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Floating Along
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Floating Along
SheetMusicPlus
Partitions à imprimer
35 partitions trouvées
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1
26
Ukiyo-e: Pictures of the Floating World
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Clarinette
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INTERMÉDIAIRE
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Greg Bartholomew
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Ukiyo-e: Pictures of the Float
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Burke & Bagley
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.787200 Composed by Greg Bartholomew. 20th Century,Contemporary,Standards. Individual part. 7 pages. Burke & Bagley #48...
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Clarinet Solo - Level 3 - SKU: A0.787200 Composed by Greg Bartholomew. 20th Century,Contemporary,Standards. Individual part. 7 pages. Burke & Bagley #48421. Published by Burke & Bagley (A0.787200). Ukiyo-e (literally pictures of the floating world) is a genre of Japanese woodblock prints and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan. Usually the word ukiyo is literally translated as floating world, referring to a conception of an evanescent world, impermanent, fleeting beauty and a realm of entertainments (kabuki, courtesans, geisha) divorced from the responsibilities of the mundane, everyday world; pictures of the floating world, i.e. ukiyo-e, are considered a genre unto themselves. The novelist Asai Ryoi, in his Ukiyo monogatari (Tales of the Floating World, c. 1661), provides some insight into the concept of the floating world: ... Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maple leaves; singing songs, drinking wine, diverting ourselves in just floating, floating; ... refusing to be disheartened, like a gourd floating along with the river current: this is what we call the floating world... Ukiyo-e: Pictures of the Floating World was composed for clarinetist Thomas Piercy and pianist Claudine Hickman, who gave the world premiere performance in New York on April 8, 2012, as part of the 15 Minutes of Fame program on the Composer's Voice Concert Series. Duration 1 minute.Download free piano accompaniment track: Â http://www.gregbartholomew.com/piano/BB321P.mp3.
$5.95
Floating Along. Romanza. Two Step
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Piano seul
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Edward Buffington
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Floating Along. Romanza. Two S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.10401 Composed by Edward Buffington. Couples, Boats, Water lilies, Portraits, Moonlight. Lester S. Levy Collection. 5 pages. Published b...
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Piano - SKU: LV.10401 Composed by Edward Buffington. Couples, Boats, Water lilies, Portraits, Moonlight. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10401). Floating Along. Romanza. Two Step. by Edward Buffington. Published 1906 by C.C. Pillsbury Company in Minneapolis. Composition of sectional with piano instrumentation. Subject headings for this piece include Couples, Boats, Water lilies, Portraits, Moonlight. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Floating
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Piano seul
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INTERMÉDIAIRE
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Nancy Eischen
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Floating
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Nancy E
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1288705 Composed by Nancy Eischen. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 2 pages. Nancy E ...
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Piano Solo - Level 3 - SKU: A0.1288705 Composed by Nancy Eischen. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 2 pages. Nancy E #879600. Published by Nancy E (A0.1288705). Let the intervals take you away at a nice slow pace. Â Enjoy the progressions along the way. Â Little dynamics keep an even sound with little surprise. Â Easily repeated to add length.
$5.00
Floating, Solo Lap Harp
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Harpe
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New Age
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Contemporain
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Cindy Blevins
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Floating, Solo Lap Harp
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1059079 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 92. Cindy Blevins #3141671. Published by Cindy Blevin...
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Harp - SKU: A0.1059079 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 92. Cindy Blevins #3141671. Published by Cindy Blevins (A0.1059079). This mp3 was recorded playing my Blevins harp. The sheet music for this original harp piece is available here on Sheet Music Plus. It is from my harp book Lap Harp Compendium. You can just enjoy listening, or if you are a harpist and have the sheet music, you can hear how the arrangement sounds and play along.
$1.99
Petrichor (for Flute Choir)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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the end, one might even imagin
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James-Michael Sellers
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Petrichor
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JMS Composer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Co...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Composer #4835911. Published by JMS Composer (A0.749400). Petrichor is the scientific name given to the earthy smell of rain coming into contact with the ground. The work starts with the image of the rain just beginning to occur, with finger snaps, leg slaps, and the sound of palms rubbing together simulating the rain fall. The music starts at a slow tempo and increases over the length of the piece as the downpour accelerates. By the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace.From a rehearsal standpoint, Petrichor is not technically demanding. It focuses on the patterns that occur during rainfall, using them to help build towards the exciting conclusion. Working each pattern independently before bringing them together is very helpful, as it will help lock in the mix of rhythms. The opening does not need to feel rushed and should be allowed to breathe, and each increase in the tempo should not be telegraphed, but should flow from the previous tempo. The ending combines straight eighths and sixteenths with a running triplet pattern between them; the triplet pattern should feel like it sits on top of everything else, almost floating along like a cloud.This was a pleasure to compose, and I hope you enjoy rehearsing and performing Petrichor.
$12.99
The River Rolls On
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Michael C
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The River Rolls On
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.965531 Composed by Michael C. McDonough, A.S.C.A.P. Celtic,Concert,Folk. Score and parts. 10 pages. Michael ...
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Brass Ensemble Trombone - Level 3 - SKU: A0.965531 Composed by Michael C. McDonough, A.S.C.A.P. Celtic,Concert,Folk. Score and parts. 10 pages. Michael McDonough A.S.C.A.P. #6285469. Published by Michael McDonough A.S.C.A.P. (A0.965531). This is the fifth and final movement of my Holston Spring Suite for Trombone Quartet. The first four movements are: Holston Spring, The Shoreline, The Railway Bridge, and Turtles Sunning on the Shore. All are available on SMP Press. As the settlers kept floating along the river became swifter and more unpredictable. Many of the 1st settlers in this area came from Scotland and Ireland. This movement has a definite Scottish/Irish flair. One can just hear the pipes throughout this piece. .
$10.00
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - tuba and piano with FREE BACKING TRACK
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Tuba et Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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it remains in this key here
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1173976 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 14 pages. Austi...
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Piano,Tuba - Level 5 - SKU: A0.1173976 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 14 pages. Austin Ralphson #774133. Published by Austin Ralphson (A0.1173976). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major; it remains in this key here.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/A9VpK7MGVwQ and also in the video screen above.Parts are provided in B flat (treble clef), E flat (treble clef) and concert C (bass clef).You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/Au7FV
$3.99
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - horn in F and piano with FREE BACKING TRACK
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Cor et Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1173970 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages...
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French Horn,Piano - Level 5 - SKU: A0.1173970 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774127. Published by Austin Ralphson (A0.1173970). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/TnZBbLvL3hA and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/pTh1O
$3.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - trumpet and piano with FREE BACKING TRACK
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Trompette, Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 5 - SKU: A0.1173979 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pa...
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B-Flat Trumpet,Piano - Level 5 - SKU: A0.1173979 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774136. Published by Austin Ralphson (A0.1173979). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/J8CUxz3FaQs and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/mRYby
$3.99
Bouncing Etudes
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Contemporain
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Jay Vosk
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Bouncing Etudes
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Jay Vosk
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.836999 Composed by Jay Vosk. Contemporary. Individual part. 7 pages. Jay Vosk #22361. Published by Jay Vosk ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.836999 Composed by Jay Vosk. Contemporary. Individual part. 7 pages. Jay Vosk #22361. Published by Jay Vosk (A0.836999). BOUNCE ETUDES for Solo Timpani is geared towards the college undergraduate or graduate level timpanist.This three movement piece is approximately nine minutes in length. Each movement uses set pitches for each of the four drums. In the first movement, one might imagine some spherical objects that seem to bound along and propel themselves through space and time.Time is suspended for a brief period as the second movement begins. Here objects seem to float in space. The music is interrupted by a quick, fleeting scherzo section. After this music runs its course, the 'floating music returns. Skipping is the best way to describe the third movement. Here the music is mostly driving and aggressive, but at times the music is quite gentle. With a hasty flourish, BOUNCE ETUDES concludes.
$12.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - flute and piano with FREE BACKING TRACK
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Austin Ralphson
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1165440 By Austin Ralphson. By Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 9 p...
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Flute,Piano - Level 4 - SKU: A0.1165440 By Austin Ralphson. By Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 9 pages. Austin Ralphson #765800. Published by Austin Ralphson (A0.1165440). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/AN9EUuuH41g and also in the video screen above.You can also purchase all 5 beautiful solos in this book at a fantastic price: https://armusiconline.com/b/19djK
$3.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - bassoon and piano with FREE BACKING TRACK
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Basson, Piano (duo)
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.1173974 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 11 pages. Au...
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Bassoon,Piano - Level 5 - SKU: A0.1173974 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 11 pages. Austin Ralphson #774131. Published by Austin Ralphson (A0.1173974). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/OChgwLvvF28 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/EN4Sf
$3.99
New Tango No. 1: Movement
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #1...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - cello and piano with FREE BACKING TRACK
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Violoncelle, Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1173973 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Aust...
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Cello,Piano - Level 5 - SKU: A0.1173973 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774130. Published by Austin Ralphson (A0.1173973). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/OChgwLvvF28 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/kAX6a
$3.99
Four Sketches for Horn Quartet
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Quatuor de cuivres: 4 cors
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AVANCÉ
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Contemporain
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Josh Rogan
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Four Sketches for Horn Quartet
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Josh Rogan
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.933697 Composed by Josh Rogan. 20th Century,Concert,Contemporary. Score and parts. 49 pages. Josh Rogan #1921443. Pub...
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Brass Ensemble - Level 5 - SKU: A0.933697 Composed by Josh Rogan. 20th Century,Concert,Contemporary. Score and parts. 49 pages. Josh Rogan #1921443. Published by Josh Rogan (A0.933697). This work for horn quartet is in 4 Movements. It is written for a formal performance setting, but could be used for a less serious occasion too. The piece is about 12 minutes in total duration. Here is a brief description of the piece: Movement 1 (Fragments) introduces the sound world of this piece, and features different sounds 'bouncing around' each other to create different melodies and harmonies. Movement 2 (Breakdown) is an exciting rhythmic movement, where all four horns play their independent lines, which join together to create a somewhat 'groovy' melody. This movement is short, entertaining, and would also be a great encore piece on its own. Movement 3 (Reflection) portrays a more relaxed mood, where timing is much more free, and the listener is drawn along through the shifting harmonies by each note in the musical line. It then transforms into a 'floating' section, and segues into the next movement. Movement 4 (Interlude and Finale) revisits the original 'bouncing sounds' idea, progresses to another rhythmically intricate 'groovy' motive, and finally reaches a stable, sonorous melody that showcases the brilliance and majestic sound of all four horns together, giving a satisfying close to this unique work.
$24.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - tenor sax and piano with FREE BACKING TRACK
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Saxophone Tenor et Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1173975 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 p...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1173975 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774132. Published by Austin Ralphson (A0.1173975). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/TnZBbLvL3hA and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/1Z7cB
$3.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1173978 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pa...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1173978 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774135. Published by Austin Ralphson (A0.1173978). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/ntUAcU2JZt0 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - oboe and piano with FREE BACKING TRACK
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Hautbois, Piano (duo)
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Oboe,Piano - Level 5 - SKU: A0.1173967 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 9 pages. Austin...
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Oboe,Piano - Level 5 - SKU: A0.1173967 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 9 pages. Austin Ralphson #774124. Published by Austin Ralphson (A0.1173967). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/AN9EUuuH41g and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/I23gD
$3.99
Skating
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Jazz
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Vince Guaraldi
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John Gibson
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Skating
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 3 - SKU: A0.581964 Composed by Vince Guaraldi. Arranged by John Gibson. Jazz. 12 pages. JB Lin...
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Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 3 - SKU: A0.581964 Composed by Vince Guaraldi. Arranged by John Gibson. Jazz. 12 pages. JB Linear #3587439. Published by JB Linear (A0.581964). Skating from Vince Guaraldi's music for A Charlie Brown Christmas - set for oboe and English horn trio. Charlie Brown ice skates a lot like I do. Moments of gracefulness mixed with comical disasters. Guaraldi's music reflects that: measures of floating-on-air right along with times of clashing skates. It is set for 2 oboes and 1 English Horn.
$13.25
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - viola and piano with FREE BACKING TRACK
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Alto, Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1173972 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Aust...
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Piano,Viola - Level 5 - SKU: A0.1173972 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774129. Published by Austin Ralphson (A0.1173972). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/OChgwLvvF28 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
$3.99
THE SCAMPERING SCARECROW AND OTHER PIECES FOR VIOLA AND PIANO
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Alto (partie séparée)
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DÉBUTANT
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Garth M
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THE SCAMPERING SCARECROW AND O
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Garth M. Williams
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SheetMusicPlus
Viola Solo - Level 1 - SKU: A0.837253 Composed by Garth M. Williams (Socan). Children,Christmas,Halloween,Standards. Individual part. 45 pages. Garth M....
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Viola Solo - Level 1 - SKU: A0.837253 Composed by Garth M. Williams (Socan). Children,Christmas,Halloween,Standards. Individual part. 45 pages. Garth M. Williams (Socan) #2869001. Published by Garth M. Williams (Socan) (A0.837253). The Scampering Scarecrow and Other Pieces For Viola and Piano is written for the young viola student. Each composition has suggested teaching techniques in that the scale and rhythms from the piece are contained as part of the score and parts. Each piece also represents different seasons of the years; The Scampering Scarecrow, Peek A Boo Ghost, and A Big Bad Boo in 3 represent Halloween, while Floating Snowflakes was written for Christmas. Teachers can listen to each piece as there are ten MP's packaged along with the book. Selections from this series can also be found as duets, and as orchestral pieces. MP3'S are available for no cost from the composer at calaiscove@shaw.ca.
$20.00
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Floating Along
