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Fear Is Not My Future
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Fear Is Not My Future
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1189909 By Brandon Lake. By Brand…
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C Instrument - Level 2 - Digital Download SKU: A0.1189909 By Brandon Lake. By Brandon Lake, Hannah Shackelford, Jonathan Jay, and Nicole Hannel. Arranged by Jhonata Lino. Praise & Worship,Religious,Sacred,Spiritual,Wedding. Lead Sheet / Fake Book. 4 pages. Jhonata Lino #789514. Published by Jhonata Lino (A0.1189909). Em 17 de junho de 2015, nove homens e mulheres afro-americanos perderam a vida em um único ato de ódio durante um estudo bÃblico semanal na Madre Emanuel AMEC em Charleston, SC. Sete anos após a tragédia, Fear Is Not My Future foi gravado em abril de 2022 para comemorar e honrar as vidas perdidas durante o tiroteio de Charleston. Este cântico é uma declaração de esperança em meio à s nossas provações e tribulações. O coração por trás deste projeto é não apenas expandir a ideia de como é o Reino de Deus, mas também compartilhar e espalhar música e uma mensagem que explora um amor inspirador e não filtrado por todas as pessoas. Fear is Not My Future foi escrito por Brandon Lake, Jonathan Jay, Hannah Shackleford e Nicole Hannel. É do álbum de colaboração da Maverick City Music com Kirk Franklin intitulado Kingdom Book One
$5.99
5.5 €
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Instruments en Do
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Brandon Lake
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Jhonata Lino
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Fear Is Not My Future
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Jhonata Lino
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SheetMusicPlus
Fear Is Not My Future [easy] by TONKlavierstudio Worship - Piano Solo
Piano seul
Sheet Music for Fear Is Not My Future [easy] by TONKlavierstudio Worship arranged for Inst…
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Sheet Music for Fear Is Not My Future [easy] by TONKlavierstudio Worship arranged for Instrumental Solo;Piano/Vocal/Chords in C Major. Digital sheet music from Musicnotes. --
$5.79
5.32 €
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Piano seul
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Piano Solo
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Musicnotes
Contagion (Full Album Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Fr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
22.96 €
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Orchestre
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.1 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Drop, drop slow tears (2023)
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.818187 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.818187 Composed by Philip Le Bas. Easter,Sacred. 8 pages. Philip Le Bas #6333823. Published by Philip Le Bas (A0.818187). An anthem composed by Philip le Bas especially suitable for church choirs during Lent (or Advent) and Holy Week. It might also be particularly suitable for Remembrance services.The Jacobean poet Phineas Fletcher’s passionate prayer of repentance is here set to music for SATB choir and organ. In a series of pulsating descending scales the author’s words express heartfelt remorse for his sins, reflecting the story of Jesus and the weeping woman in Luke 7:36ff. This is real, deep sorrow and regret, looking to the Prince of Peace for forgiveness: at one poignant moment the music reaches a point of stillness as the slow tears continue to fall. The weeping then turns to anger, crying for vengeance, because sin doth never cease. The music rises to an intense climax, but suddenly vanishes; the anger is, after all, self-directed. Finally the text returns to a prayer of supplication to drown all my faults and fears, and the harmonies end with a hope-filled hint of future healing. Drop, drop, slow tears, and bathe those beauteous feet, which brought from heaven the news and Prince of Peace. Cease not, wet eyes, his mercies to entreat; to cry for vengeance, sin doth never cease. In your deep floods, drown all my faults and fears; nor let his eye see sin, but through my tears.  Phineas Fletcher (1623)The composer acknowledges with gratitude the ideas and help received from the Composition Workshop of Morley College during the Spring term of 2021, and particularly from its tutor Dr Paul Sarcich.
$1.99
1.83 €
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Chorale SATB
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Philip Le Bas
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Drop, drop slow tears
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Philip Le Bas
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SheetMusicPlus
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