Intermediate - Digital Download Composed by Tom Swafford. 21st Century, Contemporary Classical, Etudes and Exercises, Technique T...
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Violin - Advanced Intermediate - Digital Download Composed by Tom Swafford. 21st Century, Contemporary Classical, Etudes and Exercises, Technique Training, Folk. Solo Part. 6 pages. Published by swaftunes
Corona Etude is a hopeful piece written during coronavirus lockdown. It uses rapid 2, 3 and 4-string crossings to create the sensation of multiple voices. The use of many open strings helps to create a full sound while being relatively easy to play. After players familiarize themselves with the notated version, they are encouraged to create their own realization using the sketch on the front cover. It has a folk-like feeling, while using a standard classical technique. It could be way to introduce students to the string crossings in solo Bach sonatas and partitas, and other standard literature. .
$4.00
Etude No. 4 for "G" Flute - Floating Day Thoughts
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Flûte traversière et Piano
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FACILE
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Enoch Chapman
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Etude No. 4 for "G"
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Salvadorian Boy Productions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1021341 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047621. P...
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Flute,Piano - Level 2 - SKU: A0.1021341 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047621. Published by Salvadorian Boy Productions (A0.1021341). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
Etude No. 4 for "F#" Flute - Floating Day Thoughts
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Flûte traversière et Piano
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FACILE
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Enoch Chapman
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Etude No. 4 for "F#"
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Salvadorian Boy Productions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1021342 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047619. P...
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Flute,Piano - Level 2 - SKU: A0.1021342 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047619. Published by Salvadorian Boy Productions (A0.1021342). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
Etude No. 4 for "A" Flute - Floating Day Thoughts
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Flûte traversière et Piano
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FACILE
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Enoch Chapman
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Etude No. 4 for "A"
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Salvadorian Boy Productions
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1021338 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047617. P...
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Flute,Piano - Level 2 - SKU: A0.1021338 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047617. Published by Salvadorian Boy Productions (A0.1021338). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
Etude for Clarinet Duet, based on Danny Boy (Londonderry Air)
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Clarinette
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INTERMÉDIAIRE
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Traditional
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Ray Kamada
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Etude for Clarinet Duet, based
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The Lone Arranger
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.757345 Composed by Traditional. Arranged by Ray Kamada. Instructional,World. Individual part. 6 pages. The Lone Arrang...
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Clarinet Solo - Level 3 - SKU: A0.757345 Composed by Traditional. Arranged by Ray Kamada. Instructional,World. Individual part. 6 pages. The Lone Arranger #4320441. Published by The Lone Arranger (A0.757345). Beginning with the familiar theme from Danny Boy, this study is rendered as a set of variations for breath control and as a counting exercise, employing quarter notes, eighths, sixteenths, and eighth note triplets, along with some 2 on 3 and 3 on 4 note harmony as accompaniment. The clarinets also switch lines in mid-stream and back again. Depending on pedagogical purpose, this can be played either from the score or from separate parts. Moreover, this etude can also be used, just for fun, as mid-level sight-reading for advanced students.
$5.99
Etude for 2 Violins or Violin/Viola Duet, based on Danny Boy (Londonderry Air)
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Traditional
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Ray Kamada
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Etude for 2 Violins or Violin/
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The Lone Arranger
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.757348 Composed by Traditional. Arranged by Ray Kamada. Holiday,Instructional,World...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.757348 Composed by Traditional. Arranged by Ray Kamada. Holiday,Instructional,World. Score and parts. 10 pages. The Lone Arranger #4324365. Published by The Lone Arranger (A0.757348). The familiar Danny Boy theme weaves through a set of variations rendered as a counting exercise, employing harmonies based on quarter notes, eighths, sixteenths, and eighth note triplets, along with some 2 on 3 and 3 on 4 accompaniment. The voices also switch lines in mid-stream and back again. This etude can also be played for gigs, pure enjoyment, and as sight-reading material for more advanced students.
$5.99
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