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Feeling Good for String Trio
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Trio à Cordes: violon, alto, violoncelle
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Trio à Cordes: 2 violons, violoncelle
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Vous avez sélectionné:
Feeling Good for String Trio
SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Feeling Good for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Michael Buble
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Feeling Good for String Trio
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Stringtastic Publications
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SheetMusicPlus
String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtast...
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String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtastic Publications
"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint ? The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.[1]
Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bubl, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, and Black Cat Bones, among others.
$12.99
String Trio No. 2
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Patrick Prejean
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String Trio No. 2
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Patrick Prejean
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1118541 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 25 pages. Patrick Prejean #72005...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1118541 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 25 pages. Patrick Prejean #720056. Published by Patrick Prejean (A0.1118541). This trio was written for City Six Strings. This is the 2nd (proper) string trio which is for the weddings, cocktails, etc. The first movement was based on a question I would ask my younger self in a dream I had where do you angels go? The second movement is based off of the feeling of a good night of sleep which is rare for me much like playing in the key of B flat is. The third movement is a scherzo which starts of wacky but quickly mitigates into happy ending. Finally the last movement is the capturing of seeing the sunrise and sunset after many days of grey and gloom. There is a fragment of Here Comes the Sun which is subtle. This movement being in A major gives the listener the sonority of happiness and joy.
$50.00
Feeling Good
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Michael Buble
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Roger Wallace
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Feeling Good
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Roger Wallace
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1158651 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Bro...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1158651 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz,Musical/Show,Standards. 28 pages. Roger Wallace #758923. Published by Roger Wallace (A0.1158651). Mixed Instrument Quartet or Trio (see title page for details). The Leslie Bricusse & Anthony Newley classic from The Roar of the Greasepaint – The Smell of the Crowd, performed as a 12/8 Blues Chorus with 4/4 Stop-Time Bridge. Features First Part as the Soloist. Can be performed as a Trio by omitting Part 2. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
3 pieces For Cello Trio (Children)
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Trio à Cordes: 3 violoncelles
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DÉBUTANT
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Markus Hallikainen
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3 pieces For Cello Trio
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Markus Hallikainen
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 1 - SKU: A0.906216 Composed by Markus Hallikainen. Contemporary,Instructional. Score and parts. 14 pages. Mark...
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String Ensemble,String Trio Cello - Level 1 - SKU: A0.906216 Composed by Markus Hallikainen. Contemporary,Instructional. Score and parts. 14 pages. Markus Hallikainen #6514433. Published by Markus Hallikainen (A0.906216). These 3 little pieces give opportunity to try chamber music playing in cello trio.Pieces were put together to enable young students to try cool things together, to experience the feeling of playing in ensemble. There is some fast and slow passages as well as easier and bit more difficult things. Pieces are good for beginning cellists who can already play in first position.Set includes score and partsmore info: www.markushallikainen.com
$11.99
Lame Tango (from Tango Suite) for string sextet - A4 version
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Tango
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Jozsef Remenyi
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Lame Tango
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Jozsef Remenyi
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.999117 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 18 pages. Jozsef Remenyi ...
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String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.999117 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 18 pages. Jozsef Remenyi #6051337. Published by Jozsef Remenyi (A0.999117). This is a transcription of the fourth movement of my Tango Suite for string sextet (2 violins, 2 violas, 2 cellos), written in 5/4, with strange rhythms, but strong tango-feeling. Very good as an anchor of a concert. The style is close to Piazzolla's tangos. Duration: 2:38. Print size: A4 (check the Letter version in my catalog). The pdf contains the score and all parts.The music is the original movement with orchestra, not the transcripted sextet!
$14.90
Lame Tango (from Tango Suite) for string sextet - Letter version
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Tango
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Jozsef Remenyi
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Lame Tango
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Jozsef Remenyi
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.999118 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 18 pages. Jozsef Remenyi ...
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String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.999118 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 18 pages. Jozsef Remenyi #6051343. Published by Jozsef Remenyi (A0.999118). This is a transcription of the fourth movement of my Tango Suite for string sextet (2 violins, 2 violas, 2 cellos), written in 5/4, with strange rhythms, but strong tango-feeling. Very good as an anchor of a concert. The style is close to Piazzolla's tangos. Duration: 2:38. Print size: Letter (check the A4 version in my catalog). The pdf contains the score and all parts.The music is the original movement with orchestra, not the transcripted sextet!
$14.90
Feeling Good
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Michael Buble
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Roger Wallace
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Feeling Good
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Roger Wallace
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1158645 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1158645 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz,Musical/Show,Standards. 28 pages. Roger Wallace #758917. Published by Roger Wallace (A0.1158645). Mixed Instrument Quartet or Trio (see title page for details). The Leslie Bricusse & Anthony Newley classic from The Roar of the Greasepaint – The Smell of the Crowd, performed as a 12/8 Blues Chorus with 4/4 Stop-Time Bridge. Features First Part as the Soloist. Can be performed as a Trio by omitting Part 2. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Philips
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Austria
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"Oktoberfest Waltz Medley
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947266 Arranged by John Philips. Folk,World. Score and parts. 39 pages. John Philips Music Service #1999441. Publis...
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String Orchestra - Level 3 - SKU: A0.947266 Arranged by John Philips. Folk,World. Score and parts. 39 pages. John Philips Music Service #1999441. Published by John Philips Music Service (A0.947266). This collection of waltzes is from the celebrations of everyday people in Germany & Austria. This is not what was played for the high society functions but is what was heard at Oktoberfests and other public events for the masses. Much can be called folk music. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. If you take your orchestra to an Oktoberfest, make sure they are all 21 or have a good ID.
$15.00
"The Kindergarten Concert" String Orchestra Heritage Series #3
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Philips
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"The Kindergarten Concert
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947256 Arranged by John Philips. Children,Jazz. Score and parts. 54 pages. John Philips Music Service #1999219. Pub...
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String Orchestra - Level 3 - SKU: A0.947256 Arranged by John Philips. Children,Jazz. Score and parts. 54 pages. John Philips Music Service #1999219. Published by John Philips Music Service (A0.947256). The purpose of this arrangement is to furnish material for a Junior High or Senior High Orchestra to use in playing a concerts for the Kindergarten/1st Grade/2nd Grade and 3rd Grade Kids. This gives the players an chance to play a fun concert for people they know---and is also a great recruiting tool for future orchestra members. The tunes are all ones that the younger kids know , or should know. A suggested plan for doing this is on the back cover--a list of the 20 tunes is included. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work if read---sometimes you can convert and electric bass player to a string bass or cello player--but you have to talk fast !!!!
$15.00
"Italian Traditional Medley"------String Orchestra-------Heritage Series # 16
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Philips
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"Italian Traditional Medl
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947263 Arranged by John Philips. Folk,World. Score and parts. 44 pages. John Philips Music Service #1999437. Publis...
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String Orchestra - Level 3 - SKU: A0.947263 Arranged by John Philips. Folk,World. Score and parts. 44 pages. John Philips Music Service #1999437. Published by John Philips Music Service (A0.947263). These five selections have old roots in the culture of Italy. Your audience might not know their names ( unless they're Italians ), but they will surely recognize and enjoy them. They have all been around for generations. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos.
$15.00
"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
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Orchestre à Cordes
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FACILE
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John Philips
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"SouthOf The Border Mexic
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Publishe...
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String Orchestra - Level 2 - SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Published by John Philips Music Service (A0.947257). A series of happy Mexican Tunes that have the audience adding to the rhythm with some hand-clapping. This chart is easy and will connect with your audience. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work and maybe you can convert the player to be a cello or upright player-----(another way of recruiting).
$15.00
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Philips
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"Famous Classical Themes&
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #19994...
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String Orchestra - Level 3 - SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
Levels
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ash Pournouri, Avicii, Etta Ja
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Sarah Cellobat Chaffee
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Levels
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.1094915 Composed by Ash Pournouri, Avicii, Etta James, Leroy Kirkland, and Pearl Woods. Arranged by Sarah C...
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String Trio Cello,Violin - Level 4 - SKU: A0.1094915 Composed by Ash Pournouri, Avicii, Etta James, Leroy Kirkland, and Pearl Woods. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #698984. Published by Sarah Cellobat Chaffee (A0.1094915). *INSTRUMENTATION: TWO VIOLINS & CELLO* Before its release in October of 2011, even Avicii had no idea how popular his song Levels would soon become! The Swedish DJ originally wrote the song because he fell in love with a vocal line from an Etta James song, and the good feeling he got from the lyrics proved to translate well to his audience. Now a universally recognized EDM classic, the song was certified platinum in the US, 2x platinum in the UK, and 8x platinum in Sweden -- so there's no question your audience will love this one! This Cellobat arrangement for your two-violin and cello trio is a joyous string adaptation of the original, featuring the catchy hooks, soaring melodic lines, bouncy beat, and layered harmonies that made the world fall in love with this song. Originally written for a wedding, this will also be perfect for receptions, cocktail parties, solo & ensemble contest, or any other occasion that you need to get your audience dancing! Rated advanced-intermediate for a handful of tricky rhythms and a few high notes in the violin parts; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Six Thinking Hats [3 celli]
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score ...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00
Best Day Of My Life
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Rock
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American Authors
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Sherry Lewis Publishing
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Best Day Of My Life
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello - Level 3 - SKU: A0.521710 By American Authors. By Aaron Accetta, David Rublin, James Adam Shelley, Matthew Sanchez, Shep Goodman, and...
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String Trio Cello - Level 3 - SKU: A0.521710 By American Authors. By Aaron Accetta, David Rublin, James Adam Shelley, Matthew Sanchez, Shep Goodman, and Zachary Barnett. Arranged by Sherry Lewis Publishing. Rock. 13 pages. Sherry Lewis Publishing #6383579. Published by Sherry Lewis Publishing (A0.521710). BEST DAY OF MY LIFE Cello Trio (3 cellos) Intermediate Level Score 3 pages Parts: 6 pages Time: 3'15 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
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