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Vous avez sélectionné:
Eric Gale, guitar
Partitions à imprimer
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Burgalesa
Guitare
Composed by Federico Moreno- Torroba (1891-1982). This edition: Sheet music. Gitarre …
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Composed by Federico Moreno- Torroba (1891-1982). This edition: Sheet music. Gitarre - Segovia - Spanien. Guitar Archive. Downloadable. Schott Music - Digital #Q4882. Published by Schott Music - Digital
$9.99
9.24 €
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Guitare
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Federico Moreno- Torroba
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Burgalesa
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Schott Music - Digital
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SheetMusicPlus
Mr. Magic
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1162877 By Grover Washington Jr. By Ral…
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Guitar - Level 3 - Digital Download SKU: A0.1162877 By Grover Washington Jr. By Ralph MacDonald and William Salter. Arranged by edited by Dr. LeRoy Henry. Blues,Disco,Funk,Jazz,R & B. Guitar Tab. 8 pages. Dr. LeRoy Henry #763234. Published by Dr. LeRoy Henry (A0.1162877). Mister Magic is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. Mister Magic is the first song on side 2 of the LP. Eric Gale was the guitarist on the session. This is a transcription of the rhythm guitar part.The newset version includes the saxophone melody with tablature.
$4.99
4.61 €
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Guitare notes et tablatures
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Grover Washington Jr
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edited by Dr
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Mr. Magic
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Dr. LeRoy Henry
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Galerón y Polo Margariteño
Composed by Oscar Eduardo Peña. Repertoire, Classroom, South American. 18 pages. Publishe…
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Composed by Oscar Eduardo Peña. Repertoire, Classroom, South American. 18 pages. Published by Oscar Eduardo Pena (S0.169035). - - Repertoire,Classroom,South American - Oscar Eduardo Pena
$12.00
11.1 €
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Oscar Eduardo Peña
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Galerón y Polo Margariteño
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Oscar Eduardo Pena
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SheetMusicPlus
Make Me A Memory (Sad Samba)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1389644 By Grover …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1389644 By Grover Washington Jr. By Grover Washington Jr. Arranged by Mike Michalicek and Gerald Ramsey. Jazz,Soul. 60 pages. Gerald Ramsey #973223. Published by Gerald Ramsey (A0.1389644). Grover Washington, Jr., recorded this composition on his Winelight album with a stellar rhythm section of Richard Tee, Rhodes piano; Eric Gale, guitar; Marcus Miller, bass; Steve Gadd, drums; and Ralph MacDonald, percussion. Despite the subtitle, this piece is not a samba, but rather a soulful solo vehicle for Grover and members of the rhythm section.This arrangement is written flexibly so that it could be performed by a full big band, by solo alto sax with rhythm section, or by big band with a featured alto soloist. The arrangement can be opened up for multiple soloists. Young soloists can improvise very effectively using a g minor blues scale, although the piece is not a blues. More advanced players can use the provided sheets with the chord changes transposed for each instrument.The MIDI-rendered recording provides an adequate representation of this arrangement, but check out Groverâ??s recording on the streaming platform of your choice for an outstanding model to emulate.
$50.00
46.24 €
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Ensemble Jazz
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Grover Washington Jr
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Eric Gale, guitar
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Make Me A Memory
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Gerald Ramsey
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SheetMusicPlus
Over The Rainbow
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1243776 By Judy Garland. By E.Y. Yip Ha…
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Guitar - Level 2 - Digital Download SKU: A0.1243776 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Martin Hay. Broadway,Classical,Film/TV,Instructional,Musical/Show. Guitar Tab. 4 pages. Martin Hay #838747. Published by Martin Hay (A0.1243776). Over the Rainbow is an iconic song from the classic film The Wizard of Oz, released in 1939. It was composed by Harold Arlen with lyrics by E.Y. Harburg and beautifully sung by Judy Garland, who portrayed the film's protagonist, Dorothy Gale. The song serves as a powerful expression of longing and hope, reflecting Dorothy's desire to escape her mundane life in Kansas and find a place where dreams come true. With its poignant melody and heartfelt lyrics, Over the Rainbow captures the universal yearning for a better and more colorful world beyond our everyday reality. It has since become one of the most beloved songs in American cinema, resonating with audiences of all ages and inspiring countless renditions by artists worldwide. Over the Rainbow continues to evoke feelings of optimism, imagination, and the enduring power of dreams.
$4.99
4.61 €
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Guitare notes et tablatures
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Judy Garland
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Martin Hay
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Over The Rainbow
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Martin Hay
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SheetMusicPlus
Foxey Lady
Guitare notes et tablatures
By Eric Gales and Jimi Hendrix. For guitar. Pop; Rock. Guitar TAB. 10 pages. Published by …
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By Eric Gales and Jimi Hendrix. For guitar. Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Guitare notes et tablatures
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Eric Gales and Jimi Hendrix
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Rock
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Foxey Lady
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Little Sailor Boy. A Favorite Ballad
Piano and voice; guitar - Digital Download SKU: LV.16050 Composed by B. Carr. Seame…
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Piano and voice; guitar - Digital Download SKU: LV.16050 Composed by B. Carr. Seamen, Families, Courtship & love, Homecomings. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16050). The Little Sailor Boy. A Favorite Ballad. Written by Mrs. Rowson. Composed by B. Carr. Published [1798?] by Printed and Sold at B Carrs Musical Repository in Philadelphia. Composition of strophic with piano and voice; Guitar instrumentation. Subject headings for this piece include Seamen, Families, Courtship & love, Homecomings. First line reads The sea was calm the sky serene and gently blew the castern gale.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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B
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The Little Sailor Boy. A Favorite Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Four Temperaments Suite by Matt Smith - BIG BAND
Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet…
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Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1069453 Composed by Matt Smith. Jazz. Full Performance. Duration 286. Matt Smith #6258245. Published by Matt Smith (A0.1069453). The Four Temperaments is a theory created by Ancient Greek physician Aelius Galenus to describe the effect of the four fundamental bodily homours on human personality. The temperaments are Melancholic, Phlegmatic, Choleric, and Sanguine. The theory is that every person has varying levels of each temperament within them, but overall identifies with a single one. Each temperament is related to a classical element and a personality type:Melancholic - Earth - Analytical and QuietPhlegmatic - Water - Relaxed and PeacefulCholeric - Fire - Short tempered and IrritableSanguine - Air - Optimistic and SocialIn this suite we travel through all four of the temperaments, seeing how the same melody is interpreted by each personality type.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=zm46LzV604cVisit www.mattsmithmusic.co.uk for more!
$2.99
2.76 €
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Matt Smith
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The Four Temperaments Suite by Matt Smith - BIG BAND
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Matt Smith
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SheetMusicPlus
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