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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
VIBRAPHONE
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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226
PIANO & CLAVIERS
Piano seul
120
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20
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18
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15
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10
Orgue
8
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Accordéons
1
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GUITARES
Guitare
9
Guitare notes et tablatures
4
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
Dulcimer
2
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VOIX
Chorale SATB
54
Chorale 3 parties
10
Chorale TTBB
8
Chorale SSAA
7
Chorale 2 parties
3
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2
Voix haute
2
Voix duo
1
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
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VENTS
Flûte traversière et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Saxophones: 4 saxophones
15
Clarinette et Piano
15
Hautbois, Piano (duo)
14
Quintette de Saxophone: 5 saxophones
13
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
12
2 Saxophones (duo)
10
Saxophone Baryton, Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette
9
Saxophone Alto
8
Quatuor de Clarinettes: 4 clarinettes
7
Cor anglais, Piano
7
Ensemble de Clarinettes
7
Saxophone Soprano et Piano
7
Ensemble de Flûtes
6
Ensemble de saxophones
6
Clarinette Basse, Piano
6
2 Flûtes traversières (duo)
5
Flûte traversière
4
3 Saxophones (trio)
4
Hautbois (partie séparée)
4
Saxophone, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Clarinettes (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Tenor
3
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Clarinette, Guitare (duo)
2
Quatuor de Flûtes : 4 flûtes
2
2 Flûte à bec (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Saxophone (partie séparée)
2
Clarinette, Violon (duo)
2
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Hautbois, Flûte
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
Ensemble à vent
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone
1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
15
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
11
Cor et Piano
11
Euphonium, Piano (duo)
9
Trombone
8
Cor anglais, Piano
7
Cor
4
Tuba
4
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Piano
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Ensemble de Cors
2
4 Tubas
2
Ensemble de Trompettes
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
26
Violoncelle, Piano
16
Alto, Piano
13
Violon
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
6
Violon, Guitare (duo)
5
2 Violons (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Alto seul
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Harpe
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
197
Ensemble de cuivres
27
Orchestre à Cordes
19
Orchestre
18
Ensemble Jazz
9
Orchestre de chambre
6
Cloches
4
Ensemble de Percussions
3
3 Percussions
1
2 Marimbas
1
Jazz combo
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Eventually
Partitions à imprimer
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Eventually for Clarinet Solo with Piano Accompaniment
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.904915 Composed by Pam Asberry.…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.904915 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age,Standards. Score and part. 6 pages. Pamela C Asberry #4894361. Published by Pamela C Asberry (A0.904915). A thoughtful, reflective solo for intermediate level piano solo with piano accompaniment. Both the clarinet part and the piano accompaniment with clarinet cues is included. .
$5.95
5.44 €
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Clarinette et Piano
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Pam Asberry
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Eventually for Clarinet Solo with Piano Accompaniment
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Pamela C Asberry
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SheetMusicPlus
Eventually
Instruments en Do
C Instrument - Level 5 - Digital Download SKU: A0.1139886 By Ornette Coleman. By Or…
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C Instrument - Level 5 - Digital Download SKU: A0.1139886 By Ornette Coleman. By Ornette Coleman. Arranged by Luca Aletta. Jazz. Lead Sheet / Fake Book. 1 pages. Luca Aletta #740154. Published by Luca Aletta (A0.1139886). Lead sheet with melody and chords.
$8.00
7.31 €
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Instruments en Do
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Ornette Coleman
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Luca Aletta
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Eventually
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Luca Aletta
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SheetMusicPlus
Eventually
Small Ensemble Alto Saxophone,Bass Guitar,Double Bass,Drum Set - Level 5 - Digital Downloa…
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Small Ensemble Alto Saxophone,Bass Guitar,Double Bass,Drum Set - Level 5 - Digital Download SKU: A0.825576 By Ornette Coleman. By Ornette Coleman. Arranged by Anderson Quevedo. Contemporary. Score and parts. 1 pages. The Sheet Music Library #5196669. Published by The Sheet Music Library (A0.825576).
$12.99
11.88 €
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Ornette Coleman
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Anderson Quevedo
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Eventually
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The Sheet Music Library
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SheetMusicPlus
Eventually
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.825577 By Ornette Coleman.…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.825577 By Ornette Coleman. By Ornette Coleman. Arranged by Anderson Quevedo. Contemporary. Individual part. 1 pages. The Sheet Music Library #5196671. Published by The Sheet Music Library (A0.825577).
$4.99
4.56 €
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Saxophone Alto
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Ornette Coleman
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Anderson Quevedo
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Eventually
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The Sheet Music Library
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SheetMusicPlus
Now It's Over
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841763 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841763 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3474055. Published by Andrew Mc Donald (Macka Records) (A0.841763). Now It's Over is about how man eventually fades like a flower that eventually withers in time. Everything has a season and the earth too will eventually come to an end and it will be over. Then the Son of Man will return. There is a time to be born a time to die a time to sow and a time to reap,etc like it says in Ecclesiastes.
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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like it says in Ecclesiastes
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Now It's Over
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Andrew Mc Donald
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SheetMusicPlus
Balloon Ride
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Ale…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
17.36 €
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Orchestre de chambre
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.43 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Sextet
2 violins, 2 violas, cello and double bass - Digital Download SKU: S9.Q779716 Fo…
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2 violins, 2 violas, cello and double bass - Digital Download SKU: S9.Q779716 For 2 violins, 2 violas, violoncello and double bass. Composed by Olli Mustonen. Chaos und Tumult – der erste Satz von Mustonens Sextett beginnt, als käme er aus einer fremden musikalischen Welt. Langsam stellt sich Ordnung ein, bis im dritten Satz eine Beethoven-gleiche Cavatina im friedlichen G-Dur die Dissonanzen löst. Downloadable, Score and parts. Duration 23 minutes. Schott Music - Digital #Q779716. Published by Schott Music - Digital (S9.Q779716). The Sextet starts with cries of agony – the atmosphere is filled with chaos and turmoil. It is as if the listener had been thrown onto the surface of a hostile planet, devoid of any comprehensible life. In the second movement, vivid life forms begin to appear, at first frightening, but soon starting to take gentler forms, which eventually start to take the music closer to the key of G major. The last movement starts with a recitative, a gesture often found in late Beethoven. There is a feeling that we are approaching something important – mysterious gates slowly open, revealing a Cavatina, followed by a set of variations. The progression of these variations eventually leads also to dissonant memories from the beginning of the work, but those dissonances are finally resolved in the last variation, which ultimately finds its peace and begins its ascension toward the skies and to the radiant brightness of G major. Olli Mustonen.
$99.99
91.42 €
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Olli Mustonen
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Sextet
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Schott Music - Digital
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SheetMusicPlus
A Holiday in Naples: A Sonata for Piano in Five Movements
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Published by Andrei Hadap (A0.1485695). A Holiday in Naples (2021, rev. 2024) I. At the CarnivalII. A Merchant at the Spinning WheelIII. In the BallroomIV. At the Opera V. At the Plaza A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller, on holiday, who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music. The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance. Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece, we hear the agitated merchant spinning the wheel faster, distracted by the carnival, but eventually calms down towards the end. The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as they both stumble frequently. Eventually, he regains his composure and the two dance well into the evening. In the fourth movement At the Opera, the traveller then goes to a nearby opera house where he walks in during a love duet between a tenor and soprano. The final movement At the Plaza, the traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folk dance depicting the involuntary muscle spasms from a venomous spider bite. The traveller joins in and dances with them until sunrise.
$29.99
27.42 €
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Piano seul
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Andrei Hadap
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A Holiday in Naples: A Sonata for Piano in Five Movements
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Andrei Hadap
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SheetMusicPlus
The Adventure!
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1433964 Composed by Nick Peterson…
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Concert Band - Level 4 - Digital Download SKU: A0.1433964 Composed by Nick Peterson. Classical. 115 pages. Nick Peterson #1014194. Published by Nick Peterson (A0.1433964). This piece features 4 movements, and tells a story throughout. It starts with a slow moving part with the flute section taking the melody as well as a flute solo. It then moves to a fast and exciting movement, but eventually levels out. In the same movement, there is a low section where the melody layers on top of other lines. The 2nd movement then ends with a percussion break. The 3rd Movement has a Latin feel to it and starts with percussion, where they set up a consistent groove. Then we build to eventually the melody and trade it between altos, and the flutes, and oboe. Then the melody repeats trading between trumpets and clarinets. Throughout this, the low instruments set up a consistent rhythm while moving through the changes. Then the 3rd movement comes to an end. The last and final movement features a clarinet solo to start it off, which gives a nod to Rhapsody in Blue. It closes off with an alto solo to end it. The piece changes keys from Eb-Bb-Db-Eb.
$59.99
54.85 €
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Orchestre d'harmonie
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Nick Peterson
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The Adventure!
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Nick Peterson
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SheetMusicPlus
Get Over You
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1419593 By Sophie Ellis-Bextor. B…
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Concert Band - Level 2 - Digital Download SKU: A0.1419593 By Sophie Ellis-Bextor. By Davies, Ellis-Bextor, Johansson, and Korpi. Arranged by John Ivor Holland. 21st Century,Disco,Film/TV,Pop,Singer/Songwriter. 42 pages. John Ivor Holland #1001012. Published by John Ivor Holland (A0.1419593). Get Over You is a disco track by British pop singer Sophie Ellis-Bextor, taken from the album 'Read My Lips' and released as a double-A side with Move This Mountain in June 2002. The song was Ellis-Bextor's third top 10 hit in the United Kingdom, peaking at number three on the UK Singles Chart. Get Over You reached the top 10 in Denmark, Spain, Australia, and New Zealand. In the latter two countries, the song was certified platinum and gold, respectively, also doing well across Europe in Finland, the Netherlands, Norway, and Switzerland. The accompanying music video for Get Over You is set in a shopping mall, after hours, on a rainy night, where slowly all the manequins begin to come to life, led by Ellis-Bextor in a wedding dress, eventually eventually causing havoc and smashing glass, even the camera, at the end. This cool chart has a built-in solo section for alto sax, tenor sax or trumpet towards the end, allowing flexibility as needed, with a punchy tag to finish. Arranged as part of an ongoing project to bring more music by women into the concert band repertoire.
$49.99
45.7 €
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Orchestre d'harmonie
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Sophie Ellis-Bextor
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John Ivor Holland
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Get Over You
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John Ivor Holland
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SheetMusicPlus
Morning
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1412961 By Damien Gauci. By Damien Gauci…
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Piano - Level 3 - Digital Download SKU: A0.1412961 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 125. Damien Gauci #994967. Published by Damien Gauci (A0.1412961). After the sun has risen, it’s time to get ready for the new day. I began writing this piece with the melodic motif that you hear at the beginning of the piece. This motif is used and expanded upon throughout the whole piece and eventually returns to it’s original form at the end of the piece. This piece is meant to reflect the dawning of a new day - the opportunities and challenges that are to come but are still in the unknown. Despite the journey the melodic motif goes on through the piece, it eventually returns at the end of the piece which is reflective of the circular nature of the day.
$1.99
1.82 €
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Piano seul
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Damien Gauci
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Morning
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Damien Gauci
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SheetMusicPlus
Morning
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1411179 By Damien Gauci. By Damien …
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Piano Solo - Level 3 - Digital Download SKU: A0.1411179 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #993514. Published by Damien Gauci (A0.1411179). After the sun has risen, it’s time to get ready for the new day. I began writing this piece with the melodic motif that you hear at the beginning of the piece. This motif is used and expanded upon throughout the whole piece and eventually returns to it’s original form at the end of the piece. This piece is meant to reflect the dawning of a new day - the opportunities and challenges that are to come but are still in the unknown. Despite the journey the melodic motif goes on through the piece, it eventually returns at the end of the piece which is reflective of the circular nature of the day.
$1.99
1.82 €
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Piano seul
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Damien Gauci
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Morning
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Damien Gauci
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SheetMusicPlus
Psalm 60 & Preces Nocturnae
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.864443 Composed by Mark D.…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.864443 Composed by Mark D. Templeton. Classical,Contemporary,Sacred,World. Octavo. 16 pages. Mark Templeton Choral Music #2803663. Published by Mark Templeton Choral Music (A0.864443). This piece is comprised of two texts: Psalm 60 (in Old Low Franconian) and Preces Nocturnae (Prayer at Night) written by Alcuin (b. 747). The piece starts with a medieval sounding melody sung by a tenor solo that eventually turns into a round with another tenor solo. The Psalm 60 melody is then juxtaposed with the Alcuin text sung in a chant-like style. The piece gradually expands into three choirs and eventually ends with the tenor solo singing by himself. This is a challenging but accessible piece for the larger choir.
$2.80
2.56 €
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Chorale SATB
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Mark D
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Psalm 60 & Preces Nocturnae
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Mark Templeton Choral Music
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SheetMusicPlus
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert …
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403). American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
$9.95
9.1 €
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Chorale SSAA
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Robert Debbaut
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A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
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ROBERT DEBBAUT
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SheetMusicPlus
Silent Night for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548486 Composed by Grube…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548486 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387049. Published by jmsgu3 (A0.548486). Silent Night arranged for clarinet in Bb & piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Clarinette et Piano
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Gruber
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James M
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Silent Night for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548487 Composed by Gruber. Arrange…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548487 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387051. Published by jmsgu3 (A0.548487). Silent Night arranged for Flute & Piano with new harmony for verse three. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Flûte traversière et Piano
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Gruber
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James M
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Silent Night for Flute & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.548485 Composed by Gruber. Arrange…
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Cello,Piano - Level 1 - Digital Download SKU: A0.548485 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387043. Published by jmsgu3 (A0.548485). Silent Night arranged for Cello & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Violoncelle, Piano
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Gruber
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James M
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Silent Night for Cello & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548494 Composed by Gruber. Arrange…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Published by jmsgu3 (A0.548494). Silent Night arranged for Viola & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Alto, Piano
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Gruber
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James M
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Silent Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. A…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387055. Published by jmsgu3 (A0.548488). Silent Night arranged for French Horn & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Cor et Piano
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Gruber
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James M
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Silent Night for French Horn & Piano
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jmsgu3
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SheetMusicPlus
The Doomsday Clock
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1047338 By Blaze Scheuerman. By Bla…
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Piano Solo - Level 4 - Digital Download SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
$5.99
5.48 €
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Piano seul
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Blaze Scheuerman
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The Doomsday Clock
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Blaze Scheuerman
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SheetMusicPlus
The Tale Of The Slightly Miffed Dancing Bear
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by Jame…
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
7.27 €
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James Pickering
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The Tale Of The Slightly Miffed Dancing Bear
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Forton Music - Digital
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SheetMusicPlus
Petition & Rain Dance
Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmer…
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Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmerstadt. Score and Parts. 26 pages. Imagine Music - Digital #CMS151. Published by Imagine Music - Digital (IZ.CMS151). 9 x 12 in inches.The composition Petition and Rain Dance is a two-part composition played without a break. The first half,'Petition', starts with a plaintive melody that repeats in the other bassoon at various overlapping points creating anirregular cannon. Eventually a second melody emerges; the first melody now takes on a supportive role. A newmood created by these merged melodies is underscored by percussion. The simultaneous juxtaposition of these twomelodies, as well as the patterns emphasized by the percussion, foreshadows the main theme for the secondcomposition: 'Rain Dance'.'Rain Dance' is introduced with an irregular rhythmic motif, stated in unison by the bassoons, over a steadyrepeating pattern by the percussion. The percussion evolves and complements (and contrasts) the rhythmic partcreated by the two independent voices of the bassoon duo. A second theme, optimistic in temperament, is thenintroduced and is a rhythmic elaboration of the first theme. This second theme is an exact reiteration of the mergedmelodies from 'Petition' (however in this faster incarnation it is hardly recognizable). This is repeated in variousguises and the mood eventually becomes somewhat less certain.These two pieces represent two ideas; the plea for a reprieve from a dire situation - a drought and a petition to the'powers that be' for intercession, and the subsequent effort to bring about the desired change by taking matters intoone's own hands - a ritualistic dance to bring forth the needed deluge.
$16.00
14.63 €
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Chris Milmerstadt
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Petition & Rain Dance
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Imagine Music - Digital
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SheetMusicPlus
Silent Night for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548492 Composed by Gruber. Arra…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548492 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387069. Published by jmsgu3 (A0.548492). Silent Night with new harmony for the final verse! Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Trombone et Piano
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Gruber
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James M
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Silent Night for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Silent Night for Tuba & Piano
Piano Facile
Piano,Tuba - Level 1 - Digital Download SKU: A0.548493 Composed by Gruber. Arranged…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548493 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387257. Published by jmsgu3 (A0.548493). Silent Night arranged for Tuba & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.47 €
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Piano Facile
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Gruber
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James M
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Silent Night for Tuba & Piano
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jmsgu3
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SheetMusicPlus
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