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1 Piano, 4 mains
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Orgue
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2 Pianos, 4 mains
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Piano Quatuor: piano, violon, alto, violoncelle
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75
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58
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43
Chorale
33
Chorale Unison
26
Voix duo, Piano
10
Voix duo
7
Voix haute
5
Voix Soprano, Piano
3
Chorale SSATBB
2
Chorale SSATTB
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1
Chorale SATBB
1
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1
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1
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1
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Saxophone (partie séparée)
355
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Clarinette (partie séparée)
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Quatuor de Saxophones: 4 saxophones
76
Flute (partie séparée)
74
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55
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51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Quatuor de Clarinettes: 4 clarinettes
45
Saxophone Tenor
41
Flûte, Hautbois, Clarinette, Basson
40
2 Saxophones (duo)
31
Saxophone Alto et Piano
28
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Clarinette et Piano
27
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25
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21
3 Saxophones (trio)
17
2 Flûtes traversières (duo)
16
Ensemble de saxophones
16
2 Clarinettes (duo)
15
Hautbois
12
Saxophone Soprano et Piano
12
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11
3 Clarinettes (trio)
10
Flûte, Clarinette (duo)
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Ensemble de Flûtes
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Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
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Clarinette Basse, Piano
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Hautbois, Clarinette (duo)
4
Flûte, Hautbois, Clarinette (trio)
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2 Saxophones, Piano
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Clarinette Basse
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3
Flûte, Hautbois (duo)
3
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3
Quatuor de Flûtes à bec
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Clarinette et Alto
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Cor Anglais
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3 Hautbois
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Trompette
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107
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62
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56
Trompette, Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
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Tuba
21
Cor et Piano
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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2 Trombones (duo)
11
Euphonium, Piano (duo)
8
Tuba ou Euphonium ou Saxhorn
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2 Trompettes (duo)
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Trompette, Saxophone (duo)
7
Euphonium
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Trompette, Trombone (duo)
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Cor anglais, Piano
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3 Trombones (trio)
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Quatuor de cuivres: 4 cors
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Bass Clef Instruments
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Trio de Cuivres
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Quatuor de cuivres: 4 trombones
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2
2 Euphoniums (duo)
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2 Euphoniums et 2 Tubas
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2 Cors (duo)
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3 Trompettes (trio)
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1
Quatuor de Cuivres
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4 Tubas
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1
Cor Anglais
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Euphonium, Tuba (duo)
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1
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2 Trompettes, Clavier (piano ou orgue)
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Quatuor à cordes: 2 violons, alto, violoncelle
256
Violon (partie séparée)
134
Violon
123
Violon et Piano
78
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Alto seul
66
Contrebasse (partie séparée)
65
Violoncelle
52
Alto (partie séparée)
50
Trio à Cordes: violon, alto, violoncelle
45
Harpe
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Violoncelle, Piano
31
Violon, Violoncelle (duo)
27
Alto, Piano
20
2 Violoncelles (duo)
17
2 Violons (duo)
17
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Contre Basse
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
2 Altos (duo)
5
Trio à cordes
4
2 Harpes (duo)
4
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe (partie séparée)
2
2 Violons, Piano
2
Alto, Guitare (duo)
2
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
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Orchestre d'harmonie
761
Orchestre
205
Batterie
202
Orchestre à Cordes
182
Percussion (partie séparée)
117
Ensemble Jazz
110
Ensemble de cuivres
76
Fanfare
71
Batterie (partie séparée)
57
Percussion
37
Cloches
26
Orchestre de chambre
24
Jazz combo
18
Timbales (partie séparée)
17
Ensemble de Percussions
11
Timbales
6
Marimba
5
Quintette à Vent
4
Xylophone
3
Ensemble d'École
2
Quatuor à Vent : 4 instruments à vents
2
Vibraphone
1
Batterie-Fanfare
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
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Xylophone, Piano
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Clarinette Basse, Piano
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Feast of Love - Bass Clarinet/Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.66 €
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Clarinette Basse, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/Piano
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Phil Beaman
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SheetMusicPlus
Burnin' Couches
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Digital Download SKU: A0.1024235 Composed b…
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Bass Clarinet,Instrumental Solo,Piano - Digital Download SKU: A0.1024235 Composed by Adam Phoenix White. 20th Century,Concert,Contemporary. Score and individual part. 13 pages. Adam Phoenix White #2918177. Published by Adam Phoenix White (A0.1024235). A recital piece for collegiate or professional level Bass Clarinetists. Written for the Senior recital of Becky Belk at Colorado State University. The piece was inspired by an event that the newspapers called a riot and made a big to-do about, which dominated the local news cycle for several weeks. In reality, it was simply a handful of students who lit a couple couches on fire in the middle of the street, and other people came to watch.
$7.99
7.46 €
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Clarinette Basse, Piano
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Adam Phoenix White
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Burnin' Couches
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Adam Phoenix White
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Wotan's Farewell and Magic Fire
Clarinette Basse, Piano
From The Valkyrie. Composed by Richard Wagner (1813-1883). Arranged by Lahav Shani. …
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From The Valkyrie. Composed by Richard Wagner (1813-1883). Arranged by Lahav Shani. Downloadable, score and part. Duration 13' 0. Schott Music - Digital #Q555915. Published by Schott Music - Digital
$13.99
13.06 €
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Clarinette Basse, Piano
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Richard Wagner
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Lahav Shani
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Wotan's Farewell and Magic Fire
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Schott Music - Digital
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâs Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.75 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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