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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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Piano seul
105
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18
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18
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9
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6
Orgue
3
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1
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1
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GUITARES
Guitare notes et tablatures
78
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12
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7
Basse electrique
6
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5
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2
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1
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1
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1
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VOIX
Chorale SATB
46
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20
Pack Instrumental pour Chorale
8
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6
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5
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4
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2
Voix seule
2
Voix duo, Piano
1
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1
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1
Chorale SSATTB
1
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VENTS
2 Saxophones (duo)
26
Saxophone, Clarinette (duo)
15
Quatuor de Saxophones: 4 saxophones
12
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette, Violon (duo)
8
2 Flûtes traversières (duo)
8
2 Hautbois (duo)
7
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7
Clarinette, Trompette (duo)
6
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5
Clarinette et Alto
5
Clarinette et Piano
5
Flûte, Trompette (duo)
5
Saxophone Alto et Piano
5
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
5
Flûte traversière et Piano
5
Flûte, Violon
4
Flûte, Clarinette (duo)
4
Flûte, Saxophone (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Piano (duo)
3
Flute (partie séparée)
2
Clarinette (partie séparée)
2
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2
Saxophone Tenor et Piano
2
Clarinette
2
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2
3 Clarinettes (trio)
2
Ensemble de Clarinettes
2
Ensemble de Flûtes
2
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1
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1
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1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano et Piano
1
Cor anglais, Piano
1
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1
Quatuor de Clarinettes: 4 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Flûte à Bec
1
Flûte et Guitare
1
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1
Flûte, Alto (duo)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Saxophone (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
2 Trompettes (duo)
8
2 Trombones (duo)
8
Trompette, Trombone (duo)
4
Trombone et Piano
4
Trombone (partie séparée)
3
Trompette (partie séparée)
3
2 Cors (duo)
2
Tuba et Orgue
2
Trompette, Piano
2
2 Tubas (duo)
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trombones
1
Instruments en Sib
1
Tuba (partie séparée)
1
Trompette
1
Ensemble de Tubas
1
Tuba
1
Cor (partie séparée)
1
Cor anglais, Piano
1
Cor et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33
2 Violons (duo)
12
Violon, Alto (duo)
11
Violon, Violoncelle (duo)
8
2 Violoncelles (duo)
7
2 Altos (duo)
7
Violon et Piano
6
2 Harpes (duo)
4
Harpe
4
Alto, Piano
4
Violon
4
Violoncelle, Piano
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
2
Alto seul
2
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
49
Orchestre
23
Orchestre à Cordes
10
Ensemble Jazz
9
Ensemble de cuivres
9
Cloches
3
Ensemble de Percussions
3
Batterie
2
Orchestre de chambre
2
Jazz combo
1
Marimba, Piano (duo)
1
Fanfare
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Evolve
Partitions à imprimer
974 partitions trouvées
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Evolve
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1011589 Composed by Joe Wiedema…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1011589 Composed by Joe Wiedemann. 20th Century,Contemporary,Romantic Period. Score and parts. 189 pages. Joe Wiedemann #3420625. Published by Joe Wiedemann (A0.1011589). Civic and University orchestras can capture new audiences by adding one synthesizer, and even a concert-ready HD video (upon request from orchestronics.com). This piece is about how everything around us evolves, including music. While the first 2-minutes may seem very filmic and chaotic, tonal order is quickly restored and carries through the remainder of the score. If your music department has a synth program, you've got to show how seamlessly it can integrate as just one more chair in the classic orchestra.
$24.95
22.88 €
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Orchestre
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Joe Wiedemann
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Evolve
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Joe Wiedemann
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SheetMusicPlus
The Beatles: Revolver (Medley) (arr. Alan Billingsley) (9-Piece Digital Pack)
Pack Instrumental pour Chorale
Choral - Digital Download SKU: HX.449866 By The Beatles. Arranged by Alan Billingsl…
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Choral - Digital Download SKU: HX.449866 By The Beatles. Arranged by Alan Billingsley. This edition: scorch. Pop,Rock,Standards. Choral Instrumental Pak. 3 pages. Duration 295. Hal Leonard - Digital #287660. Published by Hal Leonard - Digital (HX.449866).
Digital Pack includes:The Beatles: Revolver (Medley) (arr. Alan Billingsley) - PercussionThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - Trumpet 1The Beatles: Revolver (Medley) (arr. Alan Billingsley) - TromboneThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - Trumpet 2The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Tenor SaxophoneThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - Baritone SaxThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - DrumsThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - GuitarThe Beatles: Revolver (Medley) (arr. Alan Billingsley) - Bass
Digital Pack includes
:
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Percussion
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Trumpet 1
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Trombone
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Trumpet 2
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Tenor Saxophone
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Baritone Sax
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Drums
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Guitar
The Beatles: Revolver (Medley) (arr. Alan Billingsley) - Bass
$40.00
36.69 €
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Pack Instrumental pour Chorale
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The Beatles
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Alan Billingsley
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The Beatles: Revolver
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Hal Leonard - Digital
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SheetMusicPlus
10 Music For Piano Easy - For Beginners and Intermediates
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.843292 Composed by Johann Se…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.843292 Composed by Johann Sebastian Bach, Ludwig van Beethoven, Peter Ilyich Tchaikovsky, Vivaldi and Johann Pachelbel, and Wolfgang Amadeus Mozart. Arranged by Cássio Silva Chaves. Classical,Instructional,Standards. Score. 24 pages. Cassio Silva #6352797. Published by Cassio Silva (A0.843292). This collection of songs was made to help and facilitate the learning of the piano. With 10 classical songs, adaptations were made so that the student can learn and also evolve in his piano learning. There are 10 classic songs: 1. Canon in D 2. Ode To Joy 3. Fur Elise 4. Minuet in G 5. Eine Kleine Nachtmusik 6. Spring 7. Swan Lake 8. Symphony No.5 9. Turkish Alla Round 10. Moonlight Sonata Get your album now and start studying these beautiful songs and evolve to another level in piano.
$9.90
9.08 €
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Piano, Voix
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Johann Sebastian Bach, Ludwig van Beethoven, Peter Ilyich Tchaikovsky, Vivaldi and Johann Pachelbel, and Wolfgang Amadeus Mozart
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Cássio Silva Chaves
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10 Music For Piano Easy - For Beginners and Intermediates
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Cassio Silva
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SheetMusicPlus
Eve’s Diary
Guitar and voice - Intermediate - Digital Download SKU: ZY.DO-1538 Composed by Davi…
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Guitar and voice - Intermediate - Digital Download SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1538). When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.
$10.95
10.04 €
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David Leisner
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Eve’s Diary
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Les Editions Doberman-Yppan
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SheetMusicPlus
Thunder
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1459402 By Imagine Dragons. By Alexander Grant, Ben McKee, Dan Reynolds, Daniel Platzman, Jayson Dezuzio, and Wayne Sermon. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Rock. 14 pages. Quartetpad.com #1038350. Published by quartetpad.com (A0.1459402). Thunder by Imagine Dragons arranged for string quartet by Alison Gillies.Released in 2017 on the Dragons' Evolve album, this song has been given the Bridgerton treatment for Season 3 and sounds amazing on strings!This arrangement begins with the melody line in the cello part and is in the same key as the original song.- Other Bridgerton season 3 arrangements by Alison Gillies:- abcdefu (Gayle)- Cheap Thrills (Sia)- Confident (Demi Lovato)- Dynamite (BTS)- Give Me Everything (Pitbull feat. Neyo-Yo & Afrojack) - Happier Than Ever (Billie Eilish)- Jealous (Nick Jonas)- pov (Ariana Grande)- Snow On The Beach (Taylor Swift feat. Lana Del Rey) - Yellow (Coldplay)- You Belong With Me (Taylor Swift)- Bridgerton Theme (Kris Bowers)See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99
15.58 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Imagine Dragons
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Alison Gillies
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Thunder
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quartetpad.com
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SheetMusicPlus
(Sittin' On) The Dock Of The Bay
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1427594 By Oti…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1427594 By Otis Redding. By Otis Redding and Steve Cropper. Arranged by Scott S. Stewart. 20th Century,Contemporary,Pop,Soul,Standards. 12 pages. Scott S. Stewart #1008331. Published by Scott S. Stewart (A0.1427594). “(Sittin’ On) The Dock of the Bay” (1967) by Otis Redding and Steve Cropper, was inspired by the summer California sunlight sparkling like diamonds on the calm water of bay, as seagulls circled overhead, and fishermen worked their nets on the dock. It was a time of reflection for Redding as he started to musically evolve from his ‘emotional’ R&B style to this example that was most exquisitely soulful and laid back. A couple of months after recording this song Redding died in a plane crash, leaving one to wonder where would his art have taken him…This arrangement is scored for 4-part SATB ensemble with piano accompaniment. Performance time: 3:15+-.
$3.99
3.66 €
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Chorale SATB
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Otis Redding
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Scott S
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(Sittin' On) The Dock Of The Bay
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Scott S. Stewart
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SheetMusicPlus
Believer
Chorale SSAA
Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416734 By Ima…
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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1416734 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Andrew Walker. 21st Century,A Cappella,Contemporary,Pop,Rock. 12 pages. Andrew Walker #997528. Published by Andrew Walker (A0.1416734). As originally performed by Imagine Dragons, from the band's 2017 album Evolve.This exciting arrangement is intended for A Cappella SSAA choir, with brief Solo passages and includes Vocal Percussion. Although scored as SSAA, would suit most middle to upper-voiced groups due to the compact range of the parts (see ranges below).Written in the key of Bb Minor which matches that of the original Recording Artist's performance. Vocal Ranges : Solo: Bb3 - Db4Soprano 1: C4 - Db5Soprano 2: Ab3 - Db5Alto 1: Bb3 - F4Alto 2: F3 - Bb3.
$1.99
1.83 €
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Chorale SSAA
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Imagine Dragons
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Andrew Walker
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Believer
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Andrew Walker
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SheetMusicPlus
Bud and Bloosoms Op. 107 no 7
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1389670 Composed by Cornelius Gurli…
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Piano Solo - Level 3 - Digital Download SKU: A0.1389670 Composed by Cornelius Gurlitt. Arranged by T. Ling. 19th Century,Instructional,Romantic Period. Score. 3 pages. Thomas Swee Chin #973265. Published by Thomas Swee Chin (A0.1389670). Gurlitt's Buds and Blossoms, Op. 107 No. 7, delicately unfolds like the opening of a flower. The piece begins with a tender melody, akin to the budding of delicate petals, portrayed by soft, flowing arpeggios in the piano. As the music progresses, the melody blossoms into fullness, with richer harmonies and a sense of growth. The interplay between the piano and accompanying instruments mirrors the dance of nature, as buds evolve into full, vibrant blooms. Throughout, Gurlitt captures the essence of springtime renewal, painting a musical portrait of buds bursting into glorious blossoms.
$6.00
5.5 €
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Piano seul
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Cornelius Gurlitt
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T
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Bud and Bloosoms Op. 107 no 7
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Thomas Swee Chin
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SheetMusicPlus
Believer
Clarinet,Drum Set - Level 2 - Digital Download SKU: A0.1290311 By Imagine Dragons. …
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Clarinet,Drum Set - Level 2 - Digital Download SKU: A0.1290311 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Sara Caliandro. 21st Century,Hip-Hop,Instructional,R & B,Soul. 10 pages. Caliandro Sara #881020. Published by Caliandro Sara (A0.1290311). Believer is a Imagine Dragons' single released in 2017 in the third album Evolve and it was first in the ranks for several weeks. In 2018 it won the Bilboard Music Award as the best rock song. The song could be defined a pain hymn because this is the absolute main character of the text. This arrangement was Thinked for young musicians who want to have fun playing together. It's written for three clarinets and percussions which are very important in the song. The first clarinet plays the main theme, the second clarinet play an accompaniment and third clarinet plays the riff.
$35.00
32.1 €
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Imagine Dragons
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Sara Caliandro
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Believer
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Caliandro Sara
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SheetMusicPlus
I Love You Truly-Alto clarinet/piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.844638 Composed by Phil …
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.844638 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414741. Published by Phil Beaman (A0.844638). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Clarinette et Piano
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Phil Beaman
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I Love You Truly-Alto clarinet/piano
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Phil Beaman
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.66 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.92 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.74 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.17 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
Nessun Dorma
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955819 By Luciano P…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955819 By Luciano Pavarotti. By Giacomo (Dp) Puccini, Giacomo Puccini, Laszlo Bencker, and Luis Chico Manolo. Arranged by Scott S. Stewart. Contemporary. 6 pages. Scott S. Stewart #6202443. Published by Scott S. Stewart (A0.955819). The iconic melody, Nessun dorma from the final act of Puccini's Turandot has become a staple in operatic solo repertoire. Although it has found its way in film soundtracks, sporting events, commercials, etc - the aria itself has yet to evolve the anthem status it deserves on choral concerts. This arrangement for a 4-part SATB ensemble with piano accompaniment seeks to help elevate Nessun dorma to that place. Its magical atmosphere and bravado make this tune a great choral concert finale or encore number. Performance time: 2:09+ .
$2.99
2.74 €
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Chorale SATB
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Luciano Pavarotti
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Scott S
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Nessun Dorma
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Scott S. Stewart
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SheetMusicPlus
RunUp
Instrumental Duet Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.964271…
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Instrumental Duet Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.964271 Composed by Isaac Bartels. 20th Century,Contemporary. Score and parts. 14 pages. Isaac Bartels #5722751. Published by Isaac Bartels (A0.964271). RunUp is a rhythmic, thrilling and dynamic piece, featuring interlocking rhythms that evolve over distinctive groove-based sections. It works as either a mood-setting start or an energetic finish to any percussion concert.For two marimbas (5-octave). Contains full score and separate parts (Marimba 1 + Marimba 2) in a single PDF file. Duration: 3'34, 8 pages (full score).
$20.00
18.34 €
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Isaac Bartels
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RunUp
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Isaac Bartels
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SheetMusicPlus
Ciclo 1 - Passeio
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.492373 By Henderson Rodrigues. By …
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Solo Guitar - Level 5 - Digital Download SKU: A0.492373 By Henderson Rodrigues. By Henderson Rodrigues. Arranged by Henderson Rodrigues. Contemporary,Contest,Festival,Instructional. Individual part. 3 pages. Henderson Rodrigues #107630. Published by Henderson Rodrigues (A0.492373). The work for solo guitar describes the evolution of natural cycles through sound objects that evolve by interacting with each other. The work is not an arrangement and uses atonalisms.
$10.00
9.17 €
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Guitare
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Henderson Rodrigues
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Henderson Rodrigues
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Ciclo 1 - Passeio
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Henderson Rodrigues
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SheetMusicPlus
Night in Bethlehem ( s s a + optional solo )
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.901119 Arranged by Clifford…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.901119 Arranged by Clifford W. King. A Cappella,Celtic,Christmas,Contemporary,World. Octavo. 5 pages. Clifford W. King #6662119. Published by Clifford W. King (A0.901119). Night in Bethlehem ( s s a + optional solo ) a cappellaTraditional Irish Christmas CarolIntermediate, advanced, English.This is an absolutely exquisite arrangement of a traditional Irish carol. The piece begins by establishing a traditional Celtic setting with sustained fifths that evolve and transform as they underscore the haunting melody. A short and effective aleatoric section gives each singer freedom to enter with the mystical melody at various times until all voices merge and sustain the final pitch. The harmonies created by the technique are sublime. The piece builds to a crescendo as the sopranos soar high supported by elegant harmonies. Finally, the piece ends with voices again entering at separate times to sing the final word. This otherworldly Christmas piece is sure to be a favorite for singers as well as audiences.Duration: 4:00Original Irish (Gaelic) edition also available.Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea.www.cliffordwking.com
$1.99
1.83 €
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Chorale 3 parties
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Clifford W
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Night in Bethlehem
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Clifford W. King
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SheetMusicPlus
Stars Through the Rain for SAB and electronic track
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1265057 Composed by Adrienn…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff†in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99
1.83 €
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Chorale 3 parties
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Adrienne Inglis
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Stars Through the Rain for SAB and electronic track
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Adrienne Inglis
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SheetMusicPlus
I Love You Truly-bassoon/piano
Basson, Piano (duo)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.844625 Composed by Phil Beaman. …
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.844625 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413057. Published by Phil Beaman (A0.844625). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Basson, Piano (duo)
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Phil Beaman
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I Love You Truly-bassoon/piano
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Phil Beaman
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SheetMusicPlus
I Love You Truly-French horn/piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.844630 Composed by Phil Beam…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.844630 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413763. Published by Phil Beaman (A0.844630). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Cor et Piano
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Phil Beaman
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I Love You Truly-French horn/piano
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Phil Beaman
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SheetMusicPlus
I Love You Truly-Bass clarinet/piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Be…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Clarinette Basse, Piano
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Phil Beaman
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I Love You Truly-Bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
I Love You Truly-viola/piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20…
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Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413063. Published by Phil Beaman (A0.844627). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Alto, Piano
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Phil Beaman
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I Love You Truly-viola/piano
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Phil Beaman
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SheetMusicPlus
I Love You Truly-trombone/piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.844626 Composed by Phil Beaman.…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.844626 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413053. Published by Phil Beaman (A0.844626). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Trombone et Piano
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Phil Beaman
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I Love You Truly-trombone/piano
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Phil Beaman
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SheetMusicPlus
I Love You Truly-English horn/piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.844639 Composed by Phil Bea…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414777. Published by Phil Beaman (A0.844639). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.49 €
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Cor anglais, Piano
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Phil Beaman
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I Love You Truly-English horn/piano
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Phil Beaman
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SheetMusicPlus
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Version intégrale
