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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Even Such is Time
Non classifié
207
Piano & claviers
Piano seul
65
Piano Facile
10
Piano, Voix et Guitare
5
Piano, Voix
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
1
Instruments en Do
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Guitare
5
Mandoline
4
Ukulele
1
2 Guitares (duo)
1
Voix
Chorale SATB
26
Voix Alto, Piano
10
Chorale TTBB
5
Chorale 3 parties
4
Chorale 2 parties
3
Chorale
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
48
Quatuor de Saxophones: 4 saxophones
45
Flûte traversière et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Quintette de Saxophone: 5 saxophones
37
Clarinette
33
Saxophone Alto et Piano
31
Flûte, Hautbois, Clarinette, Basson
30
Hautbois, Piano (duo)
28
2 Flûtes traversières (duo)
27
Saxophone Baryton, Piano
27
Saxophone Tenor et Piano
26
Clarinette et Piano
26
Saxophone Soprano et Piano
24
2 Clarinettes (duo)
18
3 Saxophones (trio)
17
Flûte traversière
16
Saxophone Tenor
15
Saxophone Alto
15
Hautbois (partie séparée)
14
Cor anglais, Piano
12
Hautbois
10
2 Hautbois (duo)
10
Saxophone Baryton
10
Saxophone Soprano
10
Saxophone (partie séparée)
8
Clarinette Basse, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Flûte : 5 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Flûtes
4
Saxophone, Clarinette (duo)
3
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Clarinette, Trompette (duo)
2
Ocarina
2
Trio de Flûtes: 3 flûtes
2
2 Flûte à bec (duo)
2
Flûte à bec Alto
2
3 Flûtes à bec (trio)
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette (duo)
2
Piccolo, Piano
2
Flûte, Clarinette (duo)
2
5 Flûtes à bec
1
Flûte, Alto (duo)
1
Ensemble de Hautbois
1
Flûte et Guitare
1
Flûte, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
3 Clarinettes (trio)
1
Flûte à Bec, Piano
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Clarinette, Basson (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
Flûte, Violon, Piano
1
Ensemble de saxophones
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
25
Trompette
23
Cor et Piano
23
Trompette, Piano
18
Tuba et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
14
Trombone
14
Euphonium, Piano (duo)
14
Cor anglais, Piano
12
Tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
10
2 Trombones (duo)
9
2 Cors (duo)
7
Trompette, Trombone (duo)
3
2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Quintette à cordes: 2 violons, alto, violoncelle, basse
45
Violon et Piano
44
Violoncelle
33
Alto, Piano
28
Violoncelle, Piano
23
2 Violons (duo)
18
Violon
16
Alto seul
16
2 Violoncelles (duo)
15
Contre Basse
14
Contrebasse, Piano (duo)
14
2 Altos (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
2 Contrebasses (duo)
4
Harpe
4
Violon, Violoncelle (duo)
4
Alto, Orgue
2
Violoncelle, Orgue
2
Violon, Orgue
2
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
69
Orchestre d'harmonie
22
Orchestre
13
Marimba
6
Ensemble de cuivres
4
Orchestre de chambre
3
Ensemble Jazz
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
2 Marimbas
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Even Such is Time
Partitions à imprimer
1 913 partitions trouvées
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1901
A Time to Rejoice!
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Chorale 2 parties
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FACILE
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Samantha Jellett
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A Time to Rejoice!
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Samantha Jellett
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1465943 Composed by Samantha Jellett. 21st Century,Children,Christian,Easter,Lent. 53 pages. Saman...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1465943 Composed by Samantha Jellett. 21st Century,Children,Christian,Easter,Lent. 53 pages. Samantha Jellett #1044539. Published by Samantha Jellett (A0.1465943). A Time to Rejoice! is a dramatic and poignant cantata for children and organ (piano version also available) in which performers and audience embark on an exciting journey through time to witness the events of the first Easter. The time machine is somewhat unreliable, adding humour to the story, and stops are made in the Garden of Eden and Bethlehem before arriving in Jerusalem for Palm Sunday and the events of the crucifixion. It is suitable for performance by schools and children's choirs, suggested age range 8-13 years. The optional second parts greatly enhance the cantata and can be sung by a group of children or even an adult choir.Whilst not a staged production, there is plenty of scope for acting in the roles of the Captains, and props such as tea lights for the opening procession, pilots' hats for the Captains and palm branches for the song The King is Coming.A Time to Rejoice! was premiered by St. Joseph's in the Park School, Hertingfordbury, on 17 March 2023. here are some comments from staff/parents:'A Time to Rejoice! was amazing! At least 5 parents thought it was the best production St Joes has ever put on' Deputy Head'An absolutely amazing evening! Such beautiful music so beautifully performed. What an absolute joy from start to finish' Parent'It was a pleasure to involved in what was a resounding success and moving account of the Easter story' Organist'We enjoyed it so much and it was a real triumph. The children were so good and buzzing!' Parent'It was worthy of a West End production. Absolutely amazing!' Parent'What a wonderful cantata! I was so impressed, what a lovely evening' Staff member'I thoroughly enjoyed the Easter cantata: your compositions were beautiful and dramatic in equal measure' Bursar.
$1.99
A Time to Rejoice!
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Chorale 2 parties
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FACILE
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Samantha Jellett
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A Time to Rejoice!
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Samantha Jellett
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1512378 Composed by Samantha Jellett. Children,Christian,Easter,Lent. 56 pages. Samantha Jellett #...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1512378 Composed by Samantha Jellett. Children,Christian,Easter,Lent. 56 pages. Samantha Jellett #1087378. Published by Samantha Jellett (A0.1512378). A Time to Rejoice! is a dramatic and poignant cantata for schools/children's choirs and piano (organ accompaniment also available) in which performers and audience embark on an exciting journey through time to witness the events of the first Easter. The time machine is somewhat unreliable, adding humour to the story, and stops are made in the Garden of Eden and Bethlehem before arriving in Jerusalem for Palm Sunday and the events of the crucifixion. The optional second parts greatly enhance the cantata and can be sung by a group of children or even an adult choir.Whilst not a staged production, there is plenty of scope for acting in the roles of the Captains, and props such as tea lights for the opening procession, pilots' hats for the Captains and palm branches in the song The King is Coming.A Time to Rejoice! was premiered by St. Joseph's in the Park school, Hertingfordbury, UK on 17 March 2023. Here are some comments from staff/parents:'A Time to Rejoice! was amazing...the best production St. Joe's has ever put on' Deputy Head.'An absolutely amazing evening! Such beautiful music so beautifully performed. What an absolute joy from start to finish' Parent.'It was a pleasure to be involved in what was a resounding success and moving account of the Easter story' Organist.'We enjoyed it so much and it was a real triumph. The children were so good and buzzing!' Parent.'It was worthy of a West End production. Absolutely amazing!' Parent'What a wonderful cantata! I was so impressed, what a lovely evening' Staff member.'I thoroughly enjoyed the Easter cantata: your compositions were beautiful and dramatic in equal measure' Bursar.
$2.99
Time
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Time
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95
Evening Canticles
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Chorale SATB
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Julian Anderson
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Evening Canticles
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Schott Music - Digital
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SheetMusicPlus
SATB choir and organ - SKU: S9.Q54420 Magnificat and Nunc Dimittis. Composed by Julian Anderson. This edition: choral score. Choral Music of Our ...
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SATB choir and organ - SKU: S9.Q54420 Magnificat and Nunc Dimittis. Composed by Julian Anderson. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 9 minutes. Schott Music - Digital #Q54420. Published by Schott Music - Digital (S9.Q54420). English.Although I had already set separate Latin versions of both the Magnificat and Nunc Dimittis, this is the first time I’ve made a setting in English of both texts for use at Evensong. I have often attended Evensong in the Cambridge college chapels: it’s a service whose meanings and spirituality are quite different from any other, and it has its own special atmosphere. Evensong’s coupling of Magnificat and Nunc Dimittis texts is fascinating: the exuberant celebration of the former contrasts so marvellously with the intimate reflections of the latter. In my Evening Canticles I have tried to make the most of that contrast. The Magnificat is forceful, replete with sprung rhythms, polymeter, and bright harmonies showing off the brilliance of the choir. Some use is made (especially near the opening) of free rhythms in which every singer performs a passage at their own speed, creating a spray of sound. The Nunc Dimittis, on the other hand, is predominantly clear and transparent, even austere, allowing the singers to shape melodic lines with expression and lyricism, as befits the text. I was enormously excited to be invited to compose my Evening Canticles for Andrew Nethsingha and the Choir of St John’s College, Cambridge. I want to thank all the performers for giving the work such a splendid launch, and for the magnificent recording on this CD. The work is dedicated to Andrew Nethsingha. JA 2019.
$6.99
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Even such is time
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Chorale SATB
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Contemporain
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Bob Chilcott
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Even such is time
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Oxford University Press Digital
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SheetMusicPlus
Unaccompanied SATB chorus to words by Sir Walter Raleigh - Composed by Bob Chilcott. Sheet music. Octavo. 7 pages. Oxford University Press Digital #...
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Unaccompanied SATB chorus to words by Sir Walter Raleigh - Composed by Bob Chilcott. Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193537590. Published by Oxford University Press Digital
$3.25
Even Such is Time
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Chorale SATB
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FACILE
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Musique Sacrée
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Gail M
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Even Such is Time
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Gail M Luley
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SheetMusicPlus
Composed by Gail M. Luley. Classical,Easter,Sacred,Tradit ional. Octavo. 6 pages. Gail M Luley #775072. Published by Gail M Luley...
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Composed by Gail M. Luley. Classical,Easter,Sacred,Tradit ional. Octavo. 6 pages. Gail M Luley #775072. Published by Gail M Luley
$2.00
Monteverdi - The Seventh Book of Madrigals (1619) - 12. Ecco vicine o bella Tigre a6
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767317 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissan...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767317 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 28 pages. Lyons Music Services #3460733. Published by Lyons Music Services (A0.767317). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Ecco vicine o bella Tigre is a duet for two tenors, The title translates as The time is near, beautiful tigress . In it, the poet is sad that his lover must leave him and he is telling her he longs to be with her wherever she goes. (It's all lies, of course!)I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 2 cornets/trumpets, a horn and a tuba.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissan...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
Salome Tanz (Dance of the Seven Veils)
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Flûte traversière et Piano
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AVANCÉ
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
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Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
There is peace
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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There is peace
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Semii Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1262298 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Ca...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1262298 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Classical,Contemporary. 1 pages. Semii Music #855335. Published by Semii Music (A0.1262298). Title: There is peace This song depicts the Christian who needs peace amidst this worlds circumstances. We need peace that will keep is safe. That peace is only found in Jesus. Our only safety and hope is found in Jesus.Please ge this song and discover the message you need at such a time when our securities are trampled by those we trust. Its very spiritual and inspiring.
$4.90
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque...
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 77 pages. Lyons Music Services #3557567. Published by Lyons Music Services (A0.767368). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.This section of the 7th book is really a miniature scena (although Monteverdi describes it as a ballet), telling the story of Tirsi and Clori (Thyrsis and Chloris) two lovers from ancient greek myths. This piece is the final section of Tirsi e Clori, which Monteverdi describes as the Ballo (Dance) where all the characters in the story provide a spectacle of celebration at the end of the performance. There is a short (12 measure) section forming an introduction at a slow tempo, followed by a 1-in-a-bar dance, a change occurs at measure 113 to simple duple time before returning to a rousing reprise of the lively 3/2 music. The whole is brought to a rousing conclusion with a long cadence in what is rapidly approaching the Baroque style.The instruments are divided between two 'choirs' a 5-part one, representing the singers (Cantus,Quintus, Alto, Tenor and Bass) and a four part accompanying group representing the continuo. There is also an optional percussion part, as the original would have been so accompanied, even though it was not notated in the score.At just over 8 minutes in length, this is a great finisher for a concert - or, in the right circumstances, a starter - especially as Monteverdi has made the ending very loud and full.The seventh book has been a challenge. The much more intricate music, showing Monteverdi's development towards a true operatic technique requires a really careful study of his orchestrations. It has been a great pleasure to set this music and I hope lots of ensembles will 'give it a go'!
$12.99
Solo Marimba "The Church Is One Foundation"
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Marimba
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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James Theobald
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Solo Marimba "The Church
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James R Theobald
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SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.936779 Arranged by James Theobald. Christian,Contemporary,Easter,Sacred. Individual part. 2 pages. James R Theobald #60...
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Marimba Solo - Level 3 - SKU: A0.936779 Arranged by James Theobald. Christian,Contemporary,Easter,Sacred. Individual part. 2 pages. James R Theobald #6013507. Published by James R Theobald (A0.936779). A Mellow Version Of The Beautiful Old Favorites This hymn is part of a series arranged for solo Marimba. The 15 song collection is designed to be simple to play as well as simple to listen to. The arrangements center around the importance of the melodies and not around the technical abilities of the performer. I have tried to make the arrangements easy enough for intermediate players yet beautiful and interesting enough for intimate events such as church services, weddings, funerals, etc. You may hear the entire CD Hymns On Marimba at Itunes or on my website Hymns For Marimba Please enjoy and make use of the natural reverb of the church!! James Theobald <!-- /* Font Definitions */ @font-face {font-family:Cambria Math; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;} @font-face {font-family:Garamond Three; panose-1:2 0 6 3 0 0 0 0 0 0; mso-font-charset:0; mso-generic-font-family:auto; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:-2147483473 1073741896 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.WordSection1 {page:WordSection1;}
$5.99
Solo Marimba "Now The Day Is Over" 2:20 Min. Church Hymns
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Marimba
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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James Theobald
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Solo Marimba "Now The Day
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James R Theobald
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SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.936770 Arranged by James Theobald. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Individual part. 3 pages. ...
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Marimba Solo - Level 3 - SKU: A0.936770 Arranged by James Theobald. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Individual part. 3 pages. James R Theobald #6013211. Published by James R Theobald (A0.936770). A Mellow Version Of The Beautiful Old Favorites This hymn is part of a series arranged for solo Marimba. The 15 song collection is designed to be simple to play as well as simple to listen to. The arrangements center around the importance of the melodies and not around the technical abilities of the performer. I have tried to make the arrangements easy enough for intermediate players yet beautiful and interesting enough for intimate events such as church services, weddings, funerals, etc. Please enjoy and make use of the natural reverb of the church!! James Theobald <!-- /* Font Definitions */ @font-face {font-family:Cambria Math; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;} @font-face {font-family:Garamond Three; panose-1:2 0 6 3 0 0 0 0 0 0; mso-font-charset:0; mso-generic-font-family:auto; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:-2147483473 1073741896 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.WordSection1 {page:WordSection1;}
$5.99
Do That To Me One More Time
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Piano seul
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FACILE
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Rock
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Captain & Tennille
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Javier MartÃnez
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Do That To Me One More Time
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.742486 By Captain & Tennille. By Toni Tennille. Arranged by Javier MartÃnez. Pop,Rock. Score. 4 pages. Arte Nova Music...
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Piano Solo - Level 2 - SKU: A0.742486 By Captain & Tennille. By Toni Tennille. Arranged by Javier MartÃnez. Pop,Rock. Score. 4 pages. Arte Nova Music Lab #4742233. Published by Arte Nova Music Lab (A0.742486). Do That to Me One More Time is a song performed by the American pop duo Captain & Tennille. It was their 13th charting hit in the United States, and their second number 1 hit on the Billboard Hot 100 chart. The song was included on the duo's 1979 studio album, Make Your Move, and was written by Toni Tennille. It features a Lyricon solo by saxophonist Tom Scott, though Captain mimed to this part on adescant recorder in the promotional video. Even though an edited version was released as a single, yet another version was created for their many TV performances promoting the song. This version contained a natural ending, opposed to the fade-out ending that was featured on the single and album versions. This version was mainly lip-synced by Tennille on such TV programs. Taken from https://en.wikipedia.org/wiki/Do_That_to_Me_One_More_Time
$10.00
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
An Evening in December
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Chorale
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Musique Sacrée
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David Huntsinger, Robert Sterl
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Choral Worship Cantata
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An Evening in December
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred - SKU: JX.00-29421 Orchestration. Composed by David Huntsinger, Robert Sterling, and Thomas Fettke. This edition: Orchestration. Cho...
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Choir Sacred - SKU: JX.00-29421 Orchestration. Composed by David Huntsinger, Robert Sterling, and Thomas Fettke. This edition: Orchestration. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Christmas; Sacred; Winter. Part(s); Score. 653 pages. Jubilate Music Group - Digital #00-29421. Published by Jubilate Music Group - Digital (JX.00-29421). English.Full Orchestration Parts. How can we adequately tell the story of our transcendent God becoming a human being . . . becoming the poorest of the poor and the weakest of the weak . . . in order to give us His boundless, everlasting life? How can we celebrate such an event? The story should be retold both with time-honored tradition and with the newness of here and now. It should be celebrated with unbridled joy and with deep, quiet reflection. It should be sung with great power and with heartfelt tenderness and exalt our magnificent God with boldness and with childlike humility. Such a retelling, such a celebration is our prayer for An Evening in December. May it give you a new glimpse of Emmanuel, God with Us, and fill your heart with a new song of thankfulness and praise. Duration: 39 minutes, 44 seconds.
$350.00
Sevenfold Amen 2
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Chorale SATB
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INTERMÉDIAIRE
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Hiroko Nakamura
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Sevenfold Amen 2
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Hiroko H. Nakamra
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.987612 Composed by Hiroko Nakamura. A Cappella,Christian,Contemporary,Sacred. Octavo. 2 pages. Hiroko H. Nakamra...
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Choral Choir (SATB) - Level 3 - SKU: A0.987612 Composed by Hiroko Nakamura. A Cappella,Christian,Contemporary,Sacred. Octavo. 2 pages. Hiroko H. Nakamra #37891. Published by Hiroko H. Nakamra (A0.987612). The author H. NAKAMURA is a contemporary protestant musician. Sevenfold Amen 1&2 were composed newly but in classic style to make them match with traditional church hymns. The vivid character of Sevenfold Amen 1 goes with any festive occasion, such as Christmas, Easter and wedding ceremony, etc. To the contrary, calm and peaceful Sevenfold Amen 2 can be used generally. (This file is the latter. And the former is also available at this site.) In both pieces, each part sings Amen seven times, properly. Singing them a cappella is also recommended, for advanced choirs. The other hand, organists can use them as pieces for solo playing.
$4.00
Sevenfold Amen 1
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Hiroko Nakamura
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Sevenfold Amen 1
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Hiroko H. Nakamra
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.987610 Composed by Hiroko Nakamura. A Cappella,Christian,Christmas,Contemporary,Holiday,Praise & Worship. Octavo...
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Choral Choir (SATB) - Level 3 - SKU: A0.987610 Composed by Hiroko Nakamura. A Cappella,Christian,Christmas,Contemporary,Holiday,Praise & Worship. Octavo. 2 pages. Hiroko H. Nakamra #37833. Published by Hiroko H. Nakamra (A0.987610). The author H. NAKAMURA is a contemporary protestant musician. Sevenfold Amen 1&2 were composed newly but in classic style to make them match with traditional church hymns. The vivid character of Sevenfold Amen 1 goes with any festive occasion, such as Christmas, Easter and wedding ceremony, etc. To the contrary, calm and peaceful Sevenfold Amen 2 can be used generally. (This file is the former. And the latter is also available at this site.) In both pieces, each part sings Amen seven times, properly. Singing them a cappella is also recommended, for advanced choirs. The other hand, organists can use them as pieces for solo playing.
$4.00
Turn Ye, Even Unto Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Tom Sills
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Turn Ye, Even Unto Me
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Tom Sills
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1004958 Composed by Tom Sills. A Cappella,Christian,Sacred. Octavo. 2 pages. Tom Sills #4640527. Published by To...
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Choral Choir (SATB) - Level 3 - SKU: A0.1004958 Composed by Tom Sills. A Cappella,Christian,Sacred. Octavo. 2 pages. Tom Sills #4640527. Published by Tom Sills (A0.1004958). Based on Joel 2:12-13, Turn Ye, Unto Me is a short choral anthem good for an introit or at any other time during a worship service. It may be best suited to times of repentance, such as Lent.
$2.99
We Have All The Time In The World
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Hal David and John Barry
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Julia Dos Reis
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We Have All The Time In The Wo
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Julia Dos Reis
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269761 Composed by Hal David and John Barry. Arranged by Julia Dos Reis. 20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1269761 Composed by Hal David and John Barry. Arranged by Julia Dos Reis. 20th Century,Broadway,Jazz,Musical/Show,Pop,Wedding. 13 pages. Julia Dos Reis #862269. Published by Julia Dos Reis (A0.1269761). A timeless classic made famous by Louis Armstrong. This string quartet arrangement takes memorable features from the original orchestration.(Please note audio track is programmed string sounds)Julia Dos Reis is a freelance violist, composer/arranger, and teacher based in London, UK. She has performed with her own groups, as well as one off projects, in venues across the UK and Europe, including Ronnie Scott’s, Royal Festival Hall, Paris’ Grande Halle de La Villette. Julia has a Masters in Jazz Performance from Guildhall School of Music & Drama, where she studied under jazz violinist, Chris Garrick.Her arrangements offer fun takes on pop/jazz classics, keeping the essence of the original. Features of the arrangements include the inclusion of extended and percussive techniques such as ‘chopping’, moments of improvisation, melodic lines passed around all players, and solid grooves. Such features are flexible and can be adapted to suit players’ skills.The arrangements are all truly tried and tested, as she performs the arrangements regularly at weddings and events with her quartet, Soli Strings. Please listen here: https://www.youtube.com/@solistringsmusichttps://www.juliadosreis.com/
$12.99
As Nighttime Stars Shine
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Orchestre d'harmonie
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DÉBUTANT
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Cory J
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As Nighttime Stars Shine
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Cory J. McBride
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1272140 Composed by Cory J. McBride. Contest,Festival,Instructional. Score and Parts. 35 pages. Cory J. McBride #864471...
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Concert Band - Level 1 - SKU: A0.1272140 Composed by Cory J. McBride. Contest,Festival,Instructional. Score and Parts. 35 pages. Cory J. McBride #864471. Published by Cory J. McBride (A0.1272140). AS NIGHTTIME STARS SHINE takes the listener to a place of quiet serenity looking into the vastness of the night sky while spotting brilliant nighttime phenomena such as a passing comet, meteor shower, or the colorful Northern Lights (Aurora Borealis). No matter the reason, the nighttime sky never disappoints. While lyrical in nature, percussion parts for up to seven percussionists (more if parts are doubled) are included, with several parts optional for those bands with fewer percussionists. This piece is a great way to introduce your young musicians to lyrical playing in a comfortable and low-risk scenario!
$55.00
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Iain Dixon
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Christmas Time Is Here
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Rammy Music
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.793746 Composed by Vince Guaraldi. Arranged ...
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Alto Saxophone,Baritone Saxophone,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.793746 Composed by Vince Guaraldi. Arranged by Iain Dixon. Jazz. 28 pages. Rammy Music #4298575. Published by Rammy Music (A0.793746). Arranged for beginner / intermediate saxophone quartet - soprano, alto, tenor & baritone - with each part having an alternate alto & tenor part allowing for groups with different combinations of instruments. This arrangement would be perfect for an educational situation involving inexperienced or beginner players. The tune is mainly on the first part, but everyone gets to play the melody at some point. There is some information such as dynamics and phrase marks, so there is some detail to have a go at, although these can be easily ignored for the more beginner players.The parts are copied and laid out clearly to facilitate a fun, easy to play experience. In addition there is a piano lead sheet (melody & chord symbols) to use as an accompaniment if desired. This could also be handed out to a rhythm section for even more fun. There is a full transposed score for reference. The arrangement is 2 minutes in length and contains some lovely rich jazzy harmonies.
$12.99
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Even Such is Time
