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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For A Friend
Non classifié
1 890
Piano & claviers
Piano seul
1 181
Piano Facile
699
Piano, Voix
405
Piano, Voix et Guitare
358
Instruments en Do
307
Orgue
98
1 Piano, 4 mains
76
Accompagnement Piano
63
Accordéon
58
Piano grosses notes
39
Piano Trio: piano, violon, violoncelle
22
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
8
1 Piano, 6 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Accordéon, Piano
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
243
Guitare
154
Ligne De Mélodie, (Paroles) et Accords
106
Ukulele
90
Basse electrique
35
Paroles et Accords
25
2 Guitares (duo)
24
Mandoline
8
Dulcimer
7
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
Banjo
2
Ensemble de guitares
2
Ukulele Baryton
2
3 Guitares (trio)
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
428
Chorale 2 parties
274
Chorale 3 parties
172
Chorale TTBB
87
Chorale Unison
58
Chorale SSAA
46
Voix duo, Piano
36
Chorale
16
Voix Soprano, Piano
13
Voix duo
9
Voix seule
5
Voix Alto, Piano
4
Voix Tenor, Piano
4
Voix haute
4
Voix Baryton, Piano
3
Voix, Guitare
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
175
Clarinette et Piano
135
2 Saxophones (duo)
131
2 Flûtes traversières (duo)
127
Flûte traversière
123
Hautbois, Piano (duo)
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
118
Saxophone Alto
106
Clarinette
105
Saxophone Alto et Piano
103
Flûte, Hautbois, Clarinette, Basson
99
Quatuor de Saxophones: 4 saxophones
97
2 Clarinettes (duo)
94
Saxophone Tenor
82
Flûte, Clarinette (duo)
71
Hautbois (partie séparée)
71
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Tenor et Piano
65
Quintette de Saxophone: 5 saxophones
63
Saxophone (partie séparée)
61
Saxophone Soprano et Piano
47
Clarinette, Violon (duo)
44
Hautbois, Basson (duo)
40
Hautbois, Clarinette (duo)
38
Flûte, Violoncelle
37
Flûte, Alto (duo)
35
2 Hautbois (duo)
34
Clarinette, Basson (duo)
32
3 Clarinettes (trio)
32
Saxophone Baryton, Piano
31
Hautbois
29
Clarinette, Violoncelle (duo)
27
Flûte à Bec
27
Hautbois, Violoncelle
26
Ensemble de Clarinettes
26
Saxophone, Clarinette (duo)
25
Flûte, Violon
25
Clarinette et Alto
25
Cor anglais, Piano
24
Quatuor de Flûtes : 4 flûtes
20
Hautbois et alto (duo)
20
Flûte, Trombone (duo)
20
Trio de Flûtes: 3 flûtes
19
3 Saxophones (trio)
18
Hautbois, Flûte
18
Saxophone
17
Flûte, Tuba (duo)
15
Clarinette, Trompette (duo)
15
Flûte à Bec, Piano
15
Flûte à bec Soprano
15
Clarinette, Tuba
14
Quintette de Flûte : 5 flûtes
14
Clarinette Basse, Piano
14
Ensemble de Flûtes
13
Saxophone Soprano
13
Quintette de Clarinettes: 5 clarinettes
12
Flûte et Guitare
12
Hautbois, trombone (duo)
12
Ensemble de saxophones
11
Flûte, Clarinette et Basson
10
2 Flûte à bec (duo)
10
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Saxophone (duo)
10
Hautbois, violon (duo)
9
Flûte, Hautbois (duo)
8
Flûte, Violon, Piano
8
Flûte, Trompette (duo)
8
Saxophone Baryton
8
Quatuor de Flûtes à bec
7
Flûte à bec Alto, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Trombone (duo)
6
Flûte à bec Soprano, Piano
6
Cor Anglais
5
Flûte, Basson et Piano
5
5 Flûtes à bec
5
Ocarina
5
Clarinette, Guitare (duo)
5
Flûte, Alto et Piano
5
Flûte, Clarinette, Piano (trio)
5
3 Hautbois
4
Harmonica
4
2 Saxophones, Piano
4
2 Clarinettes, Piano
4
Flûte, Violon et Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Alto et Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Flûte à bec Alto
3
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
Flûte et Trio à cordes
2
Clarinette, Harpe (duo)
2
Flute, harpe et violon
2
Cor anglais, Guitare (duo)
2
Flûte irlandaise
2
Clarinette, Basson, Piano (trio)
2
Flûte, Hautbois, Violon
2
Flûte, Clarinette, Violon (trio)
2
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes traversières, Harpe
1
Hautbois, Trompette (duo)
1
Clarinette Basse
1
Flûte, Violoncelle, Piano (trio)
1
2 Hautbois, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Basson et Piano
1
Flute (partie séparée)
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
120
Trombone et Piano
118
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Trombone
90
Trompette, Piano
89
Cor
62
Cor et Piano
59
2 Trompettes (duo)
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
2 Trombones (duo)
47
Tuba
38
Trompette, Trombone (duo)
38
Tuba et Piano
36
Ensemble de Trompettes
35
2 Cors (duo)
28
Quatuor de Cuivres
24
Cor anglais, Piano
24
Trompette, Saxophone (duo)
21
Trompette (partie séparée)
21
Trompette, Tuba (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Euphonium, Piano (duo)
18
Trombone (partie séparée)
16
Euphonium
13
Trombone, Violon (duo)
13
2 Tubas (duo)
12
Trompette, Cor (duo)
11
Trio de Cuivres
10
Trompette, Basson (duo)
8
Ensemble de Trombones
8
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 cors
7
Trombone, Tuba (duo)
6
Cor Anglais
5
3 Trombones (trio)
5
Cor, Violoncelle (duo)
4
Trompette, Trombone, Piano
4
Cor et Basson (duo)
3
3 Trompettes (trio)
3
Trompette, Violoncelle (duo)
3
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, violon (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Trombone basse et Piano
1
Cor (partie séparée)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
2 Cors, Piano
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
428
Violon et Piano
242
Violon
180
Violoncelle, Piano
136
Violoncelle
124
2 Violons (duo)
123
Harpe
119
Alto, Piano
119
Trio à Cordes: violon, alto, violoncelle
110
Alto seul
99
Violon, Alto (duo)
97
Violon, Violoncelle (duo)
97
2 Violoncelles (duo)
76
2 Altos (duo)
66
Quintette à cordes: 2 violons, alto, violoncelle, basse
49
Contrebasse, Piano (duo)
36
Alto (partie séparée)
35
Contre Basse
34
Alto, Violoncelle (duo)
25
Violon, Basson (duo)
24
Trio à Cordes: 2 violons, violoncelle
24
Violon, Tuba (duo)
16
Trio à cordes: 3 violins
13
Violon (partie séparée)
12
2 Harpes (duo)
12
Violoncelle, Contrebasse (duo)
11
Piano Trio: Violon, Alto, Piano
11
Harpe, Flûte (duo)
10
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 altos
9
Contrebasse (partie séparée)
8
Harpe, Voix
6
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, alto
4
Violon, Guitare (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Violon, Clarinette, Piano (trio)
4
Alto et Basson
4
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
3
Alto, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon, Violoncelle
3
4 Violoncelles
3
2 Violons, Piano
2
4 Harpes
2
3 Contrebasses
2
2 Altos, Piano
2
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Harpe et mandoline
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
244
Orchestre à Cordes
87
Orchestre
81
Ensemble Jazz
73
Ensemble de cuivres
55
Jazz combo
48
Orchestre de chambre
42
Cloches
38
Xylophone
15
Fanfare
13
Ensemble de Percussions
11
Batterie
11
Marimba
11
Xylophone, Piano
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Percussion (partie séparée)
3
Vibraphone
2
Orchestre, Violon
2
Caisse Claire
2
Batterie (partie séparée)
2
Quatuor à Vent : 4 instruments à vents
1
2 Xylophones
1
Vibraphone et Marimba
1
2 Marimbas
1
Percussion
1
Voix et Orchestre
1
+ 21 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
For A Friend
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9976
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.38 €
#
2 Pianos, 4 mains
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
You've Got A Friend
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.922585 By James Ta…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.922585 By James Taylor. By Carole King. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 72 pages. DaimlerMusic #6529901. Published by DaimlerMusic (A0.922585). Prepare to be transported to a realm of musical emotion and connection with this stunning big band arrangement of 'You've Got A Friend' by Carole King, carefully crafted by the talented Johan Verhey. This rendition is a masterful testament to the power of music to touch the deepest corners of the heart.With each note and every instrument, Johan Verhey's arrangement gracefully weaves together the familiar melody and lyrics into a rich tapestry of sound. It brings forth an entirely new dimension of warmth, tenderness, and nostalgia. Whether you're a fan of the original or experiencing this song for the first time, Johan Verhey's big band arrangement will undoubtedly leave an indelible mark on your soul.The lush harmonies, the soulful horn section, and the rhythmic drive of the band encapsulate the true essence of friendship and support, making this rendition a heartwarming tribute to the power of camaraderie and solidarity. It's a musical journey that's sure to resonate with audiences of all ages and backgrounds, proving that the message of 'You've Got A Friend' transcends generations.Johan Verhey's arrangement is a testament to the enduring relevance of Carole King's lyrics and melodies. It's not just music; it's a sentimental voyage that will touch your heart and remind you that, indeed, you've got a friend in this extraordinary piece of art.Prepare to be moved, uplifted, and reminded of the beauty of true friendship. Your audience will be captivated, and your musicians will relish every moment of performing Johan Verhey's enchanting arrangement. 'You've Got A Friend' will forever hold a special place in your heart, just like the friends who stand by your side. Embrace the magic, and let Johan Verhey's music do the talking.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
55.31 €
#
Ensemble Jazz
#
James Taylor
#
Johan Verhey
#
You've Got A Friend
#
DaimlerMusic
#
SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
33.19 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
Diehnelt: Cantilever Four for Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.1078108 Composed by Kim Di…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.1078108 Composed by Kim Diehnelt. Classical,Contemporary,Instructional. Score and parts. 9 pages. Kim Diehnelt #682320. Published by Kim Diehnelt (A0.1078108). I wrote “Cantilever Four†in the Spring of 2022 for a friend’s studio recital. The horn teacher wanted one ensemble piece on the program which would allow for the second and fourth horn players to shine and make music confidently. This Horn Quartet stays within a comfortable range, using relatively straight forward rhythms and technique, while creating a dynamic, rich, and colorful work. Each player has an opportunity for self-expression and full participation in making music in a horn ensemble. Duration: 5 minutes. Includes score and parts. 2022.
$12.00
11.06 €
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Kim Diehnelt
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Diehnelt: Cantilever Four for Horn Quartet
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Kim Diehnelt
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.38 €
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.38 €
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Saxophone Alto et Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.38 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Anderse…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentà to, Scherzando, Lento, Lentissimo, reexposition (Tormentà to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$10.35
9.54 €
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Saxophone Alto
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Andersen Viana
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Andersen Viana: Monologue for a friend
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Psalm of Suffering and of Hope (By the Waters of Babylon)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary An…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50
4.15 €
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Chorale SATB
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Mary Ann Joyce
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A Psalm of Suffering and of Hope
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Mary Ann Joyce-Walter
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SheetMusicPlus
Petite ballade for clarinet and guitar - live performance (mp3)
Clarinette, Guitare (duo)
Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1268805 By András Csáki …
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Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1268805 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 144. David Warin Solomons #861337. Published by David Warin Solomons (A0.1268805). A simple and gentle duo, mainly in the Dorian mode (D Dorian) and, in the final short envoi, it modulates to the relative major (C major).It is based on an old song that I wrote for a friend in Italy (Song for Jenny). In the aforementioned envoi the singer questions himself :Amore mio, dove sono, dove siamo? (My love, where am I, where are we?)It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$4.50
4.15 €
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Clarinette, Guitare (duo)
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András Csáki and Balázs Rumy
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Petite ballade for clarinet and guitar - live performance
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David Warin Solomons
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SheetMusicPlus
Of time you would make a stream
Chorale SATB
SATB chorus a cappella - Digital Download SKU: BJ.1462 Composed by Sven Hagvil. Oct…
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SATB chorus a cappella - Digital Download SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital (BJ.1462). 8.27 x 11.7 inches.Winner of the 2nd prize in Bo Ejeby Förlag’s composition award 2021.The Lebanese American philosopher and poet Khalil Gibran’s book The Prophet has accompanied me for a long time, ever since I was first introduced to it by a friend, a Lebanese refugee, many years ago. I’ve returned to it often, to read and to make use of passages in compositions. The Prophet is a wondrous treasure trove of amazing poetry – covering life, death, and everything in between: love, friendship, children, work, power. And time.I always focus carefully on any texts I wish to use, read and rhythmize them in different ways they could be read and interpreted, and choose words and sentences that deserve to be emphasized, to stop and ponder on, or simply let go and flow. So too in this, in my opinion, magnificent poem. Sometimes there’s very little movement, sometimes it courses on in a mighty and unfathomable manner. Never predictable. I hope I managed to bring out the timelessness. – Sven Hagvil.
$4.00
3.69 €
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Chorale SATB
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Sven Hagvil
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Of time you would make a stream
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Song for Jenny for flute and guitar
Flûte et Guitare
Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576897 Composed by David …
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Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons #504811. Published by David Warin Solomons (A0.576897). Instrumental version of a song in Dorian mode originally written for alto voice and guitar (also with guitar chord names) written for a friend in her appartment in Ghemme, Northern Italy. The words of the original song are partly in Italian and partly in English, as follows: Qui e adesso amore mio. A Ghemme non so che voglio. [Here and now, my love. In Ghemme I don't know what I want] Land of fuzzy fizzy foggy friendliness Alpine heights and glowing plains land of lovely people and fruitfulness village feasts and bobbly trains Qui e adesso amore mio. A Ghemme non so che voglio Italy, you land of musicalityFill my soul and make it heardNot with love if only love's banalityFor then 'tis best not to have sung a wordQui e adesso amore mio. A Ghemme non so che voglio My love can hear the bells ring from your steeple see the mountains in the sun hear the singing language of your people smile and dance and sing like none Qui e adesso amore mio. A Ghemme non so che voglio. Amore mio dove sono Dove siamo? [My love where am I? Where are we?].
$8.00
7.38 €
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Flûte et Guitare
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David Warin Solomons
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Song for Jenny for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Six Bagatelles - for solo piano (B8)
Piano seul
Piano - Digital Download SKU: A0.1068411 Composed by Colin W Bayliss. 20th Century,…
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Piano - Digital Download SKU: A0.1068411 Composed by Colin W Bayliss. 20th Century,Contemporary. Full Performance. Duration 593. Colin Bayliss #3388415. Published by Colin Bayliss (A0.1068411). These short pieces were written in 1981 for a friend of the composer whose ability to play the piano was, like the composer's, very limited: they are therefore quite easy to play!
$3.00
2.77 €
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Piano seul
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Colin W Bayliss
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Six Bagatelles - for solo piano
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Colin Bayliss
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SheetMusicPlus
Funeral For A Friend
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.1500207 By Elton John. By Berni…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1500207 By Elton John. By Bernie Taupin and Elton John. Arranged by David J. Miller. 20th Century,Classical,Pop,Rock. 7 pages. Sterling Music Editions #1076285. Published by Sterling Music Editions (A0.1500207). Sir Elton John's Funeral for a Friend opens his 1973 album Goodbye Yellow Brick Road. This instrumental track continues seamlessly into his radio hit Love Lies Bleeding. The music was written as the answer to what he would like to have performed at his own funeral. This piece has been previously covered live by both Dream Theater and Metallica; and we now present the version covered by Barclay Brass! In our live performance at the link below, we segued into Billy Joel's Piano Man, his hit from the same year. It was our intention to bring together these two great rock pianists with a suite of music from 1973.The synthesizer colors lend themselves perfectly to the sound of a brass choir. Each group of instruments are featured as the mood of the music changes from somber, to angry, to hopeful. This arrangement (complete with the 16 seconds of wind as heard on the album) works as an opener, closer, or anywhere on a concert to create a shift in the flow of your program. To hear how this arrangement works live, click on the link below!For more brass arrangements by David J. Miller, visit the Barclay Brass YouTube Channel at https://www.youtube.com/@TheBarclayBrass/videos.
$49.99
46.09 €
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Ensemble de cuivres
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Elton John
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David J
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Funeral For A Friend
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Sterling Music Editions
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SheetMusicPlus
Selected Duets for Violin - Volume 2
Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arran…
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Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL168. Published by Rubank Publications (HL.4472670). ISBN 9781540001757. UPC: 073999726701. 9.0x12.0x0.11 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).
Song List: Dramatic Episode Abendlied (Tours) Allegro (Sym.Duo) Kalliwoda A Mirage (Mazas) Bal Masque (Dancla) Beau Soir (Dancla) Caprice-Elegante (Henning) Dialogue No. 1 (Eichberg) Dialogue No. 2 (Eichberg) Duo Chromatic (Eichberg) Duo De Concours (Wohlfahrt) Duo Processional (Wohlfahrt) Etude De Concert (Spohr) Eudoxa (Mazas) Finale (Concert.E Flat) Spohr Grand Duo De Salon (Kalliwoda) Guitare (Dancla) Intro & Scherzo-Capricc. (Weiss) La Capricieuse (Mazas) La Fileuse (Alard) Le Papillon (Mazas) Marche Melisande (Dancla) Menuet(2nd Duettino) Pleyel Poeme D'amour (De Beriot) Polka De Concert (Dancla) Promenade (Eichberg) Reveuse (De Beriot) Rondo (Duo In D) Mazas Scene De Danse (Kalliwoda) Theme & Var. (4th Duo) Pleyel Wellenspiel (L.Schubert)
Song List
: Dramatic Episode Abendlied (Tours) Allegro (Sym.Duo) Kalliwoda A Mirage (Mazas) Bal Masque (Dancla) Beau Soir (Dancla) Caprice-Elegante (Henning) Dialogue No. 1 (Eichberg) Dialogue No. 2 (Eichberg) Duo Chromatic (Eichberg) Duo De Concours (Wohlfahrt) Duo Processional (Wohlfahrt) Etude De Concert (Spohr) Eudoxa (Mazas) Finale (Concert.E Flat) Spohr Grand Duo De Salon (Kalliwoda) Guitare (Dancla) Intro & Scherzo-Capricc. (Weiss) La Capricieuse (Mazas) La Fileuse (Alard) Le Papillon (Mazas) Marche Melisande (Dancla) Menuet(2nd Duettino) Pleyel Poeme D'amour (De Beriot) Polka De Concert (Dancla) Promenade (Eichberg) Reveuse (De Beriot) Rondo (Duo In D) Mazas Scene De Danse (Kalliwoda) Theme & Var. (4th Duo) Pleyel Wellenspiel (L.Schubert)
$9.99
9.21 €
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Harvey S
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Selected Duets for Violin - Volume 2
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Rubank Publications
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SheetMusicPlus
Chemistry - Song for Contralto Voice & Piano
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.913979 Composed by Arthur Breur. Pop,R…
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Piano,Vocal,Voice - Digital Download SKU: A0.913979 Composed by Arthur Breur. Pop,Rock. Score. 8 pages. Floating Home Music #4780747. Published by Floating Home Music (A0.913979). This piece was commissioned by Annette Saarinen for her granddaughter Aurora, who happens to be studying chemistry (among other things) so she can pursue her goals of working on environmental restoration.Composing a song that is a gift for a friend's granddaughter is fraught with a number of perils, particularly when one of the inspirations is that the recipient of the song likes Adele tunes. Adele's songs are mostly romantic songs about lost or unrequited love, so the lyrics couldn't really come across as being FROM the grandmother.Knowing that Aurora is studying chemistry, however, gave me a clue as to how I could make the piece work nicely: make it sound like a love song about the chemistry between two people, when in fact, the lyrics are talking about how our use of chemistry is both responsible for the state of our environment and the means we must use to fix it.I did use my usual trick of starting with words or names, and have composed both Aurora and Chemistry into the notes of the piece, the former in the accompaniment, and the latter as the foundation for the verse melody.Duration: 3m54s.
$5.00
4.61 €
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Piano, Voix
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Arthur Breur
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Chemistry - Song for Contralto Voice & Piano
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Floating Home Music
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SheetMusicPlus
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Setting
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Sweetwater Brass Press
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SheetMusicPlus
That's What You Do For A Friend
Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum S…
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Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,English Horn,Flute,Harp,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,String Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1161186 Composed by Clive Romney and Lex De Azevedo. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Disco,Film/TV,Musical/Show,New Age. 9 pages. Amphibia Cultural Legacy #761516. Published by Amphibia Cultural Legacy (A0.1161186). The Swan Princess II: Escape From Castle Mountain is a beloved animated movie whose soundtrack has been equally adored. One of the standout tracks from the film is That's What You Do For A Friend, which was originally performed by Michelle Nicastro. However, the track has recently been remixed with additional instruments that take it to another level.The new version of That's What You Do For A Friend adds depth and complexity to a beautiful song. The added instruments give the track a fuller sound that perfectly captures the emotion behind the lyrics. Care was taken to craft this remix; every note feels deliberate and purposeful.The Swan Princess fans will undoubtedly appreciate this updated version of That's What You Do For A Friend.An epic fantasy cover from The Swan Princess II: Escape From Castle Mountain, remixed in warm pad and orchestra in an amazing wonderful perfect arrangement. Very famous, amazingly powerful, and more enhanced than the original. This is the greatest powerful magnificent musical melodic masterpiece of all time in the world!Originally released on October 8, 2022.
$40.00
36.88 €
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Clive Romney and Lex De Azevedo
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Amphibia Cultural Legacy
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That's What You Do For A Friend
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Amphibia Cultural Legacy
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SheetMusicPlus
60 Easy Hymn Settings for Piano-Digital Download
Piano seul
Easy Piano Arrangements Here are 60 familiar hymns, carols and spirituals all keenly craft…
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Easy Piano Arrangements Here are 60 familiar hymns, carols and spirituals all keenly crafted into moderately easy settings which you will find to be fresh and full of interest. Most pianist will have no problem mastering them, and many can be sight-read by the more accomplished. The wide selection of titles affords ample options for preludes, offertories and special occasions throughout the year. A useful subject index offers easy referencing. The average length of each solo is 2:30
Song List: A Mighty Fortress Is Our God Amazing Grace America, the Beautiful Ave Maria Away in a Manger Be Still, My Soul Be Thou My Vision Children of the Heavenly Father Christ the Lord Is Risen Today Come, Thou Almighty King Come, Thou Fount of Every Blessing Crown Him with Many Crowns Down to the River to Pray Every Time I Feel the Spirit Fairest Lord Jesus Faith of Our Fathers For All the Saints For the Beauty of the Earth Good King Wenceslas Glorious Things of Thee Are Spoken Great Is Thy Faithfulness He's Got the Whole World in His Hands His Eye Is on the Sparrow How Great Thou Art I Am a Poor Wayfaring Stranger Jesus Walked This Lonesome Valley Joy to the World! Joyful, Joyful, We Adore Thee Let All Things Now Living Let Us Break Bread Together Let Us Talents and Tongues Employ Lift High the Cross Lord of the Dance Love Divine, All Loves Excelling Morning Has Broken My Country, 'Tis of Thee My Jesus, I Love Thee Nearer, My God, to Thee O Little Town of Bethlehem O Perfect Love O Sacred Head, Now Wounded Peace Like a River Praise to the Lord, the Almighty Put Peace into Each Other's hands Savior, Like a Shepherd Lead Us Silent Night Softly and Tenderly Sweet Hour of Prayer Swing Low, Sweet Chariot The Gift of Love The Solid Rock To God Be the Glory We Gather Together Were You There We Shall Overcome We Three Kings What Child Is This What a Friend We Have in Jesus What Wondrous Love Is This When the Saints Go Marching In
Song List
: A Mighty Fortress Is Our God Amazing Grace America, the Beautiful Ave Maria Away in a Manger Be Still, My Soul Be Thou My Vision Children of the Heavenly Father Christ the Lord Is Risen Today Come, Thou Almighty King Come, Thou Fount of Every Blessing Crown Him with Many Crowns Down to the River to Pray Every Time I Feel the Spirit Fairest Lord Jesus Faith of Our Fathers For All the Saints For the Beauty of the Earth Good King Wenceslas Glorious Things of Thee Are Spoken Great Is Thy Faithfulness He's Got the Whole World in His Hands His Eye Is on the Sparrow How Great Thou Art I Am a Poor Wayfaring Stranger Jesus Walked This Lonesome Valley Joy to the World! Joyful, Joyful, We Adore Thee Let All Things Now Living Let Us Break Bread Together Let Us Talents and Tongues Employ Lift High the Cross Lord of the Dance Love Divine, All Loves Excelling Morning Has Broken My Country, 'Tis of Thee My Jesus, I Love Thee Nearer, My God, to Thee O Little Town of Bethlehem O Perfect Love O Sacred Head, Now Wounded Peace Like a River Praise to the Lord, the Almighty Put Peace into Each Other's hands Savior, Like a Shepherd Lead Us Silent Night Softly and Tenderly Sweet Hour of Prayer Swing Low, Sweet Chariot The Gift of Love The Solid Rock To God Be the Glory We Gather Together Were You There We Shall Overcome We Three Kings What Child Is This What a Friend We Have in Jesus What Wondrous Love Is This When the Saints Go Marching In
$69.95
64.49 €
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Piano seul
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60 Easy Hymn Settings for Piano-Digital Download
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SheetMusicPlus
Forever
Piano seul
Piano Solo - Digital Download SKU: A0.909096 Composed by Stephen Richard Thomas Bro…
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Piano Solo - Digital Download SKU: A0.909096 Composed by Stephen Richard Thomas Brown. Contemporary. Score. 3 pages. Stephen Richard Thomas Brown #3517579. Published by Stephen Richard Thomas Brown (A0.909096). Forever is a piano piece composed for a friend who had sadly lost his first wife after the birth of their second child. Since his heart had been quite broken, upon finding a new love, his desire is that this love will last a lifetime and be forever.
$3.99
3.68 €
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Piano seul
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Stephen Richard Thomas Brown
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Forever
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Stephen Richard Thomas Brown
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SheetMusicPlus
Intermezzo Sinfonico from Cavalleria Rusticana — for piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1374665 Composed by Pietro Mascagni…
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Piano Solo - Level 4 - Digital Download SKU: A0.1374665 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. Score. 10 pages. Artistic Score Engraving di Galvagno Michele #959203. Published by Artistic Score Engraving di Galvagno Michele (A0.1374665). Pietro Mascagni’s (1863—1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friend’s wedding in 2010. While arranging, I stumbled upon the composer’s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composer’s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This edition’s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva l’Italia!
$9.95
9.17 €
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Piano seul
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Pietro Mascagni
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Michele Galvagno
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Intermezzo Sinfonico from Cavalleria Rusticana — for piano solo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Intermezzo Sinfonico from Cavalleria Rusticana ? for cello ensemble
Ensemble de Violoncelles
String Ensemble Cello - Level 4 - Digital Download SKU: A0.1374669 Composed by Piet…
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1374669 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 16 pages. Artistic Score Engraving di Galvagno Michele #959217. Published by Artistic Score Engraving di Galvagno Michele (A0.1374669). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$14.00
12.91 €
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Ensemble de Violoncelles
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Pietro Mascagni
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Michele Galvagno
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Intermezzo Sinfonico from Cavalleria Rusticana ? for cello ensemble
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.91 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.61 €
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Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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