English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
7
Partitions
Numériques
6
Librairie
Musicale
65
Matériel
de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1
PIANO & CLAVIERS
Piano seul
2
GUITARES
Guitare
1
VOIX
VENTS
Flûte, Hautbois, Clarinette, Basson
1
CUIVRES
CORDES
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
El Gitano
Partitions à imprimer
6 partitions trouvées
<
1
El Gitano (original version for wind ensemble and percussion)
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Electric Bass Guitar,Elect…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Electric Bass Guitar,Electric Guitar,Flute,Glockenspiel,Piccolo,Soprano Saxophone,Tenor Saxophone,Timpani,Trombone,Trumpet,Vibraphone - Level 3 - Digital Download SKU: A0.1506383 By Alexis Galfre. By Alexis Galfre. Arranged by Alexis Galfre. 20th Century,Folk,Multicultural,Rock,World. 59 pages. Alexis Galfre #1081749. Published by Alexis Galfre (A0.1506383). Obra original para ensamble de vientos y percusión más bajo eléctrico, guitarra eléctrica y batería. Inspirada en una anécdota pintoresca de madrugada turbulenta. Original work for wind ensemble and percussion plus electric bass, electric guitar and drums. Inspired by a picturesque anecdote of a turbulent dawn.Opera originale per ensemble di fiati e percussioni più basso elettrico, chitarra elettrica e batteria. Ispirato da un pittoresco aneddoto di un'alba turbolenta.
$12.00
10.98 €
#
Alexis Galfre
#
Alexis Galfre
#
El Gitano
#
Alexis Galfre
#
SheetMusicPlus
El Gitano (arrangement)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1378854 By Alexis Galfre. By Alex…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1378854 By Alexis Galfre. By Alexis Galfre. Multicultural,World. 55 pages. Alexis Galfre #963569. Published by Alexis Galfre (A0.1378854). Original work for wind ensemble and percussion plus electric bass, electric guitar and drums. Inspired by a picturesque anecdote of a turbulent dawn. Obra original para ensamble de vientos y percusión más bajo eléctrico, guitarra eléctrica y baterÃa. Inspirada en una anécdota pintoresca de madrugada turbulenta.Opera originale per ensemble di fiati e percussioni più basso elettrico, chitarra elettrica e batteria. Ispirato da un pittoresco aneddoto di un'alba turbolenta.
$30.00
27.44 €
#
Orchestre d'harmonie
#
Alexis Galfre
#
El Gitano
#
Alexis Galfre
#
SheetMusicPlus
El Gitano (original version)
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1378852 By Alexis Galfre. By Alexis Galfre. Multicultural,World. 16 pages. Alexis Galfre #963567. Published by Alexis Galfre (A0.1378852). This is an original work with influences of Balkan music. Commissioned by a woodwind quartet (flute, oboe, clarinet and bassoon). It was then re-orchestrated for other orchestral ensembles -also available on this site.Esta es una obra original con influencias de música balcánica. Comisionada por un cuarteto de maderas (flauta, oboe,clarinete y fagot). Luego fue reorquestada para otras formaciónes orquestales -también disponibles en este sitio.Si tratta di un lavoro originale con influenze della musica balcanica. Commissionato da un quartetto di legni (flauto, oboe, clarinetto e fagotto). É stato poi riorchestrato per altri ensembli orchestrali -disponibili anche su questo sito.
$20.00
18.29 €
#
Flûte, Hautbois, Clarinette, Basson
#
Alexis Galfre
#
El Gitano
#
Alexis Galfre
#
SheetMusicPlus
El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso.
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1120181 By Rafael Gordon Pino. By R…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1120181 By Rafael Gordon Pino. By Ramón Zarzoso. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721499. Published by Juan Carlos Cortés Aguirre (A0.1120181). Transcripción para piano solo por: JUAN CARLOS CORTÃ?S A. Ramón Zarzoso nació en Valencia el 12 de Octubre de 1899, falleció el 29 de Octubre de 1988 a los 89 años en Buenos Aires, Argentina. Autor , compositor , maestro de musica. Recorrio los 5 continentes , autor y compositor de peliculas con Lolita Torres, Rocio Jurado, Pedrito Rico, El Niño De Utrera, Lola Flores, Salvador Valverde, Imperio Argentina, Miguel de Molina, Carmen Sevilla, Paquita Rico entre otros. Casado tuvo una hija y dos nietos. Reconocido como ciudadano ilustre de la ciudad Argentina. Dedico su vida a la musica. Haciendo 700 obras musicales, como El Sombrero , Coimbra divina , Castillito de arena entre otras. Sus restos se encuentran en el panteon de actores del cementerio chacarita (Panteon Sadaic). El letrista, escritor y autor Rafael Gordon Pino, no tiene una fecha de nacimiento registrada, solo aparece el año de fallecimiento en 1958, según La Biblioteca Nacional de España. Texto: El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso Aguilar. Introducción: Siempre ha sido el sombrero cordobés, por su gracia y su majeza el soberano, pues toreros, flamencos y cales, lo lucieron con el aire más gitano. Lagartijo, Frascuelo, Machaquito y Espartero, con orgullo lo llevaron...Este clásico sombrero. Interludio: El sombrero... El sombrero de ala ancha con que adorno mi cabeza. Yo lo llevo...Y con él voy orgulloso, pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol, bautizaron su majeza. Interludio: Cuando voy a los toros en Jerez, luzco yo con alegrÃa mi sombrero. Y a mi paso se escuchan los olé y me aplauden mucho más que a los toreros. Y si voy con mi jaca muy flamenca al tentaero soy el rey de la fiesta, con mi clásico sombrero. Interludio: El sombrero. El sombrero de ala ancha con que adorno mi cabeza, yo lo llevo...Y con él voy orgulloso pregonando su majeza. Y no hay otro...Más castizo y español, ni que iguale su belleza, porque los rayos del sol... Bautizaron su majeza.
$7.99
7.31 €
#
Piano seul
#
Rafael Gordon Pino
#
Juan Carlos Cortés Aguirre
#
El Sombrero. Pasodoble por: Rafael Gordon Pino y Ramón Zarzoso.
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Canción del linyera - Fox trot por Ivo Pelay y Antonio Lozzi
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958806 Composed by Ivo Pelay y Anto…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.958806 Composed by Ivo Pelay y Antonio Lozzi. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873589. Published by Juan Carlos Cortés Aguirre (A0.958806). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión del cantor argentino Armando Moreno acompañado por la orquesta de Enrique RodrÃguez.La canción del linyera.Letra: Ivo Pelay - Música: Antonio Lozzi.Introducción;Cuando se asoma alegre el sol sobre los campos del talar, juntos a la vÃas, van los linyeras.Llevando como el caracol la casa a cuestas y al azar, van los gitanos, todos los dÃas.Ellos no saben del dolor, y en cada boca hay un cantar, que a gritos dicen, sus alegrÃas.Indiferentes al amor y en el eterno trajinar, ellos desechan, melancolÃa.Cuando se asoma alegre el sol sobre los campos del talar, van los linyeras, todos los dÃas.Y al pasar se oye un peón, entonar esta canción:Linyera soy, corro el mundo y no sé a dónde voy.Linyera soy, lo que gano, lo gasto, lo doy.No sé llorar, ni en la vida deseo triunfar.No tengo norte, no tengo guÃa, para mà todo es igual.
$7.99
7.31 €
#
Piano seul
#
Ivo Pelay y Antonio Lozzi
#
Juan Carlos Cortés A
#
Canción del linyera - Fox trot por Ivo Pelay y Antonio Lozzi
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
(+)
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.56 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
Fandango de Huelva
#
Richard Hirsch
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale