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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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472
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51
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213
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54
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26
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16
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15
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7
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7
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3
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1
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1
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1
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Ensemble de saxophones
45
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42
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39
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26
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19
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15
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12
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11
2 Saxophones (duo)
11
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11
Saxophone Alto et Piano
11
Clarinette
9
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9
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8
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7
Clarinette et Piano
7
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7
2 Clarinettes (duo)
6
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5
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4
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4
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4
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4
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4
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4
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3
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2
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2
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2
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2
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1
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1
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1
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1
Clarinette et Alto
1
Quintette de Clarinettes: 5 clarinettes
1
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1
Hautbois, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette (duo)
1
Cornemuse
1
Flûte traversière, Orgue (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, alto et harpe
1
Piccolo
1
Ensemble à vent
1
Flûte, Alto (duo)
1
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CUIVRES
Trombone (partie séparée)
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette (partie séparée)
23
Cor (partie séparée)
16
Trompette
14
Tuba (partie séparée)
11
Trompette, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
7
Ensemble de Trombones
6
Cor et Piano
5
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
3
Cor
3
Ensemble de Trompettes
3
Trompette, Saxophone (duo)
2
2 Cors (duo)
2
Trio de Cuivres
2
Cornet A Pistons
2
2 Trompettes (duo)
2
Euphonium, Piano (duo)
2
2 Trombones (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba
2
2 Tubas (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
Tuba et Piano
1
Trombone, Tuba (duo)
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
39
Harpe
15
Violoncelle
10
Violon (partie séparée)
8
Violoncelle, Piano
7
2 Violons (duo)
7
Violon, Violoncelle (duo)
7
Violon
6
Alto, Piano
5
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
3
2 Violoncelles (duo)
3
2 Altos (duo)
3
Alto seul
3
4 Violoncelles
2
Violon, Alto (duo)
2
Violon, Guitare (duo)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
274
Cloches
68
Orchestre
52
Orchestre à Cordes
35
Percussion (partie séparée)
28
Ensemble de cuivres
21
Ensemble Jazz
14
Orchestre de chambre
7
Fanfare
7
Timbales (partie séparée)
6
Jazz combo
4
Ensemble de Percussions
4
Batterie (partie séparée)
4
Percussion
4
Batterie
3
2 Xylophones
2
Big band
1
Timbales
1
Caisse Claire
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AUTRES
Vous avez sélectionné:
Echo
Partitions à imprimer
3 279 partitions trouvées
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3276
Echoes in the Myst ( Misty Highland Shores )
Acoustic Guitar,Flute,Violin - Level 4 - Digital Download SKU: A0.1487247 By Eve Mc…
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Acoustic Guitar,Flute,Violin - Level 4 - Digital Download SKU: A0.1487247 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 156. Eve Rodolfi-McTelenn #1064221. Published by Eve Rodolfi-McTelenn (A0.1487247). Echoes in the Myst[Verse]She roams the wild cliffsWith tones ancient and swift[Chorus]Echoes in the mist, ohThey echo in the mist, oh[Verse 2]Her silhouette by moonlightWith dreams of endless twilight[Chorus]Echoes in the mist, ohThey echo in the mist, oh.
$1.99
1.79 €
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Eve Mctelenn
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Eve McTelenn
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Echoes in the Myst
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Echoes - A4
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1017109 Composed by David Woodcoc…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1017109 Composed by David Woodcock. Contemporary. Individual part. 7 pages. David Woodcock #6039239. Published by David Woodcock (A0.1017109). The title 'Echoes' can mean several things in this piece: it could refer to the musical ideas themselves, which often echo themselves; it could also mean the interaction between cornet and piano, which is often canonic; the music also evokes past eras, echoes of the past, with references to plainsong, 20th Century American music, and impressionism. At the end, the main musical idea dies away as in an echo.This work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for A4 paper size - see alternative title for a version for Letter paper size.The recording features Mason Elliot, Cornet, and the composer accompanying.
$8.99
8.08 €
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Trompette
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David Woodcock
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Echoes - A4
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David Woodcock
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SheetMusicPlus
Echoes - US Letter
Trompette
Trumpet Solo - Digital Download SKU: A0.1017111 Composed by David Woodcock. Contemp…
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Trumpet Solo - Digital Download SKU: A0.1017111 Composed by David Woodcock. Contemporary. Individual part. 8 pages. David Woodcock #6054121. Published by David Woodcock (A0.1017111). The title 'Echoes' can mean several things in this piece: it could refer to the musical ideas themselves, which often echo themselves; it could also mean the interaction between cornet and piano, which is often canonic; the music also evokes past eras, echoes of the past, with references to plainsong, 20th Century American music, and impressionism. At the end, the main musical idea dies away as in an echo.This work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for Letter paper size - see alternative title for a version for A4 paper size.The recording features Mason Elliot, Cornet, and the composer accompanying.
$8.99
8.08 €
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Trompette
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David Woodcock
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Echoes - US Letter
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David Woodcock
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SheetMusicPlus
Echos of the Hallelujah Chorus in the style of di Lasso's "Echo Song"
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. H…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. Handel. Arranged by James K. Taylor. Baroque,Christian,Christmas,Sacred,Standards. Score and parts. 17 pages. James K. Taylor #3407395. Published by James K. Taylor (A0.872483). I found that the Handel's Hallelujah Chorus made for an excellent echo song. I've never heard this and it is hard to imagine that it has never been performed in this manner. I have arranged it for horn quartet, although, two groups could paly it with one quartet playing all dynamics from mf through fff, and the other group (maybe off stage) playing everything from mp down to ppp/ At least give it a listen for a whole new way to perform the great composition.
$20.00
17.98 €
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G
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James K
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Echos of the Hallelujah Chorus in the style of di Lasso's "Echo Song"
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James K. Taylor
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SheetMusicPlus
Echo from Bells and Grass
Soprano voice and oboe - Medium - Digital Download SKU: MQ.8584-1E Composed by Juli…
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Soprano voice and oboe - Medium - Digital Download SKU: MQ.8584-1E Composed by Juliana Hall. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8584-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8584-1E). English.Bells and Grass portrays five intimate scenes, in which small things come into focus and the world recedes: a nightingale’s song echoing from a nearby wall, the bright sun and the waves of the ocean, the moon lighting up a stream with its silvery halo, the flames burning over coals in a fireplace as twilight descends, and the varied and musical sounds of rainfall. The pairing of voice with oboe provides this little cycle with a uniquely colorful charm and immediacy. Duration: 11:00Includes an additional copy for Oboe player.Contents:Echo Gone Why? Coals Rain.
$1.99
1.79 €
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Juliana Hall
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Echo from Bells and Grass
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.1 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.1 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
"Echoes" for alto flute and vibraphone
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download …
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.886687 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 27 pages. Panagiotis Theodossiou #3419139. Published by Panagiotis Theodossiou (A0.886687). Echoes for alto flute and vibraphone (2018) op.74.Work specially written iwona Glinka και Leszek Lorent to both whom is dedicated.Τα μÎÏη:I. ...from inner self (Misterioso)II. ...from a dialogue (Giocoso)III. ...from beyond (Quiet)IV. ...from an illusion (Dancing)V. ...from herself (Tempo di Waltz) to MyrtoThe mysterious echo of inner self after a dialogue stimulation with another person. The intervention of the divine. A moment illusion. The unveiling of the other's soul echo. Dance.The last part is dedicated to composer's wife, Myrto Lazaridou - Theodossiou.
$10.00
8.99 €
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Panagiotis Theodossiou
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"Echoes" for alto flute and vibraphone
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Panagiotis Theodossiou
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SheetMusicPlus
Song of the Echo
Piano seul
Piano - Elementary - Digital Download SKU: F0.W9231 Composed by Elizabeth W. Greenl…
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Piano - Elementary - Digital Download SKU: F0.W9231 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9231. Published by The FJH Music Company - Digital (F0.W9231). UPC: 674398216628.Teach your students damper pedal technique without them even knowing. Song of the Echo rings with a melody that echoes (literally!) through rising octaves. Lyrics reflect the echo's motion and the sound as it fills the room. As instructive as it is fun. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.25 €
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Piano seul
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Elizabeth W
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Song of the Echo
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The FJH Music Company - Digital
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SheetMusicPlus
Echoes for Double Euphonium Choir
Euphonium - Level 4 - Digital Download SKU: A0.755057 Composed by Sy Brandon. 20th …
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Euphonium - Level 4 - Digital Download SKU: A0.755057 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3358673. Published by Sy Brandon (A0.755057). (8 part Double Euphonium Choir) - This work was composed for and premiered at the 2005 International Euphonium Institute. The work is in one movement with four sections. The first and last sections are Allegro and explore antiphonal choir echoes and pyramids. The second section is Adagio and continues the antiphonal echoes between choirs and adds a fading echo in several measures. The third section explores echoes in a scherzo style.
$14.99
13.48 €
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Sy Brandon
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Echoes for Double Euphonium Choir
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Sy Brandon
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SheetMusicPlus
Echoes for Double Trombone Choir
Ensemble de Trombones
Trombone Ensemble - Level 5 - Digital Download SKU: A0.1314986 Composed by Sy Brand…
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Trombone Ensemble - Level 5 - Digital Download SKU: A0.1314986 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contemporary. 61 pages. Sy Brandon #903737. Published by Sy Brandon (A0.1314986). (8 part Double Trombone Choir) - This work was composed for and premiered at the 2005 International Euphonium Institute and adapted for trombones in 2023. The work is in one movement with four sections. The first and last sections are Allegro and explore antiphonal choir echoes and pyramids. The second section is Adagio and continues the antiphonal echoes between choirs and adds a fading echo in several measures. The third section explores echoes in a scherzo style.
$15.00
13.48 €
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Ensemble de Trombones
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Sy Brandon
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Echoes for Double Trombone Choir
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Sy Brandon
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SheetMusicPlus
Echoserenade for Trombone Trio
3 Trombones (trio)
Bass Trombone - Level 5 - Digital Download SKU: A0.1414571 Composed by August Kuhne…
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Bass Trombone - Level 5 - Digital Download SKU: A0.1414571 Composed by August Kuhnel. Arranged by Jorg Richter. Baroque,Renaissance. 17 pages. Gordon Cherry #996350. Published by Gordon Cherry (A0.1414571). Echoserenade by August Kühnel is a 6-movement suite arranged by Jörg Richter for Trombone Trio. The movements of this lovely Renaissance work are titled: Intrata, Aria, Praludium, Echo, Sarabande and Giga.The ten minute work (with repeats) is appropriate for advanced performers and includes an optional part in alto clef for the first part.
$22.50
20.23 €
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3 Trombones (trio)
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August Kuhnel
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Jorg Richter
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Echoserenade for Trombone Trio
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Gordon Cherry
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SheetMusicPlus
Hallo! Welch schönes Echo!
Chorale SATB
Mixed choir (SATB/SATB) - easy - Digital Download SKU: S9.Q1028 Echochor. Co…
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Mixed choir (SATB/SATB) - easy - Digital Download SKU: S9.Q1028 Echochor. Composed by Orlande De Lassus. This edition: choral score. Schott Choral Leaflets. Downloadable, Choral score. Schott Music - Digital #Q1028. Published by Schott Music - Digital (S9.Q1028). Italian • German.
$2.99
2.69 €
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Chorale SATB
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Orlande De Lassus
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Hallo! Welch schönes Echo!
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Schott Music - Digital
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SheetMusicPlus
Flute and clarinet echo
Flûte, Clarinette (duo)
B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1397326
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B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1397326 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Chamber,Classical,Contest,Festival. 3 pages. Allan Leslie McDougall #980643. Published by Allan Leslie McDougall (A0.1397326). A tuneful flute and clarinet duet in which the clarinet echoes the flute.
$3.00
2.7 €
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Flûte, Clarinette (duo)
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N/A
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N/A
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Flute and clarinet echo
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Allan Leslie McDougall
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SheetMusicPlus
Echoes II
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933341 Composed by Juan Ca…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933341 Composed by Juan Carlos Guerra González. 20th Century,Concert,Contemporary. Octavo. 8 pages. Juan Carlos Guerra Gonzalez #6612559. Published by Juan Carlos Guerra Gonzalez (A0.933341). Echoes II is a part of a set of five choral pieces I wrote in 2002 as part of my composition training with Dr. Joseph Karl Doetsch. The central idea of the piece was to use effects mainly used in audio production settings to be represented with vocal music. As you might find in the score, the work has no text, this is because I wrote it to be centered in the sound. Conductor might choose a vowel of preference to perform each section. The idea of the echo effect is created by repeating the note using different dynamics. The melody will be presented throughout the piece moving into different voices. You will notice sections in which the effect is toggled between on and off. Just like a real audio production machine.Unfortunately, the other 4 parts of the series were lost and this is the only one I found.
$1.99
1.79 €
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Chorale SATB
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Juan Carlos Guerra González
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Echoes II
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
La ciudad de los ecos / The city of echoes
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985190 Composed by Gustavo Porras.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985190 Composed by Gustavo Porras. 20th Century,Contemporary,New Age,Standards. Individual part. 6 pages. Gustavo Porras Chinchilla #5041995. Published by Gustavo Porras Chinchilla (A0.985190). A deep song that recreates the effects of echo sound anywhere.Youtube Channel: Gustavo Porras GuitarristaFacebook: Gustavo Porras guitarrista y compositorInstagram: gustavoporrasguitar
$9.99
8.98 €
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Guitare
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Gustavo Porras
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La ciudad de los ecos / The city of echoes
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Gustavo Porras Chinchilla
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.62 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
29.62 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.01 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.01 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297089 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297089 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887186. Published by jmsgu3 (A0.1297089). Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.01 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
88.86 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.43 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
22.43 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.43 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
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