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Vous avez sélectionné:
Easy as the Springtime
Partitions à imprimer
14 partitions trouvées
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Easy as the Springtime
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1202279 By James Michael Stevens. By Jam…
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Piano - Level 3 - Digital Download SKU: A0.1202279 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Jazz,New Age,Wedding. Full Performance. Duration 160. James M Stevens Music ASCAP #800961. Published by James M Stevens Music ASCAP (A0.1202279). This is Stevens' demonstration performance of Easy as the Springtime..
$1.99
1.82 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Easy as the Springtime
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James M Stevens Music ASCAP
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SheetMusicPlus
Springtime in Madrid - Easy Piano Trio for 1 Piano, 6 Hands by Teresa Cobarrubia Yoder
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.832090 Composed by Teresa Cobarrubi…
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Easy Piano - Level 2 - Digital Download SKU: A0.832090 Composed by Teresa Cobarrubia Yoder, ASCAP. World. Score. 15 pages. Teresa Cobarrubia Yoder #4603011. Published by Teresa Cobarrubia Yoder (A0.832090). Enjoy the lilting easy piano trio Postcard - Springtime in Madrid. Composed in May 2019 while visiting Spain, Springtime in Madrid chronicles Teresa Cobarrubia Yoder’s travels for her grandchildren as audio postcards. Piano students (late beginner to intermediate) play and enjoy well-crafted music while developing the skills of playing with others, playing in compound time (6/8) and discovering Aeolian and Phrygian modes. Postcard - Springtime in Madrid Key: A Aeolian and A Phrygian Meter: Compound Duple (6/8) Rhythm: Dotted half, dotted quarter, half, quarter, eighth, sixteenth notes Harmony: Blocked and broken chords Dynamics: Varied, crescendo and diminuendo Hand position changes: Minimal Use: All occasion Time: 2:45 with repeats Full Score: page 3 Primo: page 9 Secondo: page 11 Terza: page 13 SoundCloud: https://soundcloud.com/teresa-yoder/postcard-springtime-in-madridPlease make one copy of each part per purchase.For more information on Teresa Cobarrubia Yoder’s music: https://teresacobarrubiayodermusic.wordpress.com Email: teresa.cobarrubia.yoder.music@gmail.com
$10.99
10.07 €
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Piano Facile
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Teresa Cobarrubia Yoder, ASCAP
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Springtime in Madrid - Easy Piano Trio for 1 Piano, 6 Hands by Teresa Cobarrubia Yoder
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Teresa Cobarrubia Yoder
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SheetMusicPlus
Easy as the Springtime
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1202286 By James Michael Stevens. B…
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Piano Solo - Level 4 - Digital Download SKU: A0.1202286 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Jazz,New Age,Pop,Wedding. Score. 4 pages. James M Stevens Music ASCAP #800969. Published by James M Stevens Music ASCAP (A0.1202286). Written March 18, 2023, this is an original piano composition in a romantic style with touches of jazz. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Easy as the Springtime
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James M Stevens Music ASCAP
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SheetMusicPlus
The Autumn Song
Piano seul
Piano - early intermediate - Digital Download SKU: F0.W9341 Composed by Julia Olson…
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Piano - early intermediate - Digital Download SKU: F0.W9341 Composed by Julia Olson and Kevin Olson. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9341. Published by The FJH Music Company - Digital (F0.W9341). UPC: 674398225248.This wistful ballad for the late elementary student celebrates the changing of the season from summer to fall. The charming lyrics illustrate nature's ebb and flow as summer gives way to winter, in preparation for a beautiful springtime. Written using a single hand position, the rich harmonies flow between major and minor. Contains easy coordination between the L.H. and R.H., and minimal use of eighth notes. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.29 €
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Piano seul
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Julia Olson and Kevin Olson
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The Autumn Song
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The FJH Music Company - Digital
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SheetMusicPlus
Springtime For Hitler (from The Producers)
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.489995 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.489995 This edition: scorch. E-Z Play Today. Film/TV,Musical/Show. Score. 7 pages. Published by Hal Leonard - Digital (HX.489995). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.74 €
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Piano grosses notes
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Springtime For Hitler
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Hal Leonard - Digital
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SheetMusicPlus
Younger Than Springtime (from South Pacific)
Piano grosses notes
Digital Download SKU: HX.448961 By Rodgers & Hammerstein. Broadway,Musical/Show,Sta…
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Digital Download SKU: HX.448961 By Rodgers & Hammerstein. Broadway,Musical/Show,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.448961). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.74 €
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Piano grosses notes
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Rodgers & Hammerstein
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Younger Than Springtime
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Hal Leonard - Digital
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SheetMusicPlus
Bartok - Children's Song in C Major - Easy
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1086228 Composed by Bela Bartok. Ar…
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Piano Solo - Level 1 - Digital Download SKU: A0.1086228 Composed by Bela Bartok. Arranged by Piacere Music Sheets. 20th Century,Children,Instructional,Standards. Score. 2 pages. Piacere Music Sheets #690423. Published by Piacere Music Sheets (A0.1086228). Opus/Catalog Number: Sz. 42; BB 53, Volume 1 - No. 2 Key/Tone: C Major Movements/Sections: Andante Year/Date of Composition: 1908-09, rev.1945 Difficulty: Grade 2/12 (Easy) Obs.: This piece is also known as Springtime, and it's the No. 2 from the first volume of the collection For Children. Like all pieces in the first volume of For Children, this arrangement is based on a Hungarian folk melody.
$1.99
1.82 €
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Piano seul
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Bela Bartok
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Piacere Music Sheets
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BB 53, Volume 1 - No
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Bartok - Children's Song in C Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.74 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.66 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.9 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Winter Suite: Songs Without Words ...With Words
Chorale 2 parties
Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1491759 Comp…
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Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1491759 Composed by Felix Mendelssohn (1809-1847). Arranged by Laurie de Leonne. 19th Century,Classical,Holiday,Romantic Period. 43 pages. Dandelion Music Press #1068440. Published by Dandelion Music Press (A0.1491759). Community and school youth and treble choirs alike can perform this previously unsung Romantic-Era piano work by Felix Mendelssohn Songs Without Words Op. 19. 16'30 total performance time. Moderate/Easy difficulty, Intermediate/Advanced piano part. Can also be practiced or performed with a recording of the original Mendelssohn work as an accompaniment track.The lyrics have been given a minor re-write by the author for use by children.This new yet historical winter cantata features 6 new secular texts on varying themes of winter: 1. Winter Comes Again-- the changing of seasons from autumn to winter, evoking themes of Thanksgiving2. The Wind-- blustery winter storms, vividly described3. Let's Go Sledding-- lighthearted and enthusiastic zeal for winter play4. So Long Ago-- hearing family stories by the fireside5. Your Brother Called-- a frantic family member relays news of a flight delay6. In Wintertime-- deep and silent winter weather, looking toward springtimeMovements 1-3: https://youtu.be/ckogojxzsEM?si=lmD7kycUKrvBnQC6Movements 4-6: https://youtu.be/3QMQrETUg-Q?si=u-d7-iDCyVWIkCNQ.
$12.99
11.9 €
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Chorale 2 parties
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Felix Mendelssohn
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Laurie de Leonne
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Winter Suite: Songs Without Words ...With Words
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Dandelion Music Press
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SheetMusicPlus
Winter Suite: Songs Without Words ...With Words
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1489355 Compose…
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Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1489355 Composed by Felix Mendelssohn (1809-1847). Arranged by Laurie de Leonne. 19th Century,Classical,Holiday,Romantic Period. 59 pages. Dandelion Music Press #1066217. Published by Dandelion Music Press (A0.1489355). Community, collegiate, and high school choirs alike can perform this previously unsung Romantic-Era piano work by Felix Mendelssohn Songs Without Words Op. 19. 16'30 total performance time. Moderate/Easy difficulty, Intermediate/Advanced piano part. Can also be practiced or performed with a recording of the original Mendelssohn work as an accompaniment track. SSA voicing features limited homorhythmic divisi.This new yet historical winter cantata features 6 new secular texts on varying themes of winter: 1. Winter Comes Again-- the changing of seasons from autumn to winter, evoking themes of Thanksgiving2. The Wind-- blustery winter storms, vividly described3. Let's Go Sledding-- lighthearted and enthusiastic zeal for winter play4. So Long Ago-- hearing family stories by the fireside5. Your Brother Called-- a frantic family member relays news of a flight delay6. In Wintertime-- deep and silent winter weather, looking toward springtimeMovements 1-3: https://youtu.be/ckogojxzsEM?si=lmD7kycUKrvBnQC6Movements 4-6: https://youtu.be/3QMQrETUg-Q?si=u-d7-iDCyVWIkCNQ.
$12.99
11.9 €
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Chorale 3 parties
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Felix Mendelssohn
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Laurie de Leonne
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Winter Suite: Songs Without Words ...With Words
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Dandelion Music Press
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SheetMusicPlus
Winter Suite: Songs Without Words ...With Words
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1477296 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1477296 Composed by Felix Mendelssohn (1809-1847). Arranged by Laurie de Leonne. 19th Century,Classical,Holiday,Romantic Period. 60 pages. Dandelion Music Press #1054717. Published by Dandelion Music Press (A0.1477296). Community, collegiate, and high school choirs alike can perform this previously unsung Romantic-Era piano work by Felix Mendelssohn Songs Without Words Op. 19. 16'30 total performance time. Moderate/Easy difficulty, Intermediate/Advanced piano part. Can also be practiced or performed with a recording of the original Mendelssohn work as an accompaniment track. This new yet historical winter cantata features 6 new secular texts on varying themes of winter: 1. Winter Comes Again-- the changing of seasons from autumn to winter, evoking themes of Thanksgiving2. The Wind-- blustery winter storms, vividly described3. Let's Go Sledding-- lighthearted and enthusiastic zeal for winter play4. So Long Ago-- hearing family stories by the fireside5. Your Brother Called-- a frantic family member relays news of a flight delay6. In Wintertime-- deep and silent winter weather, looking toward springtimeMovements 1-3: https://youtu.be/ckogojxzsEM?si=lmD7kycUKrvBnQC6Movements 4-6: https://youtu.be/3QMQrETUg-Q?si=u-d7-iDCyVWIkCNQ.
$12.99
11.9 €
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Chorale SATB
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Felix Mendelssohn
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Laurie de Leonne
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Winter Suite: Songs Without Words ...With Words
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Dandelion Music Press
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SheetMusicPlus
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