Folk Gloria - Partitions musicales à imprimer - Mondial de la partition numérique

66 partitions trouvées

Folk Gloria

Chorale SATB

Choral Choir (SATB) - Digital Download SKU: A0.1025503 Composed by Eoin Buchanan. C…(+)

$20.00 18.35 € #Chorale SATB #Eoin Buchanan #Folk Gloria #Eoin Buchanan #SheetMusicPlus

Folk Gloria

Chorale SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1017077 Composed by Eoin B…(+)

$17.75 16.29 € #Chorale SATB #Eoin Buchanan #Folk Gloria #7plc Music #SheetMusicPlus

For the Immigrants (Get to Know Me)folk version

Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.810562 Composed by Wo…(+)

$4.50 4.13 € #Piano, Voix et Guitare #Words& music by Fred & Gloria Bogert #Fred Bogert #For the Immigrants #Frederick W Bogert #SheetMusicPlus

Tuya es la Gloria "To God Be the Glory" Spanish Choral

Chorale SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.848978 Composed by …(+)

$1.99 1.83 € #Chorale SATB #Folk Song #Gene Roberson #Tuya es la Gloria "To God Be the Glory" Spanish Choral #Gene Roberson #SheetMusicPlus

Angelic Gloria (Downloadable)

Chorale 2 parties

2-part treble voices, handbells - Easy to Moderately Easy - Digital Download SKU: MQ.50…(+)

$2.25 2.06 € #Chorale 2 parties #David M #Angelic Gloria #MorningStar Music Publishers - Digital Sheet Music #SheetMusicPlus

Folk Mass (Vocal Choir, 7 Movements)

Chorale SATB

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'…(+)

$37.50 34.41 € #Chorale SATB #Mark Oâ€™Connor

Commissioned by Gloriae Dei Cantores

Can be heard on Folk Mass OMAC Records

#Mark O'Connor #Folk Mass #Mark O'Connor Musik International #SheetMusicPlus

DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME
Orchestre

Full Orchestra - Level 2 - Digital Download SKU: A0.1363278 Composed by AFRICAN MEL…(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.1363278 Composed by AFRICAN MELODY & DONNA ADKINS. Arranged by FABRICIO GORRERA. Christian,Folk,Praise & Worship,Religious,Sacred. 20 pages. FGORRERA #947763. Published by FGORRERA (A0.1363278). ARRANGEMENT FOR BEGINNER ORCHESTRAGRADE: 1INSTRUMENTATION:FLUTE 1, OBOÃ‰ OR FLUTE 2, CLARINET IN Bb, ALTO SAX, TENOR SAX, TRUMPET IN Bb, HORN IN F, TROMBONE, TUBA, PIANO (CHORDS), VIOLIN 1 & 2, VIOLA AND CELLO.
$50.00 45.88 € #Orchestre #AFRICAN MELODY & DONNA ADKINS #FABRICIO GORRERA #2, VIOLA AND CELLO.
#DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME #FGORRERA #SheetMusicPlus

I Will Survive - Gloria Gaynor - Ballad & Disco - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes

By Gloria Gaynor. Arranged by Thomas Graf. World, Folk, European, Pop, Rock. Score, Set of…(+)

By Gloria Gaynor. Arranged by Thomas Graf. World, Folk, European, Pop, Rock. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit-factory.com (H0.125601-370700). - Score,Set of Parts - World,Folk,European,Pop,Rock - Thomas Graf - the-hit-factory.com
$19.99 18.34 € #Quintette de Clarinettes: 5 clarinettes #Gloria Gaynor #Thomas Graf #I Will Survive - Gloria Gaynor - Ballad & Disco - Clarinet Quintet #Thomas Graf - the-hit-factory.com #SheetMusicPlus

Let Us Move (score - vocal choir and violin solo)
Chorale SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark Oâ€™Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2000 Composed by Mark Oâ€™ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark Oâ€™Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright Â© 2000 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 27.53 € #Chorale SATB #Mark O'Connor #Let Us Move #Mark O'Connor Musik International #SheetMusicPlus

Let Us Move (violin part - vocal choir and violin solo)
Chorale SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark Oâ€™Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2000 Composed by Mark Oâ€™ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark Oâ€™Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright Â© 2000 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00 5.51 € #Chorale SATB #Mark O'Connor #Let Us Move #Mark O'Connor Musik International #SheetMusicPlus

Venezuelan Mass - II. Gloria - Duo of Tenors soloists and SATB with Cuatro accompaniment and percussion
Chorale SATB

Sacred, Folk, South American. Octavo. 15 pages. Published by Bernardo Bernal (S0.247333). …(+)

Sacred, Folk, South American. Octavo. 15 pages. Published by Bernardo Bernal (S0.247333). - Octavo - Sacred,Folk,South American - Bernardo Bernal
$4.99 4.58 € #Chorale SATB #Venezuelan Mass - II. Gloria - Duo of Tenors soloists and SATB with Cuatro accompaniment and percussion #Bernardo Bernal #SheetMusicPlus

The William Bay Collection - Sacred Guitar Solo Anthology #2

Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…(+)

Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99 22.93 € #The William Bay Collection - Sacred Guitar Solo Anthology #2 #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Missa Solemnis, op. 27 (vocal score)
Chorale SATB

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 80.74 € #Chorale SATB #Adrian Gagiu #Missa Solemnis, op. 27 #Adrian Gagiu #SheetMusicPlus

Missa Solemnis, op. 27 (parts)
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 146.82 € #Orchestre #Adrian Gagiu #Missa Solemnis, op. 27 #Adrian Gagiu #SheetMusicPlus

Missa Solemnis, op. 27 - Score Only
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 78.9 € #Orchestre #Adrian Gagiu #Missa Solemnis, op. 27 - Score Only #Adrian Gagiu #SheetMusicPlus

"The Angel Gabriel" choral anthem
Chorale SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874146 Composed by Traditi…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874146 Composed by Traditional, Mary Rose Jensen. Arranged by Mary Rose Jensen. Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 10 pages. Garden Rose Music #3859657. Published by Garden Rose Music (A0.874146). 2018 Holiday Contest EntryChoir anthem for Advent or Christmas, SATB with organ accompaniment. 3 30The Angel Gabriel is especially useful for Lessons and Carols and Christmas Eve church services.The main tune is the traditional Basque carol, GABRIEL'S MESSAGE. Music of verse 3 is newly composed.The words have been almost completely rewritten to follow more closely the scripture passage, Luke 1:26-38, the account of the Annunciation.Lyrics:The angel Gabriel was sent by GodTo Mary in a town in Galilee.He greeted her and said, The Lord is with you now.You are the highly favored one. Gloria! But Mary wondered what his words could mean.The angel told her Do not be afraid.You will conceive and bear a son named Jesus.You are the highly favored one. Gloria! He will be great and will be called the Son of God most high And sit on Davidâ€™s throne. And sit on Davidâ€™s throne.His rule of Jacobâ€™s house and kingdom will not end.His kingdom will not end. His kingdom will not end.Gloria, gloria, gloria. Gloria, gloria, gloria.Gloria, gloria, gloria. Gloria, gloria, gloria. Then Mary, as a virgin, wondered, How?He said, All things are possible with GodAs God the Holy Spirit overshadows youYou are the highly favored one. Gloria! Then Mary said, Behold, I serve the Lord.So let it be according to your word.The angel then departed and we say with him,You are the highly favored one. Gloria!
$1.99 1.83 € #Chorale SATB #Traditional, Mary Rose Jensen #Mary Rose Jensen #"The Angel Gabriel" choral anthem #Garden Rose Music #SheetMusicPlus

Hello Birmingham
Chorale SSAA

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1417410 Compos…(+)

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1417410 Composed by Angela M Difranco. Arranged by Gloria Price Moser. 20th Century,Folk,Historic,Pop,Singer/Songwriter. 31 pages. Gloria Price Moser #998948. Published by Gloria Price Moser (A0.1417410). Arranged for SSAA Choir with soloist, keyboard, electric bass, and drum set. This deeply powerful song, first released in 1999, is about violence against reproductive healthcare providers, including the shooting of Dr. Bernard Slepian in Difranco's home town of Buffalo, NY and the bombing of a clinic in Birmingham, AL in 1998. This arrangement is deeply moving, with strong dynamic contrast and beautiful phrasing.Â Arranged with permission for Angela M Difranco.
$2.50 2.29 € #Chorale SSAA #Angela M Difranco #Gloria Price Moser #Hello Birmingham #Gloria Price Moser #SheetMusicPlus

Feira De Mangaio
Violon

Violin Solo - Level 4 - Digital Download SKU: A0.1398433 Composed by Maria Da Glori…(+)

Violin Solo - Level 4 - Digital Download SKU: A0.1398433 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Folk,Latin,Pop. 7 pages. Fernando Neves #981708. Published by Fernando Neves (A0.1398433). Immerse yourself in the vibrant rhythms of Brazil with our sheet music arrangement for mandolin and guitar of â€œFeira de Mangaioâ€ by Sivuca (Severino Dias de Oliveira) and Maria da Gloria Gadelha. This iconic song is a staple of Brazilian North East music. Its energetic rhythm and melody make it a joy to play and a delight to hear. The arrangement captures the essence of the original composition, providing a unique opportunity for musicians to explore the rich musical traditions of Brazil. Arranged for Violin with Guitar Accompaniment. 7-page PDF with complete score and separated parts.Â Tablature and chords are available for the guitar part.
$19.97 18.32 € #Violon #Maria Da Gloria Gadelha and Severino Dias De Oliveira #FERNANDO LUIZ NEVES #Feira De Mangaio #Fernando Neves #SheetMusicPlus

I Will Survive
Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.1210565 By Gloria Gaynor. By Dino F…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1210565 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by poon. Folk,Pop. Score. 4 pages. Poon #808348. Published by poon (A0.1210565). I Will Survive - Gloria Gaynor - Featured In Priscilla, Queen Of The Desert - For Piano Solo - With Lyrics Chord.
$4.99 4.58 € #Piano seul #Gloria Gaynor #poon #I Will Survive #poon #SheetMusicPlus

Because He Lives
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223459(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223459 Composed by Bill Gaither and Gloria Gaither. Arranged by Jheymes Hainer. Blues,Christian,Folk,Praise & Worship,Religious. 19 pages. Jheymes Hainer #819651. Published by Jheymes Hainer (A0.1223459). Because He Lives - William J. Gaither and Gloria Gaither Â Traditional worship song, adapted for brass quintet and drums kit
$12.99 11.92 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Bill Gaither and Gloria Gaither #Jheymes Hainer #Because He Lives #Jheymes Hainer #SheetMusicPlus

Because He Lives
Guitare notes et tablatures

Guitar - Level 3 - Digital Download SKU: A0.1039182 Composed by Bill Gaither and Gl…(+)

Guitar - Level 3 - Digital Download SKU: A0.1039182 Composed by Bill Gaither and Gloria Gaither. Arranged by Kenneth Pasciak. Classical,Easter,Folk,Praise & Worship,Spiritual. Guitar Tab. 2 pages. Kenneth Pasciak #644143. Published by Kenneth Pasciak (A0.1039182). Because He Lives by William and Gloria Gaither arranged for solo fingerstyle or classical guitar in A major. Includes 2-page score with tablature.
$4.99 4.58 € #Guitare notes et tablatures #Bill Gaither and Gloria Gaither #Kenneth Pasciak #Because He Lives #Kenneth Pasciak #SheetMusicPlus

El faraón. Bambuco por Raúl Rosero Polo
Piano seul

Piano Solo - Level 4 - Digital Download SKU: A0.1121028 By RaÃºl Rosero Polo. By …(+)

Piano Solo - Level 4 - Digital Download SKU: A0.1121028 By RaÃºl Rosero Polo. By RaÃºl Rosero Polo. Arranged by Juan Carlos CortÃ©s Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos CortÃ©s Aguirre #722220. Published by Juan Carlos CortÃ©s Aguirre (A0.1121028). Bambuco colombiano en compÃ¡s musical de 3/4 y 6/8 con transcripciÃ³n musical para piano solo por: JUAN CARLOS CORTÃ‰S A. El faraÃ³n. Bambuco por RaÃºl Rosero Polo IntroducciÃ³n 3/4: Por el camino se le ve llegar, montado al lomo de sus sueÃ±os, llevando a cuestas la esperanza y las ganas de triunfar. Por el camino se le ve llegar... Tiempo de Bambuco a 6/8: Con polvo de ilusiÃ³n en lluvia y sol, asÃ la piel se le curtiÃ³, atado a su futuro, (2a: Atado a su futuro) recorriendo montaÃ±as, (2a: Recorriendo montaÃ±as) araÃ±ando la gloria de las distancias. (2a: de las distancias). Atado a su futuro, (2a: Atado a su futuro) recorriendo montaÃ±as, (2a: Recorriendo montaÃ±as) araÃ±ando la gloria de las distancias. Jinete que a su paso deshoja laureles, y a los caminos tristes les pinta alegrÃa. Despierta los sueÃ±os de un pueblo que te quiere, tu pueblo. Despierta los sueÃ±os de un pueblo que te quiere, tu pueblo. Orquesta: Jinete que a su paso deshoja laureles, y a los caminos tristes les pinta alegrÃa. Despierta los sueÃ±os de un pueblo que te quiere, tu pueblo. Despierta los sueÃ±os de un pueblo que te quiere, tu pueblo. Â¡Oh! (2a: Pueblo) Â¡Oh! (2a: Pueblo) Â¡Oh! Â¡Oh!
$7.99 7.33 € #Piano seul #RaÃºl Rosero Polo #Juan Carlos CortÃ©s Aguirre #El faraón. Bambuco por Raúl Rosero Polo #Juan Carlos CortÃ©s Aguirre #SheetMusicPlus

Kör ad lib. Grön

Various - Digital Download SKU: BJ.1104 Composed by Various. Arranged by Gunnar Eri…(+)

Various - Digital Download SKU: BJ.1104 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 89 pages. Bo Ejeby Forlag - Digital #1104. Published by Bo Ejeby Forlag - Digital (BJ.1104). 8.27 x 11.7 inches.French and Swedish folksongs are the foundation for the models of improvisation and arrangements that are presented in this booklet for choirs on all levels.The idea of this book is to provide the choral conductor and the choir with a way into a somewhat more liberated way of working less tied to sheet music. Or if you wish: let the ears be more important than the eyes, and the body more important than the brain in the first encounter with the music. I present some simple, more or less ancient, ideas on composition and collective improvisation. You can create your own building kits, which in turn can develop into soundscapes. This can also serve as an invitation to the choir to, in a playful manner, approach the contemporary music and its ways of expression. - Gunnar ErikssonNotes in Swedish, French and English.Contents: Cris et chants de bergers Kuleken Voici le joli mois de Mai Majvisa Varvindar friska / Le murmure de vent In vernali tempore Den blomstertid nu kommer / Arrive le temps allegre Tempus adest floridum Voici l'hiver passe / Nu vintern tar adjo Voici le mois de mai Vatnsdaelinga Voila le printemps Tourdion Limu limu lima Rossignol du bois sauvage En gang i bredd med mig / Un jour devant l'autel J'entends dans le bocage La douce pensee Loyaute vueil toujours maintenir Kling, klang, klockan slar / Ding, dong sonne la cloche Rossignolet du bois / Nu ar en ljuvlig tid Jag vet en dejlig rosa / Une rose dans la nature La segaireta Gladjens blomster / Les fleurs de la joie Y'a pas d'amour sans peine Vem kan segla / Qui peut faire de la voile Devinez ce qu'il y a Martolodet, d'in o leret Vinden drar / Vent leve Vinden drar / Martolodet Vi aro musikanter / Nous sommes des musicienes O lo compogno / Vi aro musikanter Vi aro musikanter - quodlibet Ma mer' m'envoie-t-au marche Bon vin Kyrie Gloria Toi qui vient pour tout sauver / Varldens Fralsare kom har.
$20.00 18.35 € #Various #Gunnar Eriksson #Kör ad lib. Grön #Bo Ejeby Forlag - Digital #SheetMusicPlus

It's Too Late
Trompette

By Carole King and Gloria Estefan. Folk; Pop; Rock. Tptsol. 1 pages. Published by Hal Leon…(+)

By Carole King and Gloria Estefan. Folk; Pop; Rock. Tptsol. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.335621). - tptsol - Folk; Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99 2.74 € #Trompette #Carole King and Gloria Estefan #Pop #It's Too Late #Hal Leonard - Digital Sheet Music #SheetMusicPlus

It's Too Late
Cor

By Carole King and Gloria Estefan. Folk; Pop; Rock. Hrnsol. 1 pages. Published by Hal Leon…(+)

By Carole King and Gloria Estefan. Folk; Pop; Rock. Hrnsol. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.335616). - hrnsol - Folk; Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99 2.74 € #Cor #Carole King and Gloria Estefan #Pop #It's Too Late #Hal Leonard - Digital Sheet Music #SheetMusicPlus

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