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Vous avez sélectionné:
Evening In Paris
Partitions à imprimer
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1
Evening In Paris
Piano seul
Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1126055 By Quincy Jones…
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Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1126055 By Quincy Jones. By Quincy Jones. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Lead Sheet / Fake Book. 1 pages. Duration 108. George Kaplan #64ihr44WZsZ1pXZwiHBrRU. Published by George Kaplan (A0.1126055). Key: D minor.Beautiful tune written by Quincy in 1956.
$4.99
4.61 €
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Piano seul
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Quincy Jones
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George Kaplan
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Evening In Paris
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George Kaplan
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SheetMusicPlus
Evening In Paris
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.500642 By Quincy Jones. By…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.500642 By Quincy Jones. By Quincy Jones. Arranged by DCW Productions. Jazz,Pop. Octavo. 6 pages. DCW Productions #6340853. Published by DCW Productions (A0.500642). A Romantic love song based on a piano theme by Quincy Jones with lyrics added, and arranged for SATB.
$2.99
2.76 €
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Chorale SATB
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Quincy Jones
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DCW Productions
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Evening In Paris
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DCW Productions
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SheetMusicPlus
An Evening In Paris
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1226858 By Paul Cardall. By Paul Ca…
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Piano Solo - Level 3 - Digital Download SKU: A0.1226858 By Paul Cardall. By Paul Cardall. Classical,New Age. Score. 5 pages. All Heart Publishing, LLC #822865. Published by All Heart Publishing, LLC (A0.1226858). An original composition by pianist Paul Cardall.
$4.99
4.61 €
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Piano seul
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Paul Cardall
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An Evening In Paris
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All Heart Publishing, LLC
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SheetMusicPlus
Scenes from a Parisian café - Bb clarinet and piano - 14 beautiful pieces. Includes audio tracks
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1166920 By Chris Lawry. …
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1166920 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. Masquerade Music #767299. Published by Masquerade Music (A0.1166920). A delightful collection of 14 pieces for grades 2-6 Bb clarinet & pianoDepicts the goings on outside and around a Parisian cafe. Several pieces in the collection currently feature on the Trinity College London Bb clarinet syllabus (November 2022 - ongoing). Written in 2013, Scenes from a Parisian Cafe is a beautiful collection of 14 concert and educational pieces for beginner to intermediate (roughly grades 2 - 6) by UK composer Chris Lawry.The pieces cover the events of a day from the viewpoint of the cafe, from morning to night, and covers a range of tempos and styles with something to suit any occasion and mood. Witness a couple dancing in the rain, a bandoneon player busking, a marching band passing by, and the stars emerging as the evening comes to a close (and much more). With a total length of 27 mins, this is a very good value for money and exciting addition to any concert, educational, or general repertoire. The 38 page score (with 18 page part booklet) comes with an accompanying full demonstration tracks (Sax with piano) and a piano-only backing tracks for each piece. These are accessed via the printed download code printed in the publication.Piece Listing: 1. (9 a.m.) Morning on the Square 2. (10 a.m.) Bandoneon Dances 3. (11 a.m.) Wandering 4. (12 p.m.) ...And the Band Pass By 5. (1 p.m.) Poco Loco 6. (2 p.m.) Hither Thither 7. (3 p.m.) Then the Rains Came 8. (4 p.m.) Whispers in the Rain 9. (5 p.m.) One Sixty Six 10. (6 p.m.) The Lady of the Lake 11. (7 p.m.) On The Terrace 12. (8 p.m.) Clear the Decks! 13. (9 p.m.) The Jazz Singer 14. (10 p.m.) When the Stars Came Out A video of the full collection (all 14 pieces - full length with sheet music) from the sheet music book can be seen on YouTube here: https://youtu.be/_Ien3iXsMsU.
$16.99
15.68 €
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Clarinette et Piano
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Chris Lawry
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Scenes from a Parisian café - Bb clarinet and piano - 14 beautiful pieces. Includes audio tracks
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Masquerade Music
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SheetMusicPlus
Scenes from a Parisian café - 14 beautiful pieces for Eb saxophone and piano. Includes audio tracks
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1166899 By Chris Lawry. B…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1166899 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. Masquerade Music #767278. Published by Masquerade Music (A0.1166899). A delightful collection of 14 pieces for grades 2-6 Alto Saxophone & PianoDepicts the goings on outside and around a Parisian cafe.Includes audio tracks. Currently features on the Trinity College London Eb saxophone syllabus (November 2022 - ongoing). Written in 2013, Scenes from a Parisian Cafe is a beautiful collection of 14 concert and educational pieces for beginner to intermediate (roughly grades 2 - 6) by UK composer Chris Lawry.The pieces cover the events of a day from the viewpoint of the cafe, from morning to night, and covers a range of tempos and styles with something to suit any occasion and mood. Witness a couple dancing in the rain, a bandoneon player busking, a marching band passing by, and the stars emerging as the evening comes to a close (and much more). With a total length of 27 mins, this is a very good value for money and exciting addition to any concert, educational, or general repertoire. The 38 page score (with 18 page part booklet) comes with an accompanying full demonstration tracks (Sax with piano) and a piano-only backing tracks for each piece. These are accessed via the printed download code printed in the publication.Piece Listing: 1. (9 a.m.) Morning on the Square 2. (10 a.m.) Bandoneon Dances 3. (11 a.m.) Wandering 4. (12 p.m.) ...And the Band Pass By 5. (1 p.m.) Poco Loco 6. (2 p.m.) Hither Thither 7. (3 p.m.) Then the Rains Came 8. (4 p.m.) Whispers in the Rain 9. (5 p.m.) One Sixty Six 10. (6 p.m.) The Lady of the Lake 11. (7 p.m.) On The Terrace 12. (8 p.m.) Clear the Decks! 13. (9 p.m.) The Jazz Singer 14. (10 p.m.) When the Stars Came Out A sample video of excerpts from the sheet music book can be seen on YouTube here: https://youtube.com/playlist?list=PLeZzm2W58OO97Visih-AH3At2_J88Ttsu.
$16.99
15.68 €
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Saxophone Alto et Piano
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Chris Lawry
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Scenes from a Parisian café - 14 beautiful pieces for Eb saxophone and piano. Includes audio tracks
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Masquerade Music
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SheetMusicPlus
Christmas in Dettelbach - 12 English & German carols for intermediate Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1134890 Composed by Barbara Arens. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1134890 Composed by Barbara Arens. Arranged by Barbara Arens. Children,Christmas,Contemporary,Holiday,Traditional. Score. 27 pages. Barbara Arens #734920. Published by Barbara Arens (A0.1134890). From the Foreword: Why “Christmas in Dettelbach� Since 1989, I’ve had the pleasure of living in a historic house in the old town centre of Dettelbach in Lower Franconia in Germany. Small as it is, Dettelbach – complete with medieval encircling fortified wall, Gothic parish church, late Gothic Town Hall, Pilgrimage church, and many half-timbered houses – has officially been a town since 1484. A very picturesque place! When my children were growing up, we had ‘Song Time’ at the piano every evening after dinner. During Advent, we’d sing innumerable English and German carols. This little collection of 12 carols, half English, half German, is just a tiny fraction of our favourites – as not all dear old Christmas carols lend themselves to a contemporary treatment. The main challenge here was to make the arrangements as simple, but as lyrical and contemporary as possible, with my piano students in mind, who are generally bored with standard arrangements of all-too-familiar Christmas songs.
$8.50
7.84 €
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Piano seul
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Barbara Arens
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Barbara Arens
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Christmas in Dettelbach - 12 English & German carols for intermediate Piano
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Barbara Arens
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
An Evening in Paris by Paul Cardall - Piano Solo
Piano seul
Sheet Music for An Evening in Paris by Paul Cardall arranged for Instrumental Solo in F Ma…
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Sheet Music for An Evening in Paris by Paul Cardall arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes. --
$5.79
5.34 €
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Piano seul
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Piano Solo
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Musicnotes
Poème
Clarinette et Piano
Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q15285 From t…
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Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15285. Published by Schott Music - Digital (S9.Q15285). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Clarinette et Piano
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Poème
Cor et Piano
Horn in F and piano - intermediate - Digital Download SKU: S9.Q15275 From the Id…
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Horn in F and piano - intermediate - Digital Download SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Cor et Piano
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Poème
Trompette
Trumpet (in Bb) and piano - intermediate - Digital Download SKU: S9.Q15274 From …
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Trumpet (in Bb) and piano - intermediate - Digital Download SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15274. Published by Schott Music - Digital (S9.Q15274). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Trompette
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Poème
Saxophone in Eb and piano - intermediate - Digital Download SKU: S9.Q15272 From …
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Saxophone in Eb and piano - intermediate - Digital Download SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Poème
Violoncelle, Piano
Cello and piano - intermediate - Digital Download SKU: S9.Q15267 From the Idyll …
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Cello and piano - intermediate - Digital Download SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Violoncelle, Piano
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Poème
Violon et Piano
Violin and piano - intermediate - Digital Download SKU: S9.Q15318 From the Idyll…
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Violin and piano - intermediate - Digital Download SKU: S9.Q15318 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15318. Published by Schott Music - Digital (S9.Q15318). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.Er stand und steht auch heute noch ein wenig im Schatten von Bedrich Smetana und AntonÃn Dvorák: der böhmische Komponist Zdenek Fibich (1850-1900). Zu Unrecht, denn mit seinem umfangreichen Oeuvre hat der allzu früh verstorbene Musiker ebenfalls entscheidend zur Begründung einer nationalen Schule beigetragen.
$4.99
4.61 €
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Violon et Piano
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Sérénade
Violon et Piano
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53342 Op…
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53342 Op. 29. Composed by Auguste Faucheux. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 29. 11 pages. Schott Music - Digital #Q53342. Published by Schott Music - Digital (S9.Q53342). English • German.This Sérénade op. 29 by Auguste Faucheux may also be counted as salon music. Little is known about this violin and viola player from the French city of Lille who also worked in Paris from 1844-1852 as an orchestral violinist at the Opéra comique. His name was listed in 1841 as a member of a string quartet. As in the case with Alard, surviving compositions by Faucheux include arrangements of operatic melodies popular at that time and entertaining pieces for musical salon evenings. Of those pieces published by Schott we have chosen this lively Sérénade, which flashes nimbly by in the style of a Tarantella. Plate no. 21966, published in 1875.
$3.99
3.68 €
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Violon et Piano
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Auguste Faucheux
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Sérénade
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Schott Music - Digital
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SheetMusicPlus
The Peebles Beltane Festival Suite (Opus 1)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1444584 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 215 pages. Hambone Music #1024482. Published by Hambone Music (A0.1444584). An epic 4 piece suite based on the Peebles Beltane Festival and its traditions which have been going on for almost 200 years. The first movement follows a day in the life of a novice monk and the arduous trek they make to and from one of their religious sites and features and encounter with some knights on the way ro reinforce a local castle which is under siege.The second movement sees us introduced to some young 'lassies' who are dancing their way through the beautiful rolling hills and valleys of the Scottish Borders to join in the festivities.The third movement joins us on the Thursday evening in front of the Crown Hotel, where the local 'cornet' and his lass perform a type of dance called a reel which grows in intensity and tempo until the dancers collapse in an exhausted heap.The fourth, and final movement is based on the local festal song theme which is played during ythe parade and at the crowning ceremony at the Old Parish Church steps on the 'red letter day' of Beltane Saturday and culminates in an excerpt of 'God Save the Queen' and the Beltane Fanfare.
$149.99
138.43 €
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Graham Hamilton
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The Peebles Beltane Festival Suite
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Hambone Music
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SheetMusicPlus
O Love That Will Not Let Me Go (SATB+ Piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855083 Composed by Albert …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855083 Composed by Albert L. Peace (1844-1912). Arranged by Joseph Pugh. Christian,Classical,Contemporary,Sacred,Standards. Octavo. 17 pages. Joseph Pugh #6133025. Published by Joseph Pugh (A0.855083). O Love that wilt not let me go.Dr. Matheson says this hymn was written in the Manse of my former parish (Innellan, Argyleshire) one summer evening in 1882. It was composed with extreme rapidity; it seemed to me that its construction occupied only a few minutes, and I felt myself rather in the position of one who was being dictated to than of an original artist I was suffering from extreme mental distress, and the hymn was the fruit of pain. This hymn first appeared in the Church of Scotland magazine, Life and Work, in 1883. From thence it passed into the Scottish Hymnal 1884; and there set to special music by Dr. A. L. Peace. It is a beautiful and tender hymn and worthy of extensive use--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)This SATB arrangement by Joseph Pugh is set with classical style piano accompaniment.
$2.99
2.76 €
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Chorale SATB
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Albert L
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Joseph Pugh
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O Love That Will Not Let Me Go
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Joseph Pugh
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SheetMusicPlus
An Evening In Paris
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1426631 By Paul Cardall. By Paul Ca…
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Piano Solo - Level 2 - Digital Download SKU: A0.1426631 By Paul Cardall. By Paul Cardall. Arranged by Paul Cardall. Classical,New Age. Score. 5 pages. All Heart Publishing, LLC #1007331. Published by All Heart Publishing, LLC (A0.1426631).
$3.99
3.68 €
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Piano seul
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Paul Cardall
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Paul Cardall
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An Evening In Paris
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All Heart Publishing, LLC
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.22 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.22 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Poème
Flûte traversière et Piano
From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arrange…
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From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15265. Published by Schott Music - Digital
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.61 €
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Flûte traversière et Piano
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Zdenek Fibich (1850-1900)
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Galop for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.826961 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.826961 Composed by Elizabeth Skola Davis. Concert,Contemporary. Score and parts. 17 pages. Elizabeth Ann Davis #2849779. Published by Elizabeth Ann Davis (A0.826961). The galoppade, a forerunner of the polka, was first introduced to Parisian society by the Duchesse de Berry in the late 1820s. This lively two-step was a popular final dance of the evening, and this piece's driving rhythm continually forges ahead like a thoroughbred racing toward the finish line.
$2.49
2.3 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Elizabeth Skola Davis
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Galop for string quartet
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Elizabeth Ann Davis
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SheetMusicPlus
Preces & Responses
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927949 Composed by Tim Bro…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927949 Composed by Tim Brooke. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 8 pages. Castleroyan Press #5726735. Published by Castleroyan Press (A0.927949). This set of Preces and Responses were written to be used as part of the Church of England Evening Service. They are designed to be sung a cappella but, if so desired, then light organ or piano accompaniment can be used as a support.They were first performed by the Parish Singers of St Albans Abbey and the Choir of St Saviour’s, St Albans, conducted by Marie Price, in St Albans Abbey (UK) on 9 October 2010.
$4.99
4.61 €
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Chorale SATB
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Tim Brooke
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Preces & Responses
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Castleroyan Press
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SheetMusicPlus
Stardust
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1078548 By Artie Shaw. By Hoagy Carmichael and Mitchell Parish. Arranged by Yulian Heroim. 20th Century,Contemporary,Jazz,Standards,Wedding. Score and parts. 9 pages. Yulian Heroim #682757. Published by Yulian Heroim (A0.1078548). Popular jazz standard in string quartet rendition. Fits good for any occasion including weddings, musical evenings or guest reception. It's good for students as well, practicing and performing on parent's day etc. Professional arrangement for string quartet. Sheets include bowing and are formatted for comfortable performance. Contains Score and Parts of two Violins, Viola and Cello.
$12.99
11.99 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Artie Shaw
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Yulian Heroim
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Stardust
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Yulian Heroim
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SheetMusicPlus
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