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Earth Shock: Score
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Vous avez sélectionné:
Earth Shock: Score
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
Earth Shock: Score
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Orchestre d'harmonie
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Mekel Rogers
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Earth Shock: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.98-DB1625S Composed by Mekel Rogers. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DB1625S. Published by Alfred Music -...
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Concert Band - SKU: AX.98-DB1625S Composed by Mekel Rogers. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DB1625S. Published by Alfred Music - Digital Sheet Music (AX.98-DB1625S). UPC: 674398234363.
$5.00
Undertale Complete Piano Score - from the game UNDERTALE
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Piano Facile
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FACILE
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Jeux Videos
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Toby Fox
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David Peacock
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Undertale Complete Piano Score
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Materia Editions
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SheetMusicPlus
Composed by Toby Fox. Arranged by David Peacock. Video Games. 209 pages. Published by Materia Editions...
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Composed by Toby Fox. Arranged by David Peacock. Video Games. 209 pages. Published by Materia Editions
Digital piano sheet music for the UNDERTALE® Complete Piano Score. Contains all 101 songs from the UNDERTALE soundtrack! Yes, all.
200 pages, composed by Toby Fox, adapted by David Peacock.
Once Upon a Time
Start Menu
Your Best Friend
Fallen Down
Ruins
Uwa!! So Temperateand#9835;
Anticipation
Unnecessary Tension
Enemy Approaching
Ghost Fight
Determination
Home
Home (Music Box)
Heartache
sans.
Nyeh Heh Heh!
Snowy
Uwa!! So Holidayand#9835;
Dogbass
Mysterious Place
Dogsong
Snowdin Town
Shop
Bonetrousle
Dating Start!
Dating Tense!
Dating Fight!
Premonition
Danger Mystery
Undyne
Waterfall
Run!
Quiet Water
Memory
Bird That Carries You Over A Disproportionately Small Gap
Dummy!
Pathetic House
Spooktune
Spookwave
Ghouliday
Chill
Thundersnail
Temmie Village
Tem Shop
NGAHHH!!
Spear of Justice
Ooo
Alphys
It's Showtime!
Metal Crusher
Another Medium
Uwa!! So HEATS!!and#9835;
Stronger Monsters
Hotel
Can You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything
Confession
Live Report
Death Report
Spider Dance
Wrong Enemy !?
Oh! One True Love
Oh! Dungeon
It's Raining Somewhere Else
CORE Approach
CORE
Last Episode!
Oh My...
Death By Glamour
For The Fans
Long Elevator
Undertale
Song That Might Play When You Fight Sans
The Choice
Small Shock
Barrier
Bergentrückung
ASGORE
You Idiot
Your Best Nightmare
Finale
An Ending
She's Playing Piano
Here We Are
Amalgam
Fallen Down (Reprise)
Don't Give Up
Hopes And Dreams
Burn In Despair!
SAVE The World
His Theme
Final Power
Reunited
Menu (Full)
Respite
Bring It In, Guys!
Last Goodbye
But The Earth Refused To Die
Battle Against A True Hero
Power Of "NEO"
MEGALOVANIA
Good Night
Produced by Materia Editions/Materia Collective. © 2019 Materia Collective LLC
$39.99
Beautiful Things
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Benson Boone
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Mark Gubler
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Beautiful Things
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Mark Gubler
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1463660 By Benson Boone. By Benson Boone, Evan Blair, and Jackson Lafrantz Larsen. Arranged by Mark Gubler. 21st Century,...
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Piano Solo - Level 4 - SKU: A0.1463660 By Benson Boone. By Benson Boone, Evan Blair, and Jackson Lafrantz Larsen. Arranged by Mark Gubler. 21st Century,Pop,Rock. Score. 5 pages. Mark Gubler #1042387. Published by Mark Gubler (A0.1463660). This song has quickly become a favorite of mine. I connect very deeply with the message. To me, it is a reminder that my wife and kids are the most beautiful things in my life.  In 2015, our 2nd child, Dodger, passed away unexpectedly when he was only 7 months old. It was the biggest shock of my life, and one that will affect me until I join him in death. This experience woke me up to the reality that we never know when our last day on earth is. We never know when our loved one's last day on earth is.I hope we can remember to cherish our time here on earth, appreciating the opportunities we have every day to enjoy those we love. They are the truly beautiful things in our lives.
$9.99
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Choral Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Joerg Widmann
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Choral Quartet
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Schott Music - Digital
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SheetMusicPlus
String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and ...
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String Quartet - difficult - SKU: S9.Q6173 2nd string quartet. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q6173. Published by Schott Music - Digital (S9.Q6173). My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movements in Haydn's quartets (except the final earthquake) are slow movements of shocking forcefulness. What makes the work even more unsettling for me is the relaxed and cheerful acceptance of death (the 'smile' of the A major pizzicato thirds!). When I made myself familiar with the subject matter of crucifixion I discovered that terms like 'walking' and 'the last walk' were most important to me. My piece starts at the final stage of this experience. It contains a number of lost sounds, phrases of futility which come from nowhere and lead to nowhere. The horrifying rubbing and sanding of skin and wood become the 'theme’ of the piece which is combined with tonal, choral-like melodies. I am interested in how to make noises no longer symbolize desolation and tonal phrases no longer represent confidence. - Jörg Widmann.
$35.99
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Earth Shock: Score
