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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Empty and Still - Clarinet
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--INSTRUMENTS--
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Crtitères actifs :
Empty and Still - Clarinet
Partitions à imprimer
40 partitions trouvées
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1
26
Empty and Still - Flute & Piano
#
Flûte traversière et Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Flute &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - SKU: A0.1062901 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perfo...
(+)
Flute,Piano - SKU: A0.1062901 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332395. Published by James M Stevens Music ASCAP (A0.1062901). This is the flute and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - French Horn & Piano
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Cor et Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - French Horn
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James M Stevens Music ASCAP
#
SheetMusicPlus
Horn,Piano - SKU: A0.1062908 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perfor...
(+)
Horn,Piano - SKU: A0.1062908 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332485. Published by James M Stevens Music ASCAP (A0.1062908). This is the French horn and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - Alto Sax & Piano
#
Saxophone Alto et Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Alto Sax &am
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James M Stevens Music ASCAP
#
SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.1062910 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. F...
(+)
Alto Saxophone,Piano - SKU: A0.1062910 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332495. Published by James M Stevens Music ASCAP (A0.1062910). This is the alto sax and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - Violin & Piano
#
Violon et Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Violin &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Violin - SKU: A0.1062902 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perf...
(+)
Piano,Violin - SKU: A0.1062902 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332345. Published by James M Stevens Music ASCAP (A0.1062902). This is the violin and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Flute &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.574174 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. S...
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Flute,Piano - Level 3 - SKU: A0.574174 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332401. Published by James M Stevens Music ASCAP (A0.574174). Written March 19, 2021, this is an original flute and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - French Horn & Piano
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Cor et Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - French Horn
#
James M Stevens Music ASCAP
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.574180 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemp...
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French Horn,Piano - Level 3 - SKU: A0.574180 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332489. Published by James M Stevens Music ASCAP (A0.574180). Written March 20, 2021, this is an original French horn and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Alto Sax &am
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James M Stevens Music ASCAP
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.574182 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Cont...
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Alto Saxophone,Piano - Level 3 - SKU: A0.574182 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332497. Published by James M Stevens Music ASCAP (A0.574182). Written March 20, 2021, this is an original alto sax and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Violin & Piano
#
Violon et Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Violin &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.574173 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. ...
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Piano,Violin - Level 3 - SKU: A0.574173 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. 8 pages. James M Stevens Music ASCAP #6332361. Published by James M Stevens Music ASCAP (A0.574173). Written March 19, 2021, this is an original violin and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Cello & Piano
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Violoncelle, Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Cello &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Cello,Piano - SKU: A0.1062906 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perfo...
(+)
Cello,Piano - SKU: A0.1062906 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332429. Published by James M Stevens Music ASCAP (A0.1062906). This is the cello and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - Oboe & Piano
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Hautbois, Piano (duo)
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Oboe & P
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Oboe,Piano - SKU: A0.1062903 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perfor...
(+)
Oboe,Piano - SKU: A0.1062903 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332407. Published by James M Stevens Music ASCAP (A0.1062903). This is the oboe and piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - English Horn & Piano
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Cor anglais, Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - English Horn
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James M Stevens Music ASCAP
#
SheetMusicPlus
English Horn,Piano - SKU: A0.1062909 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Ful...
(+)
English Horn,Piano - SKU: A0.1062909 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332491. Published by James M Stevens Music ASCAP (A0.1062909). This is the English Horn & Piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still - Viola & Piano
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Alto, Piano
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Viola &
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Viola - SKU: A0.1062905 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Perfo...
(+)
Piano,Viola - SKU: A0.1062905 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6332425. Published by James M Stevens Music ASCAP (A0.1062905). This is the viola & piano demonstration performance of Stevens' Empty and Still.
$1.99
Empty and Still Piano Track
#
Piano seul
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James Michael Stevens
#
James Michael Stevens
#
Empty and Still Piano Track
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano - SKU: A0.1062900 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance...
(+)
Piano - SKU: A0.1062900 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6331995. Published by James M Stevens Music ASCAP (A0.1062900). This is the piano accompaniment track for Stevens' Empty and Still which may be used for various instrumental solos.
$2.99
Empty and Still - Minimalist Piano
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Piano seul
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - Minimalist P
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano - SKU: A0.1062899 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance...
(+)
Piano - SKU: A0.1062899 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Full Performance. Duration 205. James M Stevens Music ASCAP #6331993. Published by James M Stevens Music ASCAP (A0.1062899). This is the piano demonstration performance of Stevens' Empty and Still - Minimalist Piano.
$1.99
Empty and Still - English Horn & Piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Empty and Still - English Horn
#
James M Stevens Music ASCAP
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.574181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contem...
(+)
English Horn,Piano - Level 3 - SKU: A0.574181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332493. Published by James M Stevens Music ASCAP (A0.574181). Written March 20, 2021, this is an original English horn and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Empty and Still - Viola &
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.574176 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,...
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Piano,Viola - Level 3 - SKU: A0.574176 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332427. Published by James M Stevens Music ASCAP (A0.574176). Written March 20, 2021, this is an original viola and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Empty and Still - Cello &
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James M Stevens Music ASCAP
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.574178 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,...
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Cello,Piano - Level 3 - SKU: A0.574178 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332435. Published by James M Stevens Music ASCAP (A0.574178). Written March 20, 2021, this is an original cello and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
Empty and Still - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Empty and Still - Oboe & P
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.574175 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,E...
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Oboe,Piano - Level 3 - SKU: A0.574175 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #6332409. Published by James M Stevens Music ASCAP (A0.574175). Written March 20, 2021, this is an original oboe and piano composition in a quiet, ambient, and minimalist style with the key signature of F major, but with lots of subtle quartal and quintal harmonies mixed in with a pensive and reflective mood.
$6.99
A Still and Quiet Night
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Voix Alto, Piano
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FACILE
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Jen Haugland Music
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A Still and Quiet Night
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Jen Haugland Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1009895 Composed by Jen Haugland Music. Christian,Christmas,Contemporary,Jazz. 8 pages. Jen Haugland Music #11...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1009895 Composed by Jen Haugland Music. Christian,Christmas,Contemporary,Jazz. 8 pages. Jen Haugland Music #11077. Published by Jen Haugland Music (A0.1009895). A Still and Quit Night. Words and Music by Jen Haugland & Eric Copeland. A romantic Christmas song for those who have hit the Empty Nest years. Smooth Jazz/Inspirational and encouraging. Quiet listening and reflective. It has a hint of traditional Silent Night giving it a nostalgic feel. For piano/vocal, with chord notation and lyric. A great way to celebrate marriage at Christmas time for the older generations. Younger generations enjoy it too!
$3.99
Penn's Landing
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Piano seul
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INTERMÉDIAIRE
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Classique
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Che Buford
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Penn's Landing
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.11...
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Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.1194163). Penn’s Landing was written for the 2020 Curtis Young Artist Summer Program's Composer-Performer Collective. The inspiration for this piece comes from a very specific memory that I had in May 2019 of me and a friend visiting an empty Penn’s Landing at night. The skyline of Philadelphia was so vibrant as well as the lights coming from different booths and restaurants that were open. Experiencing Penn’s Landing without any people allowed us to witness the beautiful qualities that night brings in Philadelphia.The beginning of this piece starts with a reflective and peaceful feeling. The piano plays a descending two-note figure that resonates on the second note. It then mirrors itself with similar figures that represent the city lights reflecting on the water. The music transforms into something more lively, playful while still using motifs and figures from the beginning. We then move to darker, slightly slower music when the low register of the piano is introduced. The left-hand plays a dark chorale while the right-hand hits high endless, resonant notes. These feelings of elation, admiration, peacefulness, coldness, melancholia were all emotions that I hoped to evoke.
$13.00
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
Empty and Still - Minimalist Piano
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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James Michael Stevens
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James Michael Stevens
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Empty and Still - Minimalist P
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Ne w Age. Score. 4 pages. James M Stevens Music ...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Ne w Age. Score. 4 pages. James M Stevens Music ASCAP #6331997. Published by James M Stevens Music ASCAP
$4.99
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann and Yo Yo Ma
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Flavio Regis Cunha
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Vanitas Vanitatum
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Flavio Regis Cunha
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,I...
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Cello,Piano - Level 4 - SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$5.99
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
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Empty and Still - Clarinet