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First Book of Progressive Lessons
Partitions à imprimer
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William Duncombe : First Book of Progressive Lessons - Menuet en do
Piano seul
Téléchargez la partition Piano First Book of Progressive Lessons - Menuet en…
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Téléchargez la partition Piano First Book of Progressive Lessons - Menuet en do de Duncombe. Partition pour Piano seul -- Classique
3.99 €
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Piano seul
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William Duncombe
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First Book of Progressive Less
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Tomplay
Sight Reading Chord Progressions with Melodies Book 1 | Intermediate-Advanced Exercises 1-150
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1284524 Composed by Ylan Chu. Class…
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Piano Solo - Level 3 - Digital Download SKU: A0.1284524 Composed by Ylan Chu. Classical,Instructional. Score. 54 pages. Ylan Chu #875697. Published by Ylan Chu (A0.1284524). These exercises were originally used for ear training purposes (students would listen to the exercise twice and write and/or name the chord progression). They were also used as sight reading exercises (as regular playing through and as playing with naming the chords). Every example has the Roman numeral analysis written underneath each chord. This first book containing 150 exercises is the companion to videos 1-30 of the Chord Progressions with Melodies ear training series. This PDF is for personal use only.• Playlist for Book 1: https://youtube.com/playlist?list=PLBjX9Vsck-AC2R9d3SzxW8jNYp7Ib-72B&si=_329F0qnuXM9xBym• Playlist for Chord Progressions Ear Training: https://youtube.com/playlist?list=PLBjX9Vsck-AD1U3fAsRHhFEVBfNiZW6zO&si=02WWov4CcpFjbDWT• Playlist for Sight Reading: https://www.youtube.com/playlist?list=PLBjX9Vsck-ABLcGTqn6S4OEhcLSS5BNxCLinks to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicplus.com/title/beginner-piano-exercises-sight-reading-c-major-pentascale-digital-pdf-download-digital-sheet-music/22365196 Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$8.00
7.34 €
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Piano seul
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Ylan Chu
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Sight Reading Chord Progressions with Melodies Book 1 | Intermediate-Advanced Exercises 1-150
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Ylan Chu
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - easy - Digital Download Method for descant recorder. This edition:…
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Descant recorder - easy - Digital Download Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable. Op Tune Book 1. Schott Music - Digital #Q49185. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.16 €
#
Flûte à bec Soprano
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Fun and Games with the Recorder
#
Schott Music - Digital
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Soprano recorder - easy - Digital Download Method for descant recorder. This edition:…
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Soprano recorder - easy - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 1. Schott Music - Digital #Q54873. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> &bull. Discover the adventure of learning the recorder<br> &bull. Make real progress through games: breathing<br> &bull. A mixture of lively new and traditional tunes<br> &bull. Three supplementary tune books each with a sheet of stickers<br> &bull. Teacher's commentary<br> &bull. Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> ".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor book every success and happiness with their recorder playing.English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> &bull. Discover the adventure of learning the recorder<br> &bull. Make real progress through games: breathing<br> &bull. A mixture of lively new and traditional tunes<br> &bull. Three supplementary tune books each with a sheet of stickers<br> &bull. Teacher's commentary<br> &bull. Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> ".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor book every success and happiness with their recorder playing.
$9.99
9.16 €
#
Flûte à bec Soprano
#
Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - intermediate - Digital Download Method for descant recorder. Thi…
(+)
Descant recorder - intermediate - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 2. Schott Music - Digital #Q54874. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.16 €
#
Flûte à bec Soprano
#
Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Duncombe - Sonatina in C Major (Vivave) - Easy
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1082887 Composed by William Duncomb…
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Piano Solo - Level 1 - Digital Download SKU: A0.1082887 Composed by William Duncombe. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 2 pages. Piacere Music Sheets #687093. Published by Piacere Music Sheets (A0.1082887). Key/Tone: C Major Movements/Sections: 1/3: Vivace Year/Date of Composition: 1785 Difficulty: Grade 2/12 (Easy) Obs.: This piece is part of the book From Progressive Lessons for the Harpsichord and Piano Forte. This is the first of three movements. You can also buy the full piece with all movements.
$2.95
2.71 €
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Piano seul
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William Duncombe
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Piacere Music Sheets
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Duncombe - Sonatina in C Major
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Piacere Music Sheets
#
SheetMusicPlus
Duncombe - Sonatina in C Major (Moderato) - Easy
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1082963 Composed by William Duncom…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1082963 Composed by William Duncombe. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Individual part. 2 pages. Piacere Music Sheets #687172. Published by Piacere Music Sheets (A0.1082963). Key/Tone: C Major Movements/Sections: Moderato Year/Date of Composition: 1785 Difficulty: Grade 1/12 (Easy) Obs.: This piece is part of the book From Progressive Lessons for the Harpsichord and Piano Forte. It was originally composed for the harpsichord or piano. This score is a transcription for easy guitar from the first movement.
$2.95
2.71 €
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Guitare
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William Duncombe
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Piacere Music Sheets
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Duncombe - Sonatina in C Major
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Piacere Music Sheets
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - intermediate - Digital Download SKU: S9.Q54875 Method for des…
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Descant recorder - intermediate - Digital Download SKU: S9.Q54875 Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable, Tune book. Op Tune Book 2. Schott Music - Digital #Q54875. Published by Schott Music - Digital (S9.Q54875). English.A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman. three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons. • Discover the adventure of learning the recorder • Make real progress through games: breathing • A mixture of lively new and traditional tunes • Three supplementery tune books each with a sheet of stickers • Teacher's commentary • Join Dotty-do-a-lot and her friends in the exciting orld of music Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing. The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security. In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child. Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced. Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment. In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons. It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures. We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.16 €
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Flûte à bec Soprano
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
Violin Primer
Violin - Beginning - Digital Download SKU: M0.93408EB For Beginning Instruction
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Violin - Beginning - Digital Download SKU: M0.93408EB For Beginning Instruction. Composed by Frank Zucco. Children and Young Beginner. Method. E-book. Mel Bay Publications - Digital Sheet Music #93408EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93408EB). ISBN 9781609747329. 8.75x11.75 inches.This extremely simple, big-note method is ideal for young children, and is especially useful for the trail or rental period. Teaching first position notes all four strings, the exercises guide early beginners through their first production of tone. Great emphasis has been placed in this book of sound fundamentals, proper hand positioning, holding of the bow, etc. Designed to be used in introductory lessons, this book contains extensive photographs illustrating proper hand positions. The exercises in the book progress from single-string studies to melodies combining more than one string. Upon completion of this book, the student will be ready to enter into Mel Bay's Violin Method.
$9.99
9.16 €
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Frank Zucco
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Violin Primer
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
School for Trombone - Volumes 1, 2 and 3 complete
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.810972 Composed by Mueller, Robe…
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Trombone Solo - Level 3 - Digital Download SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cherry #4309377. Published by Gordon Cherry (A0.810972). Albert Robert Mueller (Müller) was a German trombonist born in 1849. He initially received violin lessons and discovered his talent for trombone playing at the age of twelve. He eventually settled in Leipzig and became a member of the Leipzig Gewandhaus Orchestra as well as a teacher at the Royal Conservatory of Music. He wrote the School for Trombone in 1902. (Wikipedia) The School for Trombone (part of our Vintage Brass Series, not to be confused with the Technical Etudes) is a very detailed and comprehensive book in three volumes totalling 208 pages, the text being divided into German, English and Russian languages. • Volume I includes detailed lessons on music theory including all scales and keys, rhythm, time signatures, rests, accents, accidentals, explanations of tempo markings, dynamics, posture, tone, a table of positions and notes. The lessons go through different keys starting very slowly and methodically with short exercises....not going too fast for the beginning student. Along the way Mueller inserts easy duets to perform with teacher and student, including many Bach chorales, etc. to get tuning and tone solidified. • Volume II for the intermediate level student, begins with the first studies of slurs and legato. He introduces simple songs and famous melodies including more duets. The exercises get progressively more difficult and include the entire collection of ornaments. • Volume III, for the more advanced student, introduces tenor and alto clefs in scales and studies including more duets. Compiled by Gordon Cherry
$30.00
27.52 €
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Trombone
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Mueller, Robert
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Cherry, Gordon
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School for Trombone - Volumes 1, 2 and 3 complete
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Gordon Cherry
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SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
20.17 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
Give me five
Piano seul
Piano - very easy - Digital Download SKU: S9.Q24587 Easy Piano Pieces in five-no…
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Piano - very easy - Digital Download SKU: S9.Q24587 Easy Piano Pieces in five-note range from Minuet to Pop Ballad. Composed by Hans-Guenter Heumann. This edition: Sheet music. Der Spielband Gib mir 5 enthält 35 leichte und progressiv angeordnete Klavierstücke in diversen 5-Ton-Räumen und Tonarten. Downloadable. Schott Music - Digital #Q24587. Published by Schott Music - Digital (S9.Q24587). Elementary piano lessons focus first on a five-note range, before any finger crossing is introduced. This book of tunes Gib mir 5 (Give me 5) contains 35 easy and progressively arranged original piano pieces in various five-note ranges and keys. The pieces have a broad range of styles, including minuets, folk tunes, sentimental instrumental pieces, pop and rock ballads and pieces in a boogie-woogie style.
$11.99
11 €
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Piano seul
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Hans-Guenter Heumann
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Give me five
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Schott Music - Digital
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SheetMusicPlus
Harmonica Essentials
Harmonica
Harmonica - Beginning - Digital Download SKU: M0.30573EB Gig Savers Complete Edi…
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Harmonica - Beginning - Digital Download SKU: M0.30573EB Gig Savers Complete Edition. Composed by David Barrett. Harmonica: Diatonic, Adult Contemporary. Gig Savers. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30573EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30573EB). ISBN 9781619116887. 8.75x11.75 inches.The Gig Savers series has been designed to provide harmonica players with answers to common questions in a concise, user-friendly fashion. This complete edition is comprised of six books written by David Barrett and Fritz Hasenpusch. Part One, Essential Theory, covers the main body of musical knowledge needed by all harmonica players. Subjects covered include reading notation, how to build chromatic and diatonic scales, triad chord qualities, position theory and the 12-bar blues progression. Part Two, Essential Scales, includes lessons on building chromatic/diatonic scales, position theory and scales/modes such as major, minor, mixolydian, dorian and blues. Part Three, Essential Quick Charts, presents important reference charts that cover specific topics such as diatonic keys, bending, over-bending, positions, major/minor scales and Lee Oskar special tuning. Part Four, Harmonica Microphones, includes discussions on microphone usage, such as popular microphones, bodies, elements, accessories, interchangeability/customization and how microphones are paired with amplifiers. Part Five, Harmonica Amplifiers, discusses amp heads, equalizers, effects, speakers, extension cabinets, tube substitutions and how to select an amp depending on a venue. Part Six, First Gig, shows the harmonica player what to do from the beginning until the end of a gig. Topics covered include jam session etiquette, amps, mic and harp choices, building set lists and other issues which may confront the performer.
$14.99
13.75 €
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Harmonica
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David Barrett
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Harmonica Essentials
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.59 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.S. Bach for Guitar
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Aaron Larget-Caplan
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SheetMusicPlus
Primeras Lecciones Metodo de Guitarra de Rock
Guitar (electric) - Beginning - Digital Download SKU: M0.99820BCDSPEB Composed by M…
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Guitar (electric) - Beginning - Digital Download SKU: M0.99820BCDSPEB Composed by Mike Christiansen. Rock. First Lessons - Spanish. Spanish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99820BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99820BCDSPEB). ISBN 9781619113084. 8.75x11.75 inches.Finalmente, un método que hace que los estudiantes comiencen con lo esencial de la guitarra mientras se enfoca en el material que todo guitarrista de rock deberÃa saber. Los temas incluyen acordes de potencia, escalas de rock, solos de rock, tabulación de lectura y notación estándar, acordes abiertos, patrones de rasgueo y melodÃas de rock. Diseñada para educar a los estudiantes sobre lo esencial de la guitarra, esta lección hace que el aprendizaje sea divertido. Progresiones de acordes y melodÃas similares a los clásicos del rock hacen de este texto una necesidad para los aspirantes a guitarristas de rock. El audio en lÃnea que lo acompaña brinda a los estudiantes la oportunidad de escuchar y tocar junto con los profesionales. Incluye acceso a audio en lÃnea.Finally a method that gets students started on the essentials of guitar while focusing on the material every rock guitarist should know. Subjects include power chords, rock scales, rock soloing, reading tab and standard notation, open chords, accompaniment strum patterns, and rock licks. Designed to educate students about guitar essentials, this lesson makes the learning fun. Chord progressions and melodies similar to rock classics make this text a must for aspiring rock guitarists. The accompanying online audio gives students the opportunity and hear and play along with the pros. Includes access to online audio. Written in Spanish only.
$9.99
9.16 €
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Mike Christiansen
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Primeras Lecciones Metodo de Guitarra de Rock
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.55 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
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The Arban Manual - Hooten Edition
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