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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ending Phrase
Sheetmusicplus
Non classifié
28
Piano & claviers
Instruments en Do
188
Piano seul
35
Piano Facile
9
Orgue
4
Accompagnement Piano
2
Piano, Voix et Guitare
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
1
Voix
Chorale SATB
28
Chorale 3 parties
7
Chorale Unison
7
Chorale TTBB
6
Chorale 2 parties
3
Chorale SSAA
2
Voix haute
1
+ 2 instrumentations
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Vents
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière et Piano
3
Hautbois, Piano (duo)
3
Clarinette et Piano
3
Quatuor de Saxophones: 4 saxophones
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Alto et Piano
2
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Hautbois, Flûte
1
Flûte, Clarinette et Basson
1
Flûte traversière
1
+ 13 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone et Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Trompettes (duo)
1
Cor anglais, Piano
1
Cor
1
Trompette
1
Trompette, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Trompette, Trombone (duo)
1
+ 6 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
Violon et Piano
2
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Harpe
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles (duo)
1
Violoncelle
1
Violon, Clarinette, Piano (trio)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
+ 11 instrumentations
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Orchestre & Percussions
Cloches
4
Ensemble Jazz
3
Orchestre d'harmonie
3
Orchestre à Cordes
2
Ensemble de cuivres
1
Ensemble de Percussions
1
Orchestre
1
Orchestre de chambre
1
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Autres
Instruments
ACCORDEON
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AUTRES INST…
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CITHARE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMPETTE
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Ending Phrase
SheetMusicPlus
Partitions à imprimer
438 partitions trouvées
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Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. ...
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Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
Jazz Intros and Endings
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Ron Eschete
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Jazz Intros and Endings
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate-Advanced - SKU: M0.20406MEB Composed by Ron Eschete. Solos. Mel Bay's Private Lessons. Style. E-book and online audio. Mel Bay Pub...
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Guitar - Intermediate-Advanced - SKU: M0.20406MEB Composed by Ron Eschete. Solos. Mel Bay's Private Lessons. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20406MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20406MEB). ISBN 9781619115217. 8.75x11.75 inches.Jazz Intros and Endings offers 60 intros and endings for songs in many keys and styles. Ron is a well known and admired guitar player having played with Ray Brown, Gene Harris, Ella Fitzgerald, among many others. These harmonically rich phrases offer many great ideas and insight into creating your own intros and endings. Book is in standard notation with chord diagrams and has audio featuring all the examples. Includes access to online audio.
$14.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
PRELUDE FOR TAG For Oboe or Flute F Major
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Digital Version
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Original composition
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PRELUDE FOR TAG For Oboe or Fl
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Francis Osentowski
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1080327 By Digital Version. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Conte...
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Oboe,Piano - Level 3 - SKU: A0.1080327 By Digital Version. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Praise & Worship. Score and part. 4 pages. Francis Osentowski #684547. Published by Francis Osentowski (A0.1080327). Prelude for Tag was written for my daughter Tagni when she was a 14-year-old and showing talent as an oboist. She began the instrument at age 12 and for one of those magical reasons... found a way to make this extremely difficult double reed instrument sound beautiful almost from the start. Tagni now has a son in high school who has an excellent sound on Clarinet. I transcribed Prelude for Bb instruments so he could perform the piece. Ranges and technique are limited in the solo part and piano. NOTE: In the F Major Version I typed in an Ossia option for the Low C at the ending phrase for Oboe performers. If needed.
$5.99
Simone
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Piano seul
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INTERMÉDIAIRE
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Boz Scaggs
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Popnroll 1976
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Ending Phrase
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Simone
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Popnroll 1976
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1305391 By Boz Scaggs. By David W Foster and William Scaggs. Arranged by Popnroll 1976. 20th Century,Pop. Score. 5 pages....
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Piano Solo - Level 3 - SKU: A0.1305391 By Boz Scaggs. By David W Foster and William Scaggs. Arranged by Popnroll 1976. 20th Century,Pop. Score. 5 pages. Popnroll 1976 #894815. Published by Popnroll 1976 (A0.1305391). Simone - Boz Scaggs (Piano part of the band)Contents: PDF format, 5 pages.Piano part with Synthesizer solo & Ending Phrase.No vocal melody.Album: Middle Man (1980)Written by Boz Scaggs & David FosterDiscog link:https://www.discogs.com/ja/master/123323-Boz-Scaggs-Middle-ManPiano – David FosterSynthesizer – David Paich.
$9.99
Beethoven - Für Elise (Klavierstück) in A Minor - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Piacere Music Sheets
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Beethoven - Für Elise
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1129000 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 p...
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Piano Solo - Level 3 - SKU: A0.1129000 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #729524. Published by Piacere Music Sheets (A0.1129000). Opus/Catalog Number: WoO 59 Key/Tone: A Minor Movements/Sections: Poco moto Year/Date of Composition: 1810 Difficulty: Grade 7/12 (Intermediate) Obs.: This famous piece is certainly one of Beethoven's most famous works for solo piano. It was first published in 1867 under the title Klavierstück in A moll Keyboard Piece in A minor. The piece is written in 3/8 time and has the following musical form: Measures 1-8: Phrase 1 of the theme in A minor, a quiet melody played by the right hand accompanied by arpeggios in the left hand Measures 9-14: Phrase 2 of the theme, in C Major Measures 15-22: Phrase 1 returns in A minor Measures 23-37: Contrasting section in F major, modulating to C Major and back to A minor Measures 38-58: Theme returns (phrases 1-2-1) Measures 59-81: Contrasting agitated section set over a pedal point on A and ending in arpeggios and a chromatic descent Measures 82-end: Theme returns(phrases 1-2-1) Scholars do not agree as to whether there should be a D or an E in measure 7 (second note, right hand) and in subsequent similar passages. However, most modern editions show a D, as you'll see in this arrangement.
$7.95
I See The Light
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Alan Menken and Glenn Slater
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Yoshiko Uchida
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I See The Light
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1420770 Composed by Alan Menken and Glenn Slater. Arranged by Yoshiko Uchida. Film/TV,Wedding. Score and part....
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1420770 Composed by Alan Menken and Glenn Slater. Arranged by Yoshiko Uchida. Film/TV,Wedding. Score and part. 9 pages. FOSTERMUSIC.JP Digital Publishing #1002197. Published by FOSTERMUSIC.JP Digital Publishing (A0.1420770). Introduction In the Disney movie Rapunzel in the Tower (released in 2011), Rapunzel is imprisoned in a tower, but through her journey with Eugene, she finds her lost dreams, hopes, and courage, and sings this duet on a boat on the lake where they arrive.The scene of countless lanterns soaring in the night sky is very beautiful, and the ascending phrase that appears many times in the chorus melody seems to express the hero's never-giving-up spirit as well as the scene.I recommend this piece as an encore piece to be played at the end of a concert, praying for the future. (Yoshiko Uchida). Performance advice Express the pure and gentle melody with a clear and beautiful tone.Do not let the sixteenth note from rehearsal number G stand out only in terms of technique; sing each note carefully and play it with smooth legato. (Kei Ito) Arranger: Yoshiko Uchida Yoshiko Uchida is a composer from Yokosuka, Kanagawa, Japan.Graduated from Tokyo University of the Arts, Faculty of Music, Department of Composition, and completed graduate studies at the same university. After working as an assistant music director, pianist for musicals, and score composer, she is currently composing and arranging for many concerts, CDs, publications, and video works. Clarinet: Kei Ito Kei Ito is a leading clarinetist in Japan.Graduated from the Department of Instrumental Music, Faculty of Music, Tokyo University of the Arts in 2001. In 2004, he won the first prize at the 6th Japan Clarinet Competition. In 2006, she was selected for the 74th Japan Music Competition. After working with the Philharmonia of the University of the Arts and the Tokyo Metropolitan Symphony Orchestra, he is currently the principal clarinetist of the NHK Symphony Orchestra and performs with orchestras in Japan and abroad, and was the soloist at the Gathering of Thanksgiving for the 30th Anniversary of His Majesty the Emperor's Enthronement in 2019. In addition to his activities as a soloist, chamber musician, and orchestral player, he also teaches younger students as an adjunct associate professor at the Tokyo College of Music and as a lecturer at the Tokyo National University of Fine Arts and Music and Kunitachi College of Music.Click here for the album containing this song
$19.99
Mean Machine
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Piano seul
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INTERMÉDIAIRE
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Ben Dockery
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Mean Machine
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben...
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Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben Dockery (A0.693008). This intermediate piece for piano (2 min. 30 sec.) is the eighth in a series of impromptus inspired by sounds of childhood, namely themes from early 90s video game consoles like Nintendo. This composition is indicative of many of the bluesy soundtracks that also contain splashes of unexpected and quirky sonorities, giving it a bona fide unearthly quality. Think of a western shoot-out aboard an alien spaceship. Performers should keep the tempo rock-solid with no rubato. The syncopated ostinato bass pattern may take some getting used to at first, but it is essential to the entire arrangement. Many of the melodic figures have crescendos or decrescendos that are unconventional, e.g. a decrescendo under an ascending phrase. The middle section has a sixteenth note passage that should be fingered by alternating left and right hands as marked. Follow my work at www.bendockery.com. There you can sign up to my email list and get updates on new releases plus tons of free music!
$2.99
Clair de Lune [Arrangement for concert band] - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Masakazu YAMAMOTO
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Masakazu YAMAMOTO
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Clair de Lune [Arrangement for
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1091230 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival...
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Concert Band - Level 4 - SKU: A0.1091230 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 14 pages. Motch Music #695394. Published by Motch Music (A0.1091230). Arrangement for concert band.This is the third song of Suite â€Bergamasque composed by Claude Debussy around 1890. Written in the style of nocturne, it is one of the most famous songs in Debussy's work. And also it is often featured as a repertoire among classical pianos as a whole.In this arrangement, while respecting the original song, bold “reharmonization†(change of chord) is applied. And further, an opening section as fade-in effect and an ending section extending the aftertaste time are added. All of them are used for creating new attractive of this song. And, I am also inspired by the title “A sentimental promenade which had been named at the time of publication in 1900-1901. There are many weak sounds throughout this song, but each phrase requires a rich expression centered on romanticism. At the same time, it is also important for the phrase to be passed down smoothly, and especially in the middle part, a flowing propulsion is required. I hope that those elements will be organically linked to the harmony taste, which is the key to this arrangement. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'30(arr. Masakazu YAMAMOTO)[Instrumentation] Flute 1, 2Oboe Bassoon (option)Bb Clarinet 1, 2, 3 Bb Bass ClarinetEb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone SaxophoneBb Trumpet 1, 2 F Horn 1, 2, 3, 4 (only 4th option) Trombone 1, 2 Euphonium TubaString BassHarp (option)Glockenspiel Vibraphone Percussion (Triangle, Wind-chime, Suspended Cymbal)  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  Â
$32.00
Be Thou My Vision
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Ken Barker
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Ken Barker
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Be Thou My Vision
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1155316 By Ken Barker. By Ancient Irish text and Traditional Irish melody. Arranged by Ken Barker. Celtic,Christian,Irish...
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Piano Solo - Level 4 - SKU: A0.1155316 By Ken Barker. By Ancient Irish text and Traditional Irish melody. Arranged by Ken Barker. Celtic,Christian,Irish,Religious,Sacred,Wedding. Score. 3 pages. Ken Barker #755607. Published by Ken Barker (A0.1155316). In the first verse, each phrase of the melody in octaves alternates with a chorale-style phrase, encouraging contrast in playing style. The choral style phrases are actually harmonizations of the melody played backwards, from the end to the beginning. The second verse begins with a sudden modulation to Db, a very warm key utilizing some tasteful altered chords. The final triumphant verse ends in the bright key of D, settling into a warm, contemplative ending.
$4.25
Perfect Day (theme From The World Of Peter Rabbit And Friends)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Towns
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Brendan Wilson
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Perfect Day
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Brendan Wilson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1193136 Composed by Colin Towns. Arranged by Brendan Wilson. 20th Century,Celtic,Contemporary,Folk,Irish,Singer/...
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Choral Choir (SATB) - Level 3 - SKU: A0.1193136 Composed by Colin Towns. Arranged by Brendan Wilson. 20th Century,Celtic,Contemporary,Folk,Irish,Singer/Songwriter. Octavo. 11 pages. Brendan Wilson #792591. Published by Brendan Wilson (A0.1193136). For SATB Chorus and PianoImportant notes for this piece:Hold out your vowels until the end of given notes and phrases, such as holding out half notes and dotted half notes. The choir parts would want to be together on ending consonants as well. Make them light but clear.Blending is key. If one part seems to be a little loud or soft, make adjustments when necessary. Having a lot of fifths and blending can make this piece beautiful and clean. The humming bits (the mms) can be adjusted to an oo, oh, or ah sound depending on the director's preference. Change them around if you want.Enjoy this arrangment!
$3.99
Song of Christmas (for 3, 4 or 5 octave handbell choirs)
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Cloches
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FACILE
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Noël
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COMPOSER Henry John Gauntlett,
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G
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Song of Christmas
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.953737 Composed by COMPOSER Henry John Gauntlett, and a Traditional French Carol. Arranged by G. R. Adkison. Christian,Chri...
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Handbell - Level 2 - SKU: A0.953737 Composed by COMPOSER Henry John Gauntlett, and a Traditional French Carol. Arranged by G. R. Adkison. Christian,Christmas,Sacred. Score. 4 pages. Gary Ray Adkison #30517. Published by Gary Ray Adkison (A0.953737). Song of Christmas is an arrangement for 3-4-5 octave handbell choir. It is a 56 measure Christmas carol medley. It starts with Once in Royal David's City, in the key of F. The first verse uses handchimes, although handbells can be substituted for the chimes, if desired. The second verse is louder, switches to handbells, uses fuller chords and is in the key of Bb. The last two musical phrases of this carol are repeated, grandioso. There is then a softer handchime repeat of the last phrase. Without pause, it begins a lively version of Sing We Now of Christmas in Eb. The melody alternates between handchimes and handbells. When the chimes are playing, the bells only play fills, etc. There is a brief (2 measure) passage with handbells in the key of D, then it switches back to Eb for the big ending, using only bells. The ending is half-timed, with a descending chordal descant to the martellato stinger. (Throughout the entire arrangement, handbells can substitute for handchimes.) This arrangement is probably about a level 2 degree of difficulty.
$2.00
Kwanzaa
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Chorale SATB
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Dennis Bell
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Dennis Bell
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Kwanzaa
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Mark of Aries Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926263 Composed by Dennis Bell. Arranged by Dennis Bell. Jazz,Latin. Octavo. 39 pages. Mark of Aries Music (BMI)...
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Choral Choir (SATB) - Level 3 - SKU: A0.926263 Composed by Dennis Bell. Arranged by Dennis Bell. Jazz,Latin. Octavo. 39 pages. Mark of Aries Music (BMI) #2548809. Published by Mark of Aries Music (BMI) (A0.926263). Kwanzaa is a composition celebrating the seven day observance. An additional word, Harambee which means Let's pull together in Swahili, was added for the ending phrases. For complete information about the meaning and message you might want to navigate to the following URL http://www.officialkwanzaawebsite.org/index.shtml.This particular song was written for the award winning jazz vocalist Lynette Washington's holiday album Long, Long Ago (A Jazz Celebration of Christmas, Chanukah & Kwanzaa (the mp3 is included here). Originally written and arranged for solo vocalist, I re-arranged it for my college/community choir in 2015. It is arranged for SATB Choir with Jazz Combo (Piano, Bass, Drums, Conga). Additional percussion, a 2nd keyboard, for possible jazz soloing, or a possible solo instrumentalist, may be added at the conductor's discretion. The solo parts can also be extended to fit the conductor's interpretation. Moving in half step changes from D to Eb to E to F to F# to G, the improvisations are played using those note's dorian mode.
$3.99
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95
Wexford Carol
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Piano seul
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AVANCÉ
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Noël
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'Good Christians all, This Chr
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Samuel Wellman
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Wexford Carol
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882146 Composed by 'Good Christians all, This Christmas carol comes from County Wexford in Ireland, hence the title. The ...
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Piano Solo - Level 5 - SKU: A0.882146 Composed by 'Good Christians all, This Christmas carol comes from County Wexford in Ireland, hence the title. The text begins, inviting us to celebrate the birth of Jesus Christ., and this Christmas time...'. Arranged by Samuel Wellman. Christian,Christmas,Contemporary. Score. 4 pages. Samuel Wellman #6645683. Published by Samuel Wellman (A0.882146). The tune is unusual in having a flat seventh degree in several phrases, implying the mixolydian mode (actually, natural minor in the third phrase). This lends a special character to the music. In the second verse, and again in the last, I fashioned a florid LH accompaniment for the tune. In keeping with the flat seven, I use it again in the last measure (ending on a D-flat 9). Sorry, no resolution.
$6.00
Consciousness 2.0
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Piano seul
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INTERMÉDIAIRE
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0....
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Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Goodbye Yellow Brick Road
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.547874 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11...
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Flute,Piano - Level 3 - SKU: A0.547874 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073383. Published by jmsgu3 (A0.547874). ALTO FLUTE & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Goodbye Yellow Brick Road
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073401. Published by jmsgu3 (A0.547881). CLARINET in Bb & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Goodbye Yellow Brick Road
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Clarinette
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.547873 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.547873 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073381. Published by jmsgu3 (A0.547873). ALTO CLARINET & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly and expectantly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Goodbye Yellow Brick Road
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.547878 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,R...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.547878 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and individual part. 11 pages. Jmsgu3 #3073395. Published by jmsgu3 (A0.547878). BASS FLUTE & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Goodbye Yellow Brick Road
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Cor anglais, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.547882 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and p...
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English Horn,Piano - Level 3 - SKU: A0.547882 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 14 pages. Jmsgu3 #3073405. Published by jmsgu3 (A0.547882). ENGLISH HORN & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. These are just a few of the surprises to be found within.Â
$53.95
Goodbye Yellow Brick Road
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.547879 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. ...
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Bassoon,Piano - Level 3 - SKU: A0.547879 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073397. Published by jmsgu3 (A0.547879). BASSOON & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Score 6 pages, Part 2 pages, Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Goodbye Yellow Brick Road
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
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