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2
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
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Violon
24
Contre Basse
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10
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9
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9
Alto (partie séparée)
9
Violon, Alto (duo)
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Harpe
7
Violoncelle
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Alto, Violoncelle (duo)
5
4 Violoncelles
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Violoncelle, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
27
Orchestre
20
Orchestre à Cordes
13
Orchestre d'harmonie
13
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5
Cloches
5
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3
Jazz combo
2
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For All We Know - Reed 2
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
For All We Know
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1185412
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1185412 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Joseph Pugh. Pop,Rock,Wedding. Score and parts. 9 pages. Joseph Pugh #785102. Published by Joseph Pugh (A0.1185412). This Brass Quintet arrangement by Joseph Pugh incorporates the rich, full sound of the horns, unique melody, as only Karen Carpenter can sing it, and flowing bass part. You audience will enjoy listening to this piece as much or more than your quintet will enjoy performing it. Download it today at a reduced price.
$16.99
15.7 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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The Carpenters
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Joseph Pugh
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For All We Know
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Joseph Pugh
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
277.16 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.58 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
We'll Be Together Again
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl F…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.53 €
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Piano seul
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Frankie Laine
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Phyllis Love
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We'll Be Together Again
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Phyllis Love
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SheetMusicPlus
Finale from Dance of the Hours for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.527766
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.527766 Composed by A. Ponchielli. Arranged by Diego Marani. Classical,Concert,Instructional,Opera,Standards. Score and parts. 19 pages. Diego Marani #3433593. Published by Diego Marani (A0.527766). Dance of the Hours (Italian: Danza delle ore) is a short ballet and is the act 3 finale of the opera La Gioconda composed by Amilcare Ponchielli. It depicts the hours of the day through solo and ensemble dances. Later performed on its own, the Dance of the Hours was at one time one of the best known and most frequently performed ballets. It became even more widely known after its inclusion in the 1940 Disney animated film Fantasia where it is depicted as a comic ballet featuring anthropomorphized ostriches, hippos, elephants, and alligators.In this arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) we have the finale of the ballet, a vigorous can-can introduced by an abrupt change of tempo to allegro vivacissimo.
$12.99
12 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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A
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Diego Marani
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Finale from Dance of the Hours for Brass Quartet
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Diego Marani
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SheetMusicPlus
Somewhere Only We Know
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By Keane, Lily Allen. Arranged by Ti…
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String Quartet - Intermediate - Digital Download By Keane, Lily Allen. Arranged by Tim Crooks. Score, Set of Parts. 13 pages. Published by STR:UK String Arrangements
Keane’s beautiful song, Somewhere Only We Know, arranged for string quartet by Tim Crooks. This song was also covered by Lily Allen for the 2013 John Lewis Christmas advert in the UK.<br> <br> This recording is by the Manchester String Quartet, www.manchesterstringquartet.com
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keane, Lily Allen
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Tim Crooks
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Somewhere Only We Know
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STR:UK String Arrangements
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SheetMusicPlus
Somewhere Only We Know - String Trio (2 Violins & Cello) - Keane arr. Cellobat
Trio à Cordes: 2 violons, violoncelle
String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Download By Keane. Ar…
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String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Download By Keane. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 12 pages. Published by Sarah Chaffee
British alternative rock band Keane released "Somewhere Only We Know" in 2004, and its driving beat and beautifully haunting melody made it one of the biggest worldwide hits of the year. To this day, the song remains a favorite for millions of people, bringing on nostalgia and great memories of days gone by. This arrangement for two-violin and cello string trio maintains the urgency, passion, and soaring melodic lines of the original, with beautiful harmonic layers and climactic build - it's sure to give your audience all of the throwback feels! Easily sightreadable for professionals and playable for intermediate students - there's nothing too crazy here.
$14.99
13.85 €
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Trio à Cordes: 2 violons, violoncelle
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Keane
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Sarah Cellobat Chaffee
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Somewhere Only We Know - String Trio
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SheetMusicPlus
Somewhere Only We Know
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1436417 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 19 pages. Sarah Cellobat Chaffee #1016530. Published by Sarah Cellobat Chaffee (A0.1436417). British alternative rock band Keane released Somewhere Only We Know in 2004, and its driving beat and beautifully haunting melody made it one of the biggest worldwide hits of the year. To this day, the song remains a favorite for millions of people, bringing on nostalgia and great memories of days gone by. This Cellobat arrangement for your string quartet maintains the beautiful harmonies, dynamic passion, and soaring melodic lines of the original - it's sure to give your audience all of the throwback feels! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.7 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keane
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Sarah Cellobat Chaffee
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Somewhere Only We Know
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Sarah Cellobat Chaffee
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SheetMusicPlus
Somewhere Only We Know
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - Digital Download SKU…
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1113577 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Rodrigo Nascimento. Film/TV,Pop,Wedding. Score and parts. 14 pages. Rodrigo Nascimento #714879. Published by Rodrigo Nascimento (A0.1113577). Somewhere Only We Know arranged for String Quartet (violin I, violin II, violo, cello), score and all parts. (extra piano sheet accompaniment). Somewhere Only We Know music by Keane. - somewhere only we know string quartet, somewhere only we know string quartet sheet music, somewhere only we know string quartet sheet music pdf,somewhere only we know sheet music lily allen, somewhere only we know sheet music lily allen pdf, somewhere only we know string quartet sheet music lily allen, wedding sheet music.
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keane
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Rodrigo Nascimento
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Somewhere Only We Know
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Rodrigo Nascimento
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SheetMusicPlus
Ten Newfoundland Folksongs for Two Trombones or Euphoniums
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.792332 Composed by Trad…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.792332 Composed by Traditional. Arranged by Knowles, Kenneth. Folk,Multicultural,World. Score. 14 pages. Gordon Cherry #4804635. Published by Gordon Cherry (A0.792332). Kenneth Knowles has brought the Ten Newfoundland Folksongs to life as Trombone Duets for intermediate performers. All in Bass Clef, each one uses challenging and interesting rhythms to keep the players on their toes.Jack Was Every Inch a SailorLet Me Fish Off Cape St. Mary’sWe’ll Rant and We’ll RoarThe Morning DewI’se the B’y That Builds the BoatLots of Fish in Bonavist’ HarbourI’ll Give My Love an AppleThe Kelligrews SoireéThe Squid-Jiggin’ GroundShe’s Like the Swallow.
$20.00
18.48 €
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2 Trombones (duo)
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Traditional
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Knowles, Kenneth
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Ten Newfoundland Folksongs for Two Trombones or Euphoniums
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Gordon Cherry
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SheetMusicPlus
Everyone Belongs - A Song for Harmony Day
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1173876 Composed by Aust…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1173876 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 7 pages. Rebecca Summers #774025. Published by Rebecca Summers (A0.1173876). Here's an easy 2-Part children's choir song to celebrate diversity with catchy backing track available on this site. Verse 1No matter our ancestry we’re equally at homeWe know we’re not all the same and that’s what makes life beautifulIt’s all a big veneer that covers up what’s in hereGrab on to the net that holds us all together – can you feel it?ChorusEveryone belongs. Inside we’re the sameEveryone belongs. Come sing with meEveryone belongs. I’ll say it againYou and you and you Yeh!We all belong in this place.
$1.99
1.84 €
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Chorale 2 parties
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Australian composer, Rebecca Summers
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Everyone Belongs - A Song for Harmony Day
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Rebecca Summers
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SheetMusicPlus
Tolkien Song:The Fall of Gil-galad
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.1007138 Composed by Charles …
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.1007138 Composed by Charles McCreery. 20th Century,Children. Octavo. 6 pages. St Maur Music #4822661. Published by St Maur Music (A0.1007138). This song is the second in a series of ‘Fourteen Tolkien Songs’. It is headed ‘1’ because it is preceded in the set by a Prologue: ‘Farewell We Call to Hearth and Hall’, which is also available from Sheet Music Plus. A comment on the collection of Tolkien songs by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘The Fall of Gil-galad’ is appropriate for women’s choirs, children’s choirs, schools, music students generally, and anyone with a particular interest in the work of J.R.R. Tolkien. The MP3 which plays from this page is of the orchestral version of the song. A video illustrating this orchestral version can be seen on YouTube. Search for the YouTube identity: stmaurmusic
$4.55
4.2 €
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Chorale 2 parties
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Charles McCreery
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Tolkien Song:The Fall of Gil-galad
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St Maur Music
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SheetMusicPlus
Somewhere Only We Know
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1302062 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Greg Birdwell. Pop,Rock,Wedding. 16 pages. Greg Birdwell #891660. Published by Greg Birdwell (A0.1302062). Somewhere Only We Know by Keane is a melancholic yet hopeful alternative rock song characterized by its heartfelt lyrics and emotive melodies. It's a song that explores themes of nostalgia and longing, evoking a sense of seeking a place of comfort and connection. Â This string quartet arrangement allows for the expression of the song's memorable melodies and poignant sentiment. It's an ideal choice for various events and occasions where a blend of contemporary rock and classical instrumentation is desired.
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keane
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Greg Birdwell
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Somewhere Only We Know
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Greg Birdwell
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SheetMusicPlus
All I Want For Christmas Is You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady A…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
18.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.84 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
5 Duos in 3 Clefs for Trombones
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gio…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♠were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.
$17.50
16.17 €
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2 Trombones (duo)
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Gioachino Rossini
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David Mathie
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5 Duos in 3 Clefs for Trombones
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Gordon Cherry
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SheetMusicPlus
Somewhere Only We Know
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798081 By Keane.…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798081 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Inacio Saldanha. Rock. Score and parts. 19 pages. Inacio Saldanha #5022399. Published by Inacio Saldanha (A0.798081). Somewhere Only We Know is a song composed and performed by English alternative rock band Keane, officially released as the first single from their debut album Hopes and Fears (2004). The single became one of the biggest hits of 2004 worldwide and peaking on the UK Singles Chart at number three during its first week of sale. It was also Keane's best-selling single until Is It Any Wonder? in 2006.In 2013, the song was covered by Lily Allen for a John Lewis Christmas advert. (Wikipedia).Arranged for String Quartet. Key of A major. Early intermediate.
$14.99
13.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keane
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Inacio Saldanha
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Somewhere Only We Know
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Inacio Saldanha
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SheetMusicPlus
For All We Know
Piano grosses notes
Digital Download SKU: HX.449769 By Rod Stewart. Jazz,Pop,Standards. E-Z Play Today.…
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Digital Download SKU: HX.449769 By Rod Stewart. Jazz,Pop,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.449769). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
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Piano grosses notes
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Rod Stewart
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For All We Know
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Hal Leonard - Digital
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SheetMusicPlus
Prelude and Allegro, "Urbanalia"
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1074907 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00
41.57 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joshua A
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Prelude and Allegro, "Urbanalia"
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Joshua A Idio
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SheetMusicPlus
For All We Know
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1321901 Composed by John Frederick …
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Piano Solo - Level 4 - Digital Download SKU: A0.1321901 Composed by John Frederick Coots and Sam M. Lewis. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #910327. Published by John Fries (A0.1321901). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Â This version was inspired by Marian McPartland. For All We Know is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis), the Carpenters, and Isham Jones (vocal by Joe Martin).
$5.99
5.53 €
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Piano seul
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John Frederick Coots and Sam M
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John Fries
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For All We Know
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John Fries
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SheetMusicPlus
For All We Know
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202003 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202003 Composed by John Frederick Coots and Sam M. Lewis. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #800621. Published by John Fries (A0.1202003). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This version was inspired by Marian McPartland. For All We Know is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis) and Isham Jones (vocal by Joe Martin).
$4.99
4.61 €
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Piano, Voix et Guitare
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John Frederick Coots and Sam M
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John Fries
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For All We Know
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John Fries
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SheetMusicPlus
For All We Know
Basse electrique
Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1375877 By The Carpenters. By …
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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1375877 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Jared Plane. Contemporary,Film/TV,Pop,Rock. Score. 2 pages. Jared Plane #960427. Published by Jared Plane (A0.1375877). The amazing Joe Osborn's original bass line as played on The Carpenters' song, For All We Know released on the 1971 album, Carpenters. This bass line is a masterclass in melodic counter-melodies in the upper register. This transcroption comes with Standard Notation, bass TAB and reference chord symbols.
$5.00
4.62 €
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Basse electrique
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The Carpenters
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Jared Plane
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For All We Know
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Jared Plane
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SheetMusicPlus
O Spirit All-Embracing (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Trumpet lead)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813794
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813794 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6480695. Published by Regis Bookshar (A0.813794). O Spirit All-Embracing (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets (one of which has the lead), 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupi.
$10.00
9.24 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Gustav Holst
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Regis Bookshar
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O Spirit All-Embracing
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Regis Bookshar
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SheetMusicPlus
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