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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For David
Non classifié
7 141
Piano & claviers
Piano seul
3 370
Piano, Voix et Guitare
2 408
Piano, Voix
1 153
Piano Facile
969
Orgue
381
Instruments en Do
222
1 Piano, 4 mains
84
Accompagnement Piano
46
Piano Trio: piano, violon, violoncelle
36
Piano grosses notes
31
Accordéon
19
Piano Quatuor: piano, violon, alto, violoncelle
17
2 Pianos, 4 mains
17
Piano Quatuor: piano, 2 violons, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Piano (partie séparée)
14
Clavecin
10
Orgue, Trompette (duo)
10
Orgue, Piano (duo)
7
Fake Book
3
Ligne De Mélodie, Piano
3
Accordéon, Piano
3
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Tous Les Instruments
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Voix
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
962
Guitare
618
Ligne De Mélodie, (Paroles) et Accords
561
Paroles et Accords
212
Basse electrique
158
Ukulele
102
2 Guitares (duo)
34
Guitare (partie séparée)
30
4 Guitares (Quatuor)
30
Piano, Guitare (duo)
16
3 Guitares (trio)
15
Mandoline
13
Guitare, Flûte, Clarinette
12
Dulcimer
11
Banjo
9
Guitare, Violon, Violoncelle (trio)
6
Ensemble de guitares
5
Basse électrique (partie séparée)
4
Cithare
2
Partitions De Groupes
2
2 Ukuleles
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
2 Guitares, Clarinette (trio)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 650
Chorale 3 parties
498
Chorale TTBB
416
Chorale SSAA
269
Chorale 2 parties
250
Chorale
159
Voix duo
114
Chorale Unison
102
Voix seule
61
Voix duo, Piano
42
Voix Tenor, Piano
34
Voix Baryton, Piano
31
Voix Soprano, Piano
30
Voix haute
30
Voix Alto, Piano
30
Voix, Guitare
16
Voix basse, Piano
11
Voix moyenne, Piano
10
Voix Tenor
8
Chorale SSATB
5
Pack Instrumental pour Chorale
4
Voix Soprano
3
Voix Mezzo-Soprano, Piano
2
Male Voice
2
Voix basse
2
Chorale SSAB, Piano
2
Chorale SSATTB
2
Chorale SATBB
1
Chorale SSAATB
1
Chorale SSAB a cappella
1
+ 25 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 215
2 Clarinettes (duo)
616
2 Flûtes traversières (duo)
550
Quatuor de Saxophones: 4 saxophones
522
Flûte traversière et Piano
514
Saxophone, Clarinette (duo)
510
Clarinette et Piano
465
Quatuor de Clarinettes: 4 clarinettes
428
Clarinette, Violon (duo)
386
Flûte et Guitare
385
Saxophone Alto et Piano
384
Flûte traversière
375
Quatuor de Flûtes : 4 flûtes
373
Flûte, Hautbois, Clarinette, Basson
348
Flûte, Clarinette (duo)
328
Hautbois, Piano (duo)
313
Saxophone Tenor et Piano
298
Clarinette, Trompette (duo)
294
Saxophone (partie séparée)
290
Clarinette
285
Clarinette, Guitare (duo)
270
Saxophone Alto
244
Hautbois, Basson (duo)
233
2 Hautbois (duo)
233
Flûte, Violon
229
Saxophone Soprano et Piano
228
Hautbois, Clarinette (duo)
228
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
215
Flûte, Saxophone (duo)
215
Saxophone Tenor
199
Clarinette et Alto
186
Quatuor de Flûtes à bec
186
3 Clarinettes (trio)
178
Cor anglais, Piano
167
Flûte, Trompette (duo)
167
Flûte, Alto (duo)
153
Trio de Flûtes: 3 flûtes
148
3 Saxophones (trio)
144
Hautbois, Flûte
143
Ensemble de Clarinettes
143
Hautbois (partie séparée)
116
Saxophone Baryton, Piano
115
2 Flûte à bec (duo)
104
Cor anglais, Guitare (duo)
99
Flûte, Violon, Piano
86
Quintette de Saxophone: 5 saxophones
82
Quintette de Clarinettes: 5 clarinettes
81
Clarinette (partie séparée)
79
Saxophone et Guitare
79
Saxophone
71
Ensemble de Flûtes
70
Flûte, Hautbois (duo)
65
Flûte, Violoncelle
65
3 Flûtes à bec (trio)
59
Clarinette Basse, Piano
58
Clarinette, Basson (duo)
53
Flûte à Bec
52
Hautbois, Clarinette, Basson (trio d'anches)
52
Flûte à bec Soprano, Piano
50
Flûte, Hautbois, Basson
48
Flûte, Clarinette et Basson
47
Clarinette, Violoncelle (duo)
46
Flûte à bec Soprano
37
Hautbois
36
Flûte, Trombone (duo)
34
Hautbois, Guitare (duo)
34
Flûte, Violon et Violoncelle
33
Flute (partie séparée)
33
Hautbois, violon (duo)
29
Flûte à bec Alto, Piano
28
Quintette de Flûte : 5 flûtes
28
Cor Anglais
25
Harmonica
22
Hautbois, Violoncelle
22
Ensemble de saxophones
21
Flûte à bec, Guitare (duo)
21
5 Flûtes à bec
21
Saxophone Soprano
19
Saxophone, Violon (duo)
17
Flûte, Tuba (duo)
16
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Trombone (duo)
15
Flûte, Violoncelle, Piano (trio)
14
2 Flûtes traversières, Guitare
12
Clarinette, Harpe (duo)
12
2 Clarinettes, Piano
12
Flûte à bec Alto
10
Ensemble De Flûte à bec
9
Instruments en Mib
7
Flûte, Violoncelle, Guitare
7
Flûte à bec, Harpe
7
Flûte, Clarinette, Piano (trio)
6
2 Saxophones, Piano
6
Cor anglais et Harpe (duo)
6
Flûte, Clarinette, Violon (trio)
5
Flûte, Hautbois, Violon
5
Flûte, Basson et Piano
5
2 Flûtes traversières, Piano
5
3 Hautbois
5
Clarinette, Contrebasse (duo)
4
Hautbois et alto (duo)
4
Ocarina
4
Flûte, alto et harpe
4
Saxophone Baryton
4
Flute, harpe et violon
3
Flûte, Alto et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte irlandaise
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
Flûte, Violon, Violoncelle et Piano
3
2 Clarinettes, Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Harpe et Violoncelle
2
Cornemuse
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violon, Guitare
2
Clarinette Basse
2
Flûte traversière, Orchestre
2
Saxophone et Orgue
2
Hautbois, Trompette (duo)
1
Hautbois, Harpe
1
Saxophone, Basson (duo)
1
Clarinette, trompette et piano
1
Flûte et Trio à cordes
1
Harmonica, Piano
1
Flûte traversière, Orgue (duo)
1
Saxophone et Harpe
1
Flûte, Alto et Violoncelle
1
Hautbois, trombone (duo)
1
Saxophone et violoncelle
1
Piccolo
1
Clarinette, Orchestre
1
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Saxophone et Piano
1
+ 132 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
355
Trombone et Piano
326
Trompette, Piano
314
Trompette
298
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
287
2 Trompettes (duo)
287
2 Trombones (duo)
284
Trompette, Trombone (duo)
271
Trombone
226
Quatuor de Cuivres : 2 trompettes, trombone, tuba
187
Trompette (partie séparée)
167
Cor anglais, Piano
167
Trombone (partie séparée)
166
Cor et Piano
158
Euphonium, Piano (duo)
149
Cor
119
Cor anglais, Guitare (duo)
99
Quatuor de Cuivres
96
Tuba et Piano
88
Tuba
73
2 Cors (duo)
72
4 Tubas
62
Quatuor de cuivres: 4 trombones
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Quatuor de cuivres: 4 cors
46
Euphonium
41
Trompette, violon (duo)
39
Cor (partie séparée)
37
3 Trombones (trio)
33
Tuba (partie séparée)
32
3 Trompettes (trio)
30
Cor, Tuba (duo)
26
Cor Anglais
25
Trompette, Violoncelle (duo)
25
Euphonium, Tuba (duo)
25
2 Tubas (duo)
21
Trio de Cuivres
20
Cor, Trompette, Trombone (trio)
18
Ensemble de Trombones
18
Trompette, Cor (duo)
17
2 Euphoniums et 2 Tubas
15
Cor, Violoncelle (duo)
15
2 Euphoniums (duo)
14
Tuba et Orgue
10
Ensemble de Cors
10
Bass Clef Instruments
9
Quatuor de cuivres: 4 trompettes
8
Instruments en Sib
7
Cor anglais et Harpe (duo)
6
Tuba ou Euphonium ou Saxhorn
5
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
5
Trompette, Harpe
5
Trombone basse
5
Ensemble de Tubas
4
Cor et Harpe
4
Trompette, Trombone, Piano
2
Trombone, Violon (duo)
2
Instruments en Fa
2
3 Cors (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Ensemble de Trompettes
2
Trompette, Violoncelle et Piano
1
Trombone et orchestre
1
Trompette, Basson (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 130
Violon et Piano
610
Violon
544
Violon, Violoncelle (duo)
503
Violoncelle
460
Violoncelle, Piano
406
Alto, Piano
358
Violon, Alto (duo)
349
2 Violons (duo)
346
2 Violoncelles (duo)
302
2 Altos (duo)
279
Alto seul
253
Trio à Cordes: violon, alto, violoncelle
250
Violoncelle , Guitare (duo)
160
4 Violoncelles
125
Violon, Guitare (duo)
121
Quatuor à cordes: 4 violons
115
Alto, Guitare (duo)
111
Trio à Cordes: 2 violons, violoncelle
99
Contrebasse, Piano (duo)
95
Quatuor à cordes : 4 altos
90
Harpe
82
Trio à cordes: 3 violins
78
Alto (partie séparée)
75
Alto, Violoncelle (duo)
73
Violon (partie séparée)
61
Contrebasse (partie séparée)
60
Violoncelle, Contrebasse (duo)
59
Contre Basse
58
Quintette à cordes: 2 violons, alto, violoncelle, basse
40
2 Contrebasses (duo)
38
Trio à Cordes: 3 violoncelles
38
4 Contrebasses
35
Violoncelle (partie séparée)
32
Trio à cordes: 3 altos
26
Harpe, Flûte (duo)
22
Piano Trio: Violon, Alto, Piano
20
Flûte, Contrebasse (duo)
15
Trio à cordes
14
3 Contrebasses
12
Alto et Harpe
10
Harpe, Violoncelle (duo)
10
Harpe, Violon (duo)
10
Ensemble de Violoncelles
8
Trio à Cordes: 2 violons, alto
7
Violon, Basson (duo)
6
Harpe, Voix
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Violoncelle, Clarinette
4
Harpe, Violon, Violoncelle
3
Violon, Tuba (duo)
2
2 Violoncelles, Piano
2
Alto et Basson
2
Harpe et Piano
2
Alto, Orgue
1
Ensemble de Violons
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Violon, Contrebasse (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
605
Orchestre à Cordes
418
Orchestre
410
Ensemble Jazz
259
Ensemble de cuivres
221
Fanfare
133
Orchestre de chambre
123
Cloches
118
Batterie
115
Jazz combo
70
Percussion (partie séparée)
43
Quatuor à Vent : 4 instruments à vents
37
Ensemble de Percussions
31
Percussion
28
Batterie (partie séparée)
25
Xylophone, Piano
19
Quintette à Vent
15
Timbales (partie séparée)
9
Timbales
6
Marimba
6
Xylophone
5
Trio à Vent: 3 instruments à vents
4
Quintette de Cuivres: autres combinaisons
3
Vibraphone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
Marimba et Orgue
2
Instrumentation Flexible
1
2 Xylophones
1
3 Marimbas
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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9976
Silver Wedding, Klezmer Tune for Flute Duet
2 Flûtes traversières (duo)
Flute Duet - Intermediate - Digital Download Composed by Traditional. Arranged by Dav…
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Flute Duet - Intermediate - Digital Download Composed by Traditional. Arranged by David McKeown. Jewish, Israeli, Klezmer, Wedding, Bar or Bat Mitzvah. Score. 5 pages. Published by David McKeown
Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes.<br> <br> Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast.<br> <br> Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes.<br> <br> Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast.<br> <br> Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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2 Flûtes traversières (duo)
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Flute Duet
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David McKeown
#
SheetMusicPlus
Three Pieces for Two Violins and Piano
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Sc…
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Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
29.45 €
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Rebecca Clarke
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Three Pieces for Two Violins and Piano
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Imagine Music - Digital
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SheetMusicPlus
The Devil's Millhopper for piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.958462 Composed by Joseph Dillon Fo…
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Piano Solo - Level 5 - Digital Download SKU: A0.958462 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons2 #3691515. Published by David Warin Solomons2 (A0.958462). The Devil's Millhopper is north Florida's most famous sinkhole, a 120-foot-deep bowl-shaped concavity formed in soluble limestone by the erosive action of water over millennia. This geological formation got its name because fossilized shark teeth, marine shells, and the shattered remains of extinct land animals have all been discovered in its depths, as if these hapless creatures, trapped in a gigantic hopper, had served as grist for the Evil One's mill. In this fiendishly difficult short piece, I have attempted to evoke not only the erosive forces of water and earth but also the buzzing of mosquitoes and other insects that invariably accompany those hardy enough to attempt the 232-step descent on a hot, humid summer day. Tonal ambiguity is intentionally maintained until just before the movement ends with a gentle chromatic cascade, by which point the terra firma of G Major is firmly established.
$7.00
6.44 €
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Piano seul
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Joseph Dillon Ford
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The Devil's Millhopper for piano solo
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David Warin Solomons2
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGEThe pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.04 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinette et Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-WikipediaDuration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
45.97 €
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Clarinette et Piano
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David Bowie
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James M
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David Bowie: Life On Mars for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Some corner of a foreign field
Chorale SATB
SATB choir unaccompanied - Digital Download SKU: OX.9780193538535 Composed by David…
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SATB choir unaccompanied - Digital Download SKU: OX.9780193538535 Composed by David Bednall. Sheet music. Octavo. 18 pages. Oxford University Press Digital #9780193538535. Published by Oxford University Press Digital (OX.9780193538535). ISBN 9780193538535.For SATB unaccompanied. A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's settings are slow, expansive, and expressive, giving space for the listener to reflect on the profoundly moving texts.
$4.50
4.14 €
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Chorale SATB
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David Bednall
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Some corner of a foreign field
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Oxford University Press Digital
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SheetMusicPlus
Overture to La Forza del Destino
4 Bassons
Bassoon Quartet - Level 6-8 - Digital Download SKU: F2.FM1137 Composed by Giuseppe …
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Bassoon Quartet - Level 6-8 - Digital Download SKU: F2.FM1137 Composed by Giuseppe Verdi. Arranged by David Baker. A well loved classic, and a bassoon workout. Classical. Score and Parts. 36 pages. Forton Music - Digital #FM1137. Published by Forton Music - Digital (F2.FM1137). ISBN 9790570790364. 8.25 x 11.75 inches.
$17.95
16.52 €
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4 Bassons
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Giuseppe Verdi
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David Baker
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Overture to La Forza del Destino
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Forton Music - Digital
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SheetMusicPlus
16 Easy to Play Easter Hymns for Piano
Piano Facile
Composed by Various. Arranged by David McKeown. Christian, Easter, Praise & Worshi…
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Composed by Various. Arranged by David McKeown. Christian, Easter, Praise & Worship, Sacred. Score. 17 pages. David McKeown #5222171. Published by David McKeown
16 Easy to Play Easter Hymns for Piano is a collection of your favourite Easter Hymns arranged simply for elementary pianists.<br> <br> We all know that tricky period when beginner pianists struggle to coordinate both hands. I have always found that playing simple melodic hymns is a big motivation to students. Now, with this collection of Easter hymns, students can join in with Easter music-making and develop those two-handed skills at the same time.<br> <br> These 16 hymns are arranged with the melody in the right hand, a harmony line in the left and just a few easily fingered chords here and there. There are suggested fingerings throughout.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)16 Easy to Play Easter Hymns for Piano is a collection of your favourite Easter Hymns arranged simply for elementary pianists.<br> <br> We all know that tricky period when beginner pianists struggle to coordinate both hands. I have always found that playing simple melodic hymns is a big motivation to students. Now, with this collection of Easter hymns, students can join in with Easter music-making and develop those two-handed skills at the same time.<br> <br> These 16 hymns are arranged with the melody in the right hand, a harmony line in the left and just a few easily fingered chords here and there. There are suggested fingerings throughout.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$8.99
8.27 €
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Piano Facile
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Various
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Worship, Sacred
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16 Easy to Play Easter Hymns for Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Flute Duet
2 Flûtes traversières (duo)
Flute, Woodwind Duet, Flute Duet - Early Intermediate - Digital Download Composed by …
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Flute, Woodwind Duet, Flute Duet - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Repertoire, Easter. Score. 17 pages. Published by David McKeown
16 Favourite Easter Hymns for Flute Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Flute. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.<br> <br> 16 Favourite Easter Hymns for Flute Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Flute Duet useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg) 16 Favourite Easter Hymns for Flute Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Flute. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.<br> <br> 16 Favourite Easter Hymns for Flute Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Flute Duet useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$8.99
8.27 €
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2 Flûtes traversières (duo)
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Various
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16 Favourite Easter Hymns for Flute Duet
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Trumpet and Piano
Trompette, Piano
Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, …
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Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Easter, Lent. Score, Solo Part. 26 pages. Published by David McKeown
16 Favourite Easter Hymns for Solo Trumpet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Trumpet part are included in the single PDF file.<br> <br> 16 Favourite Easter Hymns for Solo Trumpet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Trumpet and Piano useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)16 Favourite Easter Hymns for Solo Trumpet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Trumpet part are included in the single PDF file.<br> <br> 16 Favourite Easter Hymns for Solo Trumpet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Trumpet and Piano useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$7.60
6.99 €
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Trompette, Piano
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Various
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16 Favourite Easter Hymns for Solo Trumpet and Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Variou…
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Easter, Lent. Score, Solo Part. 26 pages. Published by David McKeown
and separate Flute part are included in the single PDF file.<br> <br> 16 Favourite Easter Hymns for Solo Flute and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Flute and Piano useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)and separate Flute part are included in the single PDF file.<br> <br> 16 Favourite Easter Hymns for Solo Flute and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Flute and Piano useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$7.60
6.99 €
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Flûte traversière et Piano
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Various
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16 Favourite Easter Hymns for Solo Flute and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Gospel style for Flute Duet
2 Flûtes traversières (duo)
Flute Duet - Intermediate - Digital Download Composed by John Newton. Arranged by Da…
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Flute Duet - Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score. 5 pages. Published by David McKeown
This gospel version of Amazing Grace is arranged as a duet for two Flutes. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.<br> <br> John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style.<br> <br> Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203This gospel version of Amazing Grace is arranged as a duet for two Flutes. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.<br> <br> John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style.<br> <br> Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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2 Flûtes traversières (duo)
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel style for Flute Duet
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David McKeown
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SheetMusicPlus
Down by the Riverside, Gospel Hymn for Trumpet and Tenor Saxophone Duet
Trompette, Saxophone (duo)
Composed by Traditional. Arranged by David McKeown. Christian, Gospel, Praise & …
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Composed by Traditional. Arranged by David McKeown. Christian, Gospel, Praise & Worship, Sacred, Spiritual. Score and parts. 4 pages. David McKeown #6133319. Published by David McKeown
Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Trumpet and one Tenor Saxophone.<br> <br> Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, "I ain’t goin’ to study war no more", was adopted as an anti-war song by the ‘60s counterculture.<br> <br> Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Trumpet and one Tenor Saxophone.<br> <br> Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, "I ain’t goin’ to study war no more", was adopted as an anti-war song by the ‘60s counterculture.<br> <br> Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.
$3.99
3.67 €
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Trompette, Saxophone (duo)
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Traditional
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David McKeown
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Worship, Sacred, Spiritual
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Down by the Riverside, Gospel Hymn for Trumpet and Tenor Saxophone Duet
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David McKeown
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SheetMusicPlus
"Wonderful" is in the Stable, a Christmas Carol for SATB Choir and Piano (Original Version)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741948 Composed by M. Ryan Taylor. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.741948 Composed by M. Ryan Taylor. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 12 pages. Vocal Works #484925. Published by Vocal Works (A0.741948). In Bethlehem, the House of Bread, the Bread of Life is found, For David’s root and David’s branch is born in David’s town. A manna in our wilderness, a gift that we might live, Lies in the oxen’s manger, His life to freely give. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The new-forged light o’er Bethlehem guides seekers from afar; Reveals the place where lightly lies the Bright and Morning Star. His dawning beams with mercy, for He will freely be Our compass and our lantern for all eternity. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The shepherds bring their milk-white lambs before the Lamb of God And mark the oxen, rams and kine about Him on the sod. The last and lasting sacrifice, fulfilling all the law, Without a spot or blemish, lies nestled in the straw. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The wise lay gifts around the child, the Gift of Father’s love, The Author of salvation’s song, the Bread sent from above. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The Prince of Peace lies soft and sweetly on His bed this Christmas Day.
$1.99
1.83 €
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Chorale SATB
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M
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"Wonderful" is in the Stable, a Christmas Carol for SATB Choir and Piano
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Vocal Works
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Bassoon and Piano
Basson, Piano (duo)
Piano Accompaniment, Bassoon - Early Intermediate - Digital Download Composed by John…
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Piano Accompaniment, Bassoon - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo Bassoon and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Bassoon and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Bassoon and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203Amazing Grace is a beautiful hymn arranged here for Solo Bassoon and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Bassoon and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Bassoon and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.29 €
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Basson, Piano (duo)
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel Hymn for Bassoon and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Gospel Hymn for English Horn and Piano
Cor anglais, Piano
Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Downlo…
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Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo English Horn and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo English Horn and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203Amazing Grace is a beautiful hymn arranged here for Solo English Horn and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo English Horn and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.29 €
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Cor anglais, Piano
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel Hymn for English Horn and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by John N…
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo Flute and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Flute and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203Amazing Grace is a beautiful hymn arranged here for Solo Flute and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Flute and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.29 €
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Flûte traversière et Piano
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel Hymn for Flute and Piano
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Clarinet and Bass Clarinet Duet
2 Clarinettes (duo)
Clarinet and Bass Clarinet Duet - Intermediate - Digital Download Composed by Sigfrid…
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Clarinet and Bass Clarinet Duet - Intermediate - Digital Download Composed by Sigfrid Mogulesko. Arranged by David McKeown. Israeli, Klezmer, Hanukkah, Wedding, Bar or Bat Mitzvah. Score. 4 pages. Published by David McKeown
Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Bass Clarinet.<br> <br> Often shortened to “Mazel Tov”, it is thought that the song was written by Sigmund “Zelig” Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.<br> <br> Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Bass Clarinet.<br> <br> Often shortened to “Mazel Tov”, it is thought that the song was written by Sigmund “Zelig” Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.<br> <br> Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.
$3.99
3.67 €
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2 Clarinettes (duo)
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Clarinet and Bass Clarinet Duet
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Clarinet Duet
2 Clarinettes (duo)
Clarinet Duet - Intermediate - Digital Download Composed by Sigfrid Mogulesko. Arrang…
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Clarinet Duet - Intermediate - Digital Download Composed by Sigfrid Mogulesko. Arranged by David McKeown. Israeli, Klezmer, Hanukkah, Wedding, Bar or Bat Mitzvah. Score. 4 pages. Published by David McKeown
Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for two Clarinets.<br> <br> Often shortened to “Mazel Tov”, it is thought that the song was written by Sigmund “Zelig” Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.<br> <br> Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of this duet.Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for two Clarinets.<br> <br> Often shortened to “Mazel Tov”, it is thought that the song was written by Sigmund “Zelig” Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.<br> <br> Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of this duet.
$3.99
3.67 €
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2 Clarinettes (duo)
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Clarinet Duet
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David McKeown
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SheetMusicPlus
Shlof Mein Kind, Jewish Lullaby for Violin and Viola Duet
Violon, Alto (duo)
String Duet, Violin and Viola Duet - Intermediate - Digital Download Composed by Shol…
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String Duet, Violin and Viola Duet - Intermediate - Digital Download Composed by Sholem Aleichem. Arranged by David McKeown. Jewish, Israeli, Klezmer, Hanukkah, Bar or Bat Mitzvah. Score. 3 pages. Published by David McKeown
Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Viola.<br> <br> There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the “Tevye” short stories, which later inspired the musical “Fiddler on the Roof”.<br> <br> Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Viola.<br> <br> There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the “Tevye” short stories, which later inspired the musical “Fiddler on the Roof”.<br> <br> Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.
$3.99
3.67 €
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Violon, Alto (duo)
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullaby for Violin and Viola Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Flute and Clarinet Duet
Flûte, Clarinette (duo)
Composed by Traditional. Arranged by David McKeown. Folk, Israeli, Klezmer, Hanukkah…
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Composed by Traditional. Arranged by David McKeown. Folk, Israeli, Klezmer, Hanukkah, Bar or Bat Mitzvah. Score. 6 pages. Published by David McKeown
7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Clarinet.<br> <br> It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.<br> <br> 7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Clarinet.<br> <br> It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.<br> <br> 7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.
$3.99
3.67 €
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Flûte, Clarinette (duo)
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Traditional
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David McKeown
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7.40pm, Traditional Klezmer tune for Flute and Clarinet Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Clarinet and Violin Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589307 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022219. Published by David McKeown (A0.589307). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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Clarinette, Violon (duo)
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Flute and Violin Duet
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589316 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022241. Published by David McKeown (A0.589316). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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Flûte, Violon
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Flute and Violin Duet
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David McKeown
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SheetMusicPlus
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