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TRI ET FILTRES
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Daily Scale Exercises for Violin
Violon
By Herbert Chang. For Violin. All Styles. 72 pages. Published by Mel Bay Publications - Di…
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By Herbert Chang. For Violin. All Styles. 72 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743437. Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these fingering patterns first and then use them to play all 24 scales easily. Finally, all the fingerings of the double-stop scales are also re-edited to make them as simple as possible. With this approach, the process of learning violin scales is much easier than before.
$17.99
16.56 €
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Violon
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Herbert Chang
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Daily Scale Exercises for Violin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. …
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Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Violon
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Slide Ride
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SheetMusicPlus
Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
Violon
By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publi…
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By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112025. Aerobics and Warm-Ups for Fiddlers and Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics and Warm-Ups for Fiddlers and Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, "I will never be able to play faster than this." But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises, when faithfully practiced, will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.
$17.99
16.56 €
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Violon
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Carol Ann Ledbetter-White
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Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
First Lessons Violin
Violon
By Craig Duncan. For Violin. All Styles. 32 pages. Published by Mel Bay Publications - Dig…
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By Craig Duncan. For Violin. All Styles. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657471. This text presents beginning violin technique and basic music reading fundamentals, with an emphasis on the use of melodies and classical pieces to teach each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of A, D, G, and C as well as bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The companion audio features all of the exercises and pieces recorded with solo violin and piano accompaniment. Audio and video downloads available online.
$9.99
9.19 €
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Violon
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Craig Duncan
#
First Lessons Violin
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
First Lessons Violin: French Edition
Violon
By Craig Duncan. For Violin. This edition: French Edition. All Styles. 32 pages. Published…
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By Craig Duncan. For Violin. This edition: French Edition. All Styles. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657488. Ce texte presente la technique de base du violon et les bases de la lecture de musique, en mettant laaccent sur lautilisation de melodies et de pieces classiques pour enseigner chaque nouveau concept. Les 28 lecons comprennent des techniques de base et des competences en lecture, des echelles dans les touches A, D, G et C ainsi que des techniques d'arc telles que le contraste dynamique, les liaisons, les accents et l'arc staccato. 47 melodies sont presentees, notamment des Auvres de Bach, Beethoven, Brahms, Haendel, Mozart et daautres compositeurs classiques. L'audio en ligne presente tous les exercices et pieces enregistres avec accompagnement de violon solo et de piano.* Utilise des melodies et des morceaux pour introduire la technique et les principes fondamentaux.* Inclut les echelles en A, D, G et C; les insultes, les accents et le staccato en s'inclinant.* 47 melodies, y compris des Auvres de Bach, Beethoven, Brahms, Mozart et plus.* L'audio en ligne contient tous les exercices et toutes les pieces This text presents beginning violin technique and basic music-reading fundamentals, with an emphasis on the use of melodies and classical pieces to teach each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of A, D, G, and C as well as bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The online audio features all of the exercises and pieces recorded with solo violin and piano accompaniment. * Uses melodies and pieces to introduce technique and fundamentals.* Includes scales in A, D, G, and C; slurs, accents,and staccato bowing.* 47 melodies, including works by Bach, Beethoven,Brahms, Mozart, and more.* Online audio contains all exercises and pieces.
$9.99
9.19 €
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Violon
#
Craig Duncan
#
First Lessons Violin: French Edition
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
You Can Teach Yourself Fiddling
Violon
Composed by Craig Duncan. For Fiddle. You Can Teach Yourself. All Styles. Beginning. E-boo…
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Composed by Craig Duncan. For Fiddle. You Can Teach Yourself. All Styles. Beginning. E-book. 80 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609749071. Designed for beginning fiddle students, these 36 lessons present basic techniques by applying them to fiddle tunes. Reading music is unnecessary, as the lessons are explained step by step, and fingerings are given for every note. Each version builds on the previous one and helps students to create their own arrangements. Includes an audio download available online. Forty-eight songs from the book are on the audio download.The online video is designed to complement the first 17 lessons of the You Can Teach Yourself Fiddling text. Covers tuning, holding the fiddle and bow, left-hand position, basic A, D, and G scales, shuffle bowing, slurs, double stops, and many tunes, including Liza Jane, Shortening Bread, Going to Boston, and Bile Them Cabbage Down.
$14.99
13.8 €
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Violon
#
Craig Duncan
#
You Can Teach Yourself Fiddling
#
Mel Bay Publications, Inc - Digital Sheet Music
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.5 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
#
Slide Ride
#
SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.2 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
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