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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Exist for Love
Non classifié
42
Piano & claviers
Piano seul
31
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6
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4
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3
Instruments en Do
2
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2
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1
2 Pianos, 4 mains
1
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Retracter
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Guitare
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13
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
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7
Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
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1
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1
Violon
1
Violon et Piano
1
Harpe, Violon (duo)
1
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Orchestre
10
Orchestre d'harmonie
9
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6
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2
Ensemble Jazz
2
Xylophone
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
Exist for Love
Partitions à imprimer
243 partitions trouvées
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
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Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for two violins, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for two
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1...
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Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for violin, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for viol
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Pu...
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Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for oboe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publica...
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Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
Scarborough Fair arr. for flute, oboe, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Mult...
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
Exist For Love
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Piano Facile
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FACILE
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Contemporain
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Aurora
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Jason Wheeler
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Exist For Love
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Wheelers Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.888652 By Aurora. By Aurora Aksnes, Glen Roberts, Glenn Roberts, Magnux Aserud Skylstad, and Magnux Skylstad. Arranged by...
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Easy Piano - Level 2 - SKU: A0.888652 By Aurora. By Aurora Aksnes, Glen Roberts, Glenn Roberts, Magnux Aserud Skylstad, and Magnux Skylstad. Arranged by Jason Wheeler. Contemporary. Score. 4 pages. Wheelers Music #6380989. Published by Wheelers Music (A0.888652). Exist For Love By Aurora. 3 pages. Published by Wheelers MusicA instrumental piano of Exist For Love . A fun and easy to play arrangement of a great song.
$4.99
The Heart's Deep Appetites NAS. 11 for the left hand
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Adam Walter Carlsen
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The Heart's Deep Appetites NAS
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #8416...
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Piano Solo - Level 3 - SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #841611. Published by Adam Walter Carlsen (A0.1246984). I wrote this left hand piano piece based on a short narrative I made that has a question/observation followed by the answer.The Heart's Deep AppetitesWe Hunger for more than food. There is also hunger for love and self-worth. We need food to sustain us, and love and self-worth to carry us. Therefore, wouldn't it be wise to do what it takes to satisfy our hunger?Hunger also exists for that which gives us only temporal pleasure. One cannot exist focusing on satisfying this hunger. Our potential should only be used to fulfill our purpose of showing love and self-worth, and sharing it with others. The support of loved ones will see you through adversity and failure, allowing you to chase your dream and achieve your potential. However, one must be careful not to pursue an identity that is cunsuming, as it may overshadow your dream. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
Exist For Love
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Aurora
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Mario Stallbaumer
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Exist For Love
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.510725 By Aurora. By Aurora Aksnes, Glen Roberts, Glenn Roberts, Magnux Aserud Skylstad, and Magnux Skylstad. Arra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.510725 By Aurora. By Aurora Aksnes, Glen Roberts, Glenn Roberts, Magnux Aserud Skylstad, and Magnux Skylstad. Arranged by Mario Stallbaumer. Contemporary. Score. 7 pages. Mario Stallbaumer #5751649. Published by Mario Stallbaumer (A0.510725). Here's how to play Exist For Love by AURORA on piano!
$4.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
I Forgot That You Existed
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Basse electrique
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Pop musique
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Taylor Swift
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Gavin Jackson Music
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I Forgot That You Existed
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Gavin Jackson Music
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SheetMusicPlus
Bass Guitar TAB - SKU: A0.1496343 By Taylor Swift. By Adam King Feeney, Louis Bell, and Taylor Swift. Arranged by Gavin Jackson Music. Pop. Score. 2 pag...
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Bass Guitar TAB - SKU: A0.1496343 By Taylor Swift. By Adam King Feeney, Louis Bell, and Taylor Swift. Arranged by Gavin Jackson Music. Pop. Score. 2 pages. Gavin Jackson Music #1072916. Published by Gavin Jackson Music (A0.1496343). Taylor Swift - I Forgot That You ExistedAlbum - LoverComplete Bass TranscriptionTuning - Drop A (5 String Bass).
$5.99
The Love Which Makes Us One
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Gloria Cangahuala
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The Love Which Makes Us One
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Gloria Cangahuala #5713427.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala...
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Choral Choir (SATB) - Level 4 - SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)
$2.99
BACH: French Suite No. 6 BWV 817 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 6 BWV 8
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.501510 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Stand...
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String Quartet String Quartet - Level 4 - SKU: A0.501510 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 43 pages. Jmsgu3 #114346. Published by jmsgu3 (A0.501510). J. S. Bach: French Suite No. 6 BWV 817 for String Quartet Duration: 13:24 Score: 20 pages. Contents: Allemande, Courante, Sarabande, Gavotte, Polonaise, Bourrée, Menuet, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$39.95
BACH: French Suite No. 3 BWV 814 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 3 BWV 8
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.500858 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Stand...
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String Quartet String Quartet - Level 4 - SKU: A0.500858 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 36 pages. Jmsgu3 #113966. Published by jmsgu3 (A0.500858). J. S. Bach: French Suite No. 3 BWV 814 for String Quartet Duration: 12:21 Score: 15 pages. Contents: Allemande, Courante, Sarabande, Menuet-Trio, Gavotte, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$39.95
BACH: French Suite No. 1 BWV 812 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 1 BWV 8
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.500388 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Stand...
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String Quartet String Quartet - Level 3 - SKU: A0.500388 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 30 pages. Jmsgu3 #113579. Published by jmsgu3 (A0.500388). J. S. Bach: French Suite No. 1 BWV 812 for String Quartet Duration: 12:00 Score: 14 pages. Contents: Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$39.95
BACH: French Suite No. 3 BWV 814 for String Orchestra
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 3 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - SKU: A0.501708 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score...
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String Orchestra - SKU: A0.501708 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 40 pages. Jmsgu3 #114426. Published by jmsgu3 (A0.501708). J. S. Bach: French Suite No. 3 BWV 814 for String Orchestra Duration: 12:21 Score: 15 pages. Contents: Allemande, Courante, Sarabande, Menuet-Trio, Gavotte, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 6 BWV 817 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 6 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501905 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501905 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 48 pages. Jmsgu3 #114533. Published by jmsgu3 (A0.501905). J. S. Bach: French Suite No. 6 BWV 817 for String Orchestra Duration: 13:24 Score: 20 pages. Contents: Allemande, Courante, Sarabande, Gavotte, Polonaise, Bourrée, Menuet, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 2 BWV 813 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 2 BWV 8
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 37 pages. Jmsgu3 #114409. Published by jmsgu3 (A0.501651). J. S. Bach: French Suite No. 2 BWV 813 for String Orchestra Duration: 11:21 Score: 16 pages. Contents: Allemande, Courante, Sarabande, Air, Menuet, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 1 BWV 812 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 1 BWV 8
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501619 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501619 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 34 pages. Jmsgu3 #114401. Published by jmsgu3 (A0.501619). J. S. Bach: French Suite No. 1 BWV 812 for String Orchestra Duration: 12:00 Score: 14 pages. Contents: Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 4 BWV 815 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 4 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501738 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501738 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 37 pages. Jmsgu3 #114434. Published by jmsgu3 (A0.501738). J. S. Bach: French Suite No. 4 BWV 815 for String Orchestra Duration: 11:14 Score: 16 pages. Contents: Allemande, Courante, Sarabande, Gavotte, Air, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
BACH: French Suite No. 5 BWV 816 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 5 BWV 8
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.501749 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditio...
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String Orchestra - Level 4 - SKU: A0.501749 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 48 pages. Jmsgu3 #114439. Published by jmsgu3 (A0.501749). J. S. Bach: French Suite No. 5 BWV 816 for String Orchestra Duration: 16:10 Score: 20 pages. Contents: Allemande, Courante, Sarabande, Gavotte, Bourrée I, Bourrée II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$49.95
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