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Eb Mixolydian
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Crtitères actifs :
Eb Mixolydian
SheetMusicPlus
Partitions à imprimer
49 partitions trouvées
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1
26
Eb Mixolydian #4 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Mixolydian #4 Scale
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Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1297830 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 p...
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Guitar - Level 3 - SKU: A0.1297830 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #887806. Published by Danny Crocome Music (A0.1297830). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian #4 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Mixolydian #4 scale is the fourth mode of the Bb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Eb Mixolydian #4 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Mixolydian b2 b6 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Mixolydian b2 b6 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1299901 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1299901 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #889662. Published by Danny Crocome Music (A0.1299901). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian b2 b6 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Mixolydian b2 b6 scale is the fifth mode of the Ab Harmonic Minor scale.The sheet also shows how to play the diatonic chords of the Eb Mixolydian b2 b6 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Mixolydian b6 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Mixolydian b6 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298262 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 p...
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Guitar - Level 3 - SKU: A0.1298262 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #888242. Published by Danny Crocome Music (A0.1298262). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian b6 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Mixolydian b6 scale is the fifth mode of the Ab Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Eb Mixolydian b6 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Mixolydian b2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Mixolydian b2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1294919 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1294919 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #885235. Published by Danny Crocome Music (A0.1294919). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian b2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Mixolydian b2 scale is the fifth mode of the Ab Harmonic Major scale.The sheet also shows how to play the diatonic chords of the Eb Mixolydian b2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Mixolydian b2 b6 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Mixolydian b2 b6 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1299877 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1299877 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #889116. Published by Danny Crocome Music (A0.1299877). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian b2 b6 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Mixolydian b2 b6 scale is the fifth mode of the Ab Harmonic Minor scale.The sheet also shows how to play the diatonic chords of the Eb Mixolydian b2 b6 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Mixolydian Mode (4 Ways to Play)
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Guitare notes et tablatures
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DÉBUTANT
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Traditional
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Danny Crocome
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Eb Mixolydian Mode
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1187320 Composed by Traditional. Arranged by Danny Crocome. Blues,Country,Instructional,Jazz,Rock. Guitar Tab. 1 pages. Danny...
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Guitar - Level 1 - SKU: A0.1187320 Composed by Traditional. Arranged by Danny Crocome. Blues,Country,Instructional,Jazz,Rock. Guitar Tab. 1 pages. Danny Crocome Music #786966. Published by Danny Crocome Music (A0.1187320). This info sheet shows guitarists 4 different ways to play the Eb Mixolydian Mode:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringPlus the diatonic chords for Eb Mixolydian Mode.
$2.00
Eb Mixolydian Mode Exercises - Ascending and Descending in 3rds
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Traditional
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Danny Crocome
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Eb Mixolydian Mode Exercises -
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1458606 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Da...
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Guitar - Level 3 - SKU: A0.1458606 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Danny Crocome Music #1037536. Published by Danny Crocome Music (A0.1458606). A series of increasingly complex Eb Mixolydian mode exercises for guitarists, which involve ascending and descending though the mode in 3rds. Mastering these exercises will give you better understanding of the mode pattern, the fretboard, as well as greatly developing your fretting hand and picking hand synchronization. Fretting hand fingering, and picking suggestions included in notation. Backing track includes metronome for playing along with.
$2.99
Playing Octaves on Guitar - The Eb Mixolydian Mode
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Traditional
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Danny Crocome
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Playing Octaves on Guitar - Th
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1463006 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Country,Instructional,Jazz,Rock. Guitar Tab. 1 pages...
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Guitar - Level 3 - SKU: A0.1463006 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Country,Instructional,Jazz,Rock. Guitar Tab. 1 pages. Danny Crocome Music #1041746. Published by Danny Crocome Music (A0.1463006). This info sheet shows guitarists how to play a 2-octave Eb Mixolydian Mode using octaves (playing two of the same note name, one octave apart, simultaneously). Playing melodies in octaves is a common stylistic choice in jazz and rock music, and is a great way to make your lead lines sound bigger and clearer. In standard notation and TAB, with fretting hand fingerings notated in the score.
$2.49
Eb Mixolydian Mode Exercises - Ascending and Descending in 4ths
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Traditional
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Danny Crocome
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Eb Mixolydian Mode Exercises -
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1467569 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Da...
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Guitar - Level 3 - SKU: A0.1467569 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Danny Crocome Music #1045849. Published by Danny Crocome Music (A0.1467569). A series of increasingly complex Eb Mixolydian mode exercises for guitarists, which involve ascending and descending though the mode in 4ths. Mastering these exercises will give you better understanding of the mode pattern, the fretboard, as well as greatly developing your fretting hand and picking hand synchronization. Fretting hand fingering, and picking suggestions included in notation. Backing track includes metronome for playing along with.
$2.99
Eb Mixolydian Mode for Bass Guitar (4 Ways to Play)
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Basse electrique
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FACILE
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Traditional, Danny Crocome
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Danny Crocome
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Eb Mixolydian Mode for Bass Gu
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Danny Crocome Music
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1422396 Composed by Traditional, Danny Crocome. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock....
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Bass Guitar TAB - Level 2 - SKU: A0.1422396 Composed by Traditional, Danny Crocome. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Score. 1 pages. Danny Crocome Music #1003737. Published by Danny Crocome Music (A0.1422396). This info sheet will show bass guitarists 4 ways to play the Eb Mixolydian Mode:1. A standard root 4 fingering,2. A 4-notes-per-string root 4 fingering,3. A standard root 3 fingering, and4. A 4-notes-per-string root 3 fingering.Plus an original 4-bar composition demonstrating how to craft melodic statements from the notes of the Eb Mixolydian Mode.
$2.00
Ab Mixolydian #4 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Ab Mixolydian #4 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1297840 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 p...
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Guitar - Level 3 - SKU: A0.1297840 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #887816. Published by Danny Crocome Music (A0.1297840). This info sheet shows guitarists 4 different ways to play the Ab Mixolydian #4 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Ab Mixolydian #4 scale is the fourth mode of the Eb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Ab Mixolydian #4 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Bb Mixolydian b2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Bb Mixolydian b2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1295102 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1295102 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #885422. Published by Danny Crocome Music (A0.1295102). This info sheet shows guitarists 4 different ways to play the Bb Mixolydian b2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Bb Mixolydian b2 scale is the fifth mode of the Eb Harmonic Major scale.The sheet also shows how to play the diatonic chords of the Bb Mixolydian b2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Bb Mixolydian b6 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Bb Mixolydian b6 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298289 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 p...
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Guitar - Level 3 - SKU: A0.1298289 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #888262. Published by Danny Crocome Music (A0.1298289). This info sheet shows guitarists 4 different ways to play the Bb Mixolydian b6 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Bb Mixolydian b6 scale is the fifth mode of the Eb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Bb Mixolydian b6 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Bb Mixolydian b2 b6 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Bb Mixolydian b2 b6 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1299897 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1299897 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #889656. Published by Danny Crocome Music (A0.1299897). This info sheet shows guitarists 4 different ways to play the Bb Mixolydian b2 b6 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Bb Mixolydian b2 b6 scale is the fifth mode of the Eb Harmonic Minor scale.The sheet also shows how to play the diatonic chords of the Bb Mixolydian b2 b6 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Prelude 7 in Eb Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
Seven Modes, Seven Duets - Eb Treble Transposition
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2 Saxophones (duo)
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INTERMÉDIAIRE
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John McAllister
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Seven Modes, Seven Duets - Eb
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John McAllister
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - SKU: A0.778219 Composed by John McAllister. Contemporary,Instructional...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - SKU: A0.778219 Composed by John McAllister. Contemporary,Instructional,Standards. Score and parts. 7 pages. John McAllister #6481011. Published by John McAllister (A0.778219). Seven Modes, Seven Duets is a duet series for wind (band) instruments. The duets have been written to be a comfortable range for any of the instruments (minus horn part, which is free due to the range issues). Each mode has it’s own unique sound and special effort has been made to accentuate the colors from each district combination of notes and the harmonies they produce (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). The duets are mostly on an average high school level player, but can be a great challenge for younger players. More advanced musicians may find use specifically in the exploration of melody/harmony in each particular mode. Best instruments for use: Flute Oboe Clarinet Bass Clarinet Bassoon Trumpet Trombone Baritone Tuba Mallets (xylophone, marimba, bells if players 8vb)
$2.50
Caddo County Sunrise from SIMPLE SONGS
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Joshua Allen
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Caddo County Sunrise from SIMP
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Joshua Allen Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.941056 Composed by Joshua Allen. 20th Century,Contemporary,Folk. Score. 6 pages. Joshua Allen Music #5289775. Published b...
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Piano Solo - Level 4 - SKU: A0.941056 Composed by Joshua Allen. 20th Century,Contemporary,Folk. Score. 6 pages. Joshua Allen Music #5289775. Published by Joshua Allen Music (A0.941056). Caddo County Sunrise is the seventh and final title in a collection of solo piano pieces called SIMPLE SONGS. Caddo County Sunrise is inspired by the rolling hills and sprawling red clay farmland in southwestern Oklahoma. The piece is set in Eb Mixolydian and later modulates to F Mixolydian. The somewhat simple melody features some syncopation and octaves in both hands. This movement is suitable for advanced intermediate pianists and is approximately 4 minutes and 20 seconds in length.SIMPLE SONGS is a collection of original compositions for solo piano simple in construction, varied in form and content, and vastly enjoyable to perform and hear. Each title is available separately and as a collection. For other titles from this collection or other works by this composer/arranger, please visit https://www.sheetmusicplus.com/publishers/published-by-joshua-allen-music/9059
$3.50
Winter (Allegro) from Vivaldi's Four Seasons
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Piano seul
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FACILE
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Classique
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Antonio Vivaldi
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Joan Bujacich
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Winter
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Joan Bujacich
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1341216 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Joan Bujacich. Classical,Traditional. Score. 7 pages. Joan Bu...
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Piano Solo - Level 2 - SKU: A0.1341216 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Joan Bujacich. Classical,Traditional. Score. 7 pages. Joan Bujacich #926633. Published by Joan Bujacich (A0.1341216). This is the Allegro from Vivaldi's Four Seasons , Winter. It is arranged for solo piano. Clean, Easy to read, professionally notated. The rhythm has been renotated so that all the lengths of the notes have been doubled, so students do not have to read 32nd notes. It still captures the spirit and most memorable parts of the music and is suitable for a late junior, early intermediate level pianist. It was originally arranged for a 10-year old student who was picking up the music by ear and who was in his 3rd year of study. More recently, an 11-year old student learned it but worked from the harder version which is also available here on Sheet Music Plus. That version is notated like the original, with the 32nd notes. Ms. Bujacich recognized that this piece was gaining poluarity amongst her younger students, so she decided to simplify the arrangement. It is fun for the students to work on their scales that are present in the music. Since she kept it in the original key of F minor, students get to play the F minor and Eb mixolydian scales in full. Some fingerings are suggested in RH passage work.Be sure to check out Ms. Bujacich's publishing page, she has many great arrangements available for all level pianists as well as some for Flute and Piano.https://www.sheetmusicplus.com/en/category/arrangeme/769/joan-bujacich/.
$1.99
The Voyage Home
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Orchestre d'harmonie
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AVANCÉ
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Byron Alsup
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The Voyage Home
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Byron Alsup
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1020189 Composed by Byron Alsup. Contemporary,Standards. Score and parts. 47 pages. Byron Alsup #4727307. Published by ...
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Concert Band - Level 5 - SKU: A0.1020189 Composed by Byron Alsup. Contemporary,Standards. Score and parts. 47 pages. Byron Alsup #4727307. Published by Byron Alsup (A0.1020189). The piece was written using Texas UIL Sightreading Level 5 guidelines. 4/4 Mixolydian Bb Allegro to 3/4 Eb Andante back to 4/4 Mixolydian Bb Allegro.
$18.00
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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Eb Mixolydian