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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First and Third
Sheetmusicplus
Non classifié
496
Piano & claviers
Piano seul
237
Piano Facile
51
Piano, Voix
44
Orgue
27
Instruments en Do
18
Piano, Voix et Guitare
10
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
2 Accordéons
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
29
Ligne De Mélodie, (Paroles) et Accords
16
Guitare notes et tablatures
13
Ukulele
6
Guitare (partie séparée)
2
Mandoline, Guitare (duo)
2
2 Guitares (duo)
1
Mandoline
1
Paroles et Accords
1
Basse electrique
1
Dulcimer
1
2 Dulcimers (duo)
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
143
Chorale 3 parties
40
Chorale 2 parties
32
Chorale Unison
25
Chorale TTBB
22
Chorale SSAA
10
Voix Soprano, Piano
8
Voix haute
2
Voix Baryton, Piano
2
Voix Tenor
1
Chorale
1
Voix seule
1
Voix Alto, Piano
1
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Saxophones: 4 saxophones
26
Quatuor de Clarinettes: 4 clarinettes
26
Clarinette et Piano
25
Quintette de Saxophone: 5 saxophones
23
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
15
3 Saxophones (trio)
15
Saxophone Tenor et Piano
15
Quatuor de Flûtes : 4 flûtes
14
2 Saxophones (duo)
14
Trio de Flûtes: 3 flûtes
12
Saxophone Tenor
11
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Saxophone Soprano et Piano
9
Saxophone Alto
9
Saxophone (partie séparée)
8
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Ensemble de saxophones
8
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
Flûte traversière
7
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette Basse, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
5
Flûte, Clarinette et Basson
5
Cor anglais, Piano
5
Clarinette
5
Flûte et Guitare
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violon, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Basson (duo)
3
Clarinette, Harpe (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Hautbois, Harpe
2
Flûte à Bec, Piano
2
3 Flûtes à bec (trio)
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette, Violon (duo)
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
2 Clarinettes, Basson
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Flûte à Bec
1
Saxophone et Harpe
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Clarinette, Trompette (duo)
1
Clarinette et Alto
1
Saxophone Soprano
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
19
Trompette, Piano
17
Cor et Piano
15
Trombone
9
Tuba et Piano
7
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
6
Euphonium, Piano (duo)
6
Ensemble de Trombones
6
2 Trombones (duo)
6
Quatuor de cuivres: 4 trombones
5
Trompette (partie séparée)
5
Cor anglais, Piano
5
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
5
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
Trombone (partie séparée)
4
Euphonium, Tuba (duo)
3
3 Tubas (trio)
3
Ensemble de Trompettes
3
Tuba et Orgue
3
Cor et Harpe
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Cors
2
Trompette, Harpe
2
Tuba
2
Trio de Cuivres
2
4 Tubas
1
Bass Clef Instruments
1
Trombone basse
1
Trompette, Saxophone (duo)
1
Cor
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon et Piano
56
Alto, Piano
32
Violoncelle, Piano
29
Violon
28
Harpe
20
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle
17
Contrebasse, Piano (duo)
9
Trio à Cordes: 3 violoncelles
9
2 Violons (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à cordes: 3 violins
8
Violon, Violoncelle (duo)
7
Alto seul
6
Violon, Alto (duo)
6
4 Violoncelles
6
2 Harpes (duo)
5
Harpe, Flûte (duo)
5
2 Violoncelles (duo)
4
Violoncelle (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
2 Altos (duo)
3
Contre Basse
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto et Harpe
2
Alto (partie séparée)
2
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
2
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orchestre
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe, Trombone (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
165
Orchestre à Cordes
91
Orchestre
82
Ensemble de cuivres
50
Orchestre de chambre
29
Cloches
24
Jazz combo
14
Ensemble Jazz
6
Marimba
2
Ensemble de Percussions
2
Batterie (partie séparée)
2
Vibraphone
2
Percussion (partie séparée)
1
Fanfare
1
Batterie
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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First and Third
SheetMusicPlus
Partitions à imprimer
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3001
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
"Light a Candle: An Advent Hymn"
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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"Light a Candle: An Adven
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921765 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song M...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.921765 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6136123. Published by Servant Song Music and Ministry (A0.921765). Light a Candle was written as an Advent Wreath-Lighting Hymn, with five verses for congregational use throughout the Advent season. This hymn is suitable for family worship at home, also, and there is a free series of videos available on YouTube with the composer (Lisa Waites) singing and playing guitar; you are welcome to stream those videos for digital worship throughout the Covid pandemic. Please also purchase a copy of the score to support the work of Servant Song Music & Ministry. In December of 2019, our congregation began singing this hymn on the first Sunday of the Advent season with just the first verse as a collective response to the first candle in the Advent wreath being lit; the lyrics of the first verse are all about HOPE. On the second Sunday of Advent, we sang the first and second verses of the hymn (hope and PEACE to correspond with the lighting of two Advent candles); on the third Sunday of Advent, we sang three verses (hope, peace, and JOY), and on the fourth Sunday, we sang four verses (hope, peace, joy, and LOVE). Finally, on Christmas Eve, the congregation sang all five verses of the hymn, corresponding with the lighting of all five candles in the Advent wreath. Since Advent hymns are typically in short supply, an alternative approach for this hymn would be to use the first four verses together during Advent as a congregational hymn, reserving the fifth verse for the Christmas Eve service. Not familiar with Advent Wreath-Lighting liturgies? This hymn is a terrific way to introduce this Ancient-Future Christian tradition to your people! .
$2.99
Grand Duo, opus 151 (2012) full score
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Grand Duo, opus 151
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante ââ‚...
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Piano,Violin - Level 4 - SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante … 3. 2 pages. Thomas Oboe Lee #3901. Published by Thomas Oboe Lee (A0.869204). Program note: This is the third duo for violin and piano in my portfolio. The first one was written back when I was a student at the New England Conservatory of Music. It was my opus 3, The Sensuous Gargoyle (1975). My next one was a four-movement work entitled Tunesmith … An American Beauty Pageant (1993). It was commissioned by the Music Department at Lehigh University and premiered by two of its faculty members, Paul Chou and Paul Salerni. The violin has always been my favorite instrument. I have written twelve string quartets. For the violinist extraordinaire Irina Muresanu I wrote a big violin concerto in 2009, and a Partita for solo violin in 2011. I am slated to write another concerto, albeit a chamber one, for the Boston Classical Orchestra and violinist Sharon Roffman for a premiere in the fall of 2013. Last year I decided to write a third duo for violin and piano. I wanted to do something substantial and grandiose, hence the title Grand Duo, opus 151. Both Schubert and Lou Harrison have written works with the same title. So I thought, why not? The work is in five movements. 1. Misterioso … 2. Andante … 3. Allegro … Trio! 4. Largo … 5. Allegro … Enjoy! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/grand-duo-opus-151-2012Video link: https://youtu.be/xThob_BQkDE
$9.99
Concertino for Alto Saxophone and Band
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Publ...
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Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Published by Sy Brandon (A0.755114). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion. The score prints on legal size paper and the parts on letter.
$39.99
Concertino for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Publis...
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Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99
Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
Gymnopedie No 2 for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Gymnopedie No 2 for flute and
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pa...
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Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
$3.99
Trois Gymnopedies for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Trois Gymnopedies for Flute an
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part...
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Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$14.99
The First Noel - Violin Solo with Piano Accompaniment
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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Traditional English Christmas
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K
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The First Noel - Violin Solo w
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K L Phillips
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.751638 Composed by Traditional English Christmas Carol. Arranged by K.L. Phillips. Christian,Christmas,Concert. 9 pages...
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Piano,Violin - Level 3 - SKU: A0.751638 Composed by Traditional English Christmas Carol. Arranged by K.L. Phillips. Christian,Christmas,Concert. 9 pages. K L Phillips #6077355. Published by K L Phillips (A0.751638). This popular Christmas carol has been arranged with a delicate and gently flowing piano accompaniment and a cheerful lilting sound to the violin. The violin plays the melody in the first and third verse, but plays a lovely counter melody in the second as the piano takes the melody. This would be a beautiful addition to any Christmas service, event or recital. This piece is also available in the compilation Five Christmas Carols for Solo Violin with Piano Accompaniment Item ID# S0.907271 at Sheet Music Plus.A piano accompaniment track is available separately at Sheet Music Plus - Item Id S0.883561Thank you to mfacchinetti at pixabay for the cover image.
$3.99
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00
String Stylings (For Violin and Piano)-Digital Download
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Violon et Piano
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INTERMÉDIAIRE
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Various Writers
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Cathy DeRousse
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String Stylings
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Hope Publishing - Digital
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SheetMusicPlus
Piano, Strings piano, violin - intermediate - SKU: H1.8289DP Arranged by Cathy DeRousse. Instrumental Sylings Series. General Worship. Book. 45 pages. H...
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Piano, Strings piano, violin - intermediate - SKU: H1.8289DP Arranged by Cathy DeRousse. Instrumental Sylings Series. General Worship. Book. 45 pages. Hope Publishing - Digital #8289DP. Published by Hope Publishing - Digital (H1.8289DP). By Various Writers.Nine traditional hymns by Various Writers These settings for violin and keyboard provide a variety of styles and moods for use in worship services, wedding and funerals.The arrangements utilize mostly first and third positions and may be used by students or more advanced playes.
$26.95
Now And Then
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Orchestre d'harmonie
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FACILE
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Rock
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The Beatles
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Richard Starkey, John Lennon,
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Lorenzo Bocci
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Now And Then
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci...
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Concert Band - Level 2 - SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 73 pages. Lorenzo Bocci #951636. Published by Lorenzo Bocci (A0.1367279). NOW AND THEN The Beatlesfor Concert Band - Grade 3 -  Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
Ups and Downs for Handbells
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ho Pak Kei
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Ups and Downs for Handbells
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Ho Pak Kei
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SheetMusicPlus
Handbell - Level 4 - SKU: A0.961139 Composed by Ho Pak Kei. 20th Century,Contemporary. Score. 18 pages. Ho Pak Kei #3563011. Published by Ho Pak Kei (A0...
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Handbell - Level 4 - SKU: A0.961139 Composed by Ho Pak Kei. 20th Century,Contemporary. Score. 18 pages. Ho Pak Kei #3563011. Published by Ho Pak Kei (A0.961139). The music is divided into three sections. The first section is a light dance, to describe the happy childhood time. The second section is heavy and slow, depicting the sadness of the terrible blow to the life. The third section is a fast section with complex meter, which use the materials of first and second sections, as if a man continues to grow and change, always accompanied with different emotions.
$8.99
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Concerto for Electric Guitar and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Concerto for Electric Guitar a
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Publish...
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Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
Scotland
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kobi Wright
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Scotland
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Kobi Wright
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1202551 Composed by Kobi Wright. Contest,Festival. Score and parts. 22 pages. Kobi Wright #801292. Published by Kobi Wr...
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Concert Band - Level 3 - SKU: A0.1202551 Composed by Kobi Wright. Contest,Festival. Score and parts. 22 pages. Kobi Wright #801292. Published by Kobi Wright (A0.1202551). This four-section piece is inspired by the stunning landscapes and rich cultural traditions of Scotland. With its energetic 6/8 rhythm and soaring melodies, I hope to transport you to the rolling hills and misty moors of the Scottish Highlands. The first section sets the stage with a lively introduction featuring the full band. Next it takes us on a musical adventure through the rugged terrain of Scotland, complete with driving percussion and soaring woodwind melodies. In the third section we get a nice chordal chromatic section. Finally, the fourth section brings the piece to a triumphant conclusion and the band comes together in a grand finale.
$45.00
Dona Nobis Pacem for 3 octave bells, handchimes and a solo flute. (TL)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Robert C
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Dona Nobis Pacem for 3 octave
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Robert C Walshe
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.924634 Composed by Traditional. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe ...
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Handbell - Level 3 - SKU: A0.924634 Composed by Traditional. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe #5865241. Published by Robert C Walshe (A0.924634). A straight forward arrangement of the Dona Nobis Pacem round. Hand Chimes are used for tonal variety the first time the round is played completely. The second time through more harmony notes and bass notes are added. Then, Flute adds an obligato part for the third time. And the entire piece can be played tableless standing using music stands, individual chairs to hold bells and chimes, and wearing macks and separated to safety. Safe even for this Virus Time!
$2.00
Celebration for Winds and Percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Eben A
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Celebration for Winds and Perc
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Eben A. Fernando Heldreth
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.525113 Composed by Eben A. Fernando Heldreth. Classical,Contemporary,Contest,Festival. Score and parts. 201 pages. Eben...
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Concert Band - Level 4 - SKU: A0.525113 Composed by Eben A. Fernando Heldreth. Classical,Contemporary,Contest,Festival. Score and parts. 201 pages. Eben A. Fernando Heldreth #135646. Published by Eben A. Fernando Heldreth (A0.525113). CELEBRATION FOR WINDS & PERCUSSION (2021) by Eben A. Fernando Heldreth Instrumentation: Concert Band Difficulty Level: Grade 3.5 - 4 Duration: 6' 30 PROGRAM NOTES This concert band work will be comprised of three movements. The first movement is a fanfare, which features brass and percussion. The second movement is slow and song-like and mostly features the woodwind section. The final and third movement is a quirky dance. This piece also includes a variety of time signatures. For more information visit EAFH Music website: www.eafhmusic.com.
$150.00
Oldest and Finest Concert March (Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Oldest and Finest Concert Marc
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Publ...
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Concert Band - Level 4 - SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.
$8.00
Oldest and Finest Concert March (Complete)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Oldest and Finest Concert Marc
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Pub...
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Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #191...
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Full Orchestra - Level 5 - SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95
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