Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.

This download contains:

A full score

All individual parts in notes

All individual parts in TAB

The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE

This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I?ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.

My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).

Technical Requirements­­

· Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.

· Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.

· Guitar5 is suitable for a player of about Grade 2 (beginner) standard.

· Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.

· Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.

Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.

Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.

Dan Jones, March 2019

This arrangement of the Tears for Fears classic is ideal for schools and mixed-ability ensembles. It includes a bass guitar part, and an optional Guitar 6, that doubles the bass. The piece can be performed with either part, or both! Bassists are encouraged to try drop-D tuning or 5 string basses for the optional low D.


Guitar 1 is similar to the guitar part on the original Tears for Fears recording, including transcribed solo, and suits more advanced players.
Guitar 2 is the vocal melody
Guitar 3 and 4 are rhythm guitar parts, with Guitar 4 being a simple part suitable for beginners
Guitar 5 adds rhythmic interest and can be treated as optional for smaller ensembles

The arrangement works well with a traditional ensemble of all acoustic guitars, or all electric - or a mix of both!

James Bond themes are always popular with audiences and Moonraker (Shirley Bassey's third outing) is a beautiful piece for your concert programme. Score for 4 trumpets (4th on flugel), horn, 4 trombones and tuba. Score and parts included.

Arranged by Andy Derrick a professional trombonist and composer/arranger he has many works available here including scores for brass ensembles from educational to professional settings.

This arrangement is a beautiful rendition of the Zimmer/Rubin/Gibson original. Material is treated true to the original, emulating the lyrical nature and forward thrust of the piece. perfectly suited to a Clarinet Choir. The main melodic and harmonic themes are seamlessly shared by each of the instruments, melodic runs interweave and dovetail amongst the main theme. The arrangement and voicing captures the variety of tones that a Clarinet Choir can produce, capturing that fantastic Organ sound from the original movie score. A great arrangement for official Ceremonies, Corporate events, School, College, or Community ensembles. Visit my website and subscribe to stay up to date with the latest arrangements.

The Addams FamilyTheme
Program Notes

The Addams Family Theme is from the Addams Family TV Showand Movie. This flute choir arrangementcan be performed with as few as 5 players or with multiple players on apart. It is scored for Low Flute Ensemble: 3 alto flutes, 2 bass flutes, and optionalcontrabass flute. It is fun to have the audienceparticipate on the finger snaps.

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Television
TV Themes
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Broadway

Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com

The theme song from the 2020 James Bond film 'No Time To Die' by Billie Eilish, arranged carefully for the ensemble so that all parts are fun to play and it is highly effective in performance.

Have a listen and look at the whole score at https://youtu.be/_orCSPrfEuM

You can also hear a live YouTube live performance at the top of this page, which was brilliantly put together by Jenny Argent. Subscribe to her channel at https://www.youtube.com/channel/UCHgBt0mL0vcpB9wqwhRu7zA (copy and paste to new window).

Also search for my other James Bond songs 'Skyfall' and 'Live and Let Die'.

Item Number: H0.894341-SC001261623

"Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 studio album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre and was the most expensive single ever made at the time of its release. I have arranged it here for flute ensemble with optional drum kit, and kept it true to the original version.

California Dreamin' isa classic song from the mid 1960s folk-rock era written by John Phillips and Michelle Phillips and was firstrecorded by Barry McGuire. However, the best known version is by The Mamas & the Papas, who sang backup on theoriginal version and released as a single in 1965. Thelyrics of the song express the narrator's longing for the warmth of Los Angeles during a cold winterin New York City. It was certifiedas a Gold Record (single) by the RIAA in June 1966 and was inducted into the Grammy Hall of Fame in 2001. This arrangement is for SSSSAB or SSSSSB Flute Ensemble. Duration 2:44 contact me at james.pybus@rogers.com.

This arrangement of Coldplay's Viva la Vida for cello ensemble was originally created for a Boulder Cello Project collaboration with Chase the Music. An 11-page score and four separate two-page cello parts are included. It can be played by groups as small as a quartet and works best with at least two cellists per part.

The thick texture of a cello ensemble is offset with driving articulated rhythms to bring vibrant energy to this piece that can only be offered by strings. In concert settings, optionally add driving bass drum quarter notes throughout, slightly ahead of the beat. Duration is approximately 4:05 at the indicated tempo.

Stuart O'Neil has written a new work entitled "Machinery" in 4 movements for 6-part Trombone ensemble and Percussion. Below is the composer's explanation of his exciting and dramatic work."The four pieces in this collection are written for 6-part trombone ensemble and accompanying percussion; they may be performed together or individually. Each piece is a study in the trombone?s distinct glissando capability and should be approached in a relatively aggressive, but not overly serious, manner: concert music, but with considerable jazz-rock influence, especially in regards to rhythm and dynamics. The pieces are similar, but each has its own character."1. Machine is a well-oiled, highly-functioning machine, with all parts efficiently working together.2. Rush Hour is a hectic, busy traffic scene, but somewhat cartoon-like.3. Suspension Bridge is strong metal under extreme stress, straining but not breaking.4. Assembly Line is a factory conveyor belt: loud, busy, with lots of heavy machinery.This 10 minute work is appropriate for advanced performers.

Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.

This music is about 15 minutes in length and is for advanced performers.

The four movements of the work are:

Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.

Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.

The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.

Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.

Cherry Classics is proud to be the new distributor of this great work.

The Boxer is an iconic work by Simon and Garfunkel. Here it is arranged in four guitar parts, suitable for both quartet or large guitar ensemble.

This arrangement has the following benefits in a single download:

(1) A full score is provided showing both the notes and TAB
(2) Individual parts are provided in both notes and TAB. These are shown on separate sheets. I am aware that many teachers dislike TAB so the option is given to include or exclude it as the purchaser wishes
(3) Each part has melodic interest. The primary vocal lines are played by guitars 1 & 2. Guitar 3 plays accompanying ornamental figures and also the instrumental solos transcribed from the original recording. Guitar 4 plays a finger-style chordal accompaniment throughout using recognisable chord shapes.

The arrangement is appropriate for intermediate players but will be suitable as an unusual repertoire item for professional groups as well. It is an outstanding work for music school concerts. A performance will last for approximately five minutes.

A film showing 16 guitarists playing remotely from all over the world will be uploaded before the end of July 2020.

You can hear and watch a wide range of arrangements for solo guitar and guitar in ensemble suitable for all levels at www.danjonesguitarist.com.

The Boxer was released on the Bridge Over Troubled Water album released in 1970 and is one of the best-loved pieces of repertoire from the folk-rock genre. .

Brass Ensemble/Band arrangement.
Written for Eb trumpet/cornet, 2 trumpets/cornets, 2 horns, baritone, 2 trombones, euphonium, bass, drums and percussion.
Horn parts provided in Eb and F. baritone and trombone parts, bass and treble clef
Duration 2:26
Intermediate level

This bundle of brass ensemble music represents a huge saving on the prices of the individual arrangements, and comprises 5 popular pieces which are ideal for concert purposes. From the quiet, emotional 'Londonderry Air', which has been arranged as per the version featured in the 'Brassed Off' film, to the huge 'Sinfonietta' by Janáand#269;ek, there is a whole range of music here. Much of it is aimed at advanced players as the level of challenge is high, but they all work incredibly well once rehearsed properly. Three of the arrangements also have parts for percussion included with them as well.

Scores and parts are included for:

* The Great Gate of Kiev (Mussorgsky)
* Promenade (Mussorgsky)
* Londonderry Air (Trad.)
* Chorale Theme from ?Organ Symphony? (Saint-Saëns)
* Sinfonietta (Allegretto - Fanfare) (Leo? Janáand#269;ek)

Hans Leo Hassler (1564-1612), son of an organist, was born in Nuremberg and received his initial training in music from his father. As a young man he studied in Venice and became close friends with Giovanni Gabrieli, both eventually studying composition with Giovanni's Uncle Andrea. Hassler gained a reputation as an innovative composer and also traveled throughout Germany as a consultant in the construction of pipe organs.

Dr. Palmer has transcribed this exciting 3 minute work for 6-part Trombone Ensemble. It will work well for intermediate performers.

Verbum caro factum est is a beautiful choral work written in antiphonal style. The text has been taken by Hassler from the first chapter of the St. John Gospel and is considered an ancient carol of Christmas based on the text.

And the Word became flesh and dwelt among us. (John 1:14)
And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)

In the beginning was the Word, and the Word was with God, and the Word was God. (John 1:1)

And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)

Glory be to the Father and to the Son and to the Holy Spirit.
And we have beheld His glory,
glory as of the only Son from the Father,
full of grace and truth. (John 1:14)

Hear a choral rendition of this work on YouTube: http://www.youtube.com/watch?v=80lkSRHhDyQ

Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.

The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.

Venus, the Bringer of Peace from "The Planets" by Gustav Holst follows directly after the angry movement of Mars, the God of War. The mood is lyrical and gentle.

Randall Malmstrom's wonderful arrangement for 8-part Trombone ensemble captures the mood exactly with rich harmonies and textures.

The work can be performed by advanced performers.

Wagner began writing the opera Parsifal in 1857 but didn't complete it until 1882. It's first performance was given at Bayreuth just 4 months before his death. It is loosely based on a 13th-century epic poem of King Arthur and his quest for the Holy Grail.

Randall Malmstrom's beautiful arrangement of the music for 8-part Trombone Ensemble is noble and spiritual.

This 4-minute excerpt contains much of the Introduction or Vorspiel and is appropriate for advanced performers.

The instrumentation is for: 2 alto trombones, 4 tenor trombones, 2 bass trombones

Wagner composed five songs or lieder for voice and piano in 1857-58 based on poems by Mathilde Wesendonck, the wife of one of his patrons, and have thus been known as the Wesendonck Lieder over time. Three of them: Der Engel (The Angel), Schmerzen (Sorrows), and Träume (Dreams) have been beautifully arranged for solo Trombone (may be performed on Tenor or Bass Trombone) and 5-part Trombone Ensemble by Bob Burnham. They are very beautiful to listen to!

Of musical interest....Wagner inscribed the movement Träume as being a "study for Tristan and Isolde".

The three movements are about 9-minutes in length and this arrangement is appropriate for moderately advanced to advanced performers and will add a great deal of musical depth to your recital or concert.

Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich?s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince?s coffin.

Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.

Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones.

The All-Night Vigil (Vespers) Op. 37 is an a cappella choral work first performed in 1915. It's fifteen movements consist of Russian Orthodox Church texts. Rachmaninoff had stopped attending church, but he felt compelled to write some of his own chants in the style of the Church, calling them "conscious counterfeits".

The work is enormous, of over one hour of the most beautiful choral writing with Rachmaninoff's patented rich harmonies, melody and polyphony.

Paul Erion has arranged this work for moderately advanced 10-part Brass Ensemble of: 4 Trumpets in C, 2 Horns, 3 Trombones & Tuba.

Symphony No. 9 in D minor by Anton Bruckner is his final work, unfinished and in 3 movements. Randall Malmstrom has arranged another great excerpt from the Austrian master, the Coda of Movement I for an 8-part Trombone Ensemble.

The Coda is solemn, majestic, spiritual, and leaves the listener spellbound, its effect being so overwhelming.

The arrangement of about 3 1/2 minutes in length is appropriate for advanced performers. The top part is in alto clef.

Ave Maria, composed in 1889 is the first movement of Verdi's Quattro pezzi sacri for a cappella chorus. Verdi was inspired to compose this work, prompted by the challenge put forth to harmonize the Enigmatic Scale (Scala Enigmatica Armonizzata) by composer Adolfo Crescentini. The rather bizarre scale is passed around to all the parts throughout the entire work and is part of the mystery of this sacred work.

This 4-minute piece has been brilliantly arranged by Denis Jiron for 13-part Brass Ensemble with the following instrumentation: Cornet in B-flat, 3 Flugelhorns, 4 Horns, 2 Trombones, Bass Trombone, Euphonium, and Tuba.

This work may be performed by moderately advanced performers.

Jupiter, the Bringer of Jollity from "The Planets" by Gustav Holst is a lively, buoyant and noble movement from this great suite for orchestra. Randall Malmstrom has defied the rules again and brilliantly arranged this movement for 8-part Trombone Ensemble.

The 3 1/2 minute movement is arranged for advanced performers and will be an outstanding addition to your program.