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Floating in Space
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Floating, Falling, Flying (for Flute, Clarinet and Piano)
Flûte, Clarinette, Piano (trio)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Digital Download SKU: …
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Digital Download SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditional. Score and parts. 17 pages. Brian Chung Music #791812. Published by Brian Chung Music (A0.1192373). This version of Floating, Falling, Flying is optimized for Flute, Clarinet and Piano. The original trio written for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus) is now available for several instrumental combinations.YouTube Composer's Commentary:  https://youtu.be/AGq1Y14PHIUSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying†depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00
16.43 €
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Flûte, Clarinette, Piano (trio)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Thriller,Traditional. 18 pages. Brian Chung Music #788535. Published by Brian Chung Music (A0.1188926). Have you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano). Composer's Commentary on YouTube: https://youtu.be/AGq1Y14PHIU In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00
16.43 €
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Floating in Space
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.768231 Composed by Michelle Ayler. …
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Piano Solo - Level 1 - Digital Download SKU: A0.768231 Composed by Michelle Ayler. Concert,Standards. Score. 4 pages. MEA Music #1776239. Published by MEA Music (A0.768231). Elementary Piano Solo.
$2.00
1.83 €
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Piano seul
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Michelle Ayler
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Floating in Space
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MEA Music
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SheetMusicPlus
Wind in Open Spaces
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.489194 Composed by Vincent Frank. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.489194 Composed by Vincent Frank. Classical,Contemporary,New Age. Individual part. 4 pages. Vincent Frank Music #105706. Published by Vincent Frank Music (A0.489194). This piece for solo guitar is meant to evoke the feeling of the breeze floating by. Mostly composed in 5/4 time, Wind in Open Spaces features continuous arpeggiated chords and a simple melody.
$4.99
4.55 €
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Guitare
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Vincent Frank
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Wind in Open Spaces
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Vincent Frank Music
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SheetMusicPlus
Floating - piano (advanced)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.923491 Composed by Jenny Walker. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.923491 Composed by Jenny Walker. Contemporary. Score. 5 pages. J Walker #6667155. Published by J Walker (A0.923491). This piece is slow, with a well-spaced arpeggio-like accompaniment in the left hand and long bottom notes. The middle section is more 'active', especially in the right hand, and various keys are visited before returning to the original idea. A beautiful, serene piece. .
$4.99
4.55 €
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Piano seul
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Jenny Walker
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A beautiful, serene piece
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Floating - piano
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J Walker
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.82 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Gabriel
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50
4.11 €
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Guitare
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
Bouncing Etudes
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.836999 Composed by Jay…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.836999 Composed by Jay Vosk. Contemporary. Individual part. 7 pages. Jay Vosk #22361. Published by Jay Vosk (A0.836999). BOUNCE ETUDES for Solo Timpani is geared towards the college undergraduate or graduate level timpanist.This three movement piece is approximately nine minutes in length. Each movement uses set pitches for each of the four drums. In the first movement, one might imagine some spherical objects that seem to bound along and propel themselves through space and time.Time is suspended for a brief period as the second movement begins. Here objects seem to float in space. The music is interrupted by a quick, fleeting scherzo section. After this music runs its course, the 'floating music returns. Skipping is the best way to describe the third movement. Here the music is mostly driving and aggressive, but at times the music is quite gentle. With a hasty flourish, BOUNCE ETUDES concludes.
$12.99
11.86 €
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Jay Vosk
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Bouncing Etudes
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Jay Vosk
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SheetMusicPlus
Floating Through Space by Sia & David Guetta - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Sheet Music for Floating Through Space from Music [2021] arranged for Piano/Vocal/Guitar;S…
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Sheet Music for Floating Through Space from Music [2021] arranged for Piano/Vocal/Guitar;Singer Pro in F# Minor (Transposable). Digital sheet music from Musicnotes. --
$5.79
5.28 €
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Piano, Voix et Guitare
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
Floating Through Space by Nim Piano - Piano Solo
Piano seul
Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo in…
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Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo in F# Minor. Digital sheet music from Musicnotes. --
$4.99
4.55 €
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Piano seul
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Piano Solo
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Musicnotes
Floating Through Space by Relaxing Piano Covers - Piano Solo
Piano seul
Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo;Pi…
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Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo;Piano/Chords in F# Minor. Digital sheet music from Musicnotes. --
$5.79
5.28 €
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Piano seul
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Piano Solo
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Musicnotes
Floating Through Space by KimBo - Piano Solo
Piano seul
Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo;Pi…
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Sheet Music for Floating Through Space from Music [2021] arranged for Instrumental Solo;Piano/Chords in F# Minor. Digital sheet music from Musicnotes. --
$5.79
5.28 €
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Piano seul
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Piano Solo
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Musicnotes
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.64 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.81 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.73 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
New Tango No. 1: Movement
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
9.13 €
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Ensemble Jazz
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Prelude Impressions (for solo piano)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory.…
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Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00
7.3 €
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Piano seul
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Minimal Jazz - 10 piano pieces
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1016389 Composed by Wolfgang Oppelt…
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Piano Solo - Level 3 - Digital Download SKU: A0.1016389 Composed by Wolfgang Oppelt. 20th Century,Jazz,New Age,Pop. Score. 36 pages. ND-Verlag #5355617. Published by ND-Verlag (A0.1016389). „Minimal Jazz reveals a floating space in which busy thoughts come to rest,and heart and soul open up.What has long been hidden in us, being in the here and now, reveals itselfafter a few moments and lets us breathe a sigh of relief.
$15.99
14.59 €
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Piano seul
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Wolfgang Oppelt
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Minimal Jazz - 10 piano pieces
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ND-Verlag
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SheetMusicPlus
Anthem
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By …
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Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By Leonard Cohen. By Leonard Cohen. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 73 pages. Kerry Marsh #642516. Published by Kerry Marsh (A0.1037616). Important: This arrangement sold at SheetMusicPlus.com at a much lower price than the standard flat-fee range ($60 to $75) does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo 2. SkyTracks Mixer access 3. Vocal Part Tracks 4. Minus-One Tracks 5. Rhythm Track 6. Recording Stems (for those who wish to use their own Digital Audio Workstation) Leonard Cohen's moving song was transformed by the incomparable duo of Kate McGarry and Keith Ganz, and this adaptation brings the McGarry/Ganz to vocal jazz ensembles. A beautiful lyric message...There is a crack in everything, that's how the light gets in...will give your choir a great opportunity for storytelling, with some understated moments of vocal writing matched with soaring phrases to give listeners chills. Space for vocal or piano improv in the middle is followed by an a cappella breakdown feature, some gorgeous floating vocal figures, then a rousing final chorus that leads into an exciting finish for the whole group. Brief solo spots for an alto or soprano with some low notes available. Ring the bells that still can ring! Fully-notated piano and bass parts, drums Commissioned by C-Sus Voices from Sacramento State, Gaw Vang-Williams, dir. (2021)
$50.00
45.63 €
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Leonard Cohen
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Kerry Marsh
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Anthem
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Kerry Marsh
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SheetMusicPlus
A Samba Named Nancy
Jazz combo
Jazz Combo - Digital Download SKU: A0.979640 Composed by Roger Aldridge. Jazz,World…
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Jazz Combo - Digital Download SKU: A0.979640 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432777. Published by Roger Aldridge (A0.979640). This is a romantic samba. I wrote this tune to express my wife's qualities of warmth and surprise...and how she is a wonderful dancer. I think of the tune as being fairly straight-forward; however, it has some surprises. The AB form is unusual in how the A part is 15 measures and the B part is 22. While the music is mostly in 4/4, there are two places where a measure or two of 3/4 is used to shake things up. Harmonically, there is a mix of standard II-V chord changes, parallel harmony, and symmetrical harmony. The melody has a floating quality. The sustained notes give the rhythm section space for fills. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.
$3.00
2.74 €
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Jazz combo
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Roger Aldridge
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A Samba Named Nancy
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Roger Aldridge
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SheetMusicPlus
Believer - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.836253 By Imagine Dragons.…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.836253 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Edna J. Bloom. Rock. 6 pages. Bloom Musicnotes #6361783. Published by Bloom Musicnotes (A0.836253). This arrangement of Believer by Imagine Dragons in A minor is crafted in JUMBO floating alphanotes. Note colors match the color of popular classroom instruments such as melody bells and boomwhackers. The large font is easily seen from a distance, and the colors allow instrumentalists to easily follow the melodic contour. This download includes TWO formats: stemmed shows rhythmic grouping and stemless provides abundant white space. The three line staff acts a s a general guide for pitch movement. Lyrics for two verses and the chorus are written below the staff. .
$4.99
4.55 €
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Ensemble de Percussions
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Imagine Dragons
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Edna J
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Believer - Score Only
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Bloom Musicnotes
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SheetMusicPlus
String Quartet-Imaginal Listening
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.100…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1004748 Composed by Rocco Di Pietro. Contemporary. Score and parts. 33 pages. Rocco Di Pietro #4355195. Published by Rocco Di Pietro (A0.1004748). A 12 minute String Quartet first performed by Mivos Quartet. The work emerges from a deep inner space and ends in various silences. The idea of Imaginal listening means that the inner world where the music came to me was a gift. I had to listen to it in my head and write it down. It contains totems, and ghosts of bygone music floating by and interacting on the way to a dance. Various musical 'Odalisques' pass by with other more ominous 'Dead Zones'. I thought I would stop writing music when this piece came to me. There is a complete program note included with the score, and all the parts are included with the score.
$15.00
13.69 €
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Trio à Cordes: violon, alto, violoncelle
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Rocco Di Pietro
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in my head and write it down
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String Quartet-Imaginal Listening
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Rocco Di Pietro
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SheetMusicPlus
Celestial Serenade
2 Cors (duo)
French Horn Duet Horn - Level 3 - Digital Download SKU: A0.1437762 Composed by Rica…
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French Horn Duet Horn - Level 3 - Digital Download SKU: A0.1437762 Composed by Ricardo Stevens. Classical,Contemporary,New Age. Score. 5 pages. Ricardo Stevens Music #1017829. Published by Ricardo Stevens Music (A0.1437762). “Celestial Serenade” transports listeners to the vast expanse of outer space. Imagine two French Horns floating weightlessly, their golden tones echoing through cosmic dust clouds. The melody weaves between constellations, harmonizing with distant quasars and pulsars. Celestial bodies sway in rhythm, and shooting stars punctuate the score. It’s a cosmic love story—an interstellar duet that resonates across galaxies.
$20.00
18.25 €
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2 Cors (duo)
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Ricardo Stevens
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Celestial Serenade
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Ricardo Stevens Music
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SheetMusicPlus
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