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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Feet First
Sheetmusicplus
Non classifié
11
Piano & claviers
Piano seul
12
Piano, Voix
8
Orgue
4
Piano Facile
3
Piano, Voix et Guitare
3
Piano Trio: piano, violon, violoncelle
1
+ 1 instrumentations
Retracter
Guitares
Guitare
3
3 Guitares (trio)
2
Guitare notes et tablatures
1
Voix
Chorale SATB
16
Chorale TTBB
4
Chorale SSAA
3
Chorale 2 parties
2
Chorale Unison
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 2 instrumentations
Retracter
Vents
Ensemble de Flûtes
2
3 Clarinettes (trio)
1
Flûte traversière
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble de saxophones
1
Hautbois, Piano (duo)
1
+ 2 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Harpe
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Harpe, Voix
1
Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre de chambre
4
Orchestre
3
Orchestre à Cordes
2
Ensemble de cuivres
2
Jazz combo
1
+ 1 instrumentations
Retracter
Autres
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Instruments
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BUGLE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FUNK
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METHODE : TECHNIQUES
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POLKA
POP ROCK - POP MUSIC
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Vous avez sélectionné:
Feet First
SheetMusicPlus
Partitions à imprimer
131 partitions trouvées
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126
Stinky Feet
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727360 Composed by Carol…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727360 Composed by Carol Troutman Wiggins. Blues,Children,Comedy,Contemporary,Instructional. Octavo. 3 pages. Carol Troutman Wiggins #3471983. Published by Carol Troutman Wiggins (A0.727360). STINKY FEETUnison w/Optional Guiro, Ratchet, and WashboardNeed something out of the box? Uncle Pete has stinky feet! This fun, upbeat song includes optional guiros, ratchets, and/or a washboard.Excellent for any age elementary & younger middle school students.Instrument notes included on first pageEasy rhythms that can be taught by roteChords included (Ukulele or even a banjo would be good!)
$2.50
2.3 €
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Chorale Unison
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Carol Troutman Wiggins
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Stinky Feet
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Carol Troutman Wiggins
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SheetMusicPlus
Stinky Feet (Piano Accompaniment Track)
Banjo,Choir,Piano,Ukulele - Digital Download SKU: A0.1065546 Composed by Carol Trou…
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Banjo,Choir,Piano,Ukulele - Digital Download SKU: A0.1065546 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional,Standards. Accompaniment. Duration 57. Carol Troutman Wiggins #3471985. Published by Carol Troutman Wiggins (A0.1065546). STINKY FEET Piano TrackUnison w/Optional Guiro, Ratchet, and WashboardNeed something out of the box? Uncle Pete has stinky feet! This fun, upbeat song includes optional guiros, ratchets, and/or a washboard.Excellent for any age elementary & younger middle school students.Instrument notes included on first pageEasy rhythms that can be taught by roteChords included (Ukulele or even a banjo would be good!).
$5.99
5.52 €
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Carol Troutman Wiggins
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Stinky Feet
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Carol Troutman Wiggins
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SheetMusicPlus
Find Your Feet!
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1276270 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1276270 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #868029. Published by Andrew Mc Donald (Macka Records) (A0.1276270). Find Your Feet is a song about being in a new role or job which one is unfamiliar with. At first you can be aprehensive and feeling a bit inadequate. But because Jesus is with you it is going to be all okay. You will find your feet. You are a good fit for the role. You just have to see that you are gonna be brilliant! This is a country song for piano and vocals.
$4.99
4.6 €
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Piano, Voix et Guitare
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Andrew McDonald
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Andrew McDonald
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Find Your Feet!
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Andrew Mc Donald
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SheetMusicPlus
My Feet Can't Fail Me Now
Ensemble de cuivres
Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - …
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Baritone Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1393275 By Dirty Dozen Brass Band. By B. Jones, C. Joseph, E. Towns, G. Davis, J. Marshall, K. Harris, K. Joseph, and R. Lewis. Arranged by DaiyeOne. Contemporary,Funk,Jazz,R and B,Soul. 46 pages. Layered Music #976757. Published by Layered Music (A0.1393275). The official sheet music (delivered as PDFs via digital download) for Dirty Dozen Brass Band's classic My Feet Can't Fail Me Now, as put to tape in the studio on the 1984 debut album of the same name. This is the first official sheet music released by the artists themselves; proceeds support the band directly. An amazing educational tool for musicians, teachers, students, or anyone who wants a piece of cultural history, this order includes cover page, about the artist/song, performance notes, WAV file of the original recording, and full score/parts in PDF format, including parts for 2 trumpets, tenor sax, bari sax, trombone, sousaphone, and two percussionists.Transcribed, arranged, and designed by DaiyeOne, offering premier music transcription for artists and educators.DaiyeOne.com
$65.00
59.92 €
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Ensemble de cuivres
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Dirty Dozen Brass Band
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DaiyeOne
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My Feet Can't Fail Me Now
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Layered Music
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SheetMusicPlus
Dese Weary Feet. Song and Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4728 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4728 Composed by George M. Vickers. African Americans, Dialects, Distress, Freedmen, Homesickness, Log cabins, Ethnic stereotypes. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4728). Dese Weary Feet. Song and Chorus. Words and Music by Geo. M. Vickers. Published 1880 by Lee & Walker, 1113 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Distress, Freedmen, Homesickness, Log cabins, Ethnic stereotypes. First line reads I am trying hard to reach de blessed turning.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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George M
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Dese Weary Feet. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Where the Little Feet are Waiting, or, The Golden Stair
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3907 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3907 Composed by J.P. Webster. Children, Heaven, Symbols, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3907). Where the Little Feet are Waiting, or, The Golden Stair. Transcription by A.P. Wyman. Song by J.P. Webster. Published 1868 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children, Heaven, Symbols, Death. First line reads Put away the little dresses, that the darling used to wear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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J
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Where the Little Feet are Waiting, or, The Golden Stair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Fidgety Feet Dixieland for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.1113888 Composed by Nick LaRocc…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1113888 Composed by Nick LaRocca. Arranged by Bob Burnham. Jazz,Ragtime,Standards. Score and parts. 17 pages. Gordon Cherry #715789. Published by Gordon Cherry (A0.1113888). Fidgety Feet attributed to Nick LaRocca is a Dixieland jazz standard first recorded by the Original Dixieland Jazz Band in 1918 and then later as a hit in 1924 featuring Bix Beiderbecke. This great arrangement for Brass Quintet by Bob Burnham includes written out jazz solos along with optional chords and will have everyone dancin' in the aisles. Instrumentation is for Piccolo Trumpet (regular B-flat part and another part down the octave for easy picc. reading), Horn, Trombone in bass clef and Tuba. The piece is appropriate for advanced performers.
$25.00
23.05 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Nick LaRocca
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Bob Burnham
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Fidgety Feet Dixieland for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Jerusalem ( And Did Those Feet in Ancient Time)
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.836087 Composed by words: …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.836087 Composed by words: William Blake, music: C.Hubert H Parry. Arranged by Fran Carter. 20th Century,A Cappella,Contemporary,Graduation,Wedding,World. Octavo. 5 pages. Fran Carter #3544335. Published by fran Carter (A0.836087). This is an a cappella arrangement for women's voices - pretty high for soprano 1 and low for alto 2. This was first sung by the suffragettes in England when marching for the right to vote 100 years ago and is now popular for weddings and official occasions. The first verse of the original arrangement was intended for a single voice, so this arrangement starts with an option of a single voice on each part, building up to the whole group. . Teach tracks are available from HBteachtracks.
$1.99
1.83 €
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Chorale SSAA
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words: William Blake, music: C
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Fran Carter
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Jerusalem
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fran Carter
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SheetMusicPlus
Delta (First Movement)
Harpe
Harp - Level 3 - Digital Download SKU: A0.1026578 Composed by Chris Becker. 20th Ce…
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Harp - Level 3 - Digital Download SKU: A0.1026578 Composed by Chris Becker. 20th Century,Contemporary,Instructional,New Age. Score. 3 pages. Beckeresque (ASCAP) #6257889. Published by Beckeresque (ASCAP) (A0.1026578). This is an arrangement of the first movement of a three-movement work I composed for classical guitar in 2009. I made just a few changes to the original work, hoping to make the music more idiomatic to the harp. The subtext for this movement is the feeling of land disappearing from under your feet, like what is happening to along the U.S. Gulf Coast.The piece provides the performer, teacher or student to explore syncopation, rolled chords, and harmonics.
$3.99
3.68 €
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Harpe
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Chris Becker
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Delta
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Beckeresque
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SheetMusicPlus
Clumsy Feet (Brigitte)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1007676 By Andrew Ho DC. By Andrew …
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Piano Solo - Level 3 - Digital Download SKU: A0.1007676 By Andrew Ho DC. By Andrew Ho DC. 20th Century,Classical,Instructional. Score. 2 pages. Andrew Ho #4898935. Published by Andrew Ho (A0.1007676). A short dance, depicting a toddler, learning to walk, clumsily and happily moving forward. For those with formal ballet training, this short dance will bring back memories of your first years in ballet.
$4.99
4.6 €
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Piano seul
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Andrew Ho DC
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Clumsy Feet
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Andrew Ho
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
I Know A Place
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236921 Composed by Cather…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236921 Composed by Catherine Gavin, Josette Maskin, and Naomi Mcpherson. Arranged by Garrett Breeze. Contemporary,Pop,Singer/Songwriter. Octavo. 13 pages. Lagom Music #832453. Published by Lagom Music (A0.1236921). **This product is the piano vocal score only.**Purchase the show band accompaniment score and parts:Purchase accompaniment and part dominant learning tracks:Inspired by the acapella group Nor'Easters cover of the song, this epic ballad is full of vocal layers and a powerhouse female solo that will bring the audience to its feet.  First performed by Franklin Central HS FC Singers in 2020-2021. From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$1.99
1.83 €
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Chorale SATB
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Catherine Gavin, Josette Maskin, and Naomi Mcpherson
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Garrett Breeze
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I Know A Place
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Lagom Music
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SheetMusicPlus
I Know A Place
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1236923 Composed by Catherine Gavin…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1236923 Composed by Catherine Gavin, Josette Maskin, and Naomi Mcpherson. Arranged by Garrett Breeze. Contemporary,Pop,Singer/Songwriter. 55 pages. Lagom Music #832455. Published by Lagom Music (A0.1236923). **This product is the instrumental score and parts only.**Purchase the show band accompaniment score and parts:Purchase accompaniment and part dominant learning tracks:Inspired by the acapella group Nor'Easters cover of the song, this epic ballad is full of vocal layers and a powerhouse female solo that will bring the audience to its feet.  First performed by Franklin Central HS FC Singers in 2020-2021. From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$150.00
138.29 €
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Jazz combo
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Catherine Gavin, Josette Maskin, and Naomi Mcpherson
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Garrett Breeze
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I Know A Place
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Lagom Music
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SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
33.19 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
The Dove
Quatuor à cordes: 2 violons, alto, violoncelle
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibe…
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Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
21.19 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Cascades for Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed…
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Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
$15.00
13.83 €
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Ensemble de Flûtes
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Sy Brandon
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Cascades for Flute Choir
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Sy Brandon
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SheetMusicPlus
Respect (Build A Bridge)
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.510163 Composed by words and…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.510163 Composed by words and music by Glyn Lehmann. Hip-Hop,Pop,R & B. Octavo. 8 pages. Glyn Lehmann #3507847. Published by Glyn Lehmann (A0.510163). It’s something we all want and something we all need - respect!Tolerance and respect for each other, and ourselves, builds a bridge between us and breaks down the barriers.For 2 parts plus a rapper.Respect (Build A Bridge)Words and music by Glyn LehmannVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorusIt cannot be bought, it cannot be sold But you can earn it if you take controlChorus AAnd respect each otherRespect yourselfRespect and tolerance Build a bridge - break down the fenceRespect each otherRespect yourselfRespect and toleranceChorus BBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge of respectBridgeOo – Oo – Oo – Oo – OoRepeat VerseRepeat Pre-chorusRepeat Chorus ARepeat Chorus BOutroRespect each otherRespect yourselfRespect and toleranceBuild a bridge - break down the fencerepeat Outro twice, then…Respect!Rap lyricsVerse, Pre-chorus, Chorus A (no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectBridgeDon’t respect the bully thoughCos we know something they don’t knowThey’re just putting up a great big fenceAround themselves it makes no senseSooner or later they’ll realizeThey can’t get out cos they’re trapped insideThe only way now for them to be freeShow respect for you and me - cosVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorus, Chorus A(no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectOutrofirst time no lyrics, then…There's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallRepeat Outro, then…Respect!© 2016 Glyn Lehmann. All rights reserved
$2.25
2.07 €
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Chorale 2 parties
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words and music by Glyn Lehmann
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Respect
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Glyn Lehmann
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SheetMusicPlus
I'm A Jayhawk
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.899716 Composed by George H. Dumpy …
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Easy Piano - Level 3 - Digital Download SKU: A0.899716 Composed by George H. Dumpy Bowles. Arranged by W. Timothy Bailey. Concert,Graduation,Instructional,Standards. Score. 2 pages. JeFirst Music #3628787. Published by JeFirst Music (A0.899716). The thrilling fight song of the University of Kansas arranged for solo piano. Rated one of the top college fight songs by Bleacher Report, you will stir up the atmosphere of the awe inspiring Allen Fieldhouse. Fans will be on their feet cheering and clapping along. Rock Chalk Jayhawk KU!! Watch this video performance: https://youtu.be/5bqu26UTQgU
$2.80
2.58 €
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Piano Facile
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George H
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W
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I'm A Jayhawk
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JeFirst Music
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SheetMusicPlus
Boogie-Woogie Walkin'
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.899721 Composed by W. Timothy Baile…
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Easy Piano - Level 2 - Digital Download SKU: A0.899721 Composed by W. Timothy Bailey. Blues,Concert,Jazz. Score. 2 pages. JeFirst Music #4888335. Published by JeFirst Music (A0.899721). Yes you can boogie on the piano all by yourself! Go ahead and strut your stuff with this cool Boogie-Woogie. Suitable for recital, school and family gatherings. You'll probably inspire the audience to get on their feet and boogie down while you play!
$2.99
2.76 €
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Piano Facile
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W
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Boogie-Woogie Walkin'
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JeFirst Music
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.6 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Be My Peace
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1255519 By Jon Good. By Jo…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1255519 By Jon Good. By Jon Good. Arranged by Jon Good. A Cappella,Christian,Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Jon Good #849025. Published by Jon Good (A0.1255519). A hymn written in four-part harmony..My favorite lyric in this piece is the first line of the chorus: Be the ground beneath my feet, when I must walk but I can't see. There are times in life when our world implodes, and the breath is knocked out of us spiritually. It can feel like we are stepping off a cliff, and praying that God puts firm ground beneath our feet. This song is a prayer for those moments, that even at our most desperate, we can still cling to faith in the grace and goodness of God.
$1.99
1.83 €
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Chorale SATB
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Jon Good
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Jon Good
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Be My Peace
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Jon Good
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SheetMusicPlus
Partita on Sweet Hour ('Sweet Hour of Prayer')
Orgue
Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arrang…
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Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations. The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment. The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand. By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood. The next variation set in 5/8 meter is somewhat like a scherzo. Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic character The fifth and final variation is a toccata in the French style that requires panache and bravura. The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$22.00
20.28 €
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Orgue
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contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood
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John Burkett
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John Burkett
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Partita on Sweet Hour
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John Burkett
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SheetMusicPlus
The Big Dipper
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - Digital Download SKU: A0.1272969
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - Digital Download SKU: A0.1272969 Composed by Brian L. Monroe. 20th Century,Children,Historic,Instructional. 7 pages. BLM Music Publications (https://brianmonroemusic.com) #865157. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1272969). For over 80 years the Big Dipper Roller Coaster at Geauga Lake Park in Aurora, Ohio Entertained kids and adults alike. Â The old-fashioned, wood coaster featured a 65-foot first hill and over 2680 feet of twisting and undulating track. Â The Big Dipper for beginning clarinet trio is scored completely under the break and utilizes rising and falling slured passages to musically depict the ride! Â Keep your hands and feet inside the car at all times and enjoy the rest of your day, here at Geauga Lake!!For Grade 1 Clarinet Trio.
$8.00
7.38 €
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3 Clarinettes (trio)
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Brian L
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The Big Dipper
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BLM Music Publications
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SheetMusicPlus
Giddy Up!
Guitare notes et tablatures
Guitar,Voice - Level 2 - Digital Download SKU: A0.1200101 By Shania Twain. By David…
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1200101 By Shania Twain. By David Stewart, David Stuart, Jessica Agombar, Sam Romans, Samuel Elliot Roman, and Shania Twain. Arranged by Alpin Smart (Transcription for Voice and Guitar)[TAB]. Country,Pop,Rock. Guitar Tab with Voice. 10 pages. SmartWorks Publications #798905. Published by SmartWorks Publications (A0.1200101). This upbeat little country pop rocker from the Queen of Country Pop-Rock is just 'what the doctor ordered' - a 'pick-me-up' and a 'tonic', this fast-paced track - the opener - from Ms Twain's latest album - the first for five years! - is sure to put a smile on your face, set your feet tapping, and - if you're driving* - undeniably one of the best songs for the road for many a year! 2:45 minutes of rock'n'roll feelgood fun, it's the best album opener I've stomped my feet to for a long, long while. Guaranteed to 'get your motor running', your heart racing and the blood pumping! *(But, watch your speed on the freeway!!). There's an awful lot packed into under three minutes: a driving guitar riff you can 'funk up like Diddley'; great vocals, catchy hooks, stop-start rhythms, heart-stopping dynamics - a gem of a pop-rock bopper, and a great piece of collaborative, virtuosic song-writing that will stay with you without ever becoming an 'ear-worm'!
$4.99
4.6 €
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Guitare notes et tablatures
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Shania Twain
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Giddy Up!
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SmartWorks Publications
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SheetMusicPlus
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