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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
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Non classifié
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PIANO & CLAVIERS
Piano, Voix et Guitare
1763
Piano seul
969
Piano Facile
747
Piano, Voix
524
Accordéon
384
Orgue
54
Orgue, Trompette (duo)
28
1 Piano, 4 mains
24
2 Accordéons
13
Instruments en Do
13
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
12
Piano grosses notes
10
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
5
Accompagnement Piano
3
Ensemble d'Accordéons
3
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon - Piano, Voix, Guitare
2
1 Piano, 6 mains
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
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GUITARES
Ukulele
506
Guitare notes et tablatures
446
Ligne De Mélodie, (Paroles) et Accords
438
Paroles et Accords
309
Guitare
276
2 Guitares (duo)
24
Basse electrique
21
Mandoline, Guitare (duo)
6
4 Guitares (Quatuor)
6
Mandoline
5
Guitare, Violon, Violoncelle (trio)
3
Banjo
3
Piano, Guitare (duo)
2
Bouzouki
2
3 Guitares (trio)
2
Ensemble de guitares
2
2 Mandolines (duo)
1
Ukulele Baryton
1
Orchestre à Plectres
1
Guitare, Flûte, Clarinette
1
Dulcimer
1
Guitare (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
305
Chorale 3 parties
59
Chorale 2 parties
24
Chorale TTBB
20
Voix seule
9
Chorale SSAA
9
Chorale Unison
6
Voix duo, Piano
6
Voix Soprano, Piano
4
Chorale SSATB
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Chorale
2
Voix Alto, Piano
1
Chorale SAATB A Cappella
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière
369
Saxophone Alto
186
Clarinette
173
Quatuor de Saxophones: 4 saxophones
116
Flûte traversière et Piano
100
Quatuor de Clarinettes: 4 clarinettes
78
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
75
Clarinette et Piano
70
Saxophone (partie séparée)
58
2 Saxophones (duo)
50
Saxophone Alto et Piano
45
Quintette de Saxophone: 5 saxophones
44
2 Flûtes traversières (duo)
43
2 Clarinettes (duo)
43
3 Saxophones (trio)
39
Saxophone Tenor et Piano
35
Quatuor de Flûtes : 4 flûtes
35
Trio de Flûtes: 3 flûtes
33
Saxophone Soprano et Piano
32
Hautbois, Piano (duo)
29
Ensemble de Flûtes
26
Saxophone
26
2 Flûtes traversières, Piano
26
Flûte, Hautbois, Basson
23
Saxophone Baryton, Piano
22
Cor anglais, Piano
22
3 Clarinettes (trio)
22
Flûte, Clarinette (duo)
21
Flûte et Guitare
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte irlandaise
16
Saxophone Tenor
16
Saxophone, Clarinette (duo)
15
Clarinette Basse, Piano
14
Quintette de Clarinettes: 5 clarinettes
14
Flûte, Hautbois, Clarinette (trio)
13
Quatuor de Flûtes à bec
12
Hautbois (partie séparée)
12
Clarinette, Trompette (duo)
10
Clarinette, Violon (duo)
10
2 Hautbois (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Alto (duo)
9
Flûte, Violon
8
Clarinette (partie séparée)
8
5 Flûtes à bec
8
Flûte à Bec
8
Flûte, Saxophone (duo)
7
Clarinette, Guitare (duo)
6
Clarinette et Alto
6
Hautbois, Flûte
6
Ensemble de Clarinettes
6
2 Flûte à bec (duo)
6
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Saxophone Soprano
5
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
3 Flûtes à bec (trio)
4
4 Hautbois
4
Flûte, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
4
Ensemble de saxophones
4
Flûte, Violon, Piano
3
Flûte, Alto et Piano
3
Clarinette, Basson (duo)
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Harmonica, Piano
2
Clarinette, Harpe (duo)
2
Flûte à bec, Guitare (duo)
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Flûte, alto et harpe
2
Hautbois, Guitare (duo)
2
Piccolo, Piano
2
Ensemble de Hautbois
2
Saxophone et Harpe
2
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières, Guitare
1
Flûte, Hautbois (duo)
1
Flûte et Trio à cordes
1
Flûte de Pan
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Piano
1
2 Flûtes à bec, Piano
1
2 Hautbois et Basson
1
Hautbois, Harpe
1
Flûte traversière, Orchestre
1
Flute (partie séparée)
1
Clarinette Basse
1
Flûte, Violoncelle
1
Ocarina
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle
1
Flûte à bec Alto, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais et Harpe (duo)
1
Hautbois
1
Flûte, Basson et Piano
1
Flûte à Bec, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle (duo)
1
Ensemble De Flûte à bec
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
177
Trompette
58
Trompette, Piano
37
Cor et Piano
32
Ensemble de Trompettes
31
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
26
Euphonium, Piano (duo)
26
Cor anglais, Piano
22
Tuba et Piano
17
Quatuor de cuivres: 4 trombones
16
2 Trompettes (duo)
13
2 Trompettes, Clavier (piano ou orgue)
13
Trompette (partie séparée)
11
Trombone (partie séparée)
11
Trompette, Trombone (duo)
10
2 Trombones (duo)
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
8
Quatuor de Cuivres
8
4 Tubas
8
Quatuor de cuivres: 4 cors
7
Cor
6
3 Trompettes (trio)
6
Ensemble de Cors
6
Quatuor de cuivres: 4 trompettes
5
2 Cors (duo)
5
Tuba
4
3 Trombones (trio)
4
Trompette, Cor (duo)
3
Cor et Harpe
2
2 Tubas (duo)
2
4 Euphoniums
2
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
3 Cors (trio)
1
Tuba (partie séparée)
1
Euphonium
1
Trompette, Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
197
Violon
158
Harpe
115
Violon et Piano
110
Violoncelle, Piano
61
Violoncelle
56
Alto, Piano
48
Trio à Cordes: violon, alto, violoncelle
41
Violon, Violoncelle (duo)
25
Trio à cordes: 3 violins
24
2 Violons (duo)
22
Violoncelle (partie séparée)
20
Violoncelle , Guitare (duo)
19
2 Violoncelles (duo)
18
2 Harpes (duo)
14
Trio à Cordes: 3 violoncelles
12
Alto seul
11
4 Violoncelles
11
Violon, Alto (duo)
10
Violon (partie séparée)
10
2 Altos (duo)
9
Trio à cordes
8
Alto, Violoncelle (duo)
8
Alto, Guitare (duo)
7
Contrebasse, Piano (duo)
7
Quatuor à cordes: 4 violons
5
Violon, Guitare (duo)
5
Alto (partie séparée)
5
Harpe et Piano
4
Harpe, Flûte (duo)
4
Trio à cordes: 3 altos
4
Contrebasse (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Contre basses
3
Harpe, Violon (duo)
3
Contre Basse
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons, Piano
3
Ensemble de Violoncelles
2
Violon, Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Ensemble de Violons
1
2 Violoncelles, Piano
1
Harpe, Voix
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
243
Orchestre à Cordes
77
Orchestre
64
Ensemble de cuivres
49
Batterie
39
Cloches
26
Ensemble Jazz
19
Orchestre de chambre
15
Quintette à Vent
8
Percussion (partie séparée)
7
Marimba
5
Jazz combo
5
Fanfare
4
Quintette de Cuivres: autres combinaisons
4
Ensemble de Percussions
3
Vibraphone
2
Quatuor à Vent : 4 instruments à vents
2
Instrumentation Flexible
2
Percussion
2
Ensemble d'École
1
Trio à Vent: 3 instruments à vents
1
Big band
1
Marimba ou Xylophone et Piano
1
Piano et Orchestre
1
Marimba et Orgue
1
2 Caisses Claires (duo)
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
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Europe
Saxophone Tenor et Piano
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Final Countdown. For Tenor Saxophone and Piano
Saxophone Tenor et Piano
By Europe. Arranged by Tim Curd. Score, Solo Part. 5 pages. Published by Tim Curd (H0.2484…
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By Europe. Arranged by Tim Curd. Score, Solo Part. 5 pages. Published by Tim Curd (H0.248423-245740). - Score,Solo Part - - Tim Curd
$4.99
4.66 €
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Saxophone Tenor et Piano
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Europe
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Tim Curd
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Final Countdown. For Tenor Saxophone and Piano
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Tim Curd
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because itâs taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the âListenâ button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at Londonâs Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.55 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sicilienne
Saxophone Tenor et Piano
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digi…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.836975 Composed by Maria Theresia von Paradis. Arranged by Jane Frasier. Romantic Period. Score and parts. 5 pages. Jane Frasier #3537085. Published by Jane Frasier (A0.836975). Maria-Theresia von Paradis (1759 â 1824) was an Austrian composer and performer held in high esteem by the Mozart family and much of Europe. Most of her music has been lost. Her most famous piece, Sicilienne, is often attributed to her but was probably written by someone else. 3 min.
$5.00
4.67 €
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Saxophone Tenor et Piano
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Maria Theresia von Paradis
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Jane Frasier
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Sicilienne
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Jane Frasier
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SheetMusicPlus
Traumerei by Schumann - Tenor Sax and Piano (Full Score and Parts)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1200120 Composed by Robe…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1200120 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #798924. Published by Sheet Music To Play Editions (A0.1200120). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Tenor Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 â 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.46 €
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Saxophone Tenor et Piano
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Robert Schumann
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César Madeira
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Traumerei by Schumann - Tenor Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
DvoÅák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅák Background AntonÃn DvoÅák (1841 â1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  DvoÅák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅák to the publisher Simrock. Later, the publisher commissioned DvoÅák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅák's worldwide status was launched. International Status DvoÅák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.75 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohnâs Wedding March is so popular that itâs difficult to imagine a wedding without it. It seems like itâs been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâs music for the Shakespeare play A Midsummer Nightâs Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30.75 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). Itâs Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. Itâs Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of Itâs Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find Itâs Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.59 €
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Saxophone Tenor et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.75 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Gypsy Moon
Saxophone Tenor et Piano
Composed by Gypsy Folk Song. Arranged by Kaiserin Rebecca. General Instructional, World, F…
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Composed by Gypsy Folk Song. Arranged by Kaiserin Rebecca. General Instructional, World, Folk, European. Score, Sheet Music Single. 2 pages. Published by Kaiserin Rebecca (S0.299093). - Score,Sheet Music Single - General Instructional,World,Folk,European - Kaiserin Rebecca
$4.99
4.66 €
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Saxophone Tenor et Piano
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Gypsy Folk Song
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Kaiserin Rebecca
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Gypsy Moon
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Kaiserin Rebecca
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SheetMusicPlus
Metsakukkia
Saxophone Tenor et Piano
Composed by Finnish Folk Song. Arranged by Kaiserin Rebecca. Classroom, General Instructio…
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Composed by Finnish Folk Song. Arranged by Kaiserin Rebecca. Classroom, General Instructional, Folk, European, Recital. Score, Sheet Music Single. 6 pages. Published by Kaiserin Rebecca (S0.315429). - Score,Sheet Music Single - Classroom,General Instructional,Folk,European,Recital - Kaiserin Rebecca
$4.99
4.66 €
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Saxophone Tenor et Piano
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Finnish Folk Song
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Kaiserin Rebecca
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Metsakukkia
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Kaiserin Rebecca
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SheetMusicPlus
Ave Verum
Saxophone Tenor et Piano
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Kenneth D. Friedrich. Classic…
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Kenneth D. Friedrich. Classical Period, Sacred, European, Recital. Score, Set of Parts. 7 pages. Published by KFS Publishing (S0.201127). - Score,Set of Parts - Classical Period,Sacred,European,Recital - KFS Publishing
$12.00
11.2 €
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Saxophone Tenor et Piano
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Wolfgang Amadeus Mozart
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Kenneth D
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Ave Verum
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KFS Publishing
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SheetMusicPlus
Scarborough Fair
Saxophone Tenor et Piano
Composed by Traditional. Arranged by Kaiserin Rebecca. Repertoire, Classroom, General Inst…
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Composed by Traditional. Arranged by Kaiserin Rebecca. Repertoire, Classroom, General Instructional, Folk, European. Score, Sheet Music Single. 2 pages. Published by Kaiserin Rebecca (S0.294607). - Score,Sheet Music Single - Repertoire,Classroom,General Instructional,Folk,European - Kaiserin Rebecca
$4.99
4.66 €
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Saxophone Tenor et Piano
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Traditional
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Kaiserin Rebecca
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Scarborough Fair
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Kaiserin Rebecca
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân,, - Bb soprano or tenor saxophone and piano by Jean-Thierry Boisseau
Saxophone Tenor et Piano
Repertoire, Folk, European. Score, Solo Part. 13 pages. Published by Musik Fabrik (S0.1229…
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Repertoire, Folk, European. Score, Solo Part. 13 pages. Published by Musik Fabrik (S0.122901). - Score,Solo Part - Repertoire,Folk,European - Musik Fabrik
$8.95
8.35 €
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Saxophone Tenor et Piano
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Traditional Welsh Lullaby: Suo Gân,, - Bb soprano or tenor saxophone and piano by Jean-Thierry Boisseau
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Musik Fabrik
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.75 €
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.75 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.29 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
26.09 €
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Addio a Napoli
Saxophone Tenor et Piano
Composed by Italian Folk Song. Arranged by Kaiserin Rebecca. Repertoire, General Instructi…
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Composed by Italian Folk Song. Arranged by Kaiserin Rebecca. Repertoire, General Instructional, Folk, European, Recital. Score, Sheet Music Single. 2 pages. Published by Kaiserin Rebecca (S0.334735). - Score,Sheet Music Single - Repertoire,General Instructional,Folk,European,Recital - Kaiserin Rebecca
$4.99
4.66 €
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Saxophone Tenor et Piano
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Italian Folk Song
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Kaiserin Rebecca
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Addio a Napoli
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Kaiserin Rebecca
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SheetMusicPlus
Liebestraume
Saxophone Tenor et Piano
Composed by Franz Liszt (1811-1886). Arranged by Kenneth D. Friedrich. Romantic Period, Eu…
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Composed by Franz Liszt (1811-1886). Arranged by Kenneth D. Friedrich. Romantic Period, European, Recital. Score, Solo Part. 9 pages. Published by KFS Publishing (S0.191811). - Score,Solo Part - Romantic Period,European,Recital - KFS Publishing
$15.00
14 €
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Saxophone Tenor et Piano
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Franz Liszt
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Kenneth D
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Liebestraume
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KFS Publishing
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SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549600 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549600 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512853. Published by jmsgu3 (A0.549600). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.  Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who donât normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovskyâs most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovskyâs works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
30.75 €
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549802 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549802 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539213. Published by jmsgu3 (A0.549802). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who donât normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovskyâs most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovskyâs works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.75 €
#
Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760682. Published by Woods Only, Arrangements (A0.1160399). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.86 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549684 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549684 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520279. Published by jmsgu3 (A0.549684). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who donât normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovskyâs most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovskyâs works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.75 €
#
Saxophone Tenor et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Symphony No. 5 by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1154911 Composed by Ludw…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1154911 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755187. Published by Woods Only, Arrangements (A0.1154911). This adaptation was intended for a small group of tenor saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.86 €
#
Saxophone Tenor et Piano
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven for Tenor Sax
#
Woods Only, Arrangements
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SheetMusicPlus
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