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Vous avez sélectionné:
Ernest Clark
Partitions à imprimer
11 partitions trouvées
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1
Ernest Clarke - Updated Method for Trombone with F-attachment
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.792594 Composed by Ernest Clarke…
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Trombone Solo - Level 2 - Digital Download SKU: A0.792594 Composed by Ernest Clarke, James Biddlecome. Arranged by James Biddlecome. 20th Century,Instructional. Individual part. 108 pages. Gordon Cherry #5010335. Published by Gordon Cherry (A0.792594). The Ernest Clarke Updated Method for Trombone is the result of James Biddlecomeâs study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarkeâs exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original. Mr. Biddlecomeâs edition is very well thought out and should be a staple for any serious young performer of the Trombone.
$22.50
20.99 €
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Trombone
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Ernest Clarke, James Biddlecome
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James Biddlecome
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Ernest Clarke - Updated Method for Trombone with F-attachment
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Gordon Cherry
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SheetMusicPlus
Ernest Clarke - Updated Method for Trombone with F-attachment
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernest & Biddlecome, and James. Arranged by Biddlecome, James. Instructional. Individual part. 108 pages. Gordon Cherry #3820409. Published by Gordon Cherry (A0.810917). The Ernest Clarke Updated Method for Trombone is the result of James Biddlecomeâs study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarkeâs exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original.Mr. Biddlecomeâs edition is very well thought out and should be a staple for any serious young performer of the Trombone.
$20.00
18.66 €
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Trombone
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CLARKE, Ernest & Biddlecome, and James
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Biddlecome, James
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Ernest Clarke - Updated Method for Trombone with F-attachment
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Gordon Cherry
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SheetMusicPlus
Eenie Meenie
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1392569 By Sean Kingston & Justin B…
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Piano Solo - Level 2 - Digital Download SKU: A0.1392569 By Sean Kingston & Justin Bieber. By Benjamin Levin, Carlos Battey, Ernest Clark, Justin Bieber, Kisean Anderson, Marcos Palacios, and Steven Battey. Arranged by Sean Kingston & Justin Bieber. Multicultural,World. Score. 2 pages. Mr. Lu Lai #976088. Published by Mr. Lu Lai (A0.1392569). Eenie meenie Piano score Sean Kingston & Justin Bieber.
$4.99
4.65 €
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Piano seul
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Sean Kingston & Justin Bieber
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Sean Kingston & Justin Bieber
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Justin Bieber.
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Eenie Meenie
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Mr. Lu Lai
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SheetMusicPlus
Eenie Meenie
Piano Facile
Piano Solo - Level 1 - Digital Download SKU: A0.965051 By Sean Kingston & Justin Bi…
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Piano Solo - Level 1 - Digital Download SKU: A0.965051 By Sean Kingston & Justin Bieber. By Benjamin Levin, Carlos Battey, Ernest Clark, Justin Bieber, Kisean Anderson, Marcos Palacios, and Steven Battey. Arranged by Andrew Goodloe. Contemporary. Score. 2 pages. LaLaLessons.com #6402887. Published by LaLaLessons.com (A0.965051). Why am I proud of my arrangements?
$4.99
4.65 €
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Piano Facile
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Sean Kingston & Justin Bieber
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Andrew Goodloe
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Eenie Meenie
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LaLaLessons.com
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SheetMusicPlus
Waiting Outside The Lines
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.787960 By Greyson Chance. By Aaron Mich…
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Guitar - Level 3 - Digital Download SKU: A0.787960 By Greyson Chance. By Aaron Michael Cox, Eric A. Bellinger, Ernest Clark, Greyson Chance, and Marcos Enrique Palacios. Arranged by Antonius Agung Setiawan. Contemporary. Guitar Tab. 6 pages. Antonius Agung Setiawan #4412667. Published by Antonius Agung Setiawan (A0.787960). Waiting Outside The Lines by Greyson ChanceSolo guitar arrangment by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to play, Tablature includeinstagram @pakagung#guitaronlybypakagung.
$5.50
5.13 €
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Guitare notes et tablatures
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Greyson Chance
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Antonius Agung Setiawan
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Waiting Outside The Lines
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Antonius Agung Setiawan
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SheetMusicPlus
Birthday Cake
Quatuor à cordes: 2 violons, alto, violoncelle
By Rihanna. By Ernest Clark, Marcos Palacios, Robyn Fenty, and Terius Nash. Arranged b…
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By Rihanna. By Ernest Clark, Marcos Palacios, Robyn Fenty, and Terius Nash. Arranged by Bobbie Lee Crow III. Dance, Pop, R & B. Score and parts. 19 pages. BLC3Music Services LLC #6518411. Published by BLC3Music Services LLC
$14.99
13.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rihanna
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Bobbie Lee Crow III
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B
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Birthday Cake
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BLC3Music Services LLC
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SheetMusicPlus
Le Colibri
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1302478 By Derek…
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Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1302478 By Derek STUART-CLARK. By Ernest Chausson. Arranged by Derek STUART-CLARK. Chamber,Classical. 8 pages. DEREK STUART-CLARK #892098. Published by DEREK STUART-CLARK (A0.1302478). An early Chausson song arranged as a piano trio.
$12.00
11.19 €
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Piano Trio: piano, violon, violoncelle
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Derek STUART-CLARK
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Derek STUART-CLARK
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Le Colibri
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DEREK STUART-CLARK
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgeraldâs Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgeraldâs long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the shipâs hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, Weâre holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Andersonâs radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (Weâre holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethovenâs 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.32 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arrange…
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Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â until the exercise can be played through correctly â before going on to the next. His purpose is to avoid speeding through them. Clarkeâs exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$22.50
20.99 €
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Trombone
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome â until the exercise can be played through correctly â before going on to the next. His purpose is to avoid speeding through them.Clarkeâs exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating â not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$20.00
18.66 €
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Trombone
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
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