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Five romantic choral settings
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2 partitions trouvées
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Five romantic choral settings
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Fanny Cecile Mendelssohn
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Five romantic choral settings
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Moseler Verlag
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SheetMusicPlus
Composed by Fanny Cecile Mendelssohn (1805-1847). This edition: choral score. Moseler Chorreihe. Downloadable, choral score. Op 254. Moseler Verlag #Q...
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Composed by Fanny Cecile Mendelssohn (1805-1847). This edition: choral score. Moseler Chorreihe. Downloadable, choral score. Op 254. Moseler Verlag #Q53063. Published by Moseler Verlag
$3.99
Heart [SSA]
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Chorale 3 parties
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FACILE
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Contemporain
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Laurie Betts Hughes
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Heart [SSA]
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published...
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Choral Choir (SSA) - Level 2 - SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships. When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew. It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time. A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry. Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
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Five romantic choral settings