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The Star-Spangled Banner (Duet for alto saxophone and euphonium)
Saxophone et Guitare
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download …
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$5.99
5.5 €
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Saxophone et Guitare
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John Stafford Smith
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Alexander L Burden (b
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The Star-Spangled Banner
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Alexander Burden
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SheetMusicPlus
Ensembles For Student And Teacher
2 Guitares (duo)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1213084 By Oleg Boyko…
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Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1213084 By Oleg Boyko. By Oleg Boyko. Children,Contemporary,Instructional. 36 pages. Oleg Boyko #810261. Published by Oleg Boyko (A0.1213084). Easy duos for kids with the teacher's accompanement from the collection Kids PgesMore info:http://www.boyko.cn.ua/kids_pages.html.
$22.00
20.2 €
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2 Guitares (duo)
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Oleg Boyko
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Ensembles For Student And Teacher
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Oleg Boyko
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.37 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.37 €
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
7.34 €
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Ensemble de cuivres
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John Philip Sousa
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Alexander L Burden
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King Cotton by John Philip Sousa
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Alexander Burden
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SheetMusicPlus
Forever Now
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1291482 By Michael …
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1291482 By Michael Buble. By Alan Chang, Michael Buble, Ryan Lerman, and Tom Jackson. Arranged by Dave Prudon. Pop. Score. 8 pages. Prudon String Ensembles #882121. Published by Prudon String Ensembles (A0.1291482). The joy of sitting next to a friend and playing a piano duet together is the focus of this beautiful arrangement of Forever Now. Â Written with different levels of playing ability in mind, this arrangement is perfect when performed by a Teacher & Student or a Parent & Child. Â To see other arrangements like this one, as well as hundreds of nice string ensemble arrangements, visit: Â Prudon String Ensembles Sheet Music.
$5.99
5.5 €
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1 Piano, 4 mains
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Michael Buble
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Dave Prudon
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Student or a Parent &
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Forever Now
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Prudon String Ensembles
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SheetMusicPlus
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.76 €
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Orchestre d'harmonie
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Austin Ralphson
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Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Austin Ralphson
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SheetMusicPlus
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.76 €
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Orchestre d'harmonie
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Austin Ralphson
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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Austin Ralphson
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SheetMusicPlus
Ensembles For Strings - String Bass
Quatuor à cordes: 2 violons, alto, violoncelle
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Du…
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473500). UPC: 073999735000. 9.0x12.0x0.06 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
6.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - String Bass
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Rubank Publications
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SheetMusicPlus
Ensembles For Strings - Third Violin
Quatuor à cordes: 2 violons, alto, violoncelle
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Du…
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473460). UPC: 073999440409. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
6.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Third Violin
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Rubank Publications
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SheetMusicPlus
Ensembles For Strings - Full Score
String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.447…
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String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.4473520 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 48 pages. Published by Rubank Publications (HL.4473520). UPC: 073999375589. 9.0x12.0x0.112 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$8.99
8.26 €
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Full Score
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Rubank Publications
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SheetMusicPlus
Ensembles For Strings - Viola
Quatuor à cordes: 2 violons, alto, violoncelle
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Du…
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473480). UPC: 073999734805. 9.0x12.0x0.057 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San Jose State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
6.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Viola
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Rubank Publications
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SheetMusicPlus
Ensembles For Strings - Fourth Violin
Quatuor à cordes: 2 violons, alto, violoncelle
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473470 For Du…
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473470 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473470). UPC: 073999734706. 9.0x12.0x0.061 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
6.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Fourth Violin
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Rubank Publications
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SheetMusicPlus
Ensembles For Strings - Cello
Quatuor à cordes: 2 violons, alto, violoncelle
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Du…
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473490). ISBN 9798350107128. UPC: 073999734904. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$7.99
7.34 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Cello
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Rubank Publications
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.55 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Live And Let Die
Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1277651 By W…
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Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1277651 By Wings. By Linda McCartney and Paul McCartney. Arranged by Doug Edwards. Children,Film/TV,Pop,Rock. 17 pages. Doug Edwards #869327. Published by Doug Edwards (A0.1277651). Here is the high energy rock song Live and Let Die which was the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. It is arranged for Orff/marimba ensemble and Lead instrument. This arrangement is intended for school Orff and marimba ensembles of all levels. It comes with score, student parts and lead sheets for transposing instruments. The Orff student parts are in alphanote format to help young musicians who may not have strong enough skills to read standard notation. The opening melody requires accidentals that Orff instruments do not have so it should be played by a wind or string instrument. It might be considered the Teacher's Part or assigned to a guest soloist on violin, piano, etc. Here is where the transposed lead sheets are valuable.  Suggested grade level: 4 and up.Style: Rock Duration: 2:37 minutes   Level: medium  Instrumentation: LeadSATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including Orff, marimba and saxophone ensembles.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99
13.76 €
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Wings
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Doug Edwards
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Live And Let Die
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Doug Edwards
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SheetMusicPlus
Jingle Bells (Very Young Band)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.764073 Composed by James Lord Pie…
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Concert Band - Level 1 - Digital Download SKU: A0.764073 Composed by James Lord Pierpont. Arranged by Wesley D. Peters. Christmas,Instructional. Score and parts. 17 pages. Asbury Publishing #3880049. Published by Asbury Publishing (A0.764073). Do you find it difficult to find music for your 1st and 2nd year band students to play at the Holiday/Winter Concert? This simple band arrangement was written by an elementary/middle school band teacher specifically for first and second year players (parts are clearly marked). First year students only need to be able to play their first 5 notes. Ranges are expanded somewhat for second year players but are still very manageable.Purchase includes a Score and parts for flute (oboe), clarinet, alto sax, tenor sax, bass clarinet, bassoon, trumpet, horn in f, trombone, baritone, tuba, and percussion (snare/bass).Need additional copies for your ensemble? Feel free to make copies for your group only. Copyright prohibits sharing with other schools/ensembles.Need additional instrumentation? Please contact the arranger at wesley.d.peters@gmail.com.
$16.99
15.6 €
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Orchestre d'harmonie
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James Lord Pierpont
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Wesley D
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Jingle Bells
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Asbury Publishing
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SheetMusicPlus
Hark! The Herald Angels Sing! for Cello Quartet
4 Violoncelles
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
4.55 €
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4 Violoncelles
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Felix Bartholdy Mendelssohn, Samuel Arnold, and William H
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Michele Galvagno
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Hark! The Herald Angels Sing! for Cello Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Hark! The Herald Angels Sing! for String Quartet
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix B…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
4.55 €
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Chorale SATB
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Felix Bartholdy Mendelssohn, Samuel Arnold, and William H
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Michele Galvagno
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Hark! The Herald Angels Sing! for String Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Silent Night for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569840 Composed by Franz Xaver Gr…
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Concert Band - Level 2 - Digital Download SKU: A0.569840 Composed by Franz Xaver Gruber. Arranged by Austin Ralphson. Christmas,Instructional,Standards. Score and parts. 56 pages. Austin Ralphson #4809159. Published by Austin Ralphson (A0.569840). The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble.The Christmas pieces in this series have been arranged into 13 different parts which cater for the large majority of musicians within school. These include: * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players * very easy violin and viola parts on open strings only * easy and standard piano parts * ukulele part in tab, chord patterns and chord letters * guitar part in tab, chord patterns and chord letters * general chord plan in chord letters Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$8.99
8.26 €
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Orchestre d'harmonie
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Franz Xaver Gruber
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Austin Ralphson
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Silent Night for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Deck The Halls for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569836 Composed by Welsh Traditio…
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Concert Band - Level 2 - Digital Download SKU: A0.569836 Composed by Welsh Traditional. Arranged by Austin Ralphson. Christmas,Instructional,Standards. Score and parts. 50 pages. Austin Ralphson #4804609. Published by Austin Ralphson (A0.569836). The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble. The Christmas pieces in this series have been arranged into 13 different parts which cater for the large majority of musicians within school. These include: * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players * very easy violin and viola parts on open strings only * easy and standard piano parts * ukulele part in tab, chord patterns and chord letters * guitar part in tab, chord patterns and chord letters * general chord plan in chord letters Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$8.99
8.26 €
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Orchestre d'harmonie
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Welsh Traditional
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Austin Ralphson
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Deck The Halls for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Ding Dong Merrily On High for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569838 Composed by French Traditi…
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Concert Band - Level 2 - Digital Download SKU: A0.569838 Composed by French Traditional. Arranged by Austin Ralphson. Christmas,Instructional,Standards. Score and parts. 55 pages. Austin Ralphson #4805009. Published by Austin Ralphson (A0.569838). The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble.The Christmas pieces in this series have been arranged into 13 different parts which cater for the large majority of musicians within school. These include: * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players * very easy violin and viola parts on open strings only * easy and standard piano parts * ukulele part in tab, chord patterns and chord letters * guitar part in tab, chord patterns and chord letters * general chord plan in chord letters Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$8.99
8.26 €
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Orchestre d'harmonie
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French Traditional
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Austin Ralphson
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Ding Dong Merrily On High for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Jingle Bells for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569837 Composed by James Pierpont…
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Concert Band - Level 2 - Digital Download SKU: A0.569837 Composed by James Pierpont. Arranged by Austin Ralphson. Christmas,Instructional,Standards. Score and parts. 57 pages. Austin Ralphson #4804915. Published by Austin Ralphson (A0.569837). The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble.The Christmas pieces in this series have been arranged into 13 different parts which cater for the large majority of musicians within school. These include: * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players * very easy violin and viola parts on open strings only * easy and standard piano parts * ukulele part in tab, chord patterns and chord letters * guitar part in tab, chord patterns and chord letters * general chord plan in chord letters Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$8.99
8.26 €
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Orchestre d'harmonie
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James Pierpont
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Austin Ralphson
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Jingle Bells for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Joy To The World for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569839 Composed by Lowell Mason. …
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Concert Band - Level 2 - Digital Download SKU: A0.569839 Composed by Lowell Mason. Arranged by Austin Ralphson. Christmas,Instructional,Standards. Score and parts. 51 pages. Austin Ralphson #4806571. Published by Austin Ralphson (A0.569839). The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble.The Christmas pieces in this series have been arranged into 13 different parts which cater for the large majority of musicians within school. These include: * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players * very easy violin and viola parts on open strings only * easy and standard piano parts * ukulele part in tab, chord patterns and chord letters * guitar part in tab, chord patterns and chord letters * general chord plan in chord letters Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$8.99
8.26 €
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Orchestre d'harmonie
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Lowell Mason
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Austin Ralphson
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Joy To The World for school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
55.09 €
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
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