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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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VIOLONCELLE
XYLOPHONE
Fill It Up Again
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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Vous avez sélectionné:
Fill It Up Again
SheetMusicPlus
Partitions à imprimer
33 partitions trouvées
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26
Fill Me Up
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Diana Chappell
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Diana Chappell
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Fill Me Up
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Virgo Music Canada
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1304737 By Diana Chappell. By Diana Chappell. Arranged by Diana Chappell. Christian,Contemporary,Country,Pr...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1304737 By Diana Chappell. By Diana Chappell. Arranged by Diana Chappell. Christian,Contemporary,Country,Praise & Worship,Religious. Score. 2 pages. Virgo Music Canada #894163. Published by Virgo Music Canada (A0.1304737). When we are feeling empty and are struggling, this song reminds us that we can call on God to fill us up again. It was written while on pilgrimage on a very hot day. The water imagery also represents the filling of the Spirit.
$2.00
Fill It Up Again
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Pop musique
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Indigo Girls
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Deke Sharon
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Fill It Up Again
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Deke Sharon
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479755 By Indigo Girls. By Emily Saliers. Arranged by Dek...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479755 By Indigo Girls. By Emily Saliers. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 229. Deke Sharon #5gD7Lg7G7o5997XU3WMMMT. Published by Deke Sharon (A0.479755). Key: G major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
As You Filled Bezalel
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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As You Filled Bezalel
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Score. 3 pages. Stephen R Dalrymple #5828003. Published by Stephen R Dalrymple (A0.818316). As you Filled Bezalel © 2020 Stephen R. Dalrymple [copyright registered in Worthy Worship and 6 Other Unpublished Works] I Count it a Joy ♫ Original song by Stephen R Dalrymple ♫ Based on Exodus 35:30 ff ♫ The filling of the Holy Spirit was given long before Pentecost. The chief artisan of the Tabernacle, Bezalel was filled with the Holy Spirit in the Sinai desert. The indwelling of the Holy Spirit was not permanent until Pentecost, but the filling is seen throughout the pages of Scripture. ♫The filling of the Holy Spirit ought not be connected with one specific activity (such as the gift of tongues) but any activity that the Holy Spirit can use to accomplish bringing glory to God. Micah was filled with the Spirit of God when he prophesied against the leadership of Samaria and Jerusalem. Peter was filled with the Holy Spirit as he spoke to the pilgrims at Pentecost. Elizabeth was filled with the Holy Spirit as she greeted Mary, and of course Bezalel as he received knowledge and guidance to design and create the Tabernacle. ♫ I wrote this song in Haiti while meditating in Scripture and thinking about ministry. This song is short because I realized that it was better suited as a warmup for ministry than a congregational worship song. Whether on a concert stage or a church platform, it is so easy to get caught up during a performance and get sidetracked, concentrating on the the praise, recognition, acceptance from the audience that singing, playing and instrument, or preaching can bring. This song reminds me of my motive in sharing my gifts and the only method for my contribution to achieve lasting, eternal benefits. ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works ♫ recording ℗ 2020 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2020 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.
$4.50
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Fill It Up Again
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Piano, Voix
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Folk Rock
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Indigo Girls
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Pop
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Fill It Up Again
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Indigo Girls. For piano, voice, and guitar (chords only). Folk; Pop. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By Indigo Girls. For piano, voice, and guitar (chords only). Folk; Pop. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Candlemas Carol
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Alan Wagstaff
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Tradition...
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Choral Choir (SSAA) - Level 4 - SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
It Never Runs Dry
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Piano, Voix
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FACILE
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Musique Sacrée
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Naomi Whitaker
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It Never Runs Dry
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Ecclesia Song
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1421225 By Naomi Whitaker. By Naomi Whitaker. Christian,Praise & Worship,Religious. Score. 3 pages. Ecclesia Song ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1421225 By Naomi Whitaker. By Naomi Whitaker. Christian,Praise & Worship,Religious. Score. 3 pages. Ecclesia Song #1002616. Published by Ecclesia Song (A0.1421225). This song declares the joy of knowing Christ's fullness. He perfectly supplies our needs!For he satisfieth the longing soul, and filleth the hungry soul with goodness. (Psalms 107:9)Jesus answered and said unto her, Whosoever drinketh of this water shall thirst again: But whosoever drinketh of the water that I shall give him shall never thirst; but the water that I shall give him shall be in him a well of water springing up into everlasting life. (John 4:13-14).
$1.99
THE MISSING LINK
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Piano seul
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Contemporain
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749).
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Piano Solo - SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
My heart was rent
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Piano, Voix
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DÉBUTANT
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Melissa J Hall
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My heart was rent
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Melissa J Hall
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SheetMusicPlus
Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Scor...
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Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Score. 2 pages. Duration 103. Melissa J Hall #56IDSu1NTCeGnxxQXRuYuL. Published by Melissa J Hall (A0.1305516). Key: C major.Inspired by the story of Alma the Younger found in Alma 36:12-21. In The Book of Mormon 12 But I was racked with eternal torment, for my soul was harrowed up to the greatest degree and racked with all my sins. 13 Yea, I did remember all my sins and iniquities, for which I was tormented with the pains of hell; yea, I saw that I had rebelled against my God, and that I had not kept his holy commandments. 14 Yea, and I had murdered many of his children, or rather led them away unto destruction; yea, and in fine so great had been my iniquities, that the very thought of coming into the presence of my God did rack my soul with inexpressible horror. 15 Oh, thought I, that I could be banished and become extinct both soul and body, that I might not be brought to stand in the presence of my God, to be judged of my deeds. 16 And now, for three days and for three nights was I racked, even with the pains of a damned soul. 17 And it came to pass that as I was thus racked with torment, while I was harrowed up by the memory of my many sins, behold, I remembered also to have heard my father prophesy unto the people concerning the coming of one Jesus Christ, a Son of God, to atone for the sins of the world. 18 Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death. 19 And now, behold, when I thought this, I could remember my pains no more; yea, I was harrowed up by the memory of my sins no more. 20 And oh, what joy, and what marvelous light I did behold; yea, my soul was filled with joy as exceeding as was my pain! 21 Yea, I say unto you, my son, that there could be nothing so exquisite and so bitter as were my pains. Yea, and again I say unto you, my son, that on the other hand, there can be nothing so exquisite and sweet as was my joy. Alma 36:12–21 https://www.churchofjesuschrist.org/study/scriptures/bofm/alma/36?id=p12-p21&lang=eng#p12.
$3.50
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
Hark! The Herald Angels Sing
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Piano seul
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AVANCÉ
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Michael Swedberg
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Terrence Niska
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Hark! The Herald Angels Sing
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. ...
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Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726554. Published by Niska Music Publishing (A0.1125814). Once again the influence of George Winston and Mannheim Steamroller can be heard as this prelude begins with a burst of joy and energy that does not subside, but only grows with each verse. The changing meters make this piece a challenge to play and requires a strong technique to handle some of the scale passages. This arrangement is a far cry from the original music of Mendelssohn, but the lyrics inspired me to create something full of vibrancy and passion to match the glorious news that the angels came to deliver! The first verse establishes the 5/4 meter heard throughout the prelude and is filled with the pealing of church bells in the right hand as they send forth the melody in octaves! Meanwhile, the left hand continues the broken chord pattern established in the opening. In the next verse, the left hand is now rising and falling, while the right is still playing the melody in octaves. Only now it is filling the spaces with eighth notes to match the left hand…essentially combining the two hands of the previous verse. For the final verse, the left hand takes on the orchestral role of brass and percussion with thunderous chords punctuating the rhythm of the melody in the right hand. There are moments of fireworks as the hands break free of the 5/4 meter for some wonderful, albeit brief, scales which increase the growing excitement. The piece concludes with a return of the rhythmic material from the opening as the hands work their way down the piano in arpeggiated fashion only to race back up the keyboard for a final flourish before a resounding Amen: Hail the heaven-born Prince of Peace! Glory to the new-born King!
$3.99
Ode to My Savior Beginner Trumpet Trio
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Eddie Lewis
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Ode to My Savior Beginner Trum
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Tiger Music
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SheetMusicPlus
Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #68392...
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Brass Ensemble Trumpet - Level 1 - SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
Annie's Song
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Rock
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John Denver
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James Haynor
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Annie's Song
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.782336 By John Denver. By John Denver. Arranged by James Haynor. Rock. 16 pages. James Haynor #5354605. P...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.782336 By John Denver. By John Denver. Arranged by James Haynor. Rock. 16 pages. James Haynor #5354605. Published by James Haynor (A0.782336). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for clarinet quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Duration 2:56 )
$12.99
Annie's Song
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Rock
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John Denver
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James Haynor
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Annie's Song
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.782337 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Hayn...
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Brass Ensemble Trombone - Level 3 - SKU: A0.782337 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Haynor #5355079. Published by James Haynor (A0.782337). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for trombone quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Duration 2:56 )
$12.99
Annie's Song
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Rock
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John Denver
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James Haynor
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Annie's Song
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Haynor #5349563. Published by James Haynor (A0.782334). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for brass quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Trumpets may, of course, be substituted for the written flugelhorn parts. ) ( Duration 2:56 )
$12.99
Annie's Song
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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John Denver
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James Haynor
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Annie's Song
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782338 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and par...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782338 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Haynor #5355883. Published by James Haynor (A0.782338). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for woodwind quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Duration 2:56 )
$12.99
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 48 pages. Lyons Music Services #3543491. Published by Lyons Music Services (A0.767360). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Parlo miser o taccio is a trio for two sopranos and bass. I have set this for trumpets/cornets and euphonium/trombone, leaving the accompaniment in the hands of the horns and tubas, but with an extra high Bb part. The title translates as Should I, poor wretch, speak out or hold my tongue? Yet again our young man is in a romantic (lustful) state, and the words of the lyrics carry many double entendres in rspect of what he and his lady are getting up to! The strong dissonances followed by long drawn out resolutions and suspensions were a common device in this type of song to indicate how matters were progressing. At 6 and a half minutes, this is quite a long song, compared to the 2 or 3 minutes of most of the book. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Prelude and Allegro, "Urbanalia"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Joshua A
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Prelude and Allegro, "Urb
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Joshua A Idio
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,Wo...
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String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00
Rosary Sonatas: The Crucifixion
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Prayers and Blessings (Piano/Vocal Score)
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bass/baritone voice solo, violoncello and organ - Moderately Easy - SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages....
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
I'll Walk Alone
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th C...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Desert Blossom - an original hymn based on Isaiah 35:1-2
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thy Hand, this land redeem
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Kevin G
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Desert Blossom - an original h
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701736 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pag...
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Choral Choir (SATB) - Level 4 - SKU: A0.701736 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3363271. Published by Kevin G. Pace (A0.701736). An original hymn for SATB voices with text by Mark Fotheringham below. Dedicated to pioneers, the early Utah Mormon pioneers in particular.YouTube video: https://youtu.be/9JVJAuc7P_ABless this arm, keep it sound, as I turn this desert ground. Water flows from mountain stream. By Thy Hand, this land redeem. Sanctify all who toil, blessing all that grows. Let the desert now rejoice, blossom as the rose. Bless all seeds, as I sow. Let them here take root and grow. Send Thy rains from up above, warming sunshine filled with love. May the toil of these hands, bring Thy blessings close. Let the desert now rejoice, blossom as the rose. Fire or frost, wind or rain; may my work not be in vain. Help me prosper ev'ry day. Keep the locust still at bay. Through each trial, help me stand, in Thy strength repose. Let the desert now rejoice, blossom as the rose. In my soul, deserts be, waiting to be turned by Thee. Let Thy blessing as the rain, open up my heart again. May the Lord, bless my toil, ev'ry weed dispose. Let the desert now rejoice, blossom as the rose.
$1.99
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