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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
Für Julia
Partitions à imprimer
18 partitions trouvées
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1
Für Julia
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.678707 Composed by Gert Th. Walter.…
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Piano Solo - Level 3 - Digital Download SKU: A0.678707 Composed by Gert Th. Walter. Pop. Score. 3 pages. Gert Th. Walter #3505127. Published by Gert Th. Walter (A0.678707). Easy Pop-Song, but not only for pupil and beginners. With completely fingering and pedal.
$2.99
2.73 €
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Piano seul
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Gert Th
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Für Julia
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Gert Th. Walter
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SheetMusicPlus
Leaving Lismore (Fàgail Lios Mòr)
Accordéon
Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pages. Published by Julia Gordo…
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Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pages. Published by Julia Gordon (S0.256255). - - World,Folk,European,Celtic - Julia Gordon
$3.25
2.97 €
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Accordéon
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Julia Gordon
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Leaving Lismore
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Julia Gordon
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SheetMusicPlus
Für Anothai (for piano solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.971715 Composed by WAGSTAFF, Julian…
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Piano Solo - Level 3 - Digital Download SKU: A0.971715 Composed by WAGSTAFF, Julian. Concert,Contemporary,Standards. Score. 6 pages. Julian Wagstaff #3420555. Published by Julian Wagstaff (A0.971715). This exuberant and jagged piece for solo piano makes a great addition to any contemporary recital - perhaps even as an encore. It was written for, and is dedicated to, the Thai composer Anothai Nitibhon.
$5.99
5.47 €
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Piano seul
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WAGSTAFF, Julian
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Für Anothai
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Julian Wagstaff
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SheetMusicPlus
How Far I'll Go
Alto (partie séparée)
Viola Solo - Level 3 - Digital Download SKU: A0.555392 By Alessia Cara. By Lin-Manu…
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Viola Solo - Level 3 - Digital Download SKU: A0.555392 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Julia Yeon-Joo Oh. Children,Film/TV. Individual part. 3 pages. Julia Oh Music #165004. Published by Julia Oh Music (A0.555392). German version of How Far I'll Go from Moana arranged for viola. Enjoy! Ich bin Bereit aus Vaiana, Helene Fischer Version, arrangiert für Viola. Viel Spaß! Original Song: https://youtu.be/5WStdigS37Y Playback Version: https://youtu.be/qk4pxJZBCMw.
$5.99
5.47 €
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Alto (partie séparée)
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Alessia Cara
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Julia Yeon-Joo Oh
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How Far I'll Go
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Julia Oh Music
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SheetMusicPlus
How Far I'll Go
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.555333 By Alessia Cara. By Lin-Man…
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Violin Solo - Level 3 - Digital Download SKU: A0.555333 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Julia Yeon-Joo Oh. Children,Film/TV. 3 pages. Julia Oh Music #164943. Published by Julia Oh Music (A0.555333). German version of How Far I'll Go from Moana arranged for a treble clef instrument. Enjoy! Ich bin Bereit aus Vaiana, Helene Fischer Version, arrangiert für ein Instrument im Violinschlüssel. Viel Spaß! Original Song: https://youtu.be/5WStdigS37Y Playback Version: https://youtu.be/qk4pxJZBCMw.
$5.99
5.47 €
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Violon
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Alessia Cara
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Julia Yeon-Joo Oh
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How Far I'll Go
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Julia Oh Music
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SheetMusicPlus
Oelflecke auf dem Wasser [woodwind quintet]
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00
3.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [woodwind quintet]
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Juan Maria Solare
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SheetMusicPlus
Sieben Abgesänge auf eine tote Linde
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718
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Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
52.93 €
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Joerg Widmann
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Sieben Abgesänge auf eine tote Linde
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Schott Music - Digital
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SheetMusicPlus
This Wish
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1314543 Composed by Benjamin Rice, JP …
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Piano,Vocal,Voice - Digital Download SKU: A0.1314543 Composed by Benjamin Rice, JP Saxe, and Julia Michaels. Arranged by Antje Günther. 20th Century,Broadway,Children,Film/TV,Musical/Show,Pop. Score. 5 pages. Antje Guenther #903296. Published by Antje Guenther (A0.1314543). This is a professional arrangement for singer and piano backing!Das ist ein professionelles Arrangement für Gesang und Klavierbegleitung!
$15.99
14.59 €
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Piano, Voix
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Benjamin Rice, JP Saxe, and Julia Michaels
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Antje Günther
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This Wish
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Antje Guenther
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SheetMusicPlus
This Wish
Piano seul
Piano Solo - Digital Download SKU: A0.1314647 Composed by Benjamin Rice, JP Saxe, a…
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Piano Solo - Digital Download SKU: A0.1314647 Composed by Benjamin Rice, JP Saxe, and Julia Michaels. Arranged by Antje Günther. 20th Century,Classical,Film/TV,Pop,Soul. Score. 4 pages. Antje Guenther #903401. Published by Antje Guenther (A0.1314647). This is an arrangement for SOLO PIANO with LYRICS.Das ist ein Arrangement für KLAVIER SOLO mit LIEDTEXT.
$12.99
11.86 €
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Piano seul
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Benjamin Rice, JP Saxe, and Julia Michaels
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Antje Günther
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This Wish
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Antje Guenther
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SheetMusicPlus
All Of Me
Alto (partie séparée)
Viola Solo - Level 4 - Digital Download SKU: A0.540376 By John Legend. By John Step…
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Viola Solo - Level 4 - Digital Download SKU: A0.540376 By John Legend. By John Stephens and Toby Gad. Arranged by Julia Yeon-Joo Oh. Hip-Hop,R & B. Individual part. 2 pages. Julia Oh Music #150527. Published by Julia Oh Music (A0.540376). All of Me in the original key of F minor. To be played along the original soundtrack: https://youtu.be/450p7goxZqg Or with the play-along: https://youtu.be/qdfHkAfalZY Enjoy!
$4.99
4.55 €
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Alto (partie séparée)
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John Legend
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Julia Yeon-Joo Oh
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All Of Me
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Julia Oh Music
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SheetMusicPlus
Wild Thoughts
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.733750 By DJ Khaled (feat Rihanna)…
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Violin Solo - Level 2 - Digital Download SKU: A0.733750 By DJ Khaled (feat Rihanna). By Bryson Tiller, Carlos Santana, DJ Khaled, David McRae, Jahron Brathwaite, Jerry Duplessis, Karl F. Perazzo, Marvin Hough, Raul Rekow, Robyn Fenty, and Wyclef Jean. Arranged by Julia Mills. Contemporary,Hip-Hop,Pop,R & B. 1 pages. Julia Mills #341960. Published by Julia Mills (A0.733750). Wild Thoughts by DJ Khaled ft. Rihanna; arranged for solo violin.
$4.99
4.55 €
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Violon
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DJ Khaled
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Julia Mills
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arranged for solo violin.
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Wild Thoughts
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Julia Mills
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SheetMusicPlus
All Of Me
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.502936 By John Legend. By John Ste…
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Violin Solo - Level 5 - Digital Download SKU: A0.502936 By John Legend. By John Stephens and Toby Gad. Arranged by Julia Yeon-Joo Oh. Hip-Hop,R & B. 2 pages. Julia Oh Music #115200. Published by Julia Oh Music (A0.502936). All of Me in the original key of F minor. Can be played by not only the violin but any other treble clef instrument! To be played along the original soundtrack: https://youtu.be/450p7goxZqg Or with the play-along: https://youtu.be/qdfHkAfalZY Enjoy!
$4.99
4.55 €
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Violon
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John Legend
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Julia Yeon-Joo Oh
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All Of Me
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Julia Oh Music
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SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
30.98 €
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Tango De Amor for string quintet
String Ensemble - Level 3 - Digital Download SKU: A0.1320255 Composed by Julian San…
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String Ensemble - Level 3 - Digital Download SKU: A0.1320255 Composed by Julian Santos. Arranged by Ernesto F. Herrera A. Latin. 24 pages. T&R Music #908768. Published by T&R Music (A0.1320255). A beautiful tango written Julian Santos for voice and piano originally. This arrangement is for string quintet with extra parts for viola, cello, and contrabass doubles.
$15.00
13.69 €
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Julian Santos
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Ernesto F
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Tango De Amor for string quintet
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T&R Music
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SheetMusicPlus
PIANO PUR
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century,…
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Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-Romantic. Individual Part, Score. 80 pages. Published by Fajora Music
Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16
$29.95
27.33 €
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Piano seul
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Rainer Fabich
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PIANO PUR
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Fajora Music
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