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Fly Against the Night - Viola
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Fly Against the Night - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.572703 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.572703 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Score and part. 9 pages. James M Stevens Music ASCAP #3907857. Published by James M Stevens Music ASCAP (A0.572703). This is an original composition for Flute and Piano in the romantic key of C minor. There is a separate flute part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=3Q2E9YgMxEs
$6.99
6.31 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Alto Flute & Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572708 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572708 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 9 pages. James M Stevens Music ASCAP #3909397. Published by James M Stevens Music ASCAP (A0.572708). This is an original composition for Alto Flute and Piano in the romantic key of C minor. There is a separate alto flute part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=SjuRvhsvUgE
$6.99
6.31 €
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Alto Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Alto Sax & Piano
Saxophone Alto et Piano
Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572709 Com…
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Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572709 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 9 pages. James M Stevens Music ASCAP #3911117. Published by James M Stevens Music ASCAP (A0.572709). This is an original composition for Alto Sax and Piano in the romantic key of C minor. There is a separate alto sax part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=jDIPI0FzDdw
$6.99
6.31 €
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Saxophone Alto et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Alto Sax & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Violin & Piano
Violon et Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.572702 Composed by…
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.572702 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. 9 pages. James M Stevens Music ASCAP #3907811. Published by James M Stevens Music ASCAP (A0.572702). This is an original composition for Violin and Piano in the romantic key of C minor. There is a separate violin part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College.
$6.99
6.31 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night
Piano seul
Piano - Digital Download SKU: A0.1060926 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1060926 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Easter,New Age,World. Full Performance. Duration 135. James M Stevens Music ASCAP #3471385. Published by James M Stevens Music ASCAP (A0.1060926). This is the piano performance of Stevens' Fly Against the Night.
$1.99
1.8 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1061316 Composed by James Michael Stevens. A…
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Flute,Piano - Digital Download SKU: A0.1061316 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Full Performance. Duration 135. James M Stevens Music ASCAP #3907821. Published by James M Stevens Music ASCAP (A0.1061316). This is the Flute and Piano performance of Stevens' Fly Against the Night.
$1.99
1.8 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.1061325 Composed by James Michael S…
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Alto Saxophone,Piano - Digital Download SKU: A0.1061325 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,World. Full Performance. Duration 135. James M Stevens Music ASCAP #3909391. Published by James M Stevens Music ASCAP (A0.1061325). This is the Alto Sax & Piano performance of Stevens' Fly Against the Night.
$1.99
1.8 €
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Saxophone Alto et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Alto Sax & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night Piano Track
Piano seul
Piano - Digital Download SKU: A0.1061317 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1061317 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Accompaniment. Duration 135. James M Stevens Music ASCAP #3907801. Published by James M Stevens Music ASCAP (A0.1061317). This is the piano track for Stevens' Fly Against the Night which may be used for various instrumental solos.
$2.99
2.7 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night Piano Track
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night - Violin & Piano
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1061315 Composed by James Michael Stevens. …
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Piano,Violin - Digital Download SKU: A0.1061315 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Full Performance. Duration 135. James M Stevens Music ASCAP #3907797. Published by James M Stevens Music ASCAP (A0.1061315). This is the violin and piano performance of Stevens' Against the Night.
$1.99
1.8 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Fly Against the Night
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.572403 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.572403 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,World. Score. 4 pages. James M Stevens Music ASCAP #3471383. Published by James M Stevens Music ASCAP (A0.572403). Written March 8, 2018, this is an original piano composition in an intense and passionate style in the key of C minor. James Michael Stevens is a prolific composer residing in Nashville, TN. https://youtu.be/aI1QzrDHwDM
$4.99
4.5 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Fly Against the Night
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James M Stevens Music ASCAP
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SheetMusicPlus
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano seul
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
4.51 €
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Piano seul
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Trio No.1 for piano, violin, and 'cello "Night of Broken Glass"
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.980578 Composed …
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Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.980578 Composed by William Grosvenor Neil. Contemporary. 96 pages. TheComposerStudio.Com, LLC #3467744. Published by TheComposerStudio.Com, LLC (A0.980578). Piano Trio No. 1 (Night of Broken Glass) (2012) (score and parts) for piano trio is a tribute to the children who are often the innocent victims of the tragic and violent actions of men. Although I have referenced the Kristallnacht attacks against Jews throughout Nazi Germany and parts of Austria on 9–10 November 1938, I am, in my musical expression, alluding to all senseless demonstrations of violence that often reach catastrophic proportions as they shatter the lives of children. In these three movements, I juxtapose the intensely orchestrated sonorities with two Jewish traditional lullabies*. The themes, only briefly heard as lyric contrasts to the more aggressive music, interweave and develop their own narrative, gaining an increasing emotional weight as the episodes unfold. In addition, there are two enigma themes that I use to drive the transformation of the music to its emotional climax. Listen to Trio Malipiero's performance of the piece: More information on the composer: www.williamneil.net Contact and support email: thecomposerstudio@gmail.com.
$30.00
27.07 €
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Piano Trio: piano, violon, violoncelle
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William Grosvenor Neil
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More information
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Piano Trio No.1 for piano, violin, and 'cello "Night of Broken Glass"
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Le Gibet (The Gallows) from Gaspard de a Nuit
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1270168 Composed by Maurice Ravel…
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Concert Band - Level 4 - Digital Download SKU: A0.1270168 Composed by Maurice Ravel. Arranged by Ashton Latimer. 19th Century,20th Century,21st Century,Classical. Score and Parts. 53 pages. Ashton L #862599. Published by Ashton L (A0.1270168). The Gallows..what do I see shifting around these gallows?Goethe - FaustAh! This that I hear, is it the night's north wind yelping or the hanged man who pushes out a sigh on the sinister-looking fork?Would it be some cricket singing crouched in the moss and barren ivy that the woodland, pitying, uses for shoes?Would it be some fly on the hunt sounding its horn to ears that cannot hear the fanfare of hallali?Would it be some beetle in irregular flight picking a bloody hair from his bald skull?Or would it even be some spider embroidering half a yard of muslin to make a tie for this strangled neck?It is the bell ringing against the walls of a town, below the horizon, and the carcass of a hanged man reddened by the setting sun.
$15.00
13.53 €
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Orchestre d'harmonie
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Maurice Ravel
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Ashton Latimer
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Le Gibet
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Ashton L
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
White Moon
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.781588 Composed by Luke Fl…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.781588 Composed by Luke Flynn. Instructional,Standards. Octavo. 8 pages. Luke Flynn Publishing #3225743. Published by Luke Flynn Publishing (A0.781588). White Moon by Luke FlynnCommissioned by Choral Arts Initiative, Brandon Elliott, artistic directorPerfect SATB piece for advanced high school and college choirs; beautiful lullaby with soaring, memorable melodies.Set to text by Carl Sandburg:White moon comes in on a baby face. The shafts across her bed are flimmering. Out on the land White Moon shines, Shines and glimmers against gnarled shadows, All silver to slow twisted shadows Falling across the long road that runs from the house. Keep a little of your beauty And some of your flimmering silver For her by the window tonight Where you come in, White Moon. -Baby Face by Carl Sandburg (1878-1967)
$1.99
1.8 €
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Chorale SATB
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Luke Flynn
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White Moon
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Luke Flynn Publishing
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SheetMusicPlus
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