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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Five Capricci
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
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MANDOLINE
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Vous avez sélectionné:
Five Capricci
Partitions à imprimer
14 partitions trouvées
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1
Five Capricci
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Girolamo Fantini
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Five Capricci
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Schott Music - Digital
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SheetMusicPlus
Trumpet (in Bb or in C) and basso continuo - intermediate - SKU: S9.Q3653 Composed by Girolamo Fantini. This edition: Sheet music. Downloadable. Schott ...
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Trumpet (in Bb or in C) and basso continuo - intermediate - SKU: S9.Q3653 Composed by Girolamo Fantini. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3653. Published by Schott Music - Digital (S9.Q3653).
$9.99
Capriccio
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Kurt Hessenberg
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Capriccio
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Schott Music - Digital
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SheetMusicPlus
Oboe and piano - intermediate to advanced - SKU: S9.Q7114 Composed by Kurt Hessenberg. This edition: Sheet music. Oboe Library. Das 1958 entstandene Cap...
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Oboe and piano - intermediate to advanced - SKU: S9.Q7114 Composed by Kurt Hessenberg. This edition: Sheet music. Oboe Library. Das 1958 entstandene Capriccio ist ein spielfreudiges und dankbares Stück - in einem neoklassizistischen, von erweiterter Tonalität geprägten Stil. Eine willkommene Erweiterung des Oboen-Repertoire. Downloadable. Op. 71/2. Duration 4 minutes. Schott Music - Digital #Q7114. Published by Schott Music - Digital (S9.Q7114). Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music - his motet 'O Herr, mache mich zum Werkzeug deines Friedens' forms part of the repertoire of every good choir - his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon. Created in 1958, 'Capriccio' Op. 71 No. 2 is dedicated to the oboe. It is an enjoyable and rewarding piece in a neoclassical style characterized by an extended tonality. This 'Capriccio' gives the oboist the possibility to play in an effective virtuoso, yet cantabile way and, in addition, uses piano accompaniment in a rewarding manner - a welcome addition to the oboe repertoire.
$11.99
Two Capriccios and Five Variations for solo cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Xaver Hammer
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Segno dell'Aquila
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Two Capriccios and Five Variat
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Diane Chaplin
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.918348 Composed by Franz Xaver Hammer. Arranged by Segno dell'Aquila. Classical. Individual part. 7 pages. Diane Chaplin ...
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Cello Solo - Level 4 - SKU: A0.918348 Composed by Franz Xaver Hammer. Arranged by Segno dell'Aquila. Classical. Individual part. 7 pages. Diane Chaplin #6326265. Published by Diane Chaplin (A0.918348). This 3-movement work from the early classical period is a wonderful addition to the solo cello repertoire. Movements can be performed together or as stand-alone offerings. .
$7.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Quintabile
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Harpe
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INTERMÉDIAIRE
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Barbara Semmann
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Quintabile
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797427 Composed by Barbara Semmann. Concert,Folk,New Age. Score. 14 pages. Afghan Press Music for the Harp #4841115. Published ...
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Harp - Level 3 - SKU: A0.797427 Composed by Barbara Semmann. Concert,Folk,New Age. Score. 14 pages. Afghan Press Music for the Harp #4841115. Published by Afghan Press Music for the Harp (A0.797427). Five tunes, three of them original, (Capriccio, Eight Note Etude and Cantibile), and two are the folk songs (All the Pretty Little Horses and Skye Song) nicely arranged. Not difficult, well-written and soothing to play and hear. In the keys of D, C, G, Am. These could be played on a 29-string harp with a low G.Table of Contents:All the Pretty Horses, Capriccio, Eight Note Etude, Cantabile, The Skye Song.
$8.00
Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Pietro Antonio Locatelli
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David Starkweather
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Sonata in D minor, Op.6, No.12
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Artaria Editions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artar...
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Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00
Sonata in D major, Op. 6, No. 6 for cello and keyboard (harpsichord)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Pietro Antonio Locatelli
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David Starkweather
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Sonata in D major, Op. 6, No.
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Artaria Editions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artar...
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Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artaria Editions #1064740. Published by Artaria Editions (A0.1487802). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12 . Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00
5 Characters
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Piano seul
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Hermann Schroeder
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5 Characters
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Schott Music - Digital
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SheetMusicPlus
Piano - SKU: S9.Q11716 For Piano. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11716. Publish...
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Piano - SKU: S9.Q11716 For Piano. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11716. Published by Schott Music - Digital (S9.Q11716). Hermann Schroeder (1904-1984) is one of the best-known German organ composers of the 20th century. His late piano work Fünf Charaktere (1974) is based less on contrapuntal and neo-classical composition techniques (like the two early piano sonatas) but rather on the tonal possibilities of the piano. The five movements which live on the changes of different tempos and emotions bear titles that refer to the mood and the character of the music: Capriccio – Legende – Scherzando – Elegie – Burleske. Thus, the pieces are not far away from being Romantic character pieces. Fünf Charaktere is published as printed edition for the first time, based on the autograph left in the composer's estate.
$13.99
LOVELY - BILLIE EILISH - FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish Feat
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Helen Marple-Horvat
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LOVELY - BILLIE EILISH - FOR S
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Billie Eilish Feat. Khalid. Arranged by Helen Marple-Horvat. Score, Set of Parts. 16 pag...
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String Quartet - Advanced Intermediate - Digital Download By Billie Eilish Feat. Khalid. Arranged by Helen Marple-Horvat. Score, Set of Parts. 16 pages. Published by Helen Marple-Horvat
?Lovely? by Billie Eilish and Khalid was released in April 2018. Written and produced by Finneas O?Connel, brother of Billie Eilish, it was used as the soundtrack to Season Two of ?13 Reasons Why? - a drama on Netflix. The song went Platinum in New Zealand and USA, and reached the top five in the New Zealand and Australian Charts.
I think that it lends itself beautifully to a String Quartet Arrangement and very much enjoyed working on it. At the moment I have only a computer version of the Score but will be recording it with Capriccio Quartet once lockdown restrictions are at an end.
Feel free to change the bowing, especially in the eight-quaver accompaniment bars. These do need to be heard, but very much as a background texture. I envisaged the song as played with a great deal of delicacy and subtlety, though this is hard to achieve with Sibelius software. In this arrangement the cello has less to do than usual, but there are some sudden shifts of position and that deep presence is vital to the overall effectiveness of the song. The double stopping usually includes one open string.
I experimented for a long time with different octaves for the violin to play at Letters C and E. You may like to change the score at this point if it feels easier, or just prefer one or the other. I opted for the high octave at times because the unison with the viola two octaves below seemed to have a lot of emotional power. However one octave apart also sounds good so younger players could easily tackle this song.
My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer.
$20.00
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