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TRI ET FILTRES
Tri et filtres :
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Piano seul
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6
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4
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9
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7
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6
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
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Hautbois, Piano (duo)
6
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5
2 Flûtes traversières (duo)
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4
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4
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2 Flûte à bec (duo)
3
Clarinette (partie séparée)
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Hautbois
3
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2
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2
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2
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2
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1
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Flute (partie séparée)
1
Flûte, Violon
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1
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1
3 Clarinettes (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
Piccolo, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trombone
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette
11
Cor
11
Ensemble de Trombones
10
Trompette (partie séparée)
7
Tuba
7
Trombone (partie séparée)
6
Trompette, Piano
6
Cor et Piano
5
Trombone et Piano
5
Tuba et Piano
4
Quatuor de cuivres: 4 cors
3
Ensemble de Trompettes
3
Trompette, Trombone (duo)
2
Trombone, Tuba (duo)
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
Ensemble de Cors
1
Instruments en Sib
1
4 Tubas
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
64
Trio à Cordes: violon, alto, violoncelle
20
Violon et Piano
15
Violon
15
Violoncelle (partie séparée)
8
Alto seul
8
Violoncelle
8
Violoncelle, Piano
7
Harpe
7
Alto, Piano
7
Violon, Violoncelle (duo)
6
Alto (partie séparée)
6
Violon (partie séparée)
6
Violon, Guitare (duo)
5
Violon, Alto (duo)
5
Contrebasse (partie séparée)
4
Contre Basse
4
2 Violons (duo)
4
2 Altos (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
214
Orchestre à Cordes
43
Orchestre
37
Ensemble Jazz
26
Orchestre de chambre
18
Cloches
15
Ensemble de cuivres
12
Ensemble de Percussions
7
Batterie
7
Batterie (partie séparée)
7
Fanfare
5
Percussion (partie séparée)
4
Vibraphone
2
Marimba
2
Jazz combo
2
Orchestre, Violon
2
Percussion
1
Piano et Orchestre
1
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AUTRES
Formation musicale - Solfège
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Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin ⢠German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of âletting goâ. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: âI will return the key of my doorâ. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though âin an oceanâ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: âSo teach us to number our days, that we may apply our hearts unto wisdomâ. This cannot be expressed more plainly.I have begun the requiem with a solo boyâs voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent âlux aeternaâ. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: âEntreià dich, Seele, nun der Zeit, entreià dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ [âTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ] and later: âUnd die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ [âAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: âUnd meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Hausâ [âAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâs late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my ârenewedâ occupation with the âoldâ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a âhomecomerâ. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.11 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Forrest Gump - Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silv…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 24 pages. Flavio Regis Cunha #4405850. Published by Flavio Regis Cunha (A0.597203). This is a beautiful arrangement for acoustic guitar, percussion and string orchestra. This music is of extreme beauty and simplicity. While the guitar performs the main melody, the string orchestra performs simple figurations, occasionally in divisi. Two lines of cellos were added to take better advantage of the instrument. Intermediate.Format: Concert, 9 x 12 inches.FULL SCOE AND ORCHESTRAL PARTS16 pages. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
46.53 €
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Orchestre de chambre
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Alan Silvestri
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Flávio Régis Cunha
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Forrest Gump - Score
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Flavio Regis Cunha
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.3 €
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Orchestre de chambre
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
No Puede Ser
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1380417 Composed by Pablo So…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1380417 Composed by Pablo Sorozabal. Arranged by Elena Ionova. Chamber,Classical,Opera,Romantic Period. Score and parts. 26 pages. Elenaviolin #965192. Published by Elenaviolin (A0.1380417). From La Tabernera del Puerto. Beautiful music for any concert for  Tenor,  Piano  &  Strings.Classical collection are extremely useful for performing musicians.
$25.00
23.27 €
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Orchestre de chambre
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Pablo Sorozabal
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Elena Ionova
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 Strings
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No Puede Ser
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Elenaviolin
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SheetMusicPlus
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 - arr. matching the Requiem KV 626
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozartâs Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces. This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozartâs last composition.
$59.90
55.75 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Serenade for flute, horn and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Em…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
27.92 €
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Orchestre de chambre
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and orchestra
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James Strauss
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SheetMusicPlus
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945803 Composed by Wolfgang …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.
$59.90
55.75 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First ⦠THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
9.3 €
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Orchestre de chambre
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
El Fandango de Candil (Fandango by Candlelight) for Brass Octet + Flute, Piccolo
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.830653 Composed by Enrique Granados. A…
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Chamber Orchestra - Digital Download SKU: A0.830653 Composed by Enrique Granados. Arranged by Richard Byrnes. Contemporary. 91 pages. Richard Byrnes #3412063. Published by Richard Byrnes (A0.830653). The âGoyescasâ are reflection on paintings by Francisco Goya. They were written between 1909 and 1911. They we subtitled âLos majos enamoradosâ (The Gallants in Love). The original piano pieces are extremely difficult.The El Fandango de Candil (Fandango by Candlelight) is the third movement from the suite entitled Goyescas by Enrique Granados.
$59.99
55.84 €
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Orchestre de chambre
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Enrique Granados
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Richard Byrnes
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El Fandango de Candil
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Richard Byrnes
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066â1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
25.13 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Ki…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99
37.22 €
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Orchestre de chambre
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Sharon Kim
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Fantasy on the Theme of O God, Our Help in Ages Past
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Song of Songs Music
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SheetMusicPlus
Cosmose - mvt 4 (Double concerto for piano and orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.982738 Composed by Kolp, Pie…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.982738 Composed by Kolp, Pierre. Contemporary. Score and parts. 67 pages. Black Jackets Editions #2017651. Published by Black Jackets Editions (A0.982738). Extremely difficult - all instruments of orchestra play as soloists.
$47.50
44.21 €
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Orchestre de chambre
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Kolp, Pierre
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Cosmose - mvt 4
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Black Jackets Editions
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SheetMusicPlus
Concerto for solo cello and sinfonietta op.3
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why donât I write a cello concerto by myself? Thatâs why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
11.08 €
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Orchestre de chambre
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Angus Ludfranz
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/
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Concerto for solo cello and sinfonietta op.3
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Angus Ludfranz
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SheetMusicPlus
Tango
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261478 Composed by Goran Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261478 Composed by Goran Bregovich. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 6 pages. Elenaviolin #854556. Published by Elenaviolin (A0.1261478). Beautiful music for any concert for  Accordion & Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$15.00
13.96 €
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Orchestre de chambre
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Goran Bregovich
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Elena Ionova
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Strings
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Tango
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Elenaviolin
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SheetMusicPlus
Tango en skai
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261492 Composed by Roland D…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261492 Composed by Roland Dyens. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 14 pages. Elenaviolin #854570. Published by Elenaviolin (A0.1261492). Beautiful music for any concert for  Clarinet , Accordion & Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$20.00
18.62 €
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Orchestre de chambre
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Roland Dyens
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Elena Ionova
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Strings
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Tango en skai
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Elenaviolin
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.7 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005â08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoonâs color emerges like a lighthouse beaconâlyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the workâs basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
24.15 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Quintet for Bassoon and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Heinzelmannchens Wachtparade
Orchestre de chambre
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edit…
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
40.01 €
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Orchestre de chambre
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
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